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Ender's Game Alive: The Full-Cast Audioplay MP3 CD – Audiobook, MP3 Audio, Unabridged
Attention Science Fiction Fans
Man vs. machine, humans vs. aliens, paranormal activities – discover the best of science fiction with these collectible books. Learn More.
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About the Author
Born in Richland, Washington, in 1951, Orson Scott Card grew up in California, Arizona, and Utah. He lived in Brazil for two years as an unpaid missionary for the Mormon Church and received degrees from Brigham Young University and the University of Utah. The author of numerous books in several genres, Card is best known for Ender’s Game and his online magazine, Orson Scott Card’s InterGalactic Medicine Show (www.oscIGMS.com). He teaches writing and literature at Southern Virginia University and lives with his family in Greensboro, North Carolina.
Actor, screenwriter and audiobook narrator, SCOTT BRICK definitely gives new meaning to a hyphenate career with credits in film, television, stage and radio. He studied both acting and writing at UCLA, spent ten years with a traveling Shakespearean company, and then went on to become a freelance writer. In 2000, Brick ventured into narrating audiobooks and quickly found himself embraced by the audio world. He’s won numerous Earphones Awards for his narrating skills, as well as Audie Awards. AudioFile Magazine named Brick “one of the fastest-rising stars in the audiobook galaxy,” and proclaimed him a Golden Voice.
Grammy Award-winning songwriter, singer and author, Janis Ian took the stage at age fifteen with a revolutionary song about interracial relationships, "Society's Child." It was 1966 and the country responded with both hostility and accolades. The song went to #1, and Janis was caught in the maelstrom of a divided country. Terrified by the hatred directed at her, she left the music industry, only to return a few years later with the worldwide hit "At Seventeen." The story never ends--her songs are currently used by artists as diverse as Bette Midler, John Mellencamp, and Celine Dion; she tours the world regularly to sold-out crowds, and she is considered one of the pre-eminent acoustic guitarists of our era by such notables as Chet Atkins. In addition to being a songwriter, singer and musician, Janis Ian is a columnist and author. Her books include science fiction, poetry, magazine articles and opinion columns, as well as her top-selling autobiography, "Society's Child".
No Bio --This text refers to the Audio CD edition.
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Top Customer Reviews
The folks at Skyboat Media have breathed new life into an old format: the radio play. Ender's Game author, Orson Scott Card, has rewritten the novel from ground up as an audio play. I've been pretty excited about this new art form (or, at least a form pushed to new levels) ever since I became aware of the project. This is a first rate audio play.
Be fully immersed. Don't go into this like it's an audio book. You'll look for the narration to tell you where you are in the story. Here, it's done with sounds and theme and dialog and a little monologue, but not straight out narration. Let me emphasize the quality of this production. One way to bring this out is how I rip and experience this. I typically listen to audio books while mobile so I rip them. I often "save space" if I own CDs of audio books, I'll rip them at 128 Kbps. After all, spoken word doesn't have the same level of complexity as a symphony. Not this production. I rendered it with a lossless codec although around 320 variable bit rate mp3 would be fine. I listened to most of it on Grado SR 80s (quite decent cans). This is an amazing experience. They use left and right channel well with a large sound stage even while being immersed in the sound. You feel as if you're in the dialog, a part of the conversation and the action.
While content is king and the best production can't make up for bad story or lousy acting, what really sets Ender's Game Alive apart is a focused script of a great story (not a slightly edited text to account for being read aloud), terrific actors and narrators and first rate production value. They are truly boldly going where, oh wait, that's another franchise... they are pushing the edges of the audio play to new levels and Ender's Game Alive shows off the audio play at its finest.
For full review: wp.me/p2XCwQ-nw
Because MP3 CDs are not the same as typical CDs, this may or may not work in your CD player - it depends on your device. But if you have a media player (and who doesn't?), loading the MP3s into iTunes or your media player of choice is a snap on PC or Mac. The disc comes in a DVD case with a jacket, and has 21 tracks in 192 kbps, which - though compressed - sound quite clear.
Now that the meta stuff is out of the way, the actual audioplay is fascinating. Rather than a straightforward read of Ender's Game (since Rudnicki's read was so solid), the audioplay incorporates material from Card's other pieces in the Enderverse, such as some of the prequels and short stories. In some respects, the play weaves a more complicated tapestry than the novel does and gives backstory that even seasoned EG veterans might not know.
While I can't say I agree with all of the casting choices (just like in the recent movie, Ender is too old), I wouldn't say that anyone involved does a bad job. This is far and away one of the best productions of this story available (besides the novel itself). While I would certainly recommend this to fans, I would not submit this as my choice for anyone's first exposure to the story. As one might expect, the novel (and Rudnicki's read) take pride of place.
If you're a fan of the story, give this a listen. Though it does not measure up to the source material or Rudnicki's original read, it beats the movie and the graphic novels by a long shot. With its intriguing music, plausible foley work, and diverse cast, the audioplay paints a vivid picture of the scifi classic we all know and love.
The performance by the cast is really well done. I bought into every one of the performances. Readers do a great job making different voices while reading but it seems like these performances gained something since each voice was performed by a unique individual. I think this is my favorite audio performance to date.