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Everything, Everything Paperback – Illustrated, March 7, 2017
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Nicola Yoon
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Nicola Yoon
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Reading age12 - 17 years
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Print length352 pages
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LanguageEnglish
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Grade level7 - 9
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Lexile measureHL610L
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Dimensions5.5 x 0.74 x 8.25 inches
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PublisherEmber
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Publication dateMarch 7, 2017
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ISBN-100553496670
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ISBN-13978-0553496673
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|---|---|---|---|
| THE SUN IS ALSO A STAR | INSTRUCTIONS FOR DANCING | NICOLA YOON BOXED SET | |
| Read more from Nicola Yoon! | The #1 New York Times bestseller and National Book Award Finalist | A unique romance exploring the nature of love. | A 2-book boxed set of Nicola Yoon's bestselling novels. |
Editorial Reviews
Review
A #1 New York Times bestseller
A #1 Publishers Weekly bestseller
A #1 Indie bestseller
A USA Today bestseller
A Wall Street Journal bestseller
A New York Public Library Best Book for Teens
A Miami Herald Best Book of the Year
A School Library Journal Best Book of the Year
“Gorgeous and lyrical.” --The New York Times Book Review
"[A] fresh, moving debut."--Entertainment Weekly, A-
"YA book lovers, your newest obsession is here."--MTV.com
★ "This heartwarming story transcends the ordinary by exploring the hopes, dreams, and inherent risks of love in all of its forms." —Kirkus Reviews, Starred Review
★"Everything, Everything is wonderful, wonderful."—SLJ, Starred Review
“Everything, Everything is everything, everything—powerful, lovely, heart-wrenching, and so absorbing I devoured it in one sitting. It’s a wonder. The rare novel that lifts and shatters and fills you all at once.” —Jennifer Niven, New York Times bestselling author of All the Bright Places
“With her stunning debut, Everything, Everything, Nicola Yoon has constructed an entirely unique and beautiful reading experience. Gorgeous writing meshes with original artwork to tell a love story like no other. You’ve never read a book like this.” —David Arnold, author of Mosquitoland
“Everything, Everything has everything . . . romance, heart, and intelligence. Nicola Yoon's book and voice stayed with me long after I finished reading.” —Danielle Paige, New York Times bestselling author of Dorothy Must Die
“There's a quiet beauty about Everything, Everything that kept me captivated from start to finish. Olly and Madeline's love story stole my heart.”--Katie McGarry, author of Nowhere But Here
"This extraordinary first novel about love so strong it might kill us is too good to feel like a debut. Tender, creative, beautifully written, and with a great twist, Everything, Everything is one of the best books I've read this year." --Jodi Picoult, #1 New York Times Bestselling author of Leaving Time
"A do-not-miss for fans of John Green and Rainbow Rowell (aka everyone)."--Justine Magazine
"A vibrant, thrilling, and, ultimately, wholly original tale that's bound to be an instant hit."--Bustle.com
"This is an easy romance to get caught up in."--Publishers Weekly
"Deeply satisfying."--The Bulletin
"Nicola Yoon’s first novel will give you butterflies."--Seventeen
“Not only was I totally hooked . . . by the end I was totally blown away.”—Arun Rath, NPR Weekend’s All Things Considered
“Heartwarming and inventive.”—Mashable.com
“Readers will root for the precocious Maddy as she falls hard for the boy next door . . . teens in search of a swoonworthy read will devour.”--Booklist
"I just couldn't put it down . . . If you’re a fan of The Fault in Our Stars, If I Stay or Before I Die, then this book is for you."--TheGuardian.com
Selected as one of the Best Multicultural Books of the Year by the Center for the Study Multicultural Children’s Literature
A #1 Publishers Weekly bestseller
A #1 Indie bestseller
A USA Today bestseller
A Wall Street Journal bestseller
A New York Public Library Best Book for Teens
A Miami Herald Best Book of the Year
A School Library Journal Best Book of the Year
“Gorgeous and lyrical.” --The New York Times Book Review
"[A] fresh, moving debut."--Entertainment Weekly, A-
"YA book lovers, your newest obsession is here."--MTV.com
★ "This heartwarming story transcends the ordinary by exploring the hopes, dreams, and inherent risks of love in all of its forms." —Kirkus Reviews, Starred Review
★"Everything, Everything is wonderful, wonderful."—SLJ, Starred Review
“Everything, Everything is everything, everything—powerful, lovely, heart-wrenching, and so absorbing I devoured it in one sitting. It’s a wonder. The rare novel that lifts and shatters and fills you all at once.” —Jennifer Niven, New York Times bestselling author of All the Bright Places
“With her stunning debut, Everything, Everything, Nicola Yoon has constructed an entirely unique and beautiful reading experience. Gorgeous writing meshes with original artwork to tell a love story like no other. You’ve never read a book like this.” —David Arnold, author of Mosquitoland
“Everything, Everything has everything . . . romance, heart, and intelligence. Nicola Yoon's book and voice stayed with me long after I finished reading.” —Danielle Paige, New York Times bestselling author of Dorothy Must Die
“There's a quiet beauty about Everything, Everything that kept me captivated from start to finish. Olly and Madeline's love story stole my heart.”--Katie McGarry, author of Nowhere But Here
"This extraordinary first novel about love so strong it might kill us is too good to feel like a debut. Tender, creative, beautifully written, and with a great twist, Everything, Everything is one of the best books I've read this year." --Jodi Picoult, #1 New York Times Bestselling author of Leaving Time
"A do-not-miss for fans of John Green and Rainbow Rowell (aka everyone)."--Justine Magazine
"A vibrant, thrilling, and, ultimately, wholly original tale that's bound to be an instant hit."--Bustle.com
"This is an easy romance to get caught up in."--Publishers Weekly
"Deeply satisfying."--The Bulletin
"Nicola Yoon’s first novel will give you butterflies."--Seventeen
“Not only was I totally hooked . . . by the end I was totally blown away.”—Arun Rath, NPR Weekend’s All Things Considered
“Heartwarming and inventive.”—Mashable.com
“Readers will root for the precocious Maddy as she falls hard for the boy next door . . . teens in search of a swoonworthy read will devour.”--Booklist
"I just couldn't put it down . . . If you’re a fan of The Fault in Our Stars, If I Stay or Before I Die, then this book is for you."--TheGuardian.com
Selected as one of the Best Multicultural Books of the Year by the Center for the Study Multicultural Children’s Literature
About the Author
NICOLA YOON is the #1 New York Times bestselling author of Everything, Everything and The Sun is Also a Star, a Michael L. Printz Honor book and a National Book Award finalist. She grew up in Jamaica and Brooklyn and lives in Los Angeles with her husband, who created the artwork in these pages, and daughter, both of whom she loves beyond all reason. Everything, Everything, her debut novel, is now a major motion picture.
