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The End of Advertising: Why It Had to Die, and the Creative Resurrection to Come Hardcover – June 13, 2017

3.9 out of 5 stars 90 ratings

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A recovering Mad Man throws down the ultimate challenge to his profession: Innovate or die.

The ad apocalypse is upon us. Today millions are downloading ad-blocking software, and still more are paying subscription premiums to avoid ads. This $600 billion industry is now careening toward outright extinction, after having taken for granted a captive audience for too long, leading to lazy, overabundant, and frankly annoying ads. Make no mistake, Madison Avenue: Traditional advertising, as we know it, is over. In this short, controversial manifesto, Andrew Essex offers both a wake-up call and a road map to the future.

In
The End of Advertising, Essex gives a brief and pungent history of the rise and fall of Adland—a story populated by snake-oil salesmen, slicksters, and search-engine optimizers. But his book is no eulogy. Instead, he boldly challenges global marketers to innovate their way to a better ad-free future. With trenchant wit and razor-sharp insights, he presents an essential new vision of where the smart businesses could be headed—a broad playing field where ambitious marketing campaigns provide utility, services, gifts, patronage of the arts, and even blockbuster entertainment. In this utopian landscape, ads could become so enticing that people would pay—yes, pay—to see them.

Praise for The End of Advertising

“New York media types aren’t quick to pass up a party, even one celebrating a book that predicts their demise. . . . The future of marketing will need to rely on creative, innovative models, Mr. Essex wrote, pointing to
The Lego Movie and New York’s Citi Bike bicycle-share program as promising examples.”The New York Times

“A rabble-rousing indictment of the ad industry from one of its own. Essex predicts that success will depend less on the ability to annoy and more on the capacity to create and entertain.”
—Adam Grant, New York Times bestselling author of Originals and Give and Take

“Fresh and timely, 
The End of Advertising is an eye-opening take on the current media landscape. And along with it, Essex provides a road map for how brands can reinvent themselves and navigate this new world.”—Arianna Huffington

“In this dynamic little book, Essex challenges brands—even those of us who pride ourselves on thinking outside the box—to think bigger still. He’s got me thinking.”
—Neil Blumenthal, co-founder of Warby Parker

“Mandatory reading for anyone who wants to get a message across in this age of authenticity.”
—Alexis Ohanian, co-founder, Reddit
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Editorial Reviews

Review

“New York media types aren’t quick to pass up a party, even one celebrating a book that predicts their demise. . . . The future of marketing will need to rely on creative, innovative models, Mr. Essex wrote, pointing to The Lego Movie and New York’s Citi Bike bicycle-share program as promising examples.”The New York Times
 
 
“[Essex] argues that advertising as we know it is already in its death throes, [forcing] some companies . . . to recognize that consumers can now bypass anything that doesn’t offer value. Some of the results that he praises seem visionary. . . . As Essex succinctly demonstrates, since consumers will continue to buy and companies still have large budgets to promote, ingenuity can find a way to promote value.”
Kirkus Reviews

“[Andrew] Essex’s extended soliloquy on advertising’s past, present, and future is informative and enjoyable.”
Publishers Weekly

“A rabble-rousing indictment of the ad industry from one of its own. Essex predicts that success will depend less on the ability to annoy and more on the capacity to create and entertain.”
—Adam Grant, New York Times bestselling author of Originals and Give and Take

“Fresh and timely, 
The End of Advertising is an eye-opening take on the current media landscape. And along with it, Essex provides a road map for how brands can reinvent themselves and navigate this new world.”—Arianna Huffington

“In this dynamic little book, Essex challenges brands—even those of us who pride ourselves on thinking outside the box—to think bigger still. He’s got me thinking.”
—Neil Blumenthal, co-founder of Warby Parker

“In this quick and compelling read, Essex presents a bracing view of a future that can’t get here soon enough. 
The End of Advertising should be mandatory reading for anyone who wants to get a message across in this age of authenticity.”—Alexis Ohanian, co-founder, Reddit

About the Author

Andrew Essex is the CEO of Tribeca Enterprises, parent company of the Tribeca Film Festival. Prior to that, he was the CEO of celebrated advertising agency Droga5. The firm won multiple “Agency of the Year” awards and has been praised in The New York Times, New York magazine, and The Guardian, which dubbed it “the most exciting agency on the planet.” Essex serves on the board of the American Advertising Federation and is the co-author of Chasing Cool with former Barneys CEO Gene Pressman and former Noise CEO Noah Kerner, and Le Freak with Nile Rodgers.

