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![The Evening and the Morning (Kingsbridge Book 4) by [Ken Follett]](https://m.media-amazon.com/images/I/51NUM+N59kL._SY346_.jpg)
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The Evening and the Morning (Kingsbridge Book 4) Kindle Edition
Ken Follett
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Length: 926 pages | Word Wise: Enabled | Enhanced Typesetting: Enabled |
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Editorial Reviews
Review
—Kirkus (starred)
“Follett has done it again. Readers will gobble up this exciting prequel.”
—Library Journal
“[An] absorbing and lengthy saga of life in a chaotic and unstable England on the cusp of the Middle Ages . . . Fans of Follett's ever-popular Kingsbridge series . . . will flock to this . . . while intrigued newcomers can start here.”
—Booklist
“Follett vividly re-creates the ancient era . . . in this feast for his fans.”
—AARP
Praise for Ken Follett and the Kingsbridge series
“The Kingsbridge books . . . are swift, accessible and written in a clear, uncluttered prose that has a distinctly contemporary feel. . . . Follett presents his worlds in granular detail, but the narratives never stand still. Something dramatic, appalling or enraging happens in virtually every chapter. . . . The result is a massive entertainment that illuminates an obscure corner of British history with intelligence and great narrative energy.”
—The Washington Post
“Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself.”
—The Denver Post
“[Follett is a] master of the sweeping, readable epic.”
—The Philadelphia Inquirer
“Follett is a master.”
—The Washington Post
Amazon.com Review
About the Author
John Lee has performed at the Mark Taper Forum in Los Angeles and the Globe Theatre in San Diego. He is the author of the plays Blood and Milk, Hitler’s Head, Passchendaele, Clean Souls, and Frankincense. --This text refers to the audioCD edition.
Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1
Thursday, June 17, 997
It was hard to stay awake all night, Edgar found, even on the most important night of your life.
He had spread his cloak over the reeds on the floor and now he lay on it, dressed in the knee-length brown wool tunic that was all he wore in summer, day and night. In winter he would wrap the cloak around him and lie near the fire. But now the weather was warm: Midsummer Day was a week away.
Edgar always knew dates. Most people had to ask priests, who kept calendars. Edgar's elder brother Erman had once said to him: "How come you know when Easter is?" and he had replied: "Because it's the first Sunday after the first full moon after the twenty-first day of March, obviously." It had been a mistake to add "obviously," because Erman had punched him in the stomach for being sarcastic. That had been years ago, when Edgar was small. He was grown now. He would be eighteen three days after Midsummer. His brothers no longer punched him.
He shook his head. Random thoughts sent him drifting off. He tried to make himself uncomfortable, lying on his fist to stay awake.
He wondered how much longer he had to wait.
He turned his head and looked around by firelight. His home was like almost every other house in the town of Combe: oak-plank walls, a thatched roof, and an earth floor partly covered with reeds from the banks of the nearby river. It had no windows. In the middle of the single room was a square of stones surrounding the hearth. Over the fire stood an iron tripod from which cooking pots could be hung, and its legs made spidery shadows on the underside of the roof. All around the walls were wooden pegs on which were hung clothes, cooking utensils, and boatbuilding tools.
Edgar was not sure how much of the night had passed, because he might have dozed off, perhaps more than once. Earlier, he had listened to the sounds of the town settling for the night: a couple of drunks singing an obscene ditty, the bitter accusations of a marital quarrel in a neighboring house, a door slamming and a dog barking and, somewhere nearby, a woman sobbing. But now there was nothing but the soft lullaby of waves on a sheltered beach. He stared in the direction of the door, looking for telltale lines of light around its edges, and saw only darkness. That meant either that the moon had set, so the night was well advanced, or that the sky was cloudy, which would tell him nothing.
