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Ender's Shadow (The Shadow Saga Book 1) Kindle Edition
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Orson Scott Card brings us back to the very beginning of his brilliant Ender Quartet, with the novel that begins The Shadow Series and allows us to reenter Ender's world anew.
With all the power of his original creation, Ender's Shadow is Card's parallel volume to Ender's Game, a book that expands and complements the first, enhancing its power, illuminating its events and its powerful conclusion.
The human race is at War with the "Buggers", an insect-like alien race. The first battles went badly, and now as Earth prepares to defend itself against the imminent threat of total destruction at the hands of an inscrutable alien enemy, all focus is on the development and training of military geniuses who can fight such a war, and win.
The long distances of interstellar space have given hope to the defenders of Earth--they have time to train these future commanders up from childhood, forging then into an irresistible force in the high orbital facility called the Battle School.
Andrew "Ender" Wiggin was not the only child in the Battle School; he was just the best of the best. In this new book, card tells the story of another of those precocious generals, the one they called Bean--the one who became Ender's right hand, part of his team, in the final battle against the Buggers.
Bean's past was a battle just to survive. He first appeared on the streets of Rotterdam, a tiny child with a mind leagues beyond anyone else's. He knew he could not survive through strength; he used his tactical genius to gain acceptance into a children's gang, and then to help make that gang a template for success for all the others. He civilized them, and lived to grow older.
Bean's desperate struggle to live, and his success, brought him to the attention of the Battle School's recruiters, those people scouring the planet for leaders, tacticians, and generals to save Earth from the threat of alien invasion. Bean was sent into orbit, to the Battle School. And there he met Ender....
THE ENDER UNIVERSE
Ender series
Ender’s Game / Ender in Exile / Speaker for the Dead / Xenocide / Children of the Mind
Ender’s Shadow series
Ender’s Shadow / Shadow of the Hegemon / Shadow Puppets / Shadow of the Giant / Shadows in Flight
Children of the Fleet
The First Formic War (with Aaron Johnston)
Earth Unaware / Earth Afire / Earth Awakens
The Second Formic War (with Aaron Johnston)
The Swarm /The Hive
Ender novellas
A War of Gifts /First Meetings
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
- LanguageEnglish
- PublisherTor Books
- Publication dateMay 19, 2002
- File size4438 KB
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Editorial Reviews
Review
"Mr. Card writes with energy and conviction." --The New York Times Book Review
"Card is a master storyteller." --The Seattle Times
About the Author
Orson Scott Card is best known for his science fiction novel Ender's Game and it's many sequels that expand the Ender Universe into the far future and the near past. Those books are organized into the Ender Quintet, the five books that chronicle the life of Ender Wiggin; the Shadow Series, that follows on the novel Ender's Shadow and are set on Earth; and the Formic Wars series, written with co-author Aaron Johnston, that tells of the terrible first contact between humans and the alien "Buggers".
Card has been a working writer since the 1970s. Beginning with dozens of plays and musical comedies produced in the 1960s and 70s, Card's first published fiction appeared in 1977--the short story "Gert Fram" in the July issue of The Ensign, and the novelette version of "Ender's Game" in the August issue of Analog.
The novel-length version of Ender's Game, published in 1984 and continuously in print since then, became the basis of the 2013 film, starring Asa Butterfield, Harrison Ford, Ben Kingsley, Hailee Steinfeld, Viola Davis, and Abigail Breslin.
Card was born in Washington state, and grew up in California, Arizona, and Utah. He served a mission for the LDS Church in Brazil in the early 1970s. Besides his writing, he runs occasional writers' workshops and directs plays. He frequently teaches writing and literature courses at Southern Virginia University.
He is the author many sf and fantasy novels, including the American frontier fantasy series "The Tales of Alvin Maker" (beginning with Seventh Son), There are also stand-alone science fiction and fantasy novels like Pastwatch and Hart's Hope. He has collaborated with his daughter Emily Card on a manga series, Laddertop. He has also written contemporary thrillers like Empire and historical novels like the monumental Saints and the religious novels Sarah and Rachel and Leah. Card's recent work includes the Mithermages books (Lost Gate, Gate Thief), contemporary magical fantasy for readers both young and old.