Product details

  • ASIN ‏ : ‎ 0399588515
  • Publisher ‏ : ‎ Random House
  • Publication date ‏ : ‎ June 13, 2017
  • Language ‏ : ‎ English
  • Print length ‏ : ‎ 240 pages
  • ISBN-10 ‏ : ‎ 9780399588518
  • ISBN-13 ‏ : ‎ 978-0399588518
  • Item Weight ‏ : ‎ 9.6 ounces
  • Dimensions ‏ : ‎ 5.07 x 0.88 x 7.54 inches
  • Best Sellers Rank: #1,779,886 in Books (See Top 100 in Books)
  • Customer Reviews:
    3.9 out of 5 stars 90 ratings

About the author

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Andrew Essex
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Andrew Essex is the former Chief Executive officer of Tribeca Enterprises, a multi-platform storytelling company based in New York City, and the parent company of the Tribeca Film Festival. Until 2015, Andrew Essex was the Vice Chairman and founding CEO of Droga5, arguably the most celebrated creative agency on the planet, which was acquired by the William Morris Endeavor talent agency in 2013. In addition to winning multiple “Agency of the Year” awards, Droga5 has been featured in New York magazine, the New York Times, and the New York Observer. Andrew sits on the board of The American Advertising Federation, the iHeart Media Creative Advisory Counsel, Plus Pool, the Internet Advertising Bureau, and is a frequent public speaker on media, marketing and monetization strategies. He is an advisor to the White House American Office of Innovation and the Wharton SEI Center for Advanced Studies in Management. He serves as an angel investor and advisors for myriad disruptive technology and consumer packaged good firms.

Prior to his role overseeing what The Guardian called “the most exciting agency on the planet,” he was an award-winning journalist and founding editor-in-chief of Absolute magazine, the acclaimed luxury lifestyle publication, which was named “one of the 50 Best Magazines in America” by the Chicago Tribune. Before running Absolute, Essex was the executive editor of Details magazine from 2000-2004, and its liaison to Madison Avenue. In that period the American Society of Magazine Editors (ASME) nominated the magazine for three General Excellence awards, along with multiple awards for Design and Photography, and repeat appearances on Ad Age’s “Hot List.”

Andrew has also held editorial posts, among other publications, at Entertainment Weekly, Salon.com, and The New Yorker, and served as a consultant for the launch of US Weekly magazine. He has served as a television commentator for ABC, CNN, Anderson Cooper, The View, FOX News, CNBC, E!, and Court TV. His writing—from cover profiles of the most interesting public figures of our time to long-form features to critical reviews—has been published in The New Yorker, The New York Times, The New York Times Magazine, Rolling Stone, Outside, Entertainment Weekly, Elle, Harper’s Bazaar, Food & Wine, Allure, Interview, the Village Voice, the American Book Review, and Details. He is author of “The End of Advertising: Why It Had to Die and the Creative Resurrection to Come” and the co-author of three books: "A Very Public Offering: The Story of the Globe.com,” “Chasing Cool,” with former Barney’s CEO Gene Pressman, and “Le Freak: An Upside Down Story of Family, Disco and Destiny,” with celebrated musician Nile Rodgers. Essex has an MA in American Literature from New York University. He lives with his wife and two children in Dumbo.

Customer reviews

3.9 out of 5 stars
90 global ratings

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Top reviews from the United States

