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Every Day Is for the Thief: Fiction Hardcover – Deckle Edge, March 25, 2014

4.2 out of 5 stars 91 customer reviews

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Product Details

  • Hardcover: 176 pages
  • Publisher: Random House; First Edition edition (March 25, 2014)
  • Language: English
  • ISBN-10: 0812995783
  • ISBN-13: 978-0812995787
  • Product Dimensions: 5.9 x 0.8 x 8.5 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (91 customer reviews)
  • Amazon Best Sellers Rank: #676,991 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

By Gregory Baird VINE VOICE on May 9, 2014
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
Teju Cole has a novelistic style unlike many other fiction writers out there today. I guess whether or not you enjoy his work comes down to how you respond to that style. Because here's the thing: nothing happens in terms of plot. That is true of both of Cole's novels so far: Open City and Every Day Is for the Thief. In Open City, I couldn't abide the meandering style and the sense that none of what was happening was going to lead to anything. EDIFTT works better, but ultimately falls victim to the same trap. There's an actual pretense to this book that was lacking in Open City. This one has a narrator returning to his native Nigeria following a long, self-imposed absence, which automatically provides the reader with a framework for everything to follow (Open City was simply about a Nigerian ex-pat taking long walks and pondering numerous things that don't tie together). The thing is, Cole steadfastly refuses to develop this premise any further. We get some details about the narrator as the pages progress, but he never becomes more than a cypher. The story, such as it is, instead takes the form of little vignettes as the narrator travels his former homeland and observes. The problem is that each vignette is essentially illustrating the same exact point: that Nigeria is riddled with corruption.

The basic progression is this: Nigeria is corrupt; let me illustrate that for you. Nigerians don't make enough money to survive without enforcing corruption; let me illustrate that for you. Children are also bred for corruption at a young age; let me illustrate that for you. Have I mentioned that corruption has infiltrated all levels of Nigerian society? Let me illustrate that for you (again). A small percentage of Nigerians try to live honestly, but their efforts get drowned out by the system.
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Format: Kindle Edition Verified Purchase
Why visit Lagos? Maybe there are a million untold stories, but the writer finds it impossible to hear himself think. The noise. The exhaustion.
The author is a Nigerian medical doctor, training for shrinkdom in New York.
His narrator is seemingly the same man, but there is a trap. We are tricked into believing that this is a travel book. It is, but it is also fiction. Or is it? Hard to say.

Narrator travels to Nigeria for the first time since 15 years. We are not immediately told why he makes the trip. We assume curiosity mixed with nostalgia. In fact, we are never given one specific reason, we are left conjecturing.

The dominating theme in the first chapters is money and lubrication. We see petty corruption: by diplomats in the Nigerian Consulate in New York, by officials in Lagos airport, by cops and toll booth operators on Lagos streets....the border lines between asking for bribes, or for ransom money, or for tips, or 'simply' begging are hazy. And then the Nigerian specialty: advance fee fraud, the profession of the yahoo yahoos, a very special class of yuppis.

Another dominating theme is violence: armed robberies, muggings, lynchings, road rage, accidents, the permanent noise.... The book is surely not a candidate for Lagos tourism promotion awards.
And: lost relationships. Can they be recovered? Should they?

We are told in lean, efficient language, how the hero gradually adjusts his memories and perceptions to the new realities. One always needs time to see what is in front of us, rather than what is in our head. A broadening of the concept of optical illusions.
Reflections on writing are a part of the journey. Ondaatje, Vikram Seth, García Marquez are named as potential role models, but Cole is no imitator.
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Format: Hardcover Vine Customer Review of Free Product ( What's this? )
In plain, often unadorned, but still gracefully eloquent, prose, Teju Cole does for his Nigerian hometown, Lagos, Nigeria’s capital city, in his latest novel “Every Day Is for the Thief”, what he did for New York City in his memorable debut novel “Open City”. Using a literary style that could be mistakenly viewed as memoir, and in prose that may remind readers of a compelling, often intoxicating, blend of Ernest Hemingway, Frank McCourt and Paul Theroux, Cole takes us on an illuminating journey through Lagos, via the eyes of a young writer who is returning from the United States to his hometown for the first time in years. A young, carefully observant, writer who misses nothing due to his keen powers of observation and superlative skills as a photographer. (A noteworthy emerging photographer of “street” documentary fine art photography whose work has been exhibited in the United States and in India, Cole’s own photographs of Lagos are included in almost every chapter.) He confronts the “informal economy” of Lagos frequently during his sojourn, dealing with corrupt government officials, tollbooth clerks and police, as though they were necessary, almost indispensable, aspects of the city’s complex governmental landscape. He takes us to bazaars where teens are surfing the web, willingly committing e-mail fraud, as though it was a daily, almost routine, aspect of their lives. He shows us a city, Lagos, and a country, Nigeria, that is far more religiously and ethnically diverse than those of us in North America might be willing to admit.Read more ›
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