The rest of his family lay around the room, close to the walls where there was less smoke. Pa and Ma were back-to-back. Sometimes they would wake in the middle of the night and embrace, whispering and moving together, until they fell back, panting; but they were fast asleep now, Pa snoring. Erman, the eldest brother at twenty, lay near Edgar, and Eadbald, the middle one, was in the corner. Edgar could hear their steady, untroubled breathing.
At last, the church bell struck.
There was a monastery on the far side of the town. The monks had a way of measuring the hours of the night: they made big, graduated candles that told the time as they burned down. One hour before dawn they would ring the bell, then get up to chant their service of Matins.
Edgar lay still a little longer. The bell might have disturbed Ma, who woke easily. He gave her time to sink back into deep slumber. Then, at last, he got to his feet.
Silently he picked up his cloak, his shoes, and his belt with its sheathed dagger attached. On bare feet he crossed the room, avoiding the furniture: a table, two stools, and a bench. The door opened silently: Edgar had greased the wooden hinges yesterday with a generous smear of sheep's tallow.
If one of his family woke now and spoke to him, he would say he was going outside to piss, and hope they did not spot that he was carrying his shoes.
Eadbald grunted. Edgar froze. Had Eadbald woken up, or just made a noise in his sleep? Edgar could not tell. But Eadbald was the passive one, always keen to avoid a fuss, like Pa. He would not make trouble.
Edgar stepped out and closed the door behind him carefully.
The moon had set, but the sky was clear and the beach was starlit. Between the house and the high-tide mark was a boatyard. Pa was a boatbuilder, and his three sons worked with him. Pa was a good craftsman and a poor businessman, so Ma made all the money decisions, especially the difficult calculation of what price to ask for something as complicated as a boat or ship. If a customer tried to bargain down the price, Pa would be willing to give in, but Ma would make him stand firm.
Edgar glanced at the yard as he laced his shoes and buckled his belt. There was only one vessel under construction, a small boat for rowing upriver. Beside it stood a large and valuable stockpile of timber, the trunks split into halves and quarters, ready to be shaped into the parts of a boat. About once a month the whole family went into the forest and felled a mature oak tree. Pa and Edgar would begin, alternately swinging long-handled axes, cutting a precise wedge out of the trunk. Then they would rest while Erman and Eadbald took over. When the tree came down, they would trim it then float the wood downriver to Combe. They had to pay, of course: the forest belonged to Wigelm, the thane to whom most people in Combe paid their rent, and he demanded twelve silver pennies for each tree.
As well as the timber pile, the yard contained a barrel of tar, a coil of rope, and a whetstone. All were guarded by a chained-up mastiff called Grendel, black with a gray muzzle, too old to do much harm to thieves but still able to bark an alarm. Grendel was quiet now, watching Edgar incuriously with his head resting on his front paws. Edgar knelt down and stroked his head. "Good-bye, old dog," he murmured, and Grendel wagged his tail without getting up.
Also in the yard was one finished vessel, and Edgar thought of it as his own. He had built it himself to an original design, based on a Viking ship. Edgar had never actually seen a Viking-they had not raided Combe in his lifetime-but two years ago a wreck had washed up on the beach, empty and fire blackened, its dragon figurehead half smashed, presumably after some battle. Edgar had been awestruck by its mutilated beauty: the graceful curves, the long serpentine prow, and the slender hull. He had been most impressed by the large out-jutting keel that ran the length of the ship, which-he had realized after some thought-gave the stability that allowed the Vikings to cross the seas. Edgar's boat was a lesser version, with two oars and a small, square sail.
Edgar knew he had a talent. He was already a better boatbuilder than his elder brothers, and before long he would overtake Pa. He had an intuitive sense of how forms fitted together to make a stable structure. Years ago he had overheard Pa say to Ma: "Erman learns slowly and Eadbald learns fast, but Edgar seems to understand before the words are out of my mouth." It was true. Some men could pick up a musical instrument they had never played, a pipe or a lyre, and get a tune out of it after a few minutes. Edgar had such instincts about boats, and houses, too. He would say: "That boat will list to starboard," or: "That roof will leak," and he was always right.
