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Everything's Beautiful

Robert Glasper Miles Davis & Robert Glasper Format: Audio CD

4.5 289 ratings

$7.98

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Track Listings

1	Talking Shit - Miles Davis & Robert Glasper
2	Ghetto Walkin' - Miles Davis, Robert Glasper, Bilal
3	They Can't Hold Me Down - Miles Davis & Robert Glasper feat. Illa J
4	Maiysha (So Long) - Miles Davis & Robert Glasper feat. Erykah Badu
5	Violets - Miles Davis & Robert Glasper feat. Phonte
6	Little Church - Miles Davis & Robert Glasper feat. Hiatus Kaiyote
7	Silence Is the Way - Miles Davis & Robert Glasper feat. Laura Mvula
8	Song for Selim - Miles Davis & Robert Glasper feat. KING
9	Milestones - Miles Davis & Robert Glasper feat. Georgia Anne Muldrow
10	I'm Leaving You - Miles Davis & Robert Glasper feat. Ledisi and John Scofield
11	Right On Brotha - Miles Davis & Robert Glasper feat. Stevie Wonder

Editorial Reviews

2016 release. Everything's Beautiful brings Miles Davis' sound into the 21st century, blending a diverse group of master takes and outtakes from across Miles' incredible tenure with Columbia Records (1955-1985) with original reinterpretations. Robert Glasper produced the collaboration. "I didn't want to do just a remix record," Glasper noted when discussing the 11-song set. "My idea was to show how Miles inspired people to make new art." Knowing that "Miles didn't have one audience," Glasper recruited a legion of diverse guest artists to add to the magic of the project including familiar collaborators like R&B musicians Erykah Badu, Ledisi, Bilal and KING. They are joined by British soul singer-songwriter Laura Mvula; hip-hop producer Rashad Smith; Grammy-nominated Australian neo-soul quartet Hiatus Kaiyote, rapper/producer Illa J; jazz guitarist John Scofield, who collaborated with Davis; and the legendary Stevie Wonder.

Product details

Is Discontinued By Manufacturer ‏ : ‎ No
Language ‏ : ‎ English
Product Dimensions ‏ : ‎ 5.59 x 4.97 x 0.38 inches; 3.2 Ounces
Manufacturer ‏ : ‎ Legacy Recordings
Original Release Date ‏ : ‎ 2016
Run time ‏ : ‎ 47 minutes
Date First Available ‏ : ‎ March 8, 2016
Label ‏ : ‎ Legacy Recordings
ASIN ‏ : ‎ B017WKHRP6
Country of Origin ‏ : ‎ USA
Number of discs ‏ : ‎ 1

Best Sellers Rank: #26,062 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #143 in Jazz Fusion (CDs & Vinyl)

Customer Reviews:
4.5 289 ratings

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4.5 out of 5

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cary

Go ahead and give it a listen !

Reviewed in the United States on September 18, 2016

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Robert Glaspers' Everything's Beautiful is a wonderful bouquet of songs with different moods and swings that upon first listen you may not " dig it " but give it another listen because this album will grow on you but only if you listen.

The 11 songs on this album are as varied as the artists Robert asked to join him Erykah Badu, Bilial, Stevie Wonder , Ledisi and KING to name a few. Now I'll be the first to tell you that I can only take so much of this Atmospheric jazz stuff (sometimes it can be a little bit much) I mean with the rap poetry , the echoes of sounds and voices and the this, that and the other......believe me when I say that I get it when people say that they don't "get" this album but I would suggest to these folks to go ahead and give this album another listen because everything on here just works well together . This review is for the Amazon exclusive (red vinyl) record. The album is a beautiful solid red color with a blue label, there are no lyrics or pictures inside only liner notes and the album cover opens up.

The opening track "talking s***" is named appropriately because that's exactly what Miles is doing TALKING S*** through samples of course as the music plays. Track four "Maiysha (so long) is a 7:29 bossa extravaganza ! Oh yeah I have to mention track two side B "song for selim" featuring KING, now this is one of those atmospheric songs but with less congestion,and finally jumping ahead to the final two songs track 10 and 11 "I'm leaving you" feat. Ledisi & John Scofield has more of an R&B flavour to it and it's one of my favorites , as for closing this set with "right on brotha" feat. Stevie Wonder I do say that Robert Glasper made the right choice it's one of those "night songs" you know the kind where you can just observe the city's lights and dwelling. 🎺🎶🎿🎷🎵🎼🎻

3 people found this helpful

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Tuesday Dogg

A wild, sometimes thoughtful & celestial ride.

Reviewed in the United States on June 10, 2020

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Not for everyone, my experience with Robert Glaser will have me following each recording with interest. This album takes the incredible Miles Davis towards the unthinkable. I'm not certain if I would say, if he were here now. Great jazz musicians are untrackable. But there is a striking similarity to the emotional Robert Glaser performances which fits quite well to Miles Davis. This may not be your everyday go to, but it is gosh darn good. Sometimes quite kicky, at other moments it's like going to church and I think some might call this 'the bomb'.

One person found this helpful

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jabari

Excellent Purchase!

Reviewed in the United States on August 9, 2022

Verified Purchase

Enjoying my purchase! Excellent Choice!

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warm, smokey late night vibe

Reviewed in the United States on September 22, 2016

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First of all, a jacket cover of “Everything’s Beautiful” kept a tight grasp on my heart. Francine Turk designed album cover reminds me of paintings by Miles himself. Mostly, a cover speaks much of it’s content. Mysterious power of this cover let us have great expectations to the music inside. This album is not a simple remix of out-takes, nor contemporary re-doing of the old music in elegant costumes. What Robert Glasper intended is to document our time. In this sense, music here lies on the extended verge of the Black Radio projects. To show his gratitude to Miles, he gathered favorite singer’s favorite singer, favorite rapper’s favorite rapper, unsung heroes waiting for their moment, and talented acquaintances through his musical career. Glasper asked them to show how they’ve been inspired by Miles’ music. Every song is warm, well crafted, unified in tone. As Glasper admits in his liner notes, their unanimous impression has a smokey, late night vibe that is consistent through almost all the tracks.

Glasper and his collaborators use outtakes and in-between-takes patter as their basis for creative reinvention. “The Ghetto Walk” first appeared in “The Complete In A Silent Way Session(Mosaic.)“ Bob Belden expresses his conjecture that Teo Macro edited this Feb. 20