Card lives in Greensboro, North Carolina, with his wife, Kristine Allen Card, He and Kristine are the parents of five children and several grandchildren.
Scott Brick has performed on film, television and radio. He appeared on stage throughout the United States in productions of Cyrano, Hamlet, Macbeth and other plays. In addition to his acting work, Scott choreographs fight sequences, and was a combatant in films including Romeo and Juliet, The Fantasticks and Robin Hood: Men in Tights. He has also been hired by Morgan Freeman to write the screenplay adaptation of Arthur C. Clarke's Rendezvous with Rama.
Scott first began narrating audiobooks in 2000, and after recording almost 400 titles in five years, AudioFile magazine named Scott a Golden Voice and "one of the fastest-rising stars in the audiobook galaxy." He has read a number of titles in Frank Herbert's bestselling Dune series, and he won the 2003 Science Fiction Audie Award for Dune: The Butlerian Jihad. He has also won over 40 AudioFile Earphones Awards. In 2007, Scott was named Publishers Weekly's Narrator of the Year.
--This text refers to an alternate kindle_edition edition.Review
“Everyone will be struck by the power of Card’s children,always more and less than human, perfect yet struggling,tragic yet hopeful, wondrous and strange.”—Publishers Weekly
“Card is always at his best, as here, when he’s writing about children: an absorbing, near flawless performance.” —Kirkus Reviews
“An exceptional work.” —School Library Journal
--This text refers to an alternate kindle_edition edition.Excerpt. © Reprinted by permission. All rights reserved.
1
Poke
“You think you’ve found somebody, so suddenly my program gets the ax?”
“It’s not about this kid that Graff found. It’s about the low quality of what you’ve been finding.”
“We knew it was long odds. But the kids I’m working with are actually fighting a war just to stay alive.”
“Your kids are so malnourished that they suffer serious mental degradation before you even begin testing them. Most of them haven’t formed any normal human bonds, they’re so messed up they can’t get through a day without finding something they can steal, break, or disrupt.”
“They also represent possibility, as all children do.”
“That’s just the kind of sentimentality that discredits your whole project in the eyes of the I.F.”
* * *
Poke kept her eyes open all the time. The younger children were supposed to be on watch, too, and sometimes they could be quite observant, but they just didn’t notice all the things they needed to notice, and that meant that Poke could only depend on herself to see danger.
There was plenty of danger to watch for. The cops, for instance. They didn’t show up often, but when they did, they seemed especially bent on clearing the streets of children. They would flail about them with their magnetic whips, landing cruel stinging blows on even the smallest children, haranguing them as vermin, thieves, pestilence, a plague on the fair city of Rotterdam. It was Poke’s job to notice when a disturbance in the distance suggested that the cops might be running a sweep. Then she would give the alarm whistle and the little ones would rush to their hiding places till the danger was past.
But the cops didn’t come by that often. The real danger was much more immediate--big kids. Poke, at age nine, was the matriarch of her little crew (not that any of them knew for sure that she was a girl), but that cut no ice with the eleven- and twelve- and thirteen-year-old boys and girls who bullied their way around the streets. The adult-size beggars and thieves and whores of the street paid no attention to the little kids except to kick them out of the way. But the older children, who were among the kicked, turned around and preyed on the younger ones. Any time Poke’s crew found something to eat--especially if they located a dependable source of garbage or an easy mark for a coin or a bit of food--they had to watch jealously and hide their winnings, for the bullies liked nothing better than to take away whatever scraps of food the little ones might have. Stealing from younger children was much safer than stealing from shops or passersby. And they enjoyed it, Poke could see that. They liked how the little kids cowered and obeyed and whimpered and gave them whatever they demanded.
So when the scrawny little two-year-old took up a perch on a garbage can across the street, Poke, being observant, saw him at once. The kid was on the edge of starvation. No, the kid was starving. Thin arms and legs, joints that looked ridiculously oversized, a distended belly. And if hunger didn’t kill him soon, the onset of autumn would, because his clothing was thin and there wasn’t much of it even at that.
Normally she wouldn’t have paid him more than passing attention. But this one had eyes. He was still looking around with intelligence. None of that stupor of the walking dead, no longer searching for food or even caring to find a comfortable place to lie while breathing their last taste of the stinking air of Rotterdam. After all, death would not be such a change for them. Everyone knew that Rotterdam was, if not the capital, then the main seaport of Hell. The only difference between Rotterdam and death was that with Rotterdam, the damnation wasn’t eternal.
