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Everything I Never Told You Paperback – May 12, 2015
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The acclaimed debut novel by the author of Little Fires Everywhere.
“A deep, heartfelt portrait of a family." — Alexander Chee, The New York Times Book Review
“Wonderfully moving…A beautifully crafted study of dysfunction and grief." — The Boston Globe
“Lydia is dead. But they don’t know this yet.” So begins this exquisite novel about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee, and her parents are determined that she will fulfill the dreams they were unable to pursue. But when Lydia’s body is found in the local lake, the delicate balancing act that has been keeping the Lee family together is destroyed, tumbling them into chaos. A profoundly moving story of family, secrets, and longing, Everything I Never Told You is both a gripping page-turner and a sensitive family portrait, uncovering the ways in which mothers and daughters, fathers and sons, and husbands and wives struggle, all their lives, to understand one another.
- Print length297 pages
- LanguageEnglish
- PublisherPenguin Books
- Publication dateMay 12, 2015
- Dimensions5 x 0.6 x 7.7 inches
- ISBN-100143127551
- ISBN-13978-0143127550
- Lexile measure870L
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From the Publisher
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|---|---|---|
| Our Missing Hearts | Little Fires Everywhere | |
| A deeply suspenseful and heartrending novel about the unbreakable love between a mother and child in a society consumed by fear. | Set in the placid, progressive suburb of Shaker Heights, Little Fires Everywhere traces the intertwined fates of the picture-perfect Richardson family and the enigmatic mother and daughter who upend their lives. |
Editorial Reviews
Review
“Both a propulsive mystery and a profound examination of a mixed-race family, Ng’s explosive debut chronicles the plight of Marilyn and James Lee after their favored daughter is found dead in a lake.” —Entertainment Weekly
“Excellent . . . an accomplished debut . . . heart-wrenching . . . Ng deftly pulls together the strands of this complex, multigenerational novel. Everything I Never Told You is an engaging work that casts a powerful light on the secrets that have kept an American family together—and that finally end up tearing it apart.” —Los Angeles Times
“Tender and merciless all at once . . . Vital in all the essential ways.” —Jesmyn Ward, author of Sing, Unburied, Sing, A National Book Award winner
“Wonderfully moving . . . Emotionally precise . . . A beautifully crafted study of dysfunction and grief . . . [This book] will resonate with anyone who has ever had a family drama.” —Boston Globe
“A powerhouse of a debut novel, a literary mystery crafted out of shimmering prose and precise, painful observation about racial barriers, the burden of familial expectations, and the basic human thirst for belonging . . . Ng’s novel grips readers from page one with the hope of unraveling the mystery behind Lydia’s death—and boy does it deliver, on every front.” —Huffington Post
“A subtle meditation on gender, race and the weight of one generation’s unfulfilled ambitions upon the shoulders—and in the heads—of the next . . . Ng deftly and convincingly illustrates the degree to which some miscommunications can never quite be rectified.” —San Francisco Chronicle
“Cleverly crafted, emotionally perceptive . . . Ng sensitively dramatizes issues of gender and race that lie at the heart of the story . . . Ng’s themes of assimilation are themselves deftly interlaced into a taut tale of ever deepening and quickening suspense.” —O, The Oprah Magazine
“Ng moves gracefully back and forth in time, into the aftermath of the tragedy as well as the distant past, and into the consciousness of each member of the family, creating a series of mysteries and revelations that lead back to the original question: what happened to Lydia? . . . Ng is masterful in her use of the omniscient narrator, achieving both a historical distance and visceral intimacy with each character’s struggles and failures . . . On the surface, Ng’s storylines are nothing new. There is a mysterious death, a family pulled apart by misunderstanding and grief, a struggle to fit into the norms of society, yet in the weaving of these threads she creates a work of ambitious complexity. In the end, this novel movingly portrays the burden of difference at a time when difference had no cultural value . . . Compelling.” —Los Angeles Review of Books
“The mysterious circumstances of 16-year-old Lydia Lee’s tragic death have her loved ones wondering how, exactly, she spent her free time. This ghostly debut novel calls to mind The Lovely Bones.” —Marie Claire
