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The Empty Space: A Book About the Theatre: Deadly, Holy, Rough, Immediate Paperback – December 1, 1995
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In this seminal and iconoclastic book, groundbreaking director and cofounder of the Royal Shakespeare Company Peter Brook draws on a life in love with the stage to explore the issues facing a theatrical performance. He describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht’s revolutionary alienation technique to the free form Happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Along the way, Brook provides theatre-makers with an indispensable guide to creating exhilarating and fresh performances.
Passionate, unconventional, and fascinating, The Empty Space shows how theatre defies rules, builds and shatters illusions, and creates lasting memories for its audiences.
Amazon.com Review
Review
“Peter Brook has written a book that is really about the theater. When he speaks about himself, it is with a view to impart ideas pertinent to craftsmen, serious playgoers and critics alike…What I treasure most in the book is that it always harks back to the artistic, social psychological, practical bases of the theater as a concern of cultural significance.” –Harold Clurman, The New York Times Book Review
“This is a brilliant book, and should be read by many besides the passionate few to whom it will be required reading.”–W. A. Darlington, The Daily Telegraph (London)
“Theatergoers who care about the nature and destination of contemporary drama will be drawn to The Empty Space with ravenous interest.” –Time
“The parts of the book which I enjoyed without reservation were Brook’s brief but marvelous analyses of Shakespeare’s King Lear and Measure for Measure, two plays of which he has made outstandingly the best production of our day.” –Tyrone Guthrie, The Minneapolis Star
"A classic...a hugely influential analysis of the problems confronting contemporary theatre. It's a powerful expression of the belief that it is performance, not a play text in the abstract, that is the essence of stage art."–Paul Taylor, The Independent
“Since there is no one on the theatrical scene quite like Brook, there is no other book quite like this one. A must for any and every college library."–Choice
About the Author
- Print length144 pages
- LanguageEnglish
- Publication dateDecember 1, 1995
- Dimensions5.31 x 0.5 x 8.5 inches
- ISBN-100689705581
- ISBN-13978-0684829579
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Product details
- ASIN : 0684829576
- Publisher : Scribner; Reprint edition (December 1, 1995)
- Language : English
- Paperback : 144 pages
- ISBN-10 : 0689705581
- ISBN-13 : 978-0684829579
- Item Weight : 4.4 ounces
- Dimensions : 5.31 x 0.5 x 8.5 inches
- Best Sellers Rank: #128,770 in Books (See Top 100 in Books)
- #30 in Performing Arts History & Criticism
- #38 in Theater Direction & Production (Books)
- #46 in Stagecraft (Books)
- Customer Reviews:
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a genius director. His view of NYC theatre being deadly
is, in my experience working off off B'way theater, is spot on.
NYC theatre is dead and getting deader since all the
young actors and directors are being trained by studios who are
living in the past. NYC theatre is at the same dead level
as it was in the 30s, 40s and 50s when The Theatre of the
Absurd playwrights- Beckett, Genet, Pinter, Onesco, Albee
and is described by Andre Gregory and Wally Shawn in their
classic film My Dinner With Andre, that NYC theatre is controlled
by a conspiracy of commercial interests based on money which
keeps the audience bored and asleep because if you are asleep
you can't say no!
However, despite being 52 years since its original publishing, The Empty Space identifies many challenging questions about the theatre that are still applicable today. It's a very contemplative piece that warrants occasional pause and process.
However, despite being 52 years since its original publishing, The Empty Space identifies many challenging questions about the theatre that are still applicable today. It's a very contemplative piece that warrants occasional pause and process.
Filled with wonderful antedotes and so much useful information you'll want to read it twice to make sure you get everything out of it.
I highly recommend this to anyone serious about the theatre, both in performing or directing.