This little boy--what was he doing? Not looking for food. He wasn’t eyeing the pedestrians. Which was just as well--there was no chance that anyone would leave anything for a child that small. Anything he might get would be taken away by any other child, so why should he bother? If he wanted to survive, he should be following older scavengers and licking food wrappers behind them, getting the last sheen of sugar or dusting of flour clinging to the packaging, whatever the first comer hadn’t licked off. There was nothing for this child out here on the street, not unless he got taken in by a crew, and Poke wouldn’t have him. He’d be nothing but a drain, and her kids were already having a hard enough time without adding another useless mouth.
He’s going to ask, she thought. He’s going to whine and beg. But that only works on the rich people. I’ve got my crew to think of. He’s not one of them, so I don’t care about him. Even if he is small. He’s nothing to me.
A couple of twelve-year-old hookers who didn’t usually work this strip rounded a corner, heading toward Poke’s base. She gave a low whistle. The kids immediately drifted apart, staying on the street but trying not to look like a crew.
It didn’t help. The hookers knew already that Poke was a crew boss, and sure enough, they caught her by the arms and slammed her against a wall and demanded their “permission” fee. Poke knew better than to claim she had nothing to share--she always tried to keep a reserve in order to placate hungry bullies. These hookers, Poke could see why they were hungry. They didn’t look like what the pedophiles wanted, when they came cruising through. They were too gaunt, too old-looking. So until they grew bodies and started attracting the slightly-less-perverted trade, they had to resort to scavenging. It made Poke’s blood boil, to have them steal from her and her crew, but it was smarter to pay them off. If they beat her up, she couldn’t look out for her crew now, could she? So she took them to one of her stashes and came up with a little bakery bag that still had half a pastry in it.
It was stale, since she’d been holding it for a couple of days for just such an occasion, but the two hookers grabbed it, tore open the bag, and one of them bit off more than half before offering the remainder to her friend. Or rather, her former friend, for of such predatory acts are feuds born. The two of them started fighting, screaming at each other, slapping, raking at each other with clawed hands. Poke watched closely, hoping that they’d drop the remaining fragment of pastry, but no such luck. It went into the mouth of the same girl who had already eaten the first bite--and it was that first girl who won the fight too, sending the other one running for refuge.
Poke turned around, and there was the little boy right behind her. She nearly tripped over him. Angry as she was at having had to give up food to those street-whores, she gave him a knee and knocked him to the ground. “Don’t stand behind people if you don’t want to land on your butt,“ she snarled.
He simply got up and looked at her, expectant, demanding.
“No, you little bastard, you’re not getting nothing from me,“ said Poke. “I’m not taking one bean out of the mouths of my crew, you aren’t wortha bean.”
Her crew was starting to reassemble, now that the bullies had passed.
“Why you give your food to them?” said the boy. “You need that food.”
“Oh, excuse me!” said Poke. She raised her voice, so her crew could hear her. “I guess you ought to be the crew boss here, is that it? You being so big, you got no trouble keeping the food.”
“Not me,“ said the boy. “I’m not worth a bean, remember?”
“Yeah, I remember. Maybe youought to-remember and shut up.”
Her crew laughed.
But the little boy didn’t. “You got to get your own bully,“ he said.
“I don’t getbullies, I get rid of them,“ Poke answered. She didn’t like the way he kept talking, standing up to her. In a minute she was going to have to hurt him.
“You give food to bullies every day. Give that to onebully and get him to keep the others away from you.”
“You think I never thought of that, stupid?” she said. “Only once he’s bought, how I keep him? He won’t fight for us.”
“If he won’t, then kill him,“ said the boy.
That made Poke mad, the stupid impossibility of it, the power of the idea that she knew she could never lay hands on. She gave him a knee again, and this time kicked him when he went down. “Maybe I start by killing you.”
“I’m not worth a bean, remember?” said the boy. “You kill one bully, get another to fight for you, he want your food, he scared of you too.”
She didn’t know what to say to such a preposterous idea.