“The first chapter of Celeste Ng’s debut novel is difficult—the oldest daughter in a family is dead—but what follows is a brilliantly written, surprisingly uplifting exploration of striving in the face of alienation and of the secrets we keep from others. This could be my favorite novel of the year.” —Chris Schluep, Parade
“The emotional core of Celeste Ng’s debut is what sets it apart. The different ways in which the Lee family handles Lydia’s death create internal friction, and most impressive is the way Ng handles racial politics. With a deft hand, she loads and unpacks the implications of being the only Chinese American family in a small town in Ohio.” —Kevin Nguyen, Grantland
“Beautiful and poignant . . . deftly drawn . . . . It’s hard to believe that this is a debut novel for Celeste Ng. She tackles the themes of family dynamics, gender and racial stereotyping, and the weight of expectations, all with insight made more powerful through understatement. She has an exact, sophisticated touch with her prose. The sentences are straightforward. She evokes emotions through devastatingly detailed observations.” —Cleveland Plain-Dealer
“Perceptive . . . a skillful and moving portrayal of a family in pain . . . It is to Ng’s credit that it is sometimes difficult for the reader to keep going; the pain and unhappiness is palpable. But it is true to the Lees, and Ng tells all.” —Minneapolis Star Tribune
“Impressive . . . In its evocation of a time and place and society largely gone but hardly forgotten, Everything I Never Told You tells much that today’s reader should learn, ponder and appreciate.” —St. Louis Post-Dispatch
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Copyright © 2014 Celeste Ng
one
Lydia is dead. But they don’t know this yet. 1977, May 3, six thirty in the morning, no one knows anything but this innocuous fact: Lydia is late for breakfast. As always, next to her cereal bowl, her mother has placed a sharpened pencil and Lydia’s physics homework, six problems flagged with small ticks. Driving to work, Lydia’s father nudges the dial toward WXKP, Northwest Ohio’s Best News Source, vexed by the crackles of static. On the stairs, Lydia’s brother yawns, still twined in the tail end of his dream. And in her chair in the corner of the kitchen, Lydia’s sister hunches moon-eyed over her cornflakes, sucking them to pieces one by one, waiting for Lydia to appear. It’s she who says, at last, “Lydia’s taking a long time today.”
Upstairs, Marilyn opens her daughter’s door and sees the bed unslept in: neat hospital corners still pleated beneath the comforter, pillow still fluffed and convex. Nothing seems out of place. Mustard-colored corduroys tangled on the floor, a single rainbow-striped sock. A row of science fair ribbons on the wall, a postcard of Einstein. Lydia’s duffel bag crumpled on the floor of the closet. Lydia’s green bookbag slouched against her desk. Lydia’s bottle of Baby Soft atop the dresser, a sweet, powdery, loved-baby scent still in the air. But no Lydia.
Marilyn closes her eyes. Maybe, when she opens them, Lydia will be there, covers pulled over her head as usual, wisps of hair trailing from beneath. A grumpy lump bundled under the bedspread that she’d somehow missed before. I was in the bathroom, Mom. I went downstairs for some water. I was lying right here all the time. Of course, when she looks, nothing has changed. The closed curtains glow like a blank television screen.
Downstairs, she stops in the doorway of the kitchen, a hand on each side of the frame. Her silence says everything. “I’ll check outside,” she says at last. “Maybe for some reason—” She keeps her gaze trained on the floor as she heads for the front door, as if Lydia’s footprints might be crushed into the hall runner.
Nath says to Hannah, “She was in her room last night. I heard her radio playing. At eleven thirty.” He stops, remembering that he had not said goodnight.
“Can you be kidnapped if you’re sixteen?” Hannah asks. Nath prods at his bowl with a spoon. Cornflakes wilt and sink into clouded milk.
Their mother steps back into the kitchen, and for one glorious fraction of a second Nath sighs with relief: there she is, Lydia, safe and sound. It happens sometimes—their faces are so alike you’d see one in the corner of your eye and mistake her for the other: the same elfish chin and high cheekbones and left-cheek dimple, the same thin-shouldered build. Only the hair color is different, Lydia’s ink-black instead of their mother’s honey-blond. He and Hannah take after their father—once a woman stopped the two of them in the grocery store and asked, “Chinese?” and when they said yes, not wanting to get into halves and wholes, she’d nodded sagely. “I knew it,” she said. “By the eyes.” She’d tugged the corner of each eye outward with a fingertip. But Lydia, defying genetics, somehow has her mother’s blue eyes, and they know this is one more reason she is their mother’s favorite. And their father’s, too.
Then Lydia raises one hand to her brow and becomes his mother again.
