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Esther's Inheritance Hardcover – November 4, 2008

by Sandor Marai (Author), George Szirtes (Translator)

43 ratings

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What is it to be in love with a pathological liar and fantasist? Esther is, and has been for more than twenty years. Lajos, the liar, married her sister, and when she died, Lajos disappeared. Or did he? And Esther? She was left with her elderly cousin, the all-knowing Nunu, and a worn old house, living a life of the most modest comforts. All is well, but all is tired.

Until a telegram arrives announcing that, after all these years, Lajos is returning with his children. The news brings both panic and excitement. While no longer young and thoroughly skeptical about Lajos and his lies, Esther still remembers how incredibly alive she felt when he was around. Lajos’s presence bewitches everyone, and the greatest part of his charm—and his danger—lies in the deftness with which he wields that delicate power. Nothing good can come of this: friends rally round, but Lajos’s arrival, complete with entourage, begins a day of high theater.

Esther’s Inheritance has the taut economy of Márai’s Embers, and presents a remarkable narrator who delivers the story as both tragedy and comedy on an intimate scale that nevertheless has archetypal power.

Print length

160 pages
Language

English
Publisher

Knopf
Publication date

November 4, 2008
Dimensions

5.25 x 0.75 x 7.75 inches
ISBN-10

1400045002
ISBN-13

978-1400045006
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Sándor Márai
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Editorial Reviews

From Publishers Weekly

Starred Review. In this spellbinding fourth novel to be published posthumously in English (after The Rebels), Márai (1900–1989) weaves a passionate tale about a woman whose chance at love is very nearly stolen from her. Harbored peaceably at her family home in middle age with a cousin as her only companion after a lifelong disappointment in love, Esther receives a telegram from her former flame, Lajos, a masterful con artist who had declared his love for Esther, but then married her younger sister, Vilma. Lajos is locally beloved and reviled, and his dazzling return—with his two grown children by Vilma (who has since died) and a mysterious other woman and her son to whom he is indebted in tow—raises dark suspicions in Esther and her relatives. Márai's characterization of Lajos through the eyes of skeptical, still smitten Esther is deliciously portentous; the deceptions woven around these characters introduce a sharp sliver of danger into the narrative, especially as Esther's reliability is called into question. Márai is a fascinating writer readers of English will want more of. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

*Starred Review* Márai is gaining a reputation among discerning fiction readers as a remarkably effective chronicler of the culture of the old Austro-Hungarian empire. He was born in that hodgepodge of a nation in 1900 and died in the U.S. in 1989. His fame in Hungary in the 1930s preceded persecution by the Communist regime, which led to his flight to the U.S. This latest novel of his to be translated into English follows the appreciatively received Casanova in Bolzano (2004) and The Rebels (2007). Like its predecessors, it is deeply psychological; little happens outwardly, the “action” generally taking place within the characters’ minds. The main character, Esther, lives with her old cousin in the rundown family home. She had a great love, the impossible Lajos, who married Esther’s sister instead, and Esther has since reached the conclusion that Lajos is a compulsive liar—but nonetheless a charming and persuasive one. In a first-person narrative, Esther recalls in vivid and gripping detail the events of the day Lajos came back into her life, and old habits on both sides fall back into place. Pristinely wrought and breathtakingly incisive. --Brad Hooper

Review

“Márai is one of the greatmodern novelists, in the same league as Gabriel García Márquez.”
—The Washington Post Book World

“Spellbinding.... A passionate tale.... Deliciously portentous: the deceptions woven around these characters introduce a sharp sliver of danger.”
—Publishers Weekly (starred review)

“Deeply psychological.... Vivid and gripping....Pristinely wrought and breathtakingly incisive.”
—Booklist (starred review)

From the Trade Paperback edition.

About the Author

Sándor Márai was born in Kassa, in the Austro-Hungarian Empire, in 1900, and died in San Diego, California, in 1989. He rose to fame as one of the leading literary novelists in Hungary in the 1930s. Profoundly antifascist, he survived the war, but persecution by the Communists drove him from the country in 1948, first to Italy, then to the United States. Embers was published in English for the first time in 2001.

Excerpt. © Reprinted by permission. All rights reserved.

