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The End of Advertising: Why It Had to Die, and the Creative Resurrection to Come Hardcover – June 13, 2017
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The ad apocalypse is upon us. Today millions are downloading ad-blocking software, and still more are paying subscription premiums to avoid ads. This $600 billion industry is now careening toward outright extinction, after having taken for granted a captive audience for too long, leading to lazy, overabundant, and frankly annoying ads. Make no mistake, Madison Avenue: Traditional advertising, as we know it, is over. In this short, controversial manifesto, Andrew Essex offers both a wake-up call and a road map to the future.
In The End of Advertising, Essex gives a brief and pungent history of the rise and fall of Adland—a story populated by snake-oil salesmen, slicksters, and search-engine optimizers. But his book is no eulogy. Instead, he boldly challenges global marketers to innovate their way to a better ad-free future. With trenchant wit and razor-sharp insights, he presents an essential new vision of where the smart businesses could be headed—a broad playing field where ambitious marketing campaigns provide utility, services, gifts, patronage of the arts, and even blockbuster entertainment. In this utopian landscape, ads could become so enticing that people would pay—yes, pay—to see them.
Praise for The End of Advertising
“New York media types aren’t quick to pass up a party, even one celebrating a book that predicts their demise. . . . The future of marketing will need to rely on creative, innovative models, Mr. Essex wrote, pointing to The Lego Movie and New York’s Citi Bike bicycle-share program as promising examples.”—The New York Times
“A rabble-rousing indictment of the ad industry from one of its own. Essex predicts that success will depend less on the ability to annoy and more on the capacity to create and entertain.”—Adam Grant, New York Times bestselling author of Originals and Give and Take
“Fresh and timely, The End of Advertising is an eye-opening take on the current media landscape. And along with it, Essex provides a road map for how brands can reinvent themselves and navigate this new world.”—Arianna Huffington
“In this dynamic little book, Essex challenges brands—even those of us who pride ourselves on thinking outside the box—to think bigger still. He’s got me thinking.”—Neil Blumenthal, co-founder of Warby Parker
“Mandatory reading for anyone who wants to get a message across in this age of authenticity.”—Alexis Ohanian, co-founder, Reddit
- Print length240 pages
- LanguageEnglish
- PublisherRandom House
- Publication dateJune 13, 2017
- Dimensions5.07 x 0.88 x 7.54 inches
- ISBN-109780399588518
- ISBN-13978-0399588518
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Editorial Reviews
Review
“[Essex] argues that advertising as we know it is already in its death throes, [forcing] some companies . . . to recognize that consumers can now bypass anything that doesn’t offer value. Some of the results that he praises seem visionary. . . . As Essex succinctly demonstrates, since consumers will continue to buy and companies still have large budgets to promote, ingenuity can find a way to promote value.”—Kirkus Reviews
“[Andrew] Essex’s extended soliloquy on advertising’s past, present, and future is informative and enjoyable.”—Publishers Weekly
“A rabble-rousing indictment of the ad industry from one of its own. Essex predicts that success will depend less on the ability to annoy and more on the capacity to create and entertain.”—Adam Grant, New York Times bestselling author of Originals and Give and Take
“Fresh and timely, The End of Advertising is an eye-opening take on the current media landscape. And along with it, Essex provides a road map for how brands can reinvent themselves and navigate this new world.”—Arianna Huffington
“In this dynamic little book, Essex challenges brands—even those of us who pride ourselves on thinking outside the box—to think bigger still. He’s got me thinking.”—Neil Blumenthal, co-founder of Warby Parker
“In this quick and compelling read, Essex presents a bracing view of a future that can’t get here soon enough. The End of Advertising should be mandatory reading for anyone who wants to get a message across in this age of authenticity.”—Alexis Ohanian, co-founder, Reddit
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Stern was throwing a hissy fit because he’d just heard about an inspired technology called AdBlock Plus, an ingenious app specifically conceived, as its not especially inspired name suggested, to block ads, to eradicate them like bison from the prairie, to disappear them once and for all from your online ecosystem.