“The car’s still here,” she says, but Nath had known it would be. Lydia can’t drive; she doesn’t even have a learner’s permit yet. Last week she’d surprised them all by failing the exam, and their father wouldn’t even let her sit in the driver’s seat without it. Nath stirs his cereal, which has turned to sludge at the bottom of his bowl. The clock in the front hall ticks, then strikes seven thirty. No one moves.
“Are we still going to school today?” Hannah asks.
Marilyn hesitates. Then she goes to her purse and takes out her keychain with a show of efficiency. “You’ve both missed the bus. Nath, take my car and drop Hannah off on your way.” Then: “Don’t worry. We’ll find out what’s going on.” She doesn’t look at either of them. Neither looks at her.
When the children have gone, she takes a mug from the cupboard, trying to keep her hands still. Long ago, when Lydia was a baby, Marilyn had once left her in the living room, playing on a quilt, and went into the kitchen for a cup of tea. She had been only eleven months old. Marilyn took the kettle off the stove and turned to find Lydia standing in the doorway. She had started and set her hand down on the hot burner. A red, spiral welt rose on her palm, and she touched it to her lips and looked at her daughter through watering eyes. Standing there, Lydia was strangely alert, as if she were taking in the kitchen for the first time. Marilyn didn’t think about missing those first steps, or how grown up her daughter had become. The thought that flashed through her mind wasn’t How did I miss it? but What else have you been hiding? Nath had pulled up and wobbled and tipped over and toddled right in front of her, but she didn’t remember Lydia even beginning to stand. Yet she seemed so steady on her bare feet, tiny fingers just peeking from the ruffled sleeve of her romper. Marilyn often had her back turned, opening the refrigerator or turning over the laundry. Lydia could have begun walking weeks ago, while she was bent over a pot, and she would not have known.
She had scooped Lydia up and smoothed her hair and told her how clever she was, how proud her father would be when he came home. But she’d felt as if she’d found a locked door in a familiar room: Lydia, still small enough to cradle, had secrets. Marilyn might feed her and bathe her and coax her legs into pajama pants, but already parts of her life were curtained off. She kissed Lydia’s cheek and pulled her close, trying to warm herself against her daughter’s small body.
Now Marilyn sips tea and remembers that surprise.
The high school’s number is pinned to the corkboard beside the refrigerator, and Marilyn pulls the card down and dials, twisting the cord around her finger while the phone rings.
“Middlewood High,” the secretary says on the fourth ring. “This is Dottie.”
She recalls Dottie: a woman built like a sofa cushion, who still wore her fading red hair in a beehive. “Good morning,” she begins, and falters. “Is my daughter in class this morning?”
Dottie makes a polite cluck of impatience. “To whom am I speaking, please?”
It takes her a moment to remember her own name. “Marilyn. Marilyn Lee. My daughter is Lydia Lee. Tenth grade.”
“Let me look up her schedule. First period—” A pause. “Eleventh-grade physics?”
“Yes, that’s right. With Mr. Kelly.”
“I’ll have someone run down to that classroom and check.” There’s a thud as the secretary sets the receiver down on the desk.
Marilyn studies her mug, the pool of water it has made on the counter. A few years ago, a little girl had crawled into a storage shed and suffocated. After that the police department sent a flyer to every house: If your child is missing, look for him right away. Check washing machines and clothes dryers, automobile trunks, toolsheds, any places he might have crawled to hide. Call police immediately if your child cannot be found.
“Mrs. Lee?” the secretary says. “Your daughter was not in her first-period class. Are you calling to excuse her absence?”
Marilyn hangs up without replying. She replaces the phone number on the board, her damp fingers smudging the ink so that the digits blur as if in a strong wind, or underwater.
She checks every room, opening every closet. She peeks into the empty garage: nothing but an oil spot on the concrete and the faint, heady smell of gasoline. She’s not sure what she’s looking for: Incriminating footprints? A trail of breadcrumbs? When she was twelve, an older girl from her school had disappeared and turned up dead. Ginny Barron. She’d worn saddle shoes that Marilyn had desperately coveted. She’d gone to the store to buy cigarettes for her father, and two days later they found her body by the side of the road, halfway to Charlottesville, strangled and naked.