1

I don’t know what else God has in store for me. But before I die I want to write down what happened the day Lajos visited me for the last time and robbed me. I have been waiting three years to set this down. Now I feel an irresistible voice urging me on, insisting I should record the events of that day—and everything I know about Lajos—because it is my duty to do so and because I don’t have much time. There’s no mistaking such a voice. That is why I obey it, in God’s name.

I am no longer young nor healthy and soon I must die. Am I still afraid of dying? . . . That Sunday when Lajos visited us for the last time, I was, among other things, cured of my fear of death. Maybe time, which has not spared me, maybe memory, which is almost as ruthless as time, maybe some peculiar grace that, as my faith teaches, is sometimes granted the undeserving and the willful, maybe simply experience and old age enable me now to gaze on death with equanimity. Life has been extraordinarily kind to me, and, just as extraordinarily, it has robbed me of everything . . . what else can happen? Die I must, because that’s how things are, and because I have fulfilled my duties.

I realize that’s a big word to use, and now that I see it written down I feel a little scared. It’s a haughty word that I shall have to answer for sometime in front of someone. How long was it before I recognized my duty and how I resisted it, screaming and protesting most desperately, before I gave in. The first time I felt death might be salvation was when I knew that death was resolution and peace. Life alone is struggle and humiliation. And what a struggle it was! Who ordered it, and why was it impossible to avoid? I did all I could to escape it. But my foe pursued me. Now I know he could do nothing about it: we are bound to our enemies, nor can they escape us.

2

If I want to be honest—and what point in writing this if I am not?—I must confess that nowhere in my life and actions can I find the least trace of that biblical fury or passion, not even of the hardness and decisiveness, that seemed to strike strangers when it came to my views about Lajos or my personal fate. “I must do my duty!”—what a firm, declamatory expression. We live . . . then one day we notice that we have “done” or “not done” our duty. I have started to think that the great, decisive moments that broadly govern our lives are far less conscious at the time than they seem later when we are reminiscing and taking stock. By that time I had not seen Lajos for twenty years, and I thought myself inured against my memories. Then one day I received his telegram, which was like an opera libretto, just as theatrical, as dangerously childish and false, as everything he had said and written to others twenty years before . . . It was so much like a declaration, so full of promises, so clearly and transparently false, false! I went out to Nunu in the garden, the telegram in my hand, stood on the veranda, and loudly announced the news.

“Lajos is coming back!”

What would my voice have sounded like? It is unlikely that I was screaming with joy. I must have spoken like a sleepwalker suddenly woken out of her sleep. I had been sleepwalking for twenty years. For twenty years I had been walking at the edge of a precipice, neatly balanced, calm and smiling. Now I had been awoken and knew the truth. But I no longer felt dizziness. There is something calming about the sense of reality, whether of life or death. Nunu was binding the roses. She looked up at me from below, from a depth, under the deep roses, blinking in the sunlight, aged and calm.

“Well, of course,” she said.

She carried on binding.

“When?” she asked.

“Tomorrow,” I answered.

“Good,” she said. “I will lock away the silver.”

I started to laugh. But Nunu remained serious. Later she sat down next to me on the concrete bench and read the telegram. “We will arrive in a car,” wrote Lajos. From the rest we concluded he was bringing his children. “There will be five of us,” the telegram continued. Chicken, milk, cream, thought Nunu. Who were the other two? we wondered. “We’ll stay till the evening,” the telegram went on to announce, followed by the kind of awful fancy talk Lajos could never resist, not even in a telegram. “Five people,” said Nunu, “arriving in the morning to leave in the evening.” Her pale old lips moved soundlessly as she counted and calculated. She was working out the cost of dinner and supper. Having done so, she said:

“I knew he’d come back sometime. But he dare not come alone now! He’s bringing support, children and strangers. But there’s nothing here anymore.”

