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England's Newest Hitmakers

Reissued, Remastered

The Rolling Stones Format: Audio CD

4.7 734 ratings

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England’s Newest Hitmakers

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Audio CD, Original recording remastered, Original recording reissued, August 27, 2002

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Track Listings

1	Not Fade Away
2	Route 66
3	I Just Want to Make Love to You
4	Honest I Do
5	Now I've Got a Witness
6	Little by Little
7	I'm a King Bee
8	Carol
9	Tell Me
10	Can I Get a Witness
11	You Can Make It If You Try
12	Walking the Dog

Editorial Reviews

With Beatlemania and the British Invasion in full swing, the Rolling Stones were announced as "England's Newest Hit Makers." Released to coincide with their arrival in New York on June 1, 1964, where they began their first U.S. tour. Describing the album, Keith Richard said it "reflected what we used to play at the Crawdaddy - a regular diet of Jimmy Reed, Bo Diddley, Muddy Waters with some Slim Harpo. The album was the cream of the set."

Product details

Is Discontinued By Manufacturer ‏ : ‎ No
Language ‏ : ‎ English
Product Dimensions ‏ : ‎ 4.88 x 5.59 x 0.47 inches; 3.03 Ounces
Manufacturer ‏ : ‎ ABKCO
Item model number ‏ : ‎ 1982855
Original Release Date ‏ : ‎ 2002
Date First Available ‏ : ‎ July 27, 2006
Label ‏ : ‎ ABKCO
ASIN ‏ : ‎ B00006AW2P
Country of Origin ‏ : ‎ USA
Number of discs ‏ : ‎ 1

Best Sellers Rank: #6,153 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #23 in Classic Rock Supergroups
- #47 in British Invasion Rock
- #183 in Blues Rock (CDs & Vinyl)

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4.7 734 ratings

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Bertrand Stclair

not before, not since

Reviewed in the United States on August 29, 2009

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The value of this album, as a memento of the enormous impact the Stones had when they first burst upon the scene, has been amply confirmed by all and sundry here, by reviewers since 2002. I might add that, for me personally, the advent of the Stones blew the Beatles onto the backburner for ever. Lovely harmonies and weepy love sentiments were nice, but this was something else. Man, this was raw, this was adult stuff, and for a reason: most of it was written by lusty old musicians who spoke in a code about things forbidden by the "polite society" of their time. It would be a while before the white kids who first heard this figured out what "king bee" and the honey he was seeking were all about, and that "making love to you" didn't actually mean wooing a schoolgirl under the moonlight. What strikes me today is how well the album came out. There was so much snickering at the time, about none of these newfangled bands knowing how to play an instrument decently, and although the kids didn't care about that, they pretty much assumed it might be true. Well, not at all. For beginners, the boys had incredible chops. Although keith had only about three licks to his name, he did them with such abandon that they came out stellar - and don't forget that in the studio, where the screaming of girls doesn't cover your fumbling, it takes extra courage and several takes to get it right. In fact, listening to the albums that came after this one, you get the impression that he had already been made somewhat self-conscious and his solos were less adventurous in speed and just sheer reliance on luck. And no, in spite of the fact that the media had crowned Brian the geniuis of the band, he did not play those searing solos, Keith did. And while Bill's bass was yet to be given the prominence it deserved, here he already contributes to the incredibly percussive, bottom-smooth Stones sound, along with Charly. Ironically, Mick is perhaps the least Mick he would ever be. His passionate and affectless singing is on fire, but on "Can I Get a Witness" he's practically unrecognizable.
As for the virtues of the SACD version, well, there definitely are many, but they are subtle. Frankly, if you have the first version of the CD (1986, I think), you're fine too, save your dollars for a rainy day. As is very often the case with material from that era, you simply cannot create miracles out of crappy old tapes, remaster as you may: you raise the volume until your ears bleed, and inevitably, you can only do that because you have digital means of shaving off extreme top and bottom dynamics that would otherwise translate into distortion. But basically, it's the same product it always was - clearer and louder, but that is hardly the point with a primitive rocker from the sixties anyway, is it? Pandemonium is half the charm. I am thankful to the engineers for not attempting to polish this beyond recognition - the tape hiss on a few songs is worse than ever (on one song, you can hear tape deterioration), which is part of the remastering price, and they left it that way rather than massacre everything to obtain a pristine copy it was never meant to be.