Now Marilyn’s mind begins to churn. The summer of Son of Sam has just begun—though the papers have only recently begun to call him by that name—and even in Ohio, headlines blare the latest shooting. In a few months, the police will catch David Berkowitz, and the country will focus again on other things: the death of Elvis, the new Atari, Fonzie soaring over a shark. At this moment, though, when dark-haired New Yorkers are buying blond wigs, the world seems to Marilyn a terrifying and random place. Things like that don’t happen here, she reminds herself. Not in Middlewood, which calls itself a city but is really just a tiny college town of three thousand, where driving an hour gets you only to Toledo, where a Saturday night out means the roller rink or the bowling alley or the drive-in, where even Middlewood Lake, at the center of town, is really just a glorified pond. (She is wrong about this last one: it is a thousand feet across, and it is deep.) Still, the small of her back prickles, like beetles marching down her spine.
Inside, Marilyn pulls back the shower curtain, rings screeching against rod, and stares at the white curve of the bathtub. She searches all the cabinets in the kitchen. She looks inside the pantry, the coat closet, the oven. Then she opens the refrigerator and peers inside. Olives. Milk. A pink foam package of chicken, a head of iceberg, a cluster of jade-colored grapes. She touches the cool glass of the peanut butter jar and closes the door, shaking her head. As if Lydia would somehow be inside.
Morning sun fills the house, creamy as lemon chiffon, lighting the insides of cupboards and empty closets and clean, bare floors. Marilyn looks down at her hands, empty too and almost aglow in the sunlight. She lifts the phone and dials her husband’s number.
For James, in his office, it is still just another Tuesday, and he clicks his pen against his teeth. A line of smudgy typing teeters slightly uphill: Serbia was one of the most powerful of the Baltic nations. He crosses out Baltic, writes Balkan, turns the page. Archduke France Ferdinand was assassinated by members of Black Ann. Franz, he thinks. Black Hand. Had these students ever opened their books? He pictures himself at the front of the lecture hall, pointer in hand, the map of Europe unfurled behind him. It’s an intro class, “America and the World Wars”; he doesn’t expect depth of knowledge or critical insight. Just a basic understanding of the facts, and one student who can spell Czechoslovakia correctly.
He closes the paper and writes the score on the front page—sixty-five out of one hundred—and circles it. Every year as summer approaches, the students shuffle and rustle; sparks of resentment sizzle up like flares, then sputter out against the windowless walls of the lecture hall. Their papers grow half hearted, paragraphs trailing off, sometimes midsentence, as if the students could not hold a thought that long. Was it a waste, he wonders. All the lecture notes he’s honed, all the color slides of MacArthur and Truman and the maps of Guadalcanal. Nothing more than funny names to giggle at, the whole course just one more requirement to check off the list before they graduated. What else could he expect from this place? He stacks the paper with the others and drops the pen on top. Through the window he can see the small green quad and three kids in blue jeans tossing a Frisbee.
When he was younger, still junior faculty, James was often mistaken for a student himself. That hasn’t happened in years. He’ll be forty-six next spring; he’s tenured, a few silver hairs now mixed in among the black. Sometimes, though, he’s still mistaken for other things. Once, a receptionist at the provost’s office thought he was a visiting diplomat from Japan and asked him about his flight from Tokyo. He enjoys the surprise on people’s faces when he tells them he’s a professor of American history. “Well, I am American,” he says when people blink, a barb of defensiveness in his tone.
Someone knocks: his teaching assistant, Louisa, with a stack of papers.
“Professor Lee. I didn’t mean to bother you, but your door was open.” She sets the essays on his desk and pauses. “These weren’t very good.”
“No. My half weren’t either. I was hoping you had all the As in your stack.”
Louisa laughs. When he’d first seen her, in his graduate seminar last term, she’d surprised him. From the back she could have been his daughter: they had almost the same hair, hanging dark and glossy down to the shoulder blades, the same way of sitting with elbows pulled in close to the body. When she turned around, though, her face was completely her own, narrow where Lydia’s was wide, her eyes brown and steady. “Professor Lee?” she had said, holding out her hand. “I’m Louisa Chen.” Eighteen years at Middlewood College, he’d thought, and here was the first Oriental student he’d ever had. Without realizing it, he had found himself smiling.
Then, a week later, she came to his office. “Is that your family?” she’d asked, tilting the photo on his desk toward her. There was a pause as she studied it. Everyone did the same thing, and that was why he kept the photo on display. He watched her eyes move from his photographic face to his wife’s, then his children’s, then back again. “Oh,” she said after a moment, and he could tell she was trying to hide her confusion. “Your wife’s—not Chinese?”