Follow Nicola Yoon on Instagram and Tumblr and @NicolaYoon on Twitter.
Excerpt. © Reprinted by permission. All rights reserved.
BRTHDAE UISH
“MOVIE NIGHT OR Honor Pictionary or Book Club?” my mom asks while inflating a blood pressure cuff around my arm. She doesn’t mention her favorite of all our post-dinner activities—Phonetic Scrabble. I look up to see that her eyes are already laughing at me.
“Phonetic,” I say.
She stops inflating the cuff. Ordinarily Carla, my full-time nurse, would be taking my blood pressure and filling out my daily health log, but my mom’s given her the day off. It’s my birthday and we always spend the day together, just the two of us.
She puts on her stethoscope so that she can listen to my heartbeat. Her smile fades and is replaced by her more serious doctor’s face. This is the face her patients most often see— slightly distant, professional, and concerned. I wonder if they find it comforting.
Impulsively I give her a quick kiss on the forehead to remind her that it’s just me, her favorite patient, her daughter.
She opens her eyes, smiles, and caresses my cheek. I guess if you’re going to be born with an illness that requires constant care, then it’s good to have your mom as your doctor.
A few seconds later she gives me her best I’m-the-doctor- and-I’m-afraid-I-have-some-bad-news-for-you face. “It’s your big day. Why don’t we play something you have an actual chance of winning? Honor Pictionary?”
Since regular Pictionary can’t really be played with two people, we invented Honor Pictionary. One person draws and the other person is on her honor to make her best guess. If you guess correctly, the other person scores.
I narrow my eyes at her. “We’re playing Phonetic, and I’m winning this time,” I say confidently, though I have no chance of winning. In all our years of playing Phonetic Scrabble, or Fonetik Skrabbl, I’ve never beaten her at it. The last time we played I came close. But then she devastated me on the final word, playing JEENZ on a triple word score.
“OK.” She shakes her head with mock pity. “Anything you want.” She closes her laughing eyes to listen to the stethoscope.
We spend the rest of the morning baking my traditional birthday cake of vanilla sponge with vanilla cream frosting. After it’s cooled, I apply an unreasonably thin layer of frosting, just enough to cover the cake. We are, both of us, cake people, not frosting people. For decoration, I draw eighteen frosted daisies with white petals and a white center across the top. On the sides I fashion draped white curtains.
“Perfect.” My mom peers over my shoulders as I finish up. “Just like you.”
I turn to face her. She’s smiling a wide, proud smile at me, but her eyes are bright with tears.
“You. Are. Tragic,” I say, and squirt a dollop of frosting on her nose, which only makes her laugh and cry some more. Really, she’s not usually this emotional, but something about my birthday always makes her both weepy and joyful at the same time. And if she’s weepy and joyful, then I’m weepy and joyful, too.
“I know,” she says, throwing her hands helplessly up in the air. “I’m totally pathetic.” She pulls me into a hug and squeezes. Frosting gets into my hair.
My birthday is the one day of the year that we’re both most acutely aware of my illness. It’s the acknowledging of the passage of time that does it. Another whole year of being sick, no hope for a cure on the horizon. Another year of missing all the normal teenagery things—learner’s permit, first kiss, prom, first heartbreak, first fender bender. Another year of my mom doing nothing but working and taking care of me. Every other day these omissions are easy—easier, at least—to ignore.
This year is a little harder than the previous. Maybe it’s because I’m eighteen now. Technically, I’m an adult. I should be leaving home, going off to college. My mom should be dreading empty-nest syndrome. But because of SCID, I’m not going anywhere.
Later, after dinner, she gives me a beautiful set of watercolor pencils that had been on my wish list for months. We go into the living room and sit cross-legged in front of the coffee table. This is also part of our birthday ritual: She lights a single candle in the center of the cake. I close my eyes and make a wish. I blow the candle out.
“What did you wish for?” she asks as soon as I open my eyes.