We sat in the garden and looked at each other. Nunu thinks she knows everything about me. And maybe she does know the truth, that simple ultimate truth we dress up in so many rags all our lives. I have always found Nunu’s “omniscience” a little insulting. But she had been so good to me, and her goodness was so wise, so dry and uncomplicated. Eventually I always gave in to her. In those last years, when my life seemed to have been shrouded in an invisible damp mist, she was the torch by whose weak and gentle light I could guide my steps. I knew the visit was unlikely to have truly dangerous, terrifying consequences, just as I knew that her suggestion, on reading the first few words of the telegram, that the silver be locked away was a joke. That’s an exaggeration, I thought. Nunu is teasing me. And I knew at the same time that in the end, at the last minute, Nunu would in fact lock away the silver, and that later still, once the silver was forgotten, when we discussed the whole thing, the thing that could not be hidden, Nunu would be somewhere nearby with her keys, in her best black dress, with her wrinkles, with her silent, observant caution. But I also knew that when that moment came I would be beyond all mortal help, even Nunu’s.

But it was pointless “knowing” all this; so all of a sudden my mood lifted as if nothing threatened me. I remember, I was joking with Nunu. We were sitting in the garden listening to the intoxicated hum of late-autumnal wasps, talking quietly and for a long time of Lajos and the children, as well as of Vilma, my dead sister. Our seat was in front of the house, under the window behind whose shutters Mother had died twenty-five years before. In front of us were the lime trees and Father’s apiary, but it was all empty now. Nunu didn’t like messing about with the hives, and one day we sold all eighteen colonies. It was September, gentle, mild days. We sat there with that familiar sense of security that smacks partly of shipwreck and partly of happiness without desire. Come on now, I thought, what is there left for Lajos to take away? . . . The silver? Ridiculous idea: what were a few bent silver spoons worth? I calculated that Lajos would have passed fifty now, in fact he would have been fifty-three in the summer. It was unlikely that one could help him with silver spoons. If this kind of thing did help, let him take them. Nunu must have been thinking something similar. Then she gave a sigh and went into the house, only turning round on the veranda.

“Be careful not to spend too much time alone with him. Invite Laci, Tibor, and Uncle Endre to lunch too, just as you do every other Sunday when you come together to fool about with spirits. Lajos has always been frightened of Endre, I do believe he owes him something. Remember, is there anyone to whom he does not owe anything?” she asked, and started laughing.

“They have all forgotten,” I said, and began to laugh myself.

I was already defending him. What could I do? He was the only man I ever loved.

Product details

Publisher ‏ : ‎ Knopf (November 4, 2008)
Language ‏ : ‎ English
Hardcover ‏ : ‎ 160 pages
ISBN-10 ‏ : ‎ 1400045002
ISBN-13 ‏ : ‎ 978-1400045006
Item Weight ‏ : ‎ 8.8 ounces
Dimensions ‏ : ‎ 5.25 x 0.75 x 7.75 inches

Best Sellers Rank: #2,296,789 in Books (See Top 100 in Books)
- #14,535 in Psychological Fiction (Books)
- #28,450 in Contemporary Literature & Fiction
- #91,453 in Literary Fiction (Books)

Customer Reviews:
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But what is the point?

Reviewed in the United States 🇺🇸 on February 2, 2009

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ESTHER'S INHERITANCE is the fourth of Marai's novels to be translated into English and it further builds the case for Marai as a superb writer of fiction, perhaps even one of the 20th Century's best. Yet to me there is something unsatisfactory about ESTHER'S INHERITANCE.

The fine reviews by Krebsman and Mary Whipple provide a good overview of the plot. What I want to comment on, or ask, concerns the meaning or point of the novel. Surely the following passage, at the very outset of the novel (page 2), is significant in this regard:
"The first time I felt death might be salvation was when I knew that death was resolution and peace. Life alone is struggle and humiliation. And what a struggle it was! Who ordered it, and why was it impossible to avoid? I did all I could to escape it. But my foe pursued me. Now I know he could do nothing about it: we are bound to our enemies, nor can they escape us."
The narrator Esther wrote those words three years after the fateful day that is the subject of the rest of the novel, the day on which Lajos, who almost ruined the lives of Esther and her brother and the rest of her circle twenty-plus years before, re-enters their lives and renews his cynical and destructive toying with Esther. Marai has Esther call Lajos a scoundrel (as translated), but Lajos is even worse: he is a villain, so cavalierly amoral and selfish that he takes on the garb of evil, maybe even the devil incarnate. The mystery is why Esther, who seems to be almost the paragon of level-headedness, submits once again to the transparently false lies and empty promises of Lajos. She seems to explain her decision by agreeing that "there is a kind of invisible order in life and * * * what one has begun one has also to end", echoing Lajos's words, "The law of life is that what is once begun has to be finished." But that is nonsense or, at best, a shabby endorsement of fatalism. And so the novel ends up being exasperatingly unsatisfactory, at least to me.