It was what everyone said. But from her he had expected something different.
“No,” he said, and straightened the frame so that it faced her a little more squarely, a perfect forty-five degree angle to the front of the desk. “No, she isn’t.”
Still, at the end of the fall semester, he’d asked her to act as a grader for his undergraduate lecture. And in April, he’d asked her to be the teaching assistant for his summer course.
“I hope the summer students will be better,” Louisa says now. “A few people insisted that the Cape-to-Cairo Railroad was in Europe. For college students, they have surprising trouble with geography.”
“Well, this isn’t Harvard, that’s for sure,” James says. He pushes the two piles of essays into one and evens them, like a deck of cards, against the desktop. “Sometimes I wonder if it’s all a waste.”
“You can’t blame yourself if the students don’t try. And they’re not all so bad. A few got As.” Louisa blinks at him, her eyes suddenly serious. “Your life is not a waste.”
James had meant only the intro course, teaching these students who, year after year, didn’t care to learn even the basic timeline. She’s twenty-three, he thinks; she knows nothing about life, wasted or otherwise. But it’s a nice thing to hear.
“Stay still,” he says. “There’s something in your hair.” Her hair is cool and a little damp, not quite dry from her morning shower. Louisa holds quite still, her eyes open and fixed on his face. It’s not a flower petal, as he’d first thought. It’s a ladybug, and as he picks it out, it tiptoes, on threadlike yellow legs, to hang upside down from his fingernail.
“Damn things are everywhere this time of year,” says a voice from the doorway, and James looks up to see Stanley Hewitt leaning through. He doesn’t like Stan—a florid ham hock of a man who talks to him loudly and slowly, as if he’s hard of hearing, who makes stupid jokes that start George Washington, Buffalo Bill, and Spiro Agnew walk into a bar . . .
“Did you want something, Stan?” James asks. He’s acutely conscious of his hand, index finger and thumb outstretched as if pointing a popgun at Louisa’s shoulder, and pulls it back.
“Just wanted to ask a question about the dean’s latest memo,” Stanley says, holding up a mimeographed sheet. “Didn’t mean to interrupt anything.”
“I have to get going anyway,” Louisa says. “Have a nice morning, Professor Lee. I’ll see you tomorrow. You too, Professor Hewitt.” As she slides past Stanley into the hallway, James sees that she’s blushing, and his own face grows hot. When she is gone, Stanley seats himself on the corner of James’s desk.
“Good-looking girl,” he says. “She’ll be your assistant this summer too, no?”
“Yes.” James unfolds his hand as the ladybug moves onto his fingertip, walking the path of his fingerprint, around and around in whorls and loops. He wants to smash his fist into the middle of Stanley’s grin, to feel Stanley’s slightly crooked front tooth slice his knuckles. Instead he smashes the ladybug with his thumb. The shell snaps between his fingers, like a popcorn hull, and the insect crumbles to sulfur-colored powder. Stanley keeps running his finger along the spines of James’s books. Later James will long for the ignorant calm of this moment, for that last second when Stan’s leer was the worst problem on his mind. But for now, when the phone rings, he is so relieved at the interruption that at first he doesn’t hear the anxiety in Marilyn’s voice.
“James?” she says. “Could you come home?”
The police tell them lots of teenagers leave home with no warning. Lots of times, they say, the girls are mad at their parents and the parents don’t even know. Nath watches them circulate in his sister’s room. He expects talcum powder and feather dusters, sniffing dogs, magnifying glasses. Instead the policemen just look: at the posters thumbtacked above her desk, the shoes on the floor, the half-opened bookbag. Then the younger one places his palm on the rounded pink lid of Lydia’s perfume bottle, as if cupping a child’s head in his hand.
Most missing-girl cases, the older policeman tells them, resolve themselves within twenty-four hours. The girls come home by themselves.
“What does that mean?” Nath says. “Most? What does that mean?”