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M. Hughes

Begin the Begin - Stones Start Rolling

Reviewed in the United States on January 15, 2013

Verified Purchase

I am the Stones Authority. This is where it all starts. On this record you get the best example of what was the reason this band got noticed and got signed and took off. These are many of the songs that built the Stones reputation in England in 1963. I like to pull this album to settle debates. See, my argument has always been that bad bands do not have careers that last - in fact, bad bands don't go far at all. And good bands are pretty damn good right from the start - or certainly by the time that the general public becomes aware of them. By the time they started cutting records, the Rolling Stones were already very good. I offer as proof their version of "I Just Want to Make Love to You" - the incredible tempo, the guitar chop, the vocal, the harp, the whole nine. And then there is "Route 66" - and the boys just smoke it. Then you have got "Can I Get a Witness" and "Walking the Dog", with Brian's slinky sounding guitar work, followed by Keith's Berryesque runs. These kids could play. And they were that at this point - kids. And when you listen to these albums I think it is important to keep in mind - because I think it helps seal the argument - that they generally are recording these songs live to tape, and they typically only did 3, 4 or 5 takes. No label was wasting good money on expensive studio time on an unproven product. Labels made albums as quickly and as inexpensively as possible and that meant that the band had better walk into that studio ready to record and knock it out. There weren't endless overdub sessions and separate vocal sessions. You weren't given 12 opportunities to get the guitar solo right. You couldn't disappear into a booth for half the day. There was none of that. You had to pull it off - and you had to pull it off while everyone else is blowing and going too. You had better not screw the take if everybody else pulled off their part. That is peer pressure! And albums had to sell too before you would get a chance to record another. Albums weren't released "Platinum", and they weren't released "Gold". Albums weren't recorded - let alone released - unless there was a single that proved people were at least interested. It is hard for anyone to imagine that today where this crap that passes for music is shipped platinum before anyone has even heard it or bought it. I don't know this for a fact, but chances are that this was recorded in a few days. This is the band you would have seen live in 1963 and early '64 - stepped out right onto your turntable (at the time), and onto your iPod (today). Just listen to "I'm a King Bee" or "Carol" - if you heard those songs being pulled off live in a bar today like they are being pulled off live on this recording then you would be blown away and telling everyone about this amazing group of kids just knocking it out - just killing it. You'd be telling everybody about the band you just saw. And that is exactly what happened.

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Gabriela Quiralte Porras

Indispensable para todo fan de los stones

Reviewed in Mexico on March 5, 2022

Verified Purchase

Primer album de sus satánicas majestades, varios covers, apenas un poco mas de media hora, pero sientan las bases de su peculiar estilo musical, indispensable para todo coleccionista!!

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Dmytro Yarovyi

Det var en snabb leverans!

Reviewed in Sweden on July 10, 2023

Verified Purchase

Rolling Stones - jag samlar alla CD. Nu fick jag den.

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SeaWasp

THE ROLLING STONES - ENGLAND'S NEWEST HITMAKERS *VINYL (2003 pressing)

Reviewed in Australia on April 10, 2023

Verified Purchase

This sounds very trebly to my Dumbo ears. It could be my imagination running away with me, but I think that the DSD mastering and digital enhancement only serve to bring out the inadequacies of the original rather primitive and clunky recording. It always did sound like it was recorded in somebody's garage compared to what Cliff and the Shadows or even The Beatles were putting out at the time. A shame really because it is one of my favourite Stones albums. I remember this record sounding heaps better on my old stereo with the ceramic cartridge I had when I was a kid. Be that as it may, it's a nice flat pressing and my copy is free from crackles and pops. Oh yeah, the record label says "stereo" but it is (thankfully) the proper mono pressing. The poly-lined paper inner sleeve is a plus. The only reason it doesn't get 5 stars is because I think the 2009 Mono box set pressing is better.

ｍｍ

ストーンズ

Reviewed in Japan on February 18, 2023

Verified Purchase

カッコいい。

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もうすぐジジィ

Tell Me

Reviewed in Japan on March 18, 2009

Verified Purchase

小学生の頃叔父が聞かせてくれたストーンズ。Tell Meが好きで、何度も聞いてはいましたが、このLPの他の曲は何がいいんだろうと疑問でした。

ブルースに魅せられたマセガキどもが、悶々としてこの作品を作っていった気持ちを察することが、今頃になって理解できるようになりました。

こんな黎明期を超え、見事にオリジナルスタイルへと昇華していったストーンズを理解するには必聴盤と言えます。

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