Really there’s only one thing to wish for—a magical cure that will allow me to run free outside like a wild animal. But I never make that wish because it’s impossible. It’s like wishing that mermaids and dragons and unicorns were real. Instead I wish for something more likely than a cure. Something less likely to make us both sad.
“World peace,” I say.
Three slices of cake later, we begin a game of Fonetik. I do not win. I don’t even come close.
She uses all seven letters and puts down POKALIP next to an S. POKALIPS.
“What’s that?” I ask.
“Apocalypse,” she says, eyes dancing.
“No, Mom. No way. I can’t give that to you.”
“Yes,” is all she says.
“Mom, you need an extra A. No way.”
“Pokalips,” she says for effect, gesturing at the letters. “It totally works.”
I shake my head.
“P O K A L I P S,” she insists, slowly dragging out the word.
“Oh my God, you’re relentless,” I say, throwing my hands up. “OK, OK, I’ll allow it.”
“Yesssss.” She pumps her fist and laughs at me and marks down her now-insurmountable score. “You’ve never really understood this game,” she says. “It’s a game of persuasion.”
I slice myself another piece of cake. “That was not persuasion,” I say. “That was cheating.”
“Same same,” she says, and we both laugh.
“You can beat me at Honor Pictionary tomorrow,” she says.
After I lose, we go to the couch and watch our favorite movie, Young Frankenstein. Watching it is also part of our birthday ritual. I put my head in her lap, and she strokes my hair, and we laugh at the same jokes in the same way that we’ve been laughing at them for years. All in all, not a bad way to spend your eighteenth birthday.
“MOVIE NIGHT OR Honor Pictionary or Book Club?” my mom asks while inflating a blood pressure cuff around my arm. She doesn’t mention her favorite of all our post-dinner activities—Phonetic Scrabble. I look up to see that her eyes are already laughing at me.
“Phonetic,” I say.
She stops inflating the cuff. Ordinarily Carla, my full-time nurse, would be taking my blood pressure and filling out my daily health log, but my mom’s given her the day off. It’s my birthday and we always spend the day together, just the two of us.
She puts on her stethoscope so that she can listen to my heartbeat. Her smile fades and is replaced by her more serious doctor’s face. This is the face her patients most often see— slightly distant, professional, and concerned. I wonder if they find it comforting.
Impulsively I give her a quick kiss on the forehead to remind her that it’s just me, her favorite patient, her daughter.
She opens her eyes, smiles, and caresses my cheek. I guess if you’re going to be born with an illness that requires constant care, then it’s good to have your mom as your doctor.
A few seconds later she gives me her best I’m-the-doctor- and-I’m-afraid-I-have-some-bad-news-for-you face. “It’s your big day. Why don’t we play something you have an actual chance of winning? Honor Pictionary?”
Since regular Pictionary can’t really be played with two people, we invented Honor Pictionary. One person draws and the other person is on her honor to make her best guess. If you guess correctly, the other person scores.
I narrow my eyes at her. “We’re playing Phonetic, and I’m winning this time,” I say confidently, though I have no chance of winning. In all our years of playing Phonetic Scrabble, or Fonetik Skrabbl, I’ve never beaten her at it. The last time we played I came close. But then she devastated me on the final word, playing JEENZ on a triple word score.
“OK.” She shakes her head with mock pity. “Anything you want.” She closes her laughing eyes to listen to the stethoscope.
We spend the rest of the morning baking my traditional birthday cake of vanilla sponge with vanilla cream frosting. After it’s cooled, I apply an unreasonably thin layer of frosting, just enough to cover the cake. We are, both of us, cake people, not frosting people. For decoration, I draw eighteen frosted daisies with white petals and a white center across the top. On the sides I fashion draped white curtains.
“Perfect.” My mom peers over my shoulders as I finish up. “Just like you.”
I turn to face her. She’s smiling a wide, proud smile at me, but her eyes are bright with tears.
“You. Are. Tragic,” I say, and squirt a dollop of frosting on her nose, which only makes her laugh and cry some more. Really, she’s not usually this emotional, but something about my birthday always makes her both weepy and joyful at the same time. And if she’s weepy and joyful, then I’m weepy and joyful, too.
“I know,” she says, throwing her hands helplessly up in the air. “I’m totally pathetic.” She pulls me into a hug and squeezes. Frosting gets into my hair.
My birthday is the one day of the year that we’re both most acutely aware of my illness. It’s the acknowledging of the passage of time that does it. Another whole year of being sick, no hope for a cure on the horizon. Another year of missing all the normal teenagery things—learner’s permit, first kiss, prom, first heartbreak, first fender bender. Another year of my mom doing nothing but working and taking care of me. Every other day these omissions are easy—easier, at least—to ignore.
This year is a little harder than the previous. Maybe it’s because I’m eighteen now. Technically, I’m an adult. I should be leaving home, going off to college. My mom should be dreading empty-nest syndrome. But because of SCID, I’m not going anywhere.
Later, after dinner, she gives me a beautiful set of watercolor pencils that had been on my wish list for months. We go into the living room and sit cross-legged in front of the coffee table. This is also part of our birthday ritual: She lights a single candle in the center of the cake. I close my eyes and make a wish. I blow the candle out.
“What did you wish for?” she asks as soon as I open my eyes.