Product details
- Publisher : Penguin Books; Reprint edition (May 12, 2015)
- Language : English
- Paperback : 297 pages
- ISBN-10 : 0143127551
- ISBN-13 : 978-0143127550
- Lexile measure : 870L
- Item Weight : 8 ounces
- Dimensions : 5 x 0.6 x 7.7 inches
- Best Sellers Rank: #4,683 in Books (See Top 100 in Books)
- #13 in Asian American Literature & Fiction
- #155 in Family Life Fiction (Books)
- #403 in Literary Fiction (Books)
- Customer Reviews:
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About the author

Celeste Ng is the number one New York Times bestselling author of Everything I Never Told You and Little Fires Everywhere. Her third novel, Our Missing Hearts, will be published in October 2022. Ng is the recipient of fellowships from the National Endowment for the Arts and the Guggenheim Foundation, and her work has been published in over thirty languages.
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The book starts off with the middle daughter, Lydia, of a middle-class family presumed to be missing and eventually found to be dead. The rest of the book discusses possible circumstances and suspects that may have contributed or directly led to her death. We know where she died, but not how she died until the end of the book.
This book is set in the 70's. It is about a multicultural family (Chinese father, White mother, mixed-race children) living in a small town in Ohio. The family desperately want their kids to fit in, as any parent would. However, the kids find it hard to fit in as they are often isolated from their schoolmates for being, or rather LOOKING different. The parents especially wish for their middle child, Lydia, to fit in. She is considered the prettiest of the 3 children because despite her black hair and Asian features, she most resembles her White mother and she has blue eyes. Her parents favor her on her looks alone. They expect a lot from her. Her father wants her to be popular and buys her nice gifts that he doesn't buy for his other kids. Her mother wants Lydia to be intelligent and to become a doctor; something we later learn she herself wasn't able to do because she was married and got pregnant young, at which point her husband preferred she stay home and care for the kids. Lydia's mother goes so far as to check abd correcf Lydia's homework each morning, whicb she doesn't do for her other kids.
The pressure from her family is too much for Lydia. She fakes being popular in front of her parents by pretending to talk to friends on the phone, when she is really talking to a dead line or offering homework help. She fakes being intelligent in subjects she struggles with by hiding bad test grades from her parents. She eventually befriends a "bad boy" to boost her reputation, but they develop a genuine friendship and we are lead to believe they are secretly dating.
Eventually, all the pressure from Lydia's parents and peers becomes too much for her, and she "disappears". This is where we start learning the back story of the other characters. We learn that Lydia's father is a first generation American and faced a lot of discrimination trying to get a professorial job due to his being Chinese. We learn how Lydia's mother gave up her dreams and ambitions for love, only to regret it later and become bitter about it.
One of the primary themes viewed in this novel is how each parent tries to relive their failed dreams and ambitions through their daughter Lydia. For some reason, they do not have these same expectationa of their older son or younger daughter. The father views his older son as a version of his younger self, and therefore seems to think his son can't be successful since the father failed to complete his dreams. The younger daughter was not a planned pregnancy and is an afterthought throughout the book.
This novel could truly have been set in the present day instead of in the 70's. Although the author makes it seem as if being a mixed-race family in a small town is the root of many of the family's problems, I did not see this as the case at all. The family's problems seem to stem from the failure of the parents and their attempts to live vicariously through their daughter, which can happen in any family. This is the TRUE theme of the novel. While the author reiterates how the children are isolated at school because of their mixed ethnicity, I find this hard to believe - even in the 70's. In the 70's, there were many black and Japanese groups living in the area (either to escape the worst of racism or to take advatage of the farming opportunities), as well as diverse European ethnic groups. (However, I can understand the family being stared at or judged when venturing out as a unit.) Lydia's older brother is very protective of her. I find it hard to believe that he is not jealous of her when he is constantly being shafted by his parents and picked on by his dad. The baby of the family is often the most spoiled and coddled. Instead, Lydia's younger sister is invisible to her family. She is also protective of Lydia instead of being jealous of everything Lydia gets and she doesn't. There is a lot of love and no competition between the siblings. I find this impossible to believe. I too come from a 3 child family of 1 boy and 2 girls and we were constantly competing for the love and affection of our parents, as well as competing against each other.
Lastly, the author could have done a better job with Lydia's death. Without giving anything away, her death is linked to an event in her childhood. That event from her childhood should have been more detailed and better explained. As it stands, the connection is so tenuous that it borders on ridiculous.
This novel could truly describe any family in the present day and age. Don't read this novel for a cultural experience or to read about what the 70's were like. Read it to see how parents project their dreams onto their kids and the effect that has on the kids. While parts of the novel could have been better thought out, the writing and editing itself was good. I'd give this book 3 stars.