“They eating you up,“ said the boy. “Eating you up. So you got to kill one. Get him down, everybody as small as me. Stones crack any size head.”
“You make me sick,“ she said.
“Cause you didn’t think of it,“ he said.
He was flirting with death, talking to her that way. If she injured him at all, he’d be finished, he must know that.
But then, he had death living with him inside his flimsy little shirt already. Hard to see how it would matter if death came any closer.
Poke looked around at her crew. She couldn’t read their faces.
“I don’t need no baby telling me to kill what we can’t kill.”
“Little kid come up behind him, you shove, he fall over,“ said the boy. “Already got you some big stones, bricks. Hit him in the head. When you see brains you done.”
“He no good to me dead,“ she said. “I want my own bully, he keep us safe, I...
From AudioFile
From the Back Cover
Andrew "Ender" Wiggin was not the only child in the Battle School; he was just the best of the best. Here is the story of another of those precocious generals, the one they called Bean -- the one who became Ender's right hand, his strategist, and his friend.
Bean's past was a battle just to survive on the streets of Rotterdam. He was a tiny child with a mind leagues beyond anyone else's. Bean's desperate struggle, and his remarkable success, brought him to the attention of the Battle School's recruiters, those people scouring the planet for leaders, tacticians, and generals to save Earth from the threat of alien invasion. Bean was sent into orbit, to the Battle School. And there he met Ender....
--This text refers to an alternate kindle_edition edition.Amazon.com Review
A Reading Guide for Ender's Game.
THE ENDER UNIVERSE
Ender's Series: Ender Wiggin: The finest general the world could hope to find or breed.
The following Ender's Series titles are listed in order: Ender's Game, Ender In Exile, Speaker for the Dead, Xenocide, Children of the Mind.
Ender's Shadow Series: Parallel storylines to Ender’s Game from Bean: Ender’s right hand, his strategist, and his friend.
The following Ender's Shadow Series titles are listed in order: Ender's Shadow, Shadow of the Hegemon, Shadow Puppets, Shadow of the Giant, Shadows in Flight.
The First Formic War Series: One hundred years before Ender's Game, the aliens arrived on Earth with fire and death. These are the stories of the First Formic War.
A War of Gifts, First Meetings.
The Authorized Ender Companion: A complete and in-depth encyclopedia of all the persons, places, things, and events in Orson Scott Card’s Ender Universe.
--This text refers to an alternate kindle_edition edition.Amazon.com Review
Second among the children is Bean, who becomes Ender's lieutenant despite the fact that he is the smallest and youngest of the Battle School students. Bean is the central character of Shadow, and we pick up his story when he is just a 2-year-old starving on the streets of a future Rotterdam that has become a hell on earth. Bean is unnaturally intelligent for his age, which is the only thing that allows him to escape--though not unscathed--the streets and eventually end up in Battle School. Despite his brilliance, however, Bean is doomed to live his life as an also-ran to the more famous and in many ways more brilliant Ender. Nonetheless, Bean learns things that Ender cannot or will not understand, and it falls to this once pathetic street urchin to carry the weight of a terrible burden that Ender must not be allowed to know.
Although it may seem like Shadow is merely an attempt by Card to cash in on the success of his justly famous Ender's Game, that suspicion will dissipate once you turn the first few pages of this engrossing novel. It's clear that Bean has a story worth telling, and that Card (who started the project with a cowriter but later decided he wanted it all to himself) is driven to tell it. And though much of Ender's Game hinges on a surprise ending that Card fans are likely well acquainted with, Shadow manages to capitalize on that same surprise and even turn the table on readers. In the end, it seems a shame that Shadow, like Bean himself, will forever be eclipsed by the myth of Ender, because this is a novel that can easily stand on its own. Luckily for readers, Card has left plenty of room for a sequel, so we may well be seeing more of Bean in the near future. --Craig E. Engler
--This text refers to an alternate kindle_edition edition.From Library Journal
John Lawson, Fairfax County Public Library, VA
Copyright 1999 Reed Business Information, Inc. --This text refers to an alternate kindle_edition edition.
From Publishers Weekly
Copyright 1999 Reed Business Information, Inc. --This text refers to an alternate kindle_edition edition.