Now he untied his boat and pushed it down the beach. The sound of the hull scraping on the sand was muffled by the shushing of the waves breaking on the shore.
He was startled by a girlish giggle. In the starlight he saw a naked woman lying on the sand, and a man on top of her. Edgar probably knew them, but their faces were not clearly visible and he looked away quickly, not wanting to recognize them. He had surprised them in an illicit tryst, he guessed. The woman seemed young and perhaps the man was married. The clergy preached against such affairs, but people did not always follow the rules. Edgar ignored the couple and pushed his boat into the water.
He glanced back at the house, feeling a pang of regret, wondering whether he would ever see it again. It was the only home he could remember. He knew, because he had been told, that he had been born in another town, Exeter, where his father had worked for a master boatbuilder; then the family had moved, while Edgar was still a baby, and had set up home in Combe, where Pa had started his own enterprise with one order for a rowboat; but Edgar could not remember any of that. This was the only home he knew, and he was leaving it for good.
He was lucky to have found employment elsewhere. Business had slowed since the renewal of Viking attacks on the south of England when Edgar was nine years old. Trading and fishing were dangerous while the marauders were near. Only the brave bought boats.
There were three ships in the harbor now, he saw by starlight: two herring fishers and a Frankish merchant ship. Dragged up on the beach were a handful of smaller craft, river and coastal vessels. He had helped to build one of the fishers. But he could remember a time when there had always been a dozen or more ships in port.
He felt a fresh breeze from the southwest, the prevailing wind here. His boat had a sail-small, because they were so costly: a
full-size sail for a seagoing ship would take one woman four years to make. But it was hardly worthwhile to unfurl for the short trip across the bay. He began to row, something that hardly taxed him. Edgar was heavily muscled, like a blacksmith. His father and brothers were the same. All day, six days a week, they worked with ax, adze, and auger, shaping the oak strakes that formed the hulls of boats. It was hard work and it made strong men.
His heart lifted. He had got away. And he was going to meet the woman he loved. The stars were brilliant; the beach glowed white; and when his oars broke the surface of the water, the curling foam was like the fall of her hair on her shoulders.
Her name was Sungifu, which was usually shortened to Sunni, and she was exceptional in every way.
He could see the premises along the seafront, most of them workplaces of fishermen and traders: the forge of a tinsmith who made rustproof items for ships; the long yard in which a roper wove his lines; and the huge kiln of a tar maker who roasted pine logs to produce the sticky liquid with which boatbuilders waterproofed their vessels. The town always looked bigger from the water: it was home to several hundred people, most making their living, directly or indirectly, from the sea.
He looked across the bay to his destination. In the darkness he would not have been able to see Sunni even if she had been there, which he knew she was not, since they had arranged to meet at dawn. But he could not help staring at the place where she soon would be.
Sunni was twenty-one, older than Edgar by more than three years. She had caught his attention one day when he was sitting on the beach staring at the Viking wreck. He knew her by sight, of course-he knew everyone living in the small town-but he had not particularly noticed her before and did not recall anything about her family. "Were you washed up with the wreck?" she had said. "You were sitting so still, I thought you were driftwood." She had to be imaginative, he saw right away, to say something like that off the top of her head; and he had explained what fascinated him about the lines of the vessel, feeling that she would understand. They had talked for an hour and he had fallen in love.
Then she told him she was married, but it was already too late.
Her husband, Cyneric, was thirty. She had been fourteen when she married him. He had a small herd of milk cows, and Sunni managed the dairy. She was shrewd, and made plenty of money for her husband. They had no children.
Edgar had quickly learned that Sunni hated Cyneric. Every night, after the evening milking, he went to an alehouse called the Sailors and got drunk. While he was there, Sunni could slip into the woods and meet Edgar.
However, from now on there would be no more hiding. Today they would run away together; or, to be exact, sail away. Edgar had the offer of a job and a house in a fishing village fifty miles along the coast. He had been lucky to find a boatbuilder who was hiring. Edgar had no money-he never had money, Ma said he had no need of it-but his tools were in a locker built into the boat. They would start a new life.