Really there’s only one thing to wish for—a magical cure that will allow me to run free outside like a wild animal. But I never make that wish because it’s impossible. It’s like wishing that mermaids and dragons and unicorns were real. Instead I wish for something more likely than a cure. Something less likely to make us both sad.
“World peace,” I say.
Three slices of cake later, we begin a game of Fonetik. I do not win. I don’t even come close.
She uses all seven letters and puts down POKALIP next to an S. POKALIPS.
“What’s that?” I ask.
“Apocalypse,” she says, eyes dancing.
“No, Mom. No way. I can’t give that to you.”
“Yes,” is all she says.
“Mom, you need an extra A. No way.”
“Pokalips,” she says for effect, gesturing at the letters. “It totally works.”
I shake my head.
“P O K A L I P S,” she insists, slowly dragging out the word.
“Oh my God, you’re relentless,” I say, throwing my hands up. “OK, OK, I’ll allow it.”
“Yesssss.” She pumps her fist and laughs at me and marks down her now-insurmountable score. “You’ve never really understood this game,” she says. “It’s a game of persuasion.”
I slice myself another piece of cake. “That was not persuasion,” I say. “That was cheating.”
“Same same,” she says, and we both laugh.
“You can beat me at Honor Pictionary tomorrow,” she says.
After I lose, we go to the couch and watch our favorite movie, Young Frankenstein. Watching it is also part of our birthday ritual. I put my head in her lap, and she strokes my hair, and we laugh at the same jokes in the same way that we’ve been laughing at them for years. All in all, not a bad way to spend your eighteenth birthday.
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Product details
- Publisher : Ember; Illustrated edition (March 7, 2017)
- Language : English
- Paperback : 352 pages
- ISBN-10 : 0553496670
- ISBN-13 : 978-0553496673
- Reading age : 12 - 17 years
- Lexile measure : HL610L
- Grade level : 7 - 9
- Item Weight : 9.6 ounces
- Dimensions : 5.5 x 0.74 x 8.25 inches
- Best Sellers Rank: #7,259 in Books (See Top 100 in Books)
- Customer Reviews:
Customer reviews
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5,793 global ratings
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Reviewed in the United States on June 2, 2020
Verified Purchase
For 90% of my way through this book, it was a 4.5 star read. It was light, it was sweet, the characters were adorable (bonus points for a positive inclusion of a diverse main character), the writing style was unique, - all pluses and I was really enjoying it. And then came the last few chapters that ruined it all for me. And by all, I do mean all . I started taking a harder look at the narrative and realized I had gotten swept up by the likable characters and the sweetness of it all and had allowed myself to gloss over serious issues and messages that should never be present in a book intended for a YA audience.
SPOILERS BELOW!
I know many people have taken issue with Madeline having never been sick at all, but I can live with that - sort of. There were just too many other things that I couldn't get past:
- It is clear that Olly's father is physically abusive, but Madeline's mother - a doctor - does nothing to report what is going on, something her profession should compel her to do, even after she's witnessed the abuse with her own two eyes
- Rosa spends 15 years as Madeline's nurse, suspects that she is not really sick and her mother is mentally ill, but does nothing. Then, when her suspicions are confirmed, she encourages Madeline to forgive her mother and continue to live in the same house with her. What???
- The narrative implies to YAs (it's intended audience) that it is okay to sacrifice/jeopardize your own health (or your very life) for someone else - that love is literally worth dying for
- Instalove/instasex that resemble infatuation and obsession are in fact true love and not infatuation or obsession at all
- Madeline and Olly live happily ever after. Because she isn't sick. Because if she was sick, they couldn't/wouldn't ever be happy. Or together. Because people with disabilities can't live happily ever after? Because, in order to wrap this all up and put a pretty bow on it, Maddy has to be young, healthy and beautiful? Ugh!
- Madeline's mother's mental illness is not dealt with at all. She goes to therapy? That's it? Madeline is mad, but in a matter of weeks seemingly forgives her for stealing almost 2 decades of her life and actually exposing her to life threatening health issues because she has never developed immune system? She's still a practicing doctor (there is nothing that indicates that she isn't)? She is never charged with child abuse/endangerment?
There are too many careless (and potentially harmful) messages to overlook the crappy ending because of cute characters and a positive inclusion of diversity.
SPOILERS BELOW!
I know many people have taken issue with Madeline having never been sick at all, but I can live with that - sort of. There were just too many other things that I couldn't get past:
- It is clear that Olly's father is physically abusive, but Madeline's mother - a doctor - does nothing to report what is going on, something her profession should compel her to do, even after she's witnessed the abuse with her own two eyes
- Rosa spends 15 years as Madeline's nurse, suspects that she is not really sick and her mother is mentally ill, but does nothing. Then, when her suspicions are confirmed, she encourages Madeline to forgive her mother and continue to live in the same house with her. What???
- The narrative implies to YAs (it's intended audience) that it is okay to sacrifice/jeopardize your own health (or your very life) for someone else - that love is literally worth dying for
- Instalove/instasex that resemble infatuation and obsession are in fact true love and not infatuation or obsession at all
- Madeline and Olly live happily ever after. Because she isn't sick. Because if she was sick, they couldn't/wouldn't ever be happy. Or together. Because people with disabilities can't live happily ever after? Because, in order to wrap this all up and put a pretty bow on it, Maddy has to be young, healthy and beautiful? Ugh!