BY: CELESTE NG
I first read, "Everything I Never Told You," when it was first published in 2014. I wanted to re-read it to see if it still was worthy of the five stars that I had rated it back then and it was. I have read "Little Fires Everywhere," and watched its miniseries produced by Hulu. In both novels Celeste Ng captures beautifully dysfunctional family dynamics. I loved both books and I would encourage you to watch the miniseries of "Little Fires Everywhere," because it is excellent and varies a little from the book. The acting is incredible. In both novels Celeste Ng explores how parents expectations of their children is the catalyst for a tragic outcome that they never expected. Also, in both novels that unexpected heartbreak is told to the reader in the very beginning. Since this is a review for "Everything I Never Told You," I will focus on that one.
The setting is during the 1970's which makes, "Everything I Never Told You," a historical novel, but I still think that the themes within that are so expertly explored are still relevant today. Celeste Ng crafted a realistic depiction of the discrimination that Asian Americans still face today. This novel in my humble opinion is even more heartbreaking because the beginning lines tell the story of every parents' worst nightmare. The title is pitch perfect for what ensues during flashbacks of how the Chinese American family of the Lee's ended up in the incredibly sad position that they now face.
It is not a spoiler to say that the beginning sentence tells that the middle child of three in this family is dead. The reason why I have included it in this review is because it is stated in the synopsis of this novel. Over the course of reading you will discover how this happened. Was it murder? By reading you will easily figure out what happened to Lydia. This one remains my favorite perhaps because of how it does a great job of the character development and the question of what if? You will not be disappointed in this deep dive of how it examines the cost of weighing what can result if you want a better life for your child and you pick a favorite child who you want to do and have all of the things that you didn't have. Is being the favorite more helpful or harmful to the child who you as a parent pin all of your hopes and dreams that you in your own life didn't achieve? If only? It is a question that will haunt you as you read this UNFORGETTABLE, but realistic story that centers on one family's struggles to reconcile one of life's toughest consequences. It did affect me just as powerfully as the first time I read it and I would rate it Five sparkling and bright stars and it is absolutely perfectly written. I wouldn't change a thing. Highly, Highly Recommended!
Top reviews from other countries
----Cassandra Clare
Celeste Ng, the New York Times bestselling author, has penned an entrancing tale about a Chinese-American family set in the 70s America, Everything I Never Told You. This story opens with the eldest daughter's death but her parents and her siblings are not aware of it, and from there the story shifts from one family member's past life and secrets to another and on the background, the police are looking for the missing daughter.
Synopsis:
'Lydia is dead. But they don't know this yet.' So begins this exquisite novel about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee, and her parents are determined that she will fulfill the dreams they were unable to pursue. But when Lydia's body is found in the local lake, the delicate balancing act that has been keeping the Lee family together is destroyed, tumbling them into chaos. A profoundly moving story of family, secrets, and longing, Everything I Never Told You is both a gripping page-turner and a sensitive family portrait, uncovering the ways in which mothers and daughters, fathers and sons, and husbands and wives struggle, all their lives, to understand one another.
Lydia Lee, the apple of her parents', Marilyn and James, eyes, who will fulfill all their dreams that they could not achieve. She will become a doctor and will not settle down for marriage at a younger age unlike her mother, Marilyn, who fell for the professor, James, a first generation Chinese immigrant in America, and married him, thus putting an end in becoming a doctor. As for James, Lydia will become a social butterfly. But when her body is found at the nearby lake, the whole family is left devastated with her loss. Lydia's elder brother, Nathan, with whom Lydia shared the strongest bond of trust in the family, is in doubt that the badass playboy, Jack, from their school, has something to do with her death. James treads on a dangerous path that will jeopardize his marriage to Marilyn. Whereas Marilyn needs absolution to her precious daughter's death as according to her Lydia is not capable of killing herself as the police suggests. Hannah, the youngest daughter of the family, knows a lot about what was going on with Lydia, how she was burdened under her parent's pressure to excel well in every subjects and to be the center of every event.
We have all heard about the term "peer pressure" and how it affects one. But there is another kind of pressure called "parent pressure" that is even more dangerous than the peer pressure, as it silently affects the mind of a child. Lydia is constantly pressurized especially by her own mother to become a doctor and for that she was asked to excel in all the science subjects, unfortunately she failed in Physics, no matter how hard she tried. And to keep her mother pleased, she used to constantly say yes to each and every one of her demands. Lydia tried to be good but she had no friends.