Product details
- ASIN : B003GWX8SK
- Publisher : Tor Books; Reprint edition (May 19, 2002)
- Publication date : May 19, 2002
- Language : English
- File size : 4438 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 484 pages
- Best Sellers Rank: #46,080 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author

Orson Scott Card is the author of the novels Ender's Game, Ender's Shadow, and Speaker for the Dead, which are widely read by adults and younger readers, and are increasingly used in schools. His most recent series, the young adult Pathfinder series (Pathfinder, Ruins, Visitors) and the fantasy Mithermages series (Lost Gate, Gate Thief, Gatefather) are taking readers in new directions.
Besides these and other science fiction novels, Card writes contemporary fantasy (Magic Street, Enchantment, Lost Boys), biblical novels (Stone Tables, Rachel and Leah), the American frontier fantasy series The Tales of Alvin Maker (beginning with Seventh Son), poetry (An Open Book), and many plays and scripts, including his "freshened" Shakespeare scripts for Romeo & Juliet, The Taming of the Shrew, and The Merchant of Venice.
Card was born in Washington and grew up in California, Arizona, and Utah. He served a mission for the LDS Church in Brazil in the early 1970s. Besides his writing, he teaches occasional classes and workshops and directs plays. He frequently teaches writing and literature courses at Southern Virginia University.
Card currently lives in Greensboro, North Carolina, with his wife, Kristine Allen Card, where his primary activities are writing a review column for the local Rhinoceros Times and feeding birds, squirrels, chipmunks, possums, and raccoons on the patio.
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This book is classified as science-fiction and it holds true to it word without being one of those generic sci-fi books. The story takes place mostly in space on board a space station, and the problem and enemy are aliens from another planet. This may sound like sci-fi book but believe the book is not about the war it is about the story and the passion that it took to stand a chance in it as you see through the eyes of bean, a small boy with a big secret and get to know the other interesting, and complex children at the Space station. This book belongs to a series and believe me once you finish this book you will run to get the others. This book is another point of view and ideas then Ender's Shadow so I would suggest you read that book to get the full comparisons of these two very important and complicated characters.The book is not very easy to read but instead very enjoyable, the concepts and thoughts in this book are beyond most people's mind and figuring the problems and solutions bean faces is the most interesting and truly amazing things I find doing when reading these books. The solution the characters come up with are so brilliant that they inspire me to think they way these characters do. If you have read any of Orson Scott Card book you will not be disappointed with this one, it meets his high standards and beyond.
The very well known Ender's game book is very different compare to this one even though the characters are facing the same main problem which is why it is so amazing. While reading Ender's game I felt all of his problems and the weight placed on him and I felt many of his many emotions, but while reading Ender's Shadow I was able to see beans brilliant brain and just how smart he is while facing many problems alongside with the war like surviving in the first place. The plots of the characters are so different you would not even know that these characters are fighting against the same problem in the same place.
The plot of this story is what really touched me, because I could see it happening in front of my eyes with all of the detailed characteristics. The most important part of the plot is the beginning of the book, the story of bean and how he grew up in almost unlivable situations and survived and not only survived but thrived, this is a story of true passion and of true grit. The end of the book showed that same grit and passion, as bean goes against the aliens also known as buggers. As interesting as the plot of the book what the book is really about is very important. This book showed me that you should never give up even if it looks like you have no chance, you should never take what people think you are to heart because only you know what you are. This book also shows that success can only be achieved with grit, perseverance and determination. This message was seen throughout the book it it is truly inspiring. This is one of the greatest books I have ever read because it was so engaging and inspirational, I wanted to think like bean and be clever, smart, and never give up no matter what. After reading this book I looked at the world and at problems with a different lens, and this book has gave me or enhanced many amazing and successful traits. My brain was always thinking when I was reading this book and that lead for me reading for hours non-stop because of all the suspense and different ideas and ways. This book began with some sad scenes with glimmers of hope and that hope turned out to be one of the most amazing endings. The author is very gifted , he thinks so differently than other people that is amazing and out of this world, his thoughts and opinions alone sold me on this book. I recommend this book to everyone who thinks that they can't do anything or they are not successful, because this book is so inspiring that I think everyone has to read it and give it a try no matter the age. This book is amazing I encourage you to read it and its series, give it a try what's the worst that can happen, you read an amazing book that's the worst that can happen.
