Enjoy fast, free delivery, exclusive deals, and award-winning movies & TV shows with Prime
Try Prime
and start saving today with fast, free delivery
Amazon Prime includes:
Fast, FREE Delivery is available to Prime members. To join, select "Try Amazon Prime and start saving today with Fast, FREE Delivery" below the Add to Cart button.
Amazon Prime members enjoy:- Cardmembers earn 5% Back at Amazon.com with a Prime Credit Card.
- Unlimited Free Two-Day Delivery
- Streaming of thousands of movies and TV shows with limited ads on Prime Video.
- A Kindle book to borrow for free each month - with no due dates
- Listen to over 2 million songs and hundreds of playlists
- Unlimited photo storage with anywhere access
Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period. If you're happy with Amazon Prime, do nothing. At the end of the free trial, your membership will automatically upgrade to a monthly membership.
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Essays in Idleness and Hojoki (Penguin Classics) Paperback – July 29, 2014
Purchase options and add-ons
A Penguin Classic
Both of these works on life’s fleeting pleasures are by Buddhist monks from medieval Japan, but each represents a different worldview. In Essays in Idleness, his lively and sometimes ribald collection of anecdotes, advice, and observations, Kenko displays his fascination with earthly matters. In the short memoir Hojoki, or The Ten Foot Square Hut, however, Chomei recounts his decision to withdraw from worldly affairs and live as a hermit.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
- Print length224 pages
- LanguageEnglish
- PublisherPenguin Classics
- Publication dateJuly 29, 2014
- Dimensions0.6 x 5 x 7.7 inches
- ISBN-109780141192109
- ISBN-13978-0141192109
The Amazon Book Review
Book recommendations, author interviews, editors' picks, and more. Read it now.
Frequently bought together

Similar items that may ship from close to you
Editorial Reviews
About the Author
CHOMEI (1155-1216) was born into a family of Shinto priests at at time when the stable world of the court was rapidly breaking up. He became an important poet of his day, and at the age of fifty withdrew from the world to become a tonsured monk.
MEREDITH McKINNEY (translator / introducer) is a translator of Japanese literature, both contemporary and classical, and has translated The Pillow Book and Kokoro for Penguin Classics. She lived in Japan for twenty years and is currently a visiting fellow at the Australian National University in Canberra.
Product details
- ASIN : 0141192100
- Publisher : Penguin Classics; Illustrated edition (July 29, 2014)
- Language : English
- Paperback : 224 pages
- ISBN-10 : 9780141192109
- ISBN-13 : 978-0141192109
- Item Weight : 2.31 pounds
- Dimensions : 0.6 x 5 x 7.7 inches
- Best Sellers Rank: #145,257 in Books (See Top 100 in Books)
- #264 in Philosophy Movements (Books)
- #1,577 in Short Stories Anthologies
- #35,487 in Religion & Spirituality (Books)
- Customer Reviews:
About the author

Discover more of the author’s books, see similar authors, read author blogs and more
Customer reviews
Our goal is to make sure every review is trustworthy and useful. That's why we use both technology and human investigators to block fake reviews before customers ever see them. Learn more
We block Amazon accounts that violate our community guidelines. We also block sellers who buy reviews and take legal actions against parties who provide these reviews. Learn how to report
-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
* like autumn rather than spring.
* pay attention to language.
* say things like "the testament to our birth in the human realm should be a strong urge to escape from this world. Surely there can be nothing to distinguish us from the beasts if we simply devote ourselves to greed."
* or "things that are not unpleasant in large amounts are books on a book cart, and rubbish on a rubbish heap."
* or "the best things are those that have a somewhat antique air, are unpretentious and are inexpensive but well made."
* or "if you run about the streets pretending to be a madman, then a madman is what you are."
* or "it is cruel to make people suffer and drive them to break the law, then treat the poor creatures as criminals."
* or "Phenomena and their essence are intrinsically one."
* list all the terrible consequences of drinking for a few pages... then say there's nothing quite so pleasant as drinking with a friend.
* being very intelligent, are aware of their own limitations, but do not therefore consider themselves to be as bad as everyone else.
If the world were rather more full of Kenkos, I'd be much happier in it.