The author's writing style is excellent and thoroughly exquisite and is laced with all kinds of heart-felt and deep emotions right from the very beginning. The story is arresting from the very first page itself, as it will immediately pull the readers into the lives of these complex characters. The narrative is engaging as well as evocative enough to make the readers feel and comprehend with the story line. The author has trod the path to this story with vivid details, emotions and enough back story, thus making it simpler for the readers to move along with it. The pacing is quite fast, compared to the fact that this is a mystery laced with family drama.
The characters are the highlight of this story thus making ti enriching as well as fascinating to read. All the characters are very layered and are depicted under two dimensions. They are flawed, yet they held a beauty in their not so inspiring demeanor. There is no main character, each and every member of Lee family plays an equally important role. The marital bond between Marilyn and James becomes weakened due to their loss and how they try hard to hold on to each other in those difficult times is strikingly portrayed by the author. The characters of both Nathan and Hannah are very much well-developed and Nathan's determination to find out what happened with his sister and Hannah's knowledge about her sister's late-night escapades will make the readers fall for them and root for them till the very end.
The timeline of the 70s which is not so evident from the story line, yet at times the readers are introduced with the then society by vividly portraying it into the story. But the setting is captured strikingly by the author as the author mentions about the summers spent by the Lee family in the lake.
In a nutshell, this is a poignant family drama that is layered with suspense and some unpredictable twists that will keep the readers turning the pages of this book till the very end.
Well-observed and refreshing unsentimental, Ng’s poignant take on one families disintegration and turmoil following the death of their favoured child is unflinchingly honest and never shies away from confronting the painful and enunciating the more unpalatable topic of race and gender discrimination. The story is as much one of the mysterious circumstances surrounding sixteen-year-old Lydia Lee’s death as it is about the meeting and marriage of Marilyn Walker, a studious white Virginian with ambitions of being a doctor and James Lee a first-generation Chinese-American graduate student hoping to secure a position amongst the teaching staff of his alma mater, Harvard.
The pivotal moment takes place within the opening pages and what follow is an unravelling of the unspoken truths, insecurities and parental expectations as the narrative weaves back and forth in time to chronicle the Lee’s marriage and their individual insecurities. Set in 1977 in the tiny college town of Middlewood in Northwest Ohio and evoking the small-mindedness of a community where mixed-race marriages and their offspring are still a novelty and never expected to anything, the scrutiny on the family is intense. For academically gifted Marilyn whose aspirations to be a doctor gives way to domesticity and motherhood, her dismay at her unfulfilled potential has never quite receded. Having reluctantly come to terms with her career failure after a self-enforced exile from her family, her eventual return home sees Lydia make a silent promise to please her mother and ensure she never has a reason to leave again. Meanwhile for James who longs to fit in and eschew his deep-rooted fears of feelings like an outcast or imposter that have blighted him from junior school to graduate student his biggest wish is for his children and family to be seen as equal and no longer starred at or marked out by their parentage. From popularity amongst their peers to reaching lofty academic heights, being seen as an all American success story is his greatest desire.
The marital pact of the Lee’s to look to the future and forget the struggles they have each overcome is admirable, but with neither having shared their deepest emotions and the baggage of their past, the impact on their children is quite profound with Nath observing first-hand his sister’s stoicism. Crumbling under the weight of her parents expectations and her mothers rigorous study schedule to allow Lydia to fulfil her own ambition of becoming a doctor, only brother Nath knows of her loneliness, lack of friends and misery. As the circumstances of Lydia’s death remain shrouded in doubt and Marilyn struggles to accept the possibility of suicide, the family quickly unravels with bitterness and secrets on all sides. Forcing both Marilyn and James to recognise how they have failed their daughter and Nath to accept his guilt at being grateful to have escaped the pressures on Lydia, the novel is a cathartic exploration of a family in turmoil. But is there anyway past the death of Lydia for the devastated Lee family?
A haunting portrait of the complexities of family life and the decisive moment that brings it all crashing down for a mixed-race family in small town Northwest Ohio in the late 1970s. Not only does the period setting make the prejudice surrounding the interracial relationship of Marilyn and James far more distinct but the pre mobile phone/social media advent is a necessity in enabling Celeste Ng to convey a credible snapshot of Lydia’s loneliness and social isolation.

