By simply downloading the AdBlock extension to Chrome, Safari, or any other popular browser, one could be forever liberated from such noxious pollutants as “pre-roll” and “banners,” those (mostly) annoying promotional videos and (almost always) irksome boxes that contaminate most people’s Web experience.
“I fucking hate ads on the Internet,” Stern raged. He’s a man who expects to be on top of technology, and who pays others well for the privilege. Having discovered that AdBlock had in fact been around for years (as had several rivals, not to mention a host of platforms conceived to bypass ads that date back to TiVo), he was reaming his IT team with the wrath of a thirsty man who’d just lost his directions to the oasis. “I’m sitting through these ads and you’re telling me there’s a way to AVOID them?!”
That Stern’s radio show is in fact lousy with ads created a certain eyebrow-raising dissonance, but I suspect few listeners disagreed with the sentiment. After all, people may love brands, but nobody actually likes advertising (except on Super Bowl Sunday, the high holiday of my former industry).
But ads were just a fact of life, right, like the common cold? Insufferable and incurable and as entrenched in our media picnic basket as apple pie. Long before the Internet, when “appointment” TV ruled the land, commercials—minus about fifty iconic exceptions from 1948 to 1984—had long been a form of capitulation, a necessary evil endured by consumers in exchange for the free content they’d actually come to see. Most of us understood on some level that this was how the rent was paid, but no one was especially happy about it.
Stern surely intuited that shitting on advertising was pure populist red meat, something everybody could agree on, a gift-wrapped insight he could milk for twenty minutes of airtime, or until the next Squatty Potty spot.
Our story might end there, a momentary wormhole in the church-and-state wall between media and marketing, were it not for the fact that Stern wasn’t the only ad-supported executive expressing irony-free disdain for commercial interruption that strange summer. If he had considered events from earlier that June, Stern would’ve found himself in common cause with an unlikely bedfellow: Larry Page, CEO and cofounder of Google, aka Alphabet.
At Google’s 2015 annual shareholder meeting, Page reportedly told marketers that they needed to “get better at producing ads that are less annoying” (italics mine), and that he had no intention of interfering with the rise of ad-blocking technology on Google’s ubiquitous Chrome browser. Which was odd, given that YouTube, a Google subsidiary, had cleared $1.13 billion in ad revenue in 2014, according to The Wall Street Journal, a windfall generated by the very same ads that Larry Page, Howard Stern—and, let’s be honest, pretty much anyone with a pulse—didn’t like very much.
Odder still was that the dream of a world filled with less annoying ads had been around for a very, very long time—decades, actually—albeit elusively. A 1969 survey determined that 51 percent of all young people between the ages of fourteen and twenty-five found television advertising—wait for it—annoying. It should be mentioned that the Magazine Publishers of America, who claimed, conveniently, that only 13 percent of the population were annoyed by magazine ads, conducted this ’69 survey
At any rate, here in the twenty-first century, where one had to search long and hard for a single fourteen-to twenty-five-year-old who’d ever watched appointment TV or read a magazine, Google clearly appeared conflicted. Yes, the company had profited handsomely from Internet advertising, but boy, was that advertising annoying. Yes, people needed to sell things; serving ads to large audiences was historically how marketers moved the merch. Search, where Google made its big money, was one thing, and who could truly dislike the pure utility of search? (Even though search results are often paid, i.e., advertising.)
But those hateful pre-roll ads on YouTube (which were more annoying, and also less profitable to Google, than its search revenue), and those dreaded banner ads that stalked one around the Internet like an obsessed former lover in need of a restraining order? Oy, well, now those were clearly doing harm (a violation of the company’s infamous “Don’t be evil” edict), the proof being that millions of people and one celebrity DJ were stampeding to download software deliberately conceived to escape them.