  • Reviewed in the United States on December 10, 2018
    This is a very poignant book about the state of affairs in the ad biz. There is a major paradigm shift and people better figure out how to adapt to new forms of advertising or they will wither and die!
  • Reviewed in the United States on October 14, 2019
    A more appropriate title would be: The End of SOME Channels of Advertising, The Emergence of Others, but that wouldn't sell. I mean, give the author some space for hyperbole; he is an ad man.
    The brunt of the book is that new technologies (digital recording, ad blockers, streaming services) are constraining established forms of advertising, and it's time to look for more innovative ways to promote the product.
    Mr. Essex offers some great examples of how to do this (Citi Bike, for one). What would be cool is if there was some book (I'm betting there is) that gives us a way to discover those new channels; perhaps offering a process on how we might ferret out new channels for advertising delivery, instead of having to rely on someone's brilliance.
    At any rate, I enjoyed the discussion (although the Ten Comm-Ad-ments at the end were a bit preachy), and I would recommend to anyone in advertising (or anywhere else) that has confronted these issues.
  • Reviewed in the United States on August 12, 2017
    I like the ideas but not sure it's practical enough to get implemented by many corporations.
    One person found this helpful
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  • Reviewed in the United States on June 25, 2017
    Glib and chirpy, written in a way that's as annoying as the advertising it decries, this slim, vastly overpriced little volume is more like a TED talk, but without the supporting graphics. At best, it's an article in USA Today.
    10 people found this helpful
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  • Reviewed in the United States on June 16, 2017
    Excellent history and big picture of advertising, very well written, with prescriptions to fix it to boot. I'm buying copies to give to execs who need it.
    3 people found this helpful
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  • Reviewed in the United States on October 19, 2017
    Still reading it...very good so far. A lot of forward thinking common sense.
  • Reviewed in the United States on July 25, 2017
    “Be the thing. Not the thing that sells the thing.” Required reading and I wish I’d read it sooner.

    1 more word required.
    2 people found this helpful
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  • Reviewed in the United States on April 8, 2017
    Amazon Vine Customer Review of Free Product( What's this? )
    Media was once a platform for serious news reporting & commentary. It was subsidized under the postal services by the likes of George Washing, Thomas Jefferson and James Madison. The private sector and/or the private foundation sector; using advertising as a platform has decidedly failed. Any pay wall 21st Century attempts are, are likewise a failure. The magical market has driven news into the entertainment/state propaganda arena. Even sports, the one area the author touts as an advertising success story, has been corrupted by big entertainment/big bucks. No matter how many ways the talented Andrew Essex tries to paint lipstick on the advertising pig; it's still a pig. More accurately, a well-fed hog. Soon to go feral Hogzilla, in Trump's no-regulation-corporate fascism-extravaganza.
    The author expertly presents a well researched argument in discussing; not only the subject of advertising itself, its history, and the many facets that go into its overall product line in relation to media itself; it is his prognosis: the end of advertising, that aptly shines. Another factor, adding flavor to this colorful subject matter, are his brazenly flavored metaphors: they eradicate them like bison from the prairie; like an obsessed former lover in need of a restraining order; with the ease of a dermatologist's scalpel swiping a mole; those infuriating pop-up ads that are Brandland's equivalent of biting flies; the incumbent media industry's cracklike addiction to ad revenue; and many, many more.
    The book is in three parts: Adblockalypse Now: The Beginning of the End; Advertising Origins: Floating Soap, Snake Oil, and Smack; and The Future of Advertising: Bikes, Blocks, Buildings , Boats-Because Adding Value Is Everything.
    I don't think the author has any sense of the privatization that is occurring now at a fast & furious pace; made possible by deregulation and the so-called private-public partnerships. Citibank led the way to repealing Glass-Steagall, enabling the 2008 crash and its subsequent international bank bailout in the trillions. He brags about the trillion dollar ad industry; which is just as extractive as the private banking cartels that are sucking the real economy dry[J is For Junk Economics: A Guide To Reality In An Age of Deception, 2017 and Killing the Host: How Financial Parasites and Debt Destroy the Global Economy both by Michael Hudson.
    His section on the pharmaceutical industry show an intriguing part of advertising's unique heritage in the non-regulatory first gilded age, which is now being mirrored by our current one: gift for slinging snake oil; quack remedies and so-called patent medicines, rogue products; generously laced with opium; celebrity endorsement; fused with carnival barkers; excel at crafting bold lies; individual MDs were targeted and taught-just as they are today by modern pharmaceutical companies-how to directly prescribe patients; cocoa leaf puts go into tired brains and weary bodies; a valuable Brain Tonic; Bayer/Monsanto the world's largest pharmaceutical and pesticide conglomerate; heroine, a synthetic cough medicine ten times more effective than the current remedies; leveraged authenticity wrapped in utility almost always works; and many, many more similarities.
    There is a cornucopia herein on the advertising industry. An informative & entertaining read.
    Another part I savored concerned ad lingo: infobesity; Peak TV; OOH/Out of Home; bad-vertising; wild-posting; native advertising; spots and dots; telling isn't selling; brand-love equal brand dollars; and many, many more.

    Still, the overall take away for myself is that the corporate press is no press at all; with, or without advertising.
    2 people found this helpful
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