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Eugene Onegin: A Novel in Verse (Oxford World's Classics) Paperback – March 25, 2009
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About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
- Print length288 pages
- LanguageEnglish
- PublisherOxford University Press
- Publication dateMarch 25, 2009
- Reading age13 years and up
- Dimensions7.7 x 0.8 x 5 inches
- ISBN-100199538646
- ISBN-13978-0199538645
- Lexile measure1220L
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- Publisher : Oxford University Press; Reissue edition (March 25, 2009)
- Language : English
- Paperback : 288 pages
- ISBN-10 : 0199538646
- ISBN-13 : 978-0199538645
- Reading age : 13 years and up
- Lexile measure : 1220L
- Item Weight : 2.31 pounds
- Dimensions : 7.7 x 0.8 x 5 inches
- Best Sellers Rank: #59,985 in Books (See Top 100 in Books)
- #2 in Russian & Soviet Poetry
- #1,965 in Classic Literature & Fiction
- #6,648 in Suspense Thrillers
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The central story hasn't changed in 150 years (I can remember a couple of similar errors sans duels in my youth): girl falls madly for guy who arrogantly rejects her not out because he doesn't have feelings for her, but because he fears her attraction for him; only later when he sees her all grown up he realizes too late his mistake but he is SOL. I was also surprise at, despite the many outdated social conventions, at it's core it remained so eternal and current ("To Moscow and the marriage mart! They've vacancies galore . . . take heart!")
Of course, I still cannot grasp why this is so important to the development of the Russian language or to the Russian soul (whatever that means) and why Russian's hold it so centrally dear, but it is a wonderful work and a great way to spend both a snowy night and a sunny afternoon on a park bench, which the fickleness of the Russian "spring" afforded me the week I read this.
Without giving away too much, the story itself has a nice, circular design to it. One of Pushkin's chief virtues must be his voice itself -- which, as I am not a Russian speaker, I guess to be a sort of cheeky, and Byronic, one,(nb: Pushkin is obviously familiar with, and indebted to, Byron, particularly in this work). This James Falen translation is particularly meritorious -- it preserves Pushkin's "Onegin octave" verse form, and iambic tetrameter. Falen's translation is gorgeous, musical, and in remarkably clear, grammatically sound English.
Aside from its story, "Onegin" may be thought of as commenting on, and narrating the death of the long poem as a viable literary form, and the rise of the novel. For instance, consider that the death of Lensky coincides with the narrator's own growing dissatisfaction with verse, and preference for prose. Pushkin's own dissatisfaction proved to be prophetic -- after "Onegin", epic verse has practically vanished, as a form. The longest poem (that I am aware of) which is of more recent vintage than "Onegin" is by another Russian, but in English: Nabokov's "Pale Fire."
Ultimately, we witness the passing of an entire world in "Onegin," that of late-eighteenth century (and early nineteenth) Russia -- with its duels, its music, its ballrooms, its manners. It is about to be supplanted by the grittier, dimmer psychological world of Dostoevsky, or the bright, hard-edged realism of Tolstoy.
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Reviewed in India on August 28, 2021