- Madeline's mother's mental illness is not dealt with at all. She goes to therapy? That's it? Madeline is mad, but in a matter of weeks seemingly forgives her for stealing almost 2 decades of her life and actually exposing her to life threatening health issues because she has never developed immune system? She's still a practicing doctor (there is nothing that indicates that she isn't)? She is never charged with child abuse/endangerment?
There are too many careless (and potentially harmful) messages to overlook the crappy ending because of cute characters and a positive inclusion of diversity.
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4.0 out of 5 stars
While quotable, and will excite you for the movie, the book itself isn't going to leave a long lasting impression.
Reviewed in the United States on January 1, 2017Verified Purchase
Overview/ Review (with Spoilers)
Everything, Everything is similar to Recovery Road in terms of format. It is setup like a diary, though unlike Recovery Road it has pictures, and each would be chapter is short. However, with a movie coming up this August, starring Amandla Stenberg and Anika Noni Rose, you know I couldn’t resist. Though, let me tell you, this is by no means the best YA novel I’ve ever read.
Characters & Storyline
Since she was a baby, Madeline hasn’t left her house. Her mother, a doctor, has diagnosed her with SCIDs (Severe Combined Immunodeficiency) after her getting gravely ill as a baby. What this basically does is turn her into a bubble child (Think Jake Gyllenhaal’s Bubby Boy). Which, if you saw the movie, you’ll remember means a lot of remodeling of the family home in order to accommodate the disease. So, with some money Maddy’s mom came into, she is able to redo the house to keep Maddy healthy.
Thus leading to, for more than 15 some odd years, the only people Maddy interacting with being her mom and nurse Carla. However, then comes Olly, a boy who moves in next door. His curiosity, his being new to the area, draws him to the cute girl who just watches people from the window. So, thanks to a bit of perseverance, and Maddy’s own curiosity, they become friends and so blooms the desire to become something more. But is that possible when Maddy can’t do things normal girls do? Will Olly, considering his family situation, as well as the ability to meet tons of girls at school, really give him the time to deal with the frustration which is having to adjust his life to meet the requirements of what he needs to do just to see Maddy? Well…
Highlights
Maddy and Olly’s Relationship Is Adorable
No matter what the YA novel is, pretty much it is the relationships and/or the friendships, that keep you interested. Especially in books like these which don’t have their lead with some serious sort of affliction which can give the reader a quick shock or scare. So, it makes it where as you read Maddy meeting and getting to know Olly, it is very cute. After all, once you take into account how isolated Maddy has been, and this is probably one of the few boys her age she has had the chance to interact with, it makes you a bit nostalgic.
This is, of course, assuming you are my age, nearly a decade away from Maddy’s, and reading her talk about the butterflies and how being within a couple of feet from someone you are into makes the hairs on your arms stand. All of it, truly, reminds you of what it was like to be young and have a full-fledged, it could happen, type of crush. The kind you dream about and so much more.
It’s Not Too Heavy or Sensationalized
I think I’m not alone in saying that the YA novel genre has become saturated with drug addiction, accidental deaths, various kinds of abuse, and with that it makes books which don’t include that seem tame. Heck, they seem boring in comparison. For, after all, books are about escapism, going into someone else’s world, usually more interesting than yours, and getting away. Yet, at the same time, books are also about finding someone, or something, to relate to, despite your difference.
Maddy’s life is bare. She has her mom, Carla, and a computer she strangely only does school work on. Even when Olly enters her life, there is nothing sensationalized about their relationship. He isn’t some bad boy she is trying to save nor is he just some curious dude who is bored.
In a lot of ways, Everything, Everything reminds you that storytelling, and coming of age, isn’t just about having sex for the first time, your first drink, your first smoke, or what often are considered things that adults do. It’s about experiencing life with the only influence your parents having is how they live by example and you deciding what to, or not to, take from that. Which includes how you handle being offered sex, drugs, and etc., as well as how you handle tragedy, how you are as a friend or partner when that other person is hurting and more.
Overall: Mixed (Borrow)
While I really have nothing but praise for Everything, Everything here is the thing. It’s not for everyone. This book isn’t about escapism but providing perhaps a character to relate to. Hence why Maddy is Black and Asian, just like Nicola Yoon’s children will be. This book, in a way, is about breaking the mold, not giving in to the need for sudden shocks and the usual beliefs of what teens get themselves, and each other, into. This book is for those who may have issues with their parents, maybe never been kissed, but nonetheless are completely normal. With that, as much as the book has quotable lines up the ying yang, it doesn’t really bring me to say you should buy it nor can I strongly recommend it. It’s a quick read which won’t be taxing on your time and emotions but with it just being cute, even with Maddy’s diagnosis, it doesn’t come up with ways to make you wanna read this over and over again. As much as we get to know Maddy and Olly, as well as their friends and family, they don’t leave a strong impression for they are so normal that, minus or plus one or two things, you probably already know someone like them.
Hence the Mixed (Borrow) label for while those prepping for the movie I think may enjoy the insight, and surely will look forward to certain moments in the movie, I think on its own Everything, Everything may do things differently, but not in such a way it becomes exemplary.
Everything, Everything is similar to Recovery Road in terms of format. It is setup like a diary, though unlike Recovery Road it has pictures, and each would be chapter is short. However, with a movie coming up this August, starring Amandla Stenberg and Anika Noni Rose, you know I couldn’t resist. Though, let me tell you, this is by no means the best YA novel I’ve ever read.
