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Condition: Used: Good
Comment: The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels.
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Everyone Leaves Paperback – November 27, 2012

3.7 out of 5 stars 47 customer reviews

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Editorial Reviews

Amazon.com Review

A Q&A with Wendy Guerra

Question: What inspired you to write Everyone Leaves?

Wendy Guerra: My parents' deaths, both in 2004, and the disappearance of a generation that is dying much sooner than its predecessors. The rediscovery of my childhood diary and the need to tell my life story through a girl in this fictitious socialist reality. I'd never known a book that spoke about life under socialism in a child's voice. In my childhood, Cuba was a place where parents had no say about whether you handled firearms at 13, or if you went to school by yourself in the countryside, or whether you aspired to university studies. Parents didn't control their children's destinies. So I decided to graft a story on this non-reality in a place that isn't what it seems, about a diaspora that every generation has had to deal with in its own way. Everyone Leaves is my exorcism from childhood and from my "inxile."

Q: Your narrator, Nieve, would be roughly the same age as you are today. Do you have anything in common?

WG: I used my own real diary as the spine for this novel, working in other stories in a kind of Aristotelian weave. I choose my own memories of what happened during that time. They were very tough times of silence and farewells. When I reread my diary, I decided to lower the heat a little bit, to be a little less judgmental than I'd been as a girl. Kids are usually sharper than any politician. They can tell what's going on and judge from a very honest perspective.

Q: Do you still keep a personal diary? If so, does it provide content for your fiction?

WG: Usually I write in my diary every day and then revise it, go over it with a more critical and literary rigor. Later, it becomes a novel.

Q: Why did you decide to write about Cuba?

WG: For me, what's important is that Cuba's story be told. Our lives--which have been lived in isolation, put on hold for 50 years, displaced from the markets, and incubated without capitalist references--are as complex as magic.

Q: What other books would you recommend to Amazon customers who are interested in Cuban life and history?

WG: No one can understand Cuba without reading Virgilio Piñera. And it's impossible to understand the sounds of Cuba without knowing the work of Nicolás Guillén.

From Booklist

The political and the personal come together—and both prove surprising—in this prize-winning novel based on the author’s diaries about growing up during and after the Cuban revolution. Translated from the Spanish, the entries (from 1978, when Nieve is seven years old, to 1990) are true to the young protagonist’s often bewildered viewpoint as she tries to sort through the adults’ mixed messages. Of course, “everyone leaves” who was part of the privileged old system but, later, so do many disappointed revolutionaries. Meanwhile, the regime is watching Nieve’s radical artist mother, who shouts at the government demonstration: “This is not what the revolution is about.” Never preachy, the commentary captures the monotony, isolation, and machismo—and the hard times—of life in the new Cuba. Moved to a government boarding school, Nieve tries to learn the rules: good table manners, for example, are bourgeois. She does have great sex, and she loves writing about it. But she hates military training: forget killing for the good of the nation. The novel, winner of the 2006 Bruguera Prize and translated into eight languages, tells a gripping story of wry contradictions and confusion. --Hazel Rochman
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Product Details

  • Paperback: 254 pages
  • Publisher: AmazonCrossing (November 27, 2012)
  • Language: English
  • ISBN-10: 1612184332
  • ISBN-13: 978-1612184333
  • Product Dimensions: 1 x 5.5 x 8.8 inches
  • Shipping Weight: 13.9 ounces (View shipping rates and policies)
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (47 customer reviews)
  • Amazon Best Sellers Rank: #502,961 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

By M. C. Crammer VINE VOICE on December 2, 2012
Format: Paperback Vine Customer Review of Free Product ( What's this? )
The author of this book is primarily a poet, which is clear in the way this book is written. It's what I believe is called creative non-fiction - the basis is Guerra's diaries which cover the author's youth in Cuba, but this is not an autobiography. The girl in this novel, Nieve (which means "snow" in Spanish), has been living with her artist mother and the mother's Swedish partner when her father is successfully able to gain custody of her, claiming that the home environment is unsuitable (it's true that the Swedish boyfriend hates to wear clothes). The father is alcoholic and abusive. Nieve is forced to live with him in a remote mountain location where he works as a puppeteer for a theater group that puts on shows for the peasants. Nieve's father not only physically abuses her, he woefully neglects her, forgetting to feed her or take her to school, but imposing so many rules that she's unable to care for herself (by asking for food from others, for example). Eventually, the mother regains custody. Nieve spends time in a "re-education" school for ideologically weak youths and also attends a residential school for artists.