Product details
- ASIN : 0399588515
- Publisher : Random House
- Publication date : June 13, 2017
- Language : English
- Print length : 240 pages
- ISBN-10 : 9780399588518
- ISBN-13 : 978-0399588518
- Item Weight : 9.6 ounces
- Dimensions : 5.07 x 0.88 x 7.54 inches
- Best Sellers Rank: #1,779,886 in Books (See Top 100 in Books)
- #278 in Global Marketing (Books)
- #1,274 in Advertising (Books)
- #4,117 in Popular Culture in Social Sciences
- Customer Reviews:
About the author

Andrew Essex is the former Chief Executive officer of Tribeca Enterprises, a multi-platform storytelling company based in New York City, and the parent company of the Tribeca Film Festival. Until 2015, Andrew Essex was the Vice Chairman and founding CEO of Droga5, arguably the most celebrated creative agency on the planet, which was acquired by the William Morris Endeavor talent agency in 2013. In addition to winning multiple “Agency of the Year” awards, Droga5 has been featured in New York magazine, the New York Times, and the New York Observer. Andrew sits on the board of The American Advertising Federation, the iHeart Media Creative Advisory Counsel, Plus Pool, the Internet Advertising Bureau, and is a frequent public speaker on media, marketing and monetization strategies. He is an advisor to the White House American Office of Innovation and the Wharton SEI Center for Advanced Studies in Management. He serves as an angel investor and advisors for myriad disruptive technology and consumer packaged good firms.
Prior to his role overseeing what The Guardian called “the most exciting agency on the planet,” he was an award-winning journalist and founding editor-in-chief of Absolute magazine, the acclaimed luxury lifestyle publication, which was named “one of the 50 Best Magazines in America” by the Chicago Tribune. Before running Absolute, Essex was the executive editor of Details magazine from 2000-2004, and its liaison to Madison Avenue. In that period the American Society of Magazine Editors (ASME) nominated the magazine for three General Excellence awards, along with multiple awards for Design and Photography, and repeat appearances on Ad Age’s “Hot List.”
Andrew has also held editorial posts, among other publications, at Entertainment Weekly, Salon.com, and The New Yorker, and served as a consultant for the launch of US Weekly magazine. He has served as a television commentator for ABC, CNN, Anderson Cooper, The View, FOX News, CNBC, E!, and Court TV. His writing—from cover profiles of the most interesting public figures of our time to long-form features to critical reviews—has been published in The New Yorker, The New York Times, The New York Times Magazine, Rolling Stone, Outside, Entertainment Weekly, Elle, Harper’s Bazaar, Food & Wine, Allure, Interview, the Village Voice, the American Book Review, and Details. He is author of “The End of Advertising: Why It Had to Die and the Creative Resurrection to Come” and the co-author of three books: "A Very Public Offering: The Story of the Globe.com,” “Chasing Cool,” with former Barney’s CEO Gene Pressman, and “Le Freak: An Upside Down Story of Family, Disco and Destiny,” with celebrated musician Nile Rodgers. Essex has an MA in American Literature from New York University. He lives with his wife and two children in Dumbo.
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- Reviewed in the United States on December 10, 2018This is a very poignant book about the state of affairs in the ad biz. There is a major paradigm shift and people better figure out how to adapt to new forms of advertising or they will wither and die!
- Reviewed in the United States on October 14, 2019A more appropriate title would be: The End of SOME Channels of Advertising, The Emergence of Others, but that wouldn't sell. I mean, give the author some space for hyperbole; he is an ad man.
The brunt of the book is that new technologies (digital recording, ad blockers, streaming services) are constraining established forms of advertising, and it's time to look for more innovative ways to promote the product.
Mr. Essex offers some great examples of how to do this (Citi Bike, for one). What would be cool is if there was some book (I'm betting there is) that gives us a way to discover those new channels; perhaps offering a process on how we might ferret out new channels for advertising delivery, instead of having to rely on someone's brilliance.
At any rate, I enjoyed the discussion (although the Ten Comm-Ad-ments at the end were a bit preachy), and I would recommend to anyone in advertising (or anywhere else) that has confronted these issues.