Characters & Storyline
Since she was a baby, Madeline hasn’t left her house. Her mother, a doctor, has diagnosed her with SCIDs (Severe Combined Immunodeficiency) after her getting gravely ill as a baby. What this basically does is turn her into a bubble child (Think Jake Gyllenhaal’s Bubby Boy). Which, if you saw the movie, you’ll remember means a lot of remodeling of the family home in order to accommodate the disease. So, with some money Maddy’s mom came into, she is able to redo the house to keep Maddy healthy.
Thus leading to, for more than 15 some odd years, the only people Maddy interacting with being her mom and nurse Carla. However, then comes Olly, a boy who moves in next door. His curiosity, his being new to the area, draws him to the cute girl who just watches people from the window. So, thanks to a bit of perseverance, and Maddy’s own curiosity, they become friends and so blooms the desire to become something more. But is that possible when Maddy can’t do things normal girls do? Will Olly, considering his family situation, as well as the ability to meet tons of girls at school, really give him the time to deal with the frustration which is having to adjust his life to meet the requirements of what he needs to do just to see Maddy? Well…
Highlights
Maddy and Olly’s Relationship Is Adorable
No matter what the YA novel is, pretty much it is the relationships and/or the friendships, that keep you interested. Especially in books like these which don’t have their lead with some serious sort of affliction which can give the reader a quick shock or scare. So, it makes it where as you read Maddy meeting and getting to know Olly, it is very cute. After all, once you take into account how isolated Maddy has been, and this is probably one of the few boys her age she has had the chance to interact with, it makes you a bit nostalgic.
This is, of course, assuming you are my age, nearly a decade away from Maddy’s, and reading her talk about the butterflies and how being within a couple of feet from someone you are into makes the hairs on your arms stand. All of it, truly, reminds you of what it was like to be young and have a full-fledged, it could happen, type of crush. The kind you dream about and so much more.
It’s Not Too Heavy or Sensationalized
I think I’m not alone in saying that the YA novel genre has become saturated with drug addiction, accidental deaths, various kinds of abuse, and with that it makes books which don’t include that seem tame. Heck, they seem boring in comparison. For, after all, books are about escapism, going into someone else’s world, usually more interesting than yours, and getting away. Yet, at the same time, books are also about finding someone, or something, to relate to, despite your difference.
Maddy’s life is bare. She has her mom, Carla, and a computer she strangely only does school work on. Even when Olly enters her life, there is nothing sensationalized about their relationship. He isn’t some bad boy she is trying to save nor is he just some curious dude who is bored.
In a lot of ways, Everything, Everything reminds you that storytelling, and coming of age, isn’t just about having sex for the first time, your first drink, your first smoke, or what often are considered things that adults do. It’s about experiencing life with the only influence your parents having is how they live by example and you deciding what to, or not to, take from that. Which includes how you handle being offered sex, drugs, and etc., as well as how you handle tragedy, how you are as a friend or partner when that other person is hurting and more.
Overall: Mixed (Borrow)
While I really have nothing but praise for Everything, Everything here is the thing. It’s not for everyone. This book isn’t about escapism but providing perhaps a character to relate to. Hence why Maddy is Black and Asian, just like Nicola Yoon’s children will be. This book, in a way, is about breaking the mold, not giving in to the need for sudden shocks and the usual beliefs of what teens get themselves, and each other, into. This book is for those who may have issues with their parents, maybe never been kissed, but nonetheless are completely normal. With that, as much as the book has quotable lines up the ying yang, it doesn’t really bring me to say you should buy it nor can I strongly recommend it. It’s a quick read which won’t be taxing on your time and emotions but with it just being cute, even with Maddy’s diagnosis, it doesn’t come up with ways to make you wanna read this over and over again. As much as we get to know Maddy and Olly, as well as their friends and family, they don’t leave a strong impression for they are so normal that, minus or plus one or two things, you probably already know someone like them.
Hence the Mixed (Borrow) label for while those prepping for the movie I think may enjoy the insight, and surely will look forward to certain moments in the movie, I think on its own Everything, Everything may do things differently, but not in such a way it becomes exemplary.
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Reviewed in the United States on December 13, 2017
Verified Purchase
I will be honest, I read this book start to finish in one day. There were parts where I just couldn’t stop reading because I wanted to know what would happen. I really enjoyed reading the storyline and getting to know Olly and Maddy. I definitely wish that when I was 18 years old I knew a boy like Olly! Although I have to say that is one criticism that I have of this book, I don’t believe that boy’s like Olly actually exist at the age of 18 years old! He was so sweet, thoughtful, sure of himself and his love for Maddy, and very mature. So I struggled to read the book and relate to a world in which a character like Olly would exist.
Other than that I loved the storyline and the author’s writing. Maddy was funny and quirky and relatable. I did wonder which direction the story would go, I wouldn’t say it was predictable, but I wasn’t sure whether it would have a happy or sad ending. There seemed to be only two ways for the book to end. And I will say that when I read the last part of the book I was actually disappointed there wasn’t more to the story of Olly and Maddy. I was left wanting more!
Definitely worth reading if you like sweet YA love stories.
Other than that I loved the storyline and the author’s writing. Maddy was funny and quirky and relatable. I did wonder which direction the story would go, I wouldn’t say it was predictable, but I wasn’t sure whether it would have a happy or sad ending. There seemed to be only two ways for the book to end. And I will say that when I read the last part of the book I was actually disappointed there wasn’t more to the story of Olly and Maddy. I was left wanting more!