Perhaps ESTHER'S INHERITANCE is best thought of as a novel of ideas, though, unless I am missing something, not very compelling ones. On the other hand, it is beautifully written, with much of the same ambiance as "Embers." And although it does not begin to measure up to "Embers" (one of the better novels I have read over the past few years), ESTHER'S INHERITANCE is certainly worth reading.

6 people found this helpful

Reviewed in the United States 🇺🇸 on August 31, 2021

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The story had potential but turned out to be a disappointment. A woman who is exploited by a charming charlatan comes to term with it. Her whole life seems like an awful waste. Definitely not something a 21st-century woman could learn from.

Reviewed in the United States 🇺🇸 on October 26, 2019

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like it

Amazon Customer

What a sad story of unrequited love!

Reviewed in the United States 🇺🇸 on March 26, 2015

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What a sad story of unrequited love!

Even 20 years later, a truly evil person can totally overwhelm and betray the same person again! Esther knew the liar and thief hadn't changed, but fell into that pit again!

It is amazing to me how Sandor Marai can take conversations only, without any action, and come up with a compelling and mesmerizing book. I read this story in one sitting! Christine Schulz

One person found this helpful

Oscar Huertas Larios

Que bueno leer a Sandor Marai

Reviewed in the United States 🇺🇸 on January 8, 2013

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Muy buena como la mayoría de las novelas de Sandor Marai. Las reacciones de algunos personajes son aparentemente ilógicas y impredecibles.

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remarkable writing

Reviewed in the United States 🇺🇸 on February 9, 2016

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Remarkable writing

Reviewed in the United States 🇺🇸 on January 14, 2017

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Loved it. Sad. Insight maybe into a tiny piece of the Hungarian world.

One person found this helpful

Reviewed in the United States 🇺🇸 on September 25, 2015

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As all Sandor Marai's novels, this is a masterpiece.

Top reviews from other countries

Ralph Blumenau

You can't believe Lajos, but I can't believe Marai either

Reviewed in the United Kingdom 🇬🇧 on December 25, 2009

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This story is as beautifully written as Marai's others (Embers, Casanova in Bolzano, The Rebels - all of which I have reviewed on Amazon). It has a tremendous sense of atmosphere, and Marai takes us through the constantly shifting perspectives in which Esther sees Lajos - the brilliantly described, charming, charismatic and compulsive liar and thief with whom she had been in love when he married her sister more than twenty years earlier. And now Lajos has returned, with the intention of again bending her to his will. I cannot go into details without giving too much away. All I can say is that I find Esther's final response so utterly unbelievable that I cannot rate this novella as highly as other readers have done.

One person found this helpful

Polly Lawman

Esther's Inheritance revolves around a woman who has been and is in love with a habitual liar

Reviewed in the United Kingdom 🇬🇧 on August 27, 2015

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It is only recently that I have discovered Sandor Marai's books and I haven't felt so excited since reading Herman Hesse. There is a solemn, melancholic quality in his characters, a decency of character and values long lost and deep insight. Esther's Inheritance revolves around a woman who has been and is in love with a habitual liar. She realises he will destroy her in the end but she meets her demise with stoicism and courage.

allantom

Mesmeric

Reviewed in the United Kingdom 🇬🇧 on December 15, 2012

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This is Marai at his most mesmeric, intriguing best. He is without doubt one of the most accomplished writers of the 20th century in any language; and this is as good as any of his works to start with if you have not yet read him. Buy it, absorb it, give it to your literary friends!

LD

Good

Reviewed in the United Kingdom 🇬🇧 on October 27, 2016

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It is a good novel from the linguistic point of view and the rich figures of speech. However, the plot is weak and the ending disappointing.

Amazon Customer

they will try to get by as best they can

Reviewed in the United Kingdom 🇬🇧 on December 22, 2015

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Very powerful story, the plot builds up this feeling of the inevitable defeat? surrender? submission. The characters have submitted to the man's world, they will try to get by as best they can, but there's so much water under the bridge now that there is no avoiding the inequalities in life.

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