As soon as everyone realized they had gone, Cyneric would consider himself free to marry again. A wife who ran away with another man was, in practice, divorcing herself: the Church might not like it, but that was the custom. Within a few weeks, Sunni said, Cyneric would go into the countryside and find a desperately poor family with a pretty fourteen-year-old daughter. Edgar wondered why the man wanted a wife: he had little interest in sex, according to Sunni. "He likes to have someone to push around," she had said. "My problem was that I grew old enough to despise him."
Cyneric would not come after them, even if he found out where they were, which was unlikely at least for some time to come. "And if we're wrong about that, and Cyneric finds us, I'll beat the shit out of him," Edgar had said. Sunni's expression had told him that she thought this was a foolish boast, and he knew she was right. Hastily, he had added: "But it probably won't come to that."
He reached the far side of the bay, then beached the boat and roped it to a boulder.
He could hear the chanting of the monks at their prayers. The monastery was nearby, and the home of Cyneric and Sunni a few hundred yards beyond that.
--This text refers to the audioCD edition.Product details
- ASIN : B081Y47NRW
- Publisher : Viking (September 15, 2020)
- Publication date : September 15, 2020
- Language : English
- File size : 5710 KB
- Text-to-Speech : Enabled
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 926 pages
- Lending : Not Enabled
-
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- #7 in Family Saga Fiction
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Customer reviews
Top reviews from the United States
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The story is still entertaining, and it's a nice dip back into the world of Kingsbridge, where everything is soothingly familiar. I enjoyed reading it.
What I did not enjoy reading is a middle-aged male author's attempt at writing women, where they are either greedy, base creatures doing their usual womanly wiley things, or sympathetic, take-charge smart people where, except for their well-described large bosoms, they might as well be a man. Follett in particular excels at writing rape/sex scenes where it is painfully clear, that Follett is not a woman, has never felt what it feels like to have sex with a man as a woman, and apparently never found it prudent to ask any of the women in his life about it.
Would I recommend reading the book? Yes, if you, like me, enjoy rereading books you've enjoyed before. Reading this book is like rereading Pillars of the Earth but with just enough new twists to make it fun
In this ambitious, and some may say overly ambitious, prequel to Pillars of the Earth (1989), Follett tells the story of many characters in many settings.
If you’re going to read this long book, be prepared to devote a lot of time to it. Because of the author’s propensity toward describing everything in detail, the book became bogged down in the minutiae. It starts off very slowly and picks up a little steam but doesn’t seem to ever get to the point where the reader is turning the pages as fast as she can read. No, this is a languorous book that some readers will be willing to spend time with while others will move on to the next book on their to-be-read list without finishing this one.
My thanks to Viking and Edelweiss for an eARC.
The trio of stories and intertwining is exquisite and what Follette does best. There were heroes, villains, goodness overcoming evil, romance, suspense, backstabbing, and twists thrown in for good measure.
What I loved the most was the wonderful literary descriptions of landscapes, buildings, culture, society, and day to day lives of the people at this time. I learned so much about society and England during the dark ages to add to my previous knowledge. It was definitely a great book. I loved every minute of it (but I love the series as well).
Excellent 5/5 stars
In short, I could hardly put it down! Thoroughly recommend this book.
Top reviews from other countries


At first glance, the book seems formidable with 928 pages. Once I started it moved swiftly with scarcely a dull moment. It begins in the year 997 when the Dark Ages are drawing to a close and the start of what we refer to as Medieval times. The growth and transformation of a crude, small village to the thriving town of Knightsbridge, England, the setting of Pillars of Earth, is described through the hard work, tribulations, joys, and sorrows of three main characters. It is a time of warfare with brutal battles with the Welsh and constant raids by the Vikings. In the towns and villages, a loathsome bishop and his brothers are engaged in corruption and manipulating for total power and greater wealth.