Definitely worth reading if you like sweet YA love stories.
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Top reviews from other countries
Stephen Clynes
5.0 out of 5 stars
More than a love story.
Reviewed in the United Kingdom on June 28, 2020Verified Purchase
Madeline Whittier is 17 years old and she does not go outside her home because she has Severe Combined Immunodeficiency, basically she is allergic to the world. However, new neighbours move into the house next door and Madeline spots a teenage boy called Olly. Follow Madeline as she looks out of her window and dreams of a life outside.
Everything, Everything is a debut novel but you would never guess it because her writing is of such high quality and polished. I loved the format of this book, first person with a linear time scale. Madeline wonderfully describes her life to the reader so that we know what it is like to be trapped in her home and to fear the big, dangerous outside world. The story is so engaging and although told from a female perspective, blokes can so easily relate to it.
There is a lot of romance here but it is not slushy or off-putting. The romance is soft and tender, drawing the reader in with hope. You can only wish for things to turn for the better with Madeline.
I loved the philosophy weaved into this story. The dialogue shared with the reader leads to some wonderful quotes to take away with you…
“Everything’s a risk. Not doing anything is a risk. It’s up to you.”
“It’s not your fault. Life is a gift. Don’t forget to live it.”
“You’re not living if you’re not regretting.”
...I thoroughly enjoyed reading Everything, Everything. Many people are finding it a challenge staying at home during the Coronavirus pandemic which makes this book extremely easy to relate to. I just wish that Mark Drakeford, First Minister of Wales would read this book and reconsider his decision to keep Wales stuck at home, lagging and trapped behind the rest of the UK, as most of Great Britain eases out of lockdown. Although this book is set in California, readers in lockdown around the globe can relate so easily to Madeline’s entrapment.
Everything, Everything is basically a love story but with a lot more thrown in. It is a TOP CLASS read with a happy ending that gets 5 stars from me.
Everything, Everything is a debut novel but you would never guess it because her writing is of such high quality and polished. I loved the format of this book, first person with a linear time scale. Madeline wonderfully describes her life to the reader so that we know what it is like to be trapped in her home and to fear the big, dangerous outside world. The story is so engaging and although told from a female perspective, blokes can so easily relate to it.
There is a lot of romance here but it is not slushy or off-putting. The romance is soft and tender, drawing the reader in with hope. You can only wish for things to turn for the better with Madeline.
I loved the philosophy weaved into this story. The dialogue shared with the reader leads to some wonderful quotes to take away with you…
“Everything’s a risk. Not doing anything is a risk. It’s up to you.”
“It’s not your fault. Life is a gift. Don’t forget to live it.”
“You’re not living if you’re not regretting.”
...I thoroughly enjoyed reading Everything, Everything. Many people are finding it a challenge staying at home during the Coronavirus pandemic which makes this book extremely easy to relate to. I just wish that Mark Drakeford, First Minister of Wales would read this book and reconsider his decision to keep Wales stuck at home, lagging and trapped behind the rest of the UK, as most of Great Britain eases out of lockdown. Although this book is set in California, readers in lockdown around the globe can relate so easily to Madeline’s entrapment.
Everything, Everything is basically a love story but with a lot more thrown in. It is a TOP CLASS read with a happy ending that gets 5 stars from me.
Natty
4.0 out of 5 stars
Great story with interesting narrative techniques
Reviewed in the United Kingdom on October 20, 2017Verified Purchase
Despite My age, I’m not one to shy away from Young Adult Fiction, if I think that a good story is on offer – which in this case, I certainly did.
Everything, Everything is the story of Madeline Whittier – a teenager with the incredibly unfortunate affliction of being allergic to the World. Madeline has to be kept in a protective bubble to protect her from the outside atmosphere and has never stepped foot outside in seventeen years. But, she does have access to the internet, and this is how she meets Olly, the boy who has just moved in next door. As a relationship develops between the two, Madeline wants more from life than the white walls that have always protected her.
Though essentially a love story, Everything, Everything avoids (thankfully) being an overly-soppy romance. There are a few clichés, but the narrative is somewhat trite while preserving accuracy: Madeline and Olly’s meetings ring true – they talk and act like teenagers. This prevents the novel from becoming over-the-top and fantastical.
Engaging and engrossing, Yoon has injected this love story with enough suspense to make you want to know where it is going at the end of every chapter. I’m not keen on romance, so the fact that this was a page-turner caught me off guard, but I just continuously needed to know: what next? An effortless read, as the prospect of sitting down to read ‘just a few’ chapters is always something to look forward to.
Also worth a mention is the format of the book itself. I read the Kindle version, which still included Madeline’s illustrations. Not that it is really needed for this purpose, but it breaks up the narrative nicely. More so, it engages you on another level – you can see (and feel) how much of a dreamer Madeline has become with only her imagination at her dispense, a reminder of her innocence at youth.
Though I have defined Everything, Everything as a love story, there is a much bigger picture of the beautiful breaking of innocence. Though clearly very smart academically, Madeline is forced to confront the most basic of realities in the real world, such as sitting in a moving car. It’s an exploration of love and the world through eyes that have never seen either.