Her life is colorful and the book is engaging, but oddly missing are events outside of Nieve's life - the book does not describe what does not directly involve Nieve. Obviously, the austerity of life in Cuba form the ever-present backdrop of Nieve's life, however. The repressive atmosphere, in which no-one can be trusted and the penalties for ideological independence are severe, affect Nieve's life. For example, Nieve and her mother feel most comfortable talking to each other while standing in the lagoon or ocean, so that no-one can evesdrop. Books are hidden out of sight and even young students get into serious trouble for reading banned literature.
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Format: Paperback Vine Customer Review of Free Product ( What's this? )
Nieve, the young Cuban protagonist of Wendy Guerra's novel Everyone Leaves, is a realist. The first hundred fifty or so pages of Guerra's book -- and Nieve's life from childhood to middle adolescence -- can usefully be characterized as a tribute to the value of lack of affect. Don't anticipate the joys of the future. You're bound to be disappointed. Don't be shocked or unduly anguished if your father gets drunk, forgets to feed you, and beats you instead. It comes with the territory. Don't be hurt or even a little surprised if your mother tries to have you committed to a state-run orphanage. After all, she's just as selfish, fearful, and ditzy in her small-time artsy way as your father is brutal, uncaring, and determined to inflict pain. That's just the way it is. The same with schools, institutions that are as impoverished and ill-suited to your own peculiar needs as a young artist beginning to develop her talent as your family, your neighborhood, your community, and your nation: don't expect anything good and you won't be disappointed.

Let's be sure not to misinterpret the overriding import of Nieve's young life. The message is not fear of the future, but unself-conscious indifference. If your world is clearly not the kind of place where good things happen to someone like you, don't expect miracles. Disappointment is the one source of pain over which Nieve has some control, and whether or not she is aware of it, she exercises it almost flawlessly.

With the exception of a one-time-only sexual interlude, Nieve's life is drab, dreary, and totally devoid of energizing sustenance. But Nieve does not complain.
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Format: Paperback Vine Customer Review of Free Product ( What's this? )
How does art survive a hostile social and political environment? Can it survive? How does an artist flourish, or even muddle through, when the inspiration and sources for one's art gradually leave, one after another, eventually leaving the artist alone?

These are the questions behind "Everyone Leaves," Cuban writer Wendy Guerra's semi-autobiographical novel of growing up in Cuba in the 1970s and 1980s, translated by Achy Obejas. It tells the story of Nieve ("Snow") Guerra, who watches her family and those of her friends fracture and fall apart under the weight of a deadening communist regime. Most eventually leave the country for Miami or Europe (everyone leaves, she keeps reminding herself); some "leave" or disappear within the country.

Nieve is an artist who gradually stops painting. She is also a survivor, due in no small part to the diary she begins to keep as a young child and maintains through adolescence and into young adulthood. The journal entries, in fact, are the structure of the book, beginning as brief if pointed and intelligent observations and continuing as longer entries as Nieve grows older. And there are gaps, which we can fill based on what we know and what we will know.

Through her diary, we follow Nieve from the small city of Cienfuegos to the mountains and finally to Havana. We watch her experience her parents' separation, their custody battle over her, her life with a brutal, alcoholic father, and finally a reunion with her mother. We see her grow as a young artist, and we watch as she continues to behave very much the independent in a society that demands conformity and acquiescence. We observe her friends gradually leave, and her acceptance of her isolation.

The diaries are important.
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