Ender's Shadow changed all that.
I'm not a sci-fi fan by any means. I can't stand Star Trek; I haven't seen Star Wars; the Alien and Predator series bore me. I don't even like Dune. In fact, up until a few months ago, Ender's Game was probably the only true sci-fi work in any medium that not only interested me, but also captivated me.
As Card says in the introduction to Ender's Shadow, Ender's Game is the story of a child's coming of age. It's something we can all relate to, and when it's mixed with a healthy dose of action, politics, and psychology, it stimulates all the areas of our minds.
That's precisely the magic that Ender's Shadow recreates. This, the story of Bean, portrays his tragic beginnings as a starved child in the streets of Rotterdam, showing us his ability to overcome adversity with the power of his gloriously intelligent mind.
Bean is far more intelligent than Ender ever was. He's truly gifted among the gifted, and Card's explanation of this and his parentage in a progressive subplot makes the tale even more gripping. Just where did Bean's brilliance come from? Who are his parents? What is Bean's role in the war against the Buggers (an antlike race apparently out to subjugate humanity)? Card seizes on that immediate difference between Bean's urchin background and Ender's picket-fence family, using that to steer Bean's story out from under Ender's Shadow (nice pun there, but it underscores how inappropriate this title is).
But of course, Bean's history is a subplot. The main plot deals with how he survives and grows in Battle School. Like Ender's, his personal struggles are not academic, but rather personal and emotional. His is the story of a child that is forced to grow up far too quickly, with a mind far too calculating and oftentimes-cold to fit well in an emotional being's body. The way Bean changes from a cunning and conniving child into a warmer and friendlier individual in an environment that stifles personal growth just to create war commanders is artfully paced, and well done.
I do dislike the resolution of the story, which seems a bit hollow (but then, there IS a followup to this novel). Since other people have spoiled this, I might as well mention that the revelation that Bean's brother was Nikolai Delphiki, who was also in his Launch Group, was too contrived and coincidental to be enjoyed. I'm not entirely sure that was necessary, since it didn't add a lot to the novel, other than to give it a cliché happy-family-reunites ending.
But that criticism is a very small one. I loved Ender's Shadow so much that I actually re-read it immediately after finishing it for the first time. This is the only novel I have ever done that with. And to put it on another list of "firsts," Ender's Shadow is the first hardcover I ever purchased, instead of counting on the library to have the paperback. Not to sound overly dramatic, but this is something I want for my children.
Bean's back story is so heartbreaking, it's almost hard to read. He is a starving street urchin in Rotterdam. But how did he get on the streets as a four year old, and who were his parents, that he should be so incredibly brilliant? The antagonist Achilles (pronounced Ah-sheel) is equally brilliantly done. The story sets up the rest of the Ender's series where the fate of the Battle School children and the wars pending on Earth after the Formic Wars is dealt with along with the rest of the story of Peter and Valentine.
The audiobook is particularly good, I have the Kindle plus Audiobook and it's the edition I'd recommend.
Top reviews from other countries
It's not quite as interesting, and it's a bit more thoughtful than the original.
In fact,there are many places in the book where it seems the author has really over-thought things, and having this level of explanation is slightly boring and can slow down the story.
However, with all that said, I quite enjoyed it. It's interesting to see Battle School and Bean from a different point of view, and it's nice to see some of the other things that go on at the same time.
The preface says this can be read first and Ender's Game second if the reader is new to these books, but I would HIGHLY RECOMMEND reading Ender's Game FIRST.
There are lots of spoilers in this book which take away lots of the fun of Ender's Game. Also, a lot of the content is only interesting if you've read EG first.
A good book, but it really is in the shadow of Ender's Game.
There are really 3 main parts to the book, Rotterdam, Battle School, The Comet. We eventually begin to discover just how unique Bean really his, who he really is, how he came to be the way he is and what a great destiny he has ahead of him, as Ender leaves Earth, Ender's greatest commander must apply his intelligence to the issues that begin to arise on Earth in the post Bugger period.
I was hooked for the entire Shadow series, where we follow the lives of Ender's Jeesh and even his brother Peter, as they grow in to adults, and it all started with this book. Go for it, you won't regret it!
I'd very happily recommend this book, in particular if you've read Ender's Game.