The one major disappointment for me was the ending. Without giving too much away, there is a twist which, on reflection, was actually quite dark. But the time of reading, it felt a little too much like everything was tied up neatly with a bow. I’ve since thought that perhaps this was the most suitable ending but carried out in a more anti-climactic manner than I was yearning for. This didn’t massively affect my overall enjoyment of the novel, but a little more panache for the finale could have made this truly incredible.
Everything, Everything is the story of Madeline Whittier – a teenager with the incredibly unfortunate affliction of being allergic to the World. Madeline has to be kept in a protective bubble to protect her from the outside atmosphere and has never stepped foot outside in seventeen years. But, she does have access to the internet, and this is how she meets Olly, the boy who has just moved in next door. As a relationship develops between the two, Madeline wants more from life than the white walls that have always protected her.
Though essentially a love story, Everything, Everything avoids (thankfully) being an overly-soppy romance. There are a few clichés, but the narrative is somewhat trite while preserving accuracy: Madeline and Olly’s meetings ring true – they talk and act like teenagers. This prevents the novel from becoming over-the-top and fantastical.
Engaging and engrossing, Yoon has injected this love story with enough suspense to make you want to know where it is going at the end of every chapter. I’m not keen on romance, so the fact that this was a page-turner caught me off guard, but I just continuously needed to know: what next? An effortless read, as the prospect of sitting down to read ‘just a few’ chapters is always something to look forward to.
Also worth a mention is the format of the book itself. I read the Kindle version, which still included Madeline’s illustrations. Not that it is really needed for this purpose, but it breaks up the narrative nicely. More so, it engages you on another level – you can see (and feel) how much of a dreamer Madeline has become with only her imagination at her dispense, a reminder of her innocence at youth.
Though I have defined Everything, Everything as a love story, there is a much bigger picture of the beautiful breaking of innocence. Though clearly very smart academically, Madeline is forced to confront the most basic of realities in the real world, such as sitting in a moving car. It’s an exploration of love and the world through eyes that have never seen either.
The one major disappointment for me was the ending. Without giving too much away, there is a twist which, on reflection, was actually quite dark. But the time of reading, it felt a little too much like everything was tied up neatly with a bow. I’ve since thought that perhaps this was the most suitable ending but carried out in a more anti-climactic manner than I was yearning for. This didn’t massively affect my overall enjoyment of the novel, but a little more panache for the finale could have made this truly incredible.
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Dani Reviews Things / Love in a time of Feminism
5.0 out of 5 stars
Read this if you want to squirm with happiness
Reviewed in the United Kingdom on September 13, 2015Verified Purchase
RATING
4.5 happy shiny stars
QUICK REVIEW
Everything, Everything made me feel everything, but mostly heart-happy. I wanted to squeal and squirm with giddiness whenever Maddie interacted with Olly. The two of them were totally adorable together, but they were also totally love-drunk in the way only teenagers can be, leading to some very questionable decisions. I felt hope, frustration, a sense of doom, suspicion and despair while reading this, proving that Yoon really could get you to feel everything, everything. (Sorry for the cheese!) A one-sitting read, Everything, Everything is the best YA contemporary of read so far this year!
FULL REVIEW
You can find that on my blog! ;)
http://danireviewsthings.com/2015/09/14/review-everything-everything-by-nicola-yoon/
I received this book for free in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
4.5 happy shiny stars
QUICK REVIEW
Everything, Everything made me feel everything, but mostly heart-happy. I wanted to squeal and squirm with giddiness whenever Maddie interacted with Olly. The two of them were totally adorable together, but they were also totally love-drunk in the way only teenagers can be, leading to some very questionable decisions. I felt hope, frustration, a sense of doom, suspicion and despair while reading this, proving that Yoon really could get you to feel everything, everything. (Sorry for the cheese!) A one-sitting read, Everything, Everything is the best YA contemporary of read so far this year!
FULL REVIEW
You can find that on my blog! ;)
http://danireviewsthings.com/2015/09/14/review-everything-everything-by-nicola-yoon/
I received this book for free in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Amy Hill
5.0 out of 5 stars
Amazing
Reviewed in the United Kingdom on August 10, 2017Verified Purchase
This is an Incredible book! The delivery was so fast and packed very well book was in perfect condition!
The storyline is amazing and I couldn't put the book down! It's got so many unexpected twists and it's now my favourite book and I cannot wait to watch the film now!
The storyline is amazing and I couldn't put the book down! It's got so many unexpected twists and it's now my favourite book and I cannot wait to watch the film now!
One person found this helpful
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Claire
4.0 out of 5 stars
I have to say I loved this book
Reviewed in the United Kingdom on February 17, 2017Verified Purchase
I found this book after seeing a trailer for a film which is due to be released in May. I have to say I loved this book, Maddy was well written and really drew you into her story about her life and having SCID. It was funny and it was sad and it was quite fascinating. Reading about the relationship with her mother and the obviously love between them, and the bond that she had with her Nurse Carla. and she wasn't a whiny teenager was refreshing. I enjoyed how her relationship with Olly progressed and was really rooting for them.
It would have been a 5 star review but the ending was just a let down. It kind of just came from no where, it felt like there was still some story to tell. Also found I could read the 'illustrated bits, don't know if it was just my kindle but any text was so minute it was almost impossible to decipher.
It would have been a 5 star review but the ending was just a let down. It kind of just came from no where, it felt like there was still some story to tell. Also found I could read the 'illustrated bits, don't know if it was just my kindle but any text was so minute it was almost impossible to decipher.
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