The book opens with _Hojoki_, a 14-page memoir/meditation written by Kamo no Chomei in 1212. The author chooses the image of a flowing river as a starting point. Our lives are like this river, impermanent, and like the bubbles formed by the stream, fragile, transient. Chomei describes the devastation brought about by fires, floods, earthquakes, and other natural disasters. We may accumulate wealth and build luxurious houses; it is all the same, as human life is a bubble, a mirage. The spirit of the text is the same as that of the book of Ecclesiastes: all is vanity and chasing the wind. I was also reminded of Anne Bradstreet’s famous poem about the burning of her house, and in the second half of the text, of Thoreau, praising the contemplative, quiet life of the lonely hut-dweller. Readers familiar with Buddhist texts will recognize Chomei's imagery. “See this body, as fragile and transient as foam” (4.3), we read in the _Dhammapada_, which offers the Buddhist worldview in a nutshell; “the royal chariots surely come to decay / Just as the body, too, comes to decay” (11.6); there is “no galloping river like craving” (18.17); “death carries the unaware man away, / […] Much as a rampaging flood engulfs a sleeping village” (20.15). “This world,” says Chomei, “is a hard place to live, and both we and our dwellings are fragile and impermanent. […] Follow the social rules and they hem you in; fail to do, so and you are thought as good as crazy. Where can one be, what can one do, to find a little safe shelter in this world, and a little peace of mind?” (12). His answer was to retire to a 10x10 ft. hut he built himself, in which he wrote his observations on the precariousness of the human condition. The last paragraph provides an interesting twist as Chomei evaluates and interprets his own assessment of his present situation. Though dark and world-weary, _Hojoki_ is an inspiring paean to the simple life. It will speak to many readers in an age when the media creates more and more “needs” for us, even as more than half the world struggles to procure its basic human needs.
Yoshida Kenko is a more complex, ambiguous author. Dating from the 1330s, _Essays in Idleness_ conveys the Buddhadharma, but it also offers sensory descriptions and/or comments that undermine traditional Buddhist mores. This 120-page collection of impressions, opinions, and anecdotes is in dialogue with Sei Shonagon’s _The Pillow Book_ (see my review of the Penguin edition, also translated by Meredith McKinney). Kenko, in fact, makes reference to this book, and to _The Tale of Genji_ and _Tales of Ise_ (see my review), the major works of Heian literature. Like Sei, Kenko claims his work is not meant to be read: “I let my brush run on like this for my own foolish solace; these pages deserve to be torn up and discarded, after all, and are not something others will ever see” (30). The mood, like that of _Hojoki_, is mono no aware. "At times of quiet contemplation," Kenko writes, "my one irresistible emotion is an aching nostalgia for all things past” (35). The human heart is as delicate as a flower, “a fluttering blossom gone before the breeze’s touch" (34). The best way to spend one’s life, according to Kenko, is to retire from worldly affairs and to live the present moment to its fullest. The present moment may appear to have little value, like a single coin, but by accumulating present moments lived in awareness, one becomes rich (74).
Kenko, however, often surprises the reader with ideas or advice that are contrary to Buddhist teaching. This is where he differs from the more traditional, conservative Chomei. For instance, immediately after denouncing alcohol like a true Buddhist, Kenko writes: “Yet, loathsome though one finds it, there are situations when a cup of sake is hard to resist. […] All things considered, a drunkard is so entertaining he can be forgiven his sins” (107-108). Even more surprising are his views on relationships between men and women. A man should not marry, Kenko says; people inevitably grow bored of their partners, but “it keeps the relationship fresh to just drop in from time to time on impulse and spend the night” (115). One has to wonder about Kenko’s motives from withdrawing from society. Was he seeking enlightenment, or was he merely cynical? But while cynicism, and even misanthropy and misogyny, rear their ugly heads occasionally, _Essays in Idleness_ contains much wisdom. In one of my favorite passages, Kenko recommends choosing the most important thing and dedicating oneself to it. One must be like the go player, who sacrifices the small in favor of the large. “The urge to cling to one thing while grasping for another will cause the loss of both” (113).
Personally, I feel closer in spirit to Chomei than to Kenko, but I found many memorable observations in _Essays in Idleness_. At the same time, I could not help comparing the latter with _The Pillow Book_, which I feel is a superior work. I could not connect with Kenko the way I do with Sei, who is such a fascinating personality. This is the main reason why I am giving this volume four stars instead of five.
I praised Meredith McKinney’s work as translator and editor in my review of _The Pillow Book_. Her edition of Kenko and Chomei is equally admirable. Endnotes abound (468 of them, for 140 pages of primary text) but they are brief and to the point; those that clarify references to other literary works are particularly useful, as are those that discuss wordplay. In her brilliant introduction, McKinney considers the authors’ biographies and historical circumstances, the complexities of the concept of aware, and the similarities and differences between Kenko and Chomei. Also included are a drawing of Chomei’s hut, a map, and a timeline of Japanese emperors mentioned in the text, with details about their reigns.
_Essays in Idleness_ and _Hojoki_ are jewels of classical Japanese literature. They may not reach the heights of _The Pillow Book_ or the _Tales of Ise_, but they are characterized by the same attention to detail, and they constitute inspiring meditations on the impermanence of the material world. The texts are so rich that virtually all readers will find in them something worth keeping.
Next on my list of Asian literature, _Six Records of a Floating Life_, by Shen Fu.
Thanks for reading, and enjoy the book!