- Reviewed in the United States on August 12, 2017I like the ideas but not sure it's practical enough to get implemented by many corporations.
- Reviewed in the United States on June 25, 2017Glib and chirpy, written in a way that's as annoying as the advertising it decries, this slim, vastly overpriced little volume is more like a TED talk, but without the supporting graphics. At best, it's an article in USA Today.
- Reviewed in the United States on June 16, 2017Excellent history and big picture of advertising, very well written, with prescriptions to fix it to boot. I'm buying copies to give to execs who need it.
- Reviewed in the United States on October 19, 2017Still reading it...very good so far. A lot of forward thinking common sense.
- Reviewed in the United States on July 25, 2017“Be the thing. Not the thing that sells the thing.” Required reading and I wish I’d read it sooner.
1 more word required.
- Reviewed in the United States on April 8, 2017Media was once a platform for serious news reporting & commentary. It was subsidized under the postal services by the likes of George Washing, Thomas Jefferson and James Madison. The private sector and/or the private foundation sector; using advertising as a platform has decidedly failed. Any pay wall 21st Century attempts are, are likewise a failure. The magical market has driven news into the entertainment/state propaganda arena. Even sports, the one area the author touts as an advertising success story, has been corrupted by big entertainment/big bucks. No matter how many ways the talented Andrew Essex tries to paint lipstick on the advertising pig; it's still a pig. More accurately, a well-fed hog. Soon to go feral Hogzilla, in Trump's no-regulation-corporate fascism-extravaganza.
The author expertly presents a well researched argument in discussing; not only the subject of advertising itself, its history, and the many facets that go into its overall product line in relation to media itself; it is his prognosis: the end of advertising, that aptly shines. Another factor, adding flavor to this colorful subject matter, are his brazenly flavored metaphors: they eradicate them like bison from the prairie; like an obsessed former lover in need of a restraining order; with the ease of a dermatologist's scalpel swiping a mole; those infuriating pop-up ads that are Brandland's equivalent of biting flies; the incumbent media industry's cracklike addiction to ad revenue; and many, many more.
The book is in three parts: Adblockalypse Now: The Beginning of the End; Advertising Origins: Floating Soap, Snake Oil, and Smack; and The Future of Advertising: Bikes, Blocks, Buildings , Boats-Because Adding Value Is Everything.
I don't think the author has any sense of the privatization that is occurring now at a fast & furious pace; made possible by deregulation and the so-called private-public partnerships. Citibank led the way to repealing Glass-Steagall, enabling the 2008 crash and its subsequent international bank bailout in the trillions. He brags about the trillion dollar ad industry; which is just as extractive as the private banking cartels that are sucking the real economy dry[J is For Junk Economics: A Guide To Reality In An Age of Deception, 2017 and Killing the Host: How Financial Parasites and Debt Destroy the Global Economy both by Michael Hudson.
His section on the pharmaceutical industry show an intriguing part of advertising's unique heritage in the non-regulatory first gilded age, which is now being mirrored by our current one: gift for slinging snake oil; quack remedies and so-called patent medicines, rogue products; generously laced with opium; celebrity endorsement; fused with carnival barkers; excel at crafting bold lies; individual MDs were targeted and taught-just as they are today by modern pharmaceutical companies-how to directly prescribe patients; cocoa leaf puts go into tired brains and weary bodies; a valuable Brain Tonic; Bayer/Monsanto the world's largest pharmaceutical and pesticide conglomerate; heroine, a synthetic cough medicine ten times more effective than the current remedies; leveraged authenticity wrapped in utility almost always works; and many, many more similarities.
There is a cornucopia herein on the advertising industry. An informative & entertaining read.
Another part I savored concerned ad lingo: infobesity; Peak TV; OOH/Out of Home; bad-vertising; wild-posting; native advertising; spots and dots; telling isn't selling; brand-love equal brand dollars; and many, many more.
Still, the overall take away for myself is that the corporate press is no press at all; with, or without advertising.