A young, talented boatbuilder, Edgar, feels hopeless when his family business is destroyed, and his father and the woman he loves are killed by Vikings. Edgar, his mother, and two brothers are moved to some poor, very unproductive farmland. His mother soon dies. He improves the farmland, leaving his two brothers in charge. The brothers both share the same young wife. Edgar moves to town hoping to use the building and engineering skill that comes naturally to him. He is determined to use his talents to find work as a builder.
A Norman noblewoman, Ragna, leaves her family, travelling across the sea to marry an English earl whom she loves. She believes she can rule his domain alongside him. She discovers she made a huge mistake. He sees nothing wrong for a man in his position to engage in frequent infidelities. Ragna is appaled at the harsher living conditions in her new home town, the corrupt justice system, and the treatment of slaves. She learns that she is endangered by her husband's two brothers who are intent on taking or controlling any power and wealth that she might assume through the rights of her marriage.
A lowly monk, Aldred, has hopes to make the impoverished, humble abbey the centre of scholarship and education throughout Europe. He has collected a few books and manuscripts.
These three main character's lives connect with each other and also with clearly defined people in the locality. We meet soldiers, servants, slaves, thieves, ordinary workers and tradesmen, guards, a nasty alehouse keeper, and vicious villains. These characters all stand out and come to life on the pages.
There are bloody scenes of warfare, torture, murder, lust and rape. There are also love affairs, devotion to family, marriage celebrations, religious ceremonies, and court deliberations.
The writing is clear, fast-paced, and immersive. I now want to reread Pillars of Earth.

Only negative point in my opinion is that the ending feels like the author suddenly realised he had reached the minimum number of words specified in his contract, and wrapped it up as quickly as possible before going on vacation.
Still, an enjoyable read, and I would buy the sequel...

So why not five stars? I suppose the main reason is the predictability of the story: despite setbacks and crises, you always know the bad guys will suffer in the end, and the heroes will triumph. This is a hallmark of these books, of course, and a feel-good ending is nothing to disparage, but it was all just a bit too predictable as the story wound on. Also, there were some narrative gaps that didn't make sense in the context of the story (such as Ragna's sudden release from the hunting lodge and acquiescence to the imprisoners). None of this really detracts from an enjoyable read, and I can strongly recommend the book to newcomers to Follett's writing (are there many?!), and this is a nice addition to the series. I look forward to his next book.

The novel starts in 977 and these are indeed the Dark Ages - an era where the law has to succumb to the whims of the ruling class. England is under attack by both the Vikings and by the Welsh. There is chaos, there is conflict at every corner.
Here there are three major characters whose lives are intertwined. Edgar- a young and bright and charming boatbuilder who loses his first love during a Viking attack. Ragna - a beautiful Norman aristocrat who falls in love with an English nobleman and follows him to England. England and her husband did not turn out to be the way she had imagined. Alfred – a monk wants to transform his very humble abbey into a center of learning. The three of them have to try to outwit a ruthless and reckless bishop who does not stop at anything to increase his power.
So there are many conflicts and the novel is very much plot-driven – a page-turner in the best sense of the word. With the emphasis on plot there is no space for character development. They are either very good or very bad – nothing in-between. The good characters overcome after a long uphill battle all obstacles and are rewarded. The bad ones are punished - unlike in real life. That makes the novel always a bit predictable.
I was amazed to read at the end of the novel how many historians the authors thanked for their support. There did not seem a great deal of historical facts that needed to be checked. I wondered about the fact that characters already had the syphilis, though supposedly that only came to Europe after Columbus’s discovery of America. So why here 500 years before? Anyway, on the whole I enjoyed the novel as a good page-turner, but found the characters somewhat not very interesting, because they were so predictable. Still, I wanted to find out how the bad guys get their just dessert. So all in all I am happy to give 4 stars to this entertaining novel.
I hope you found my review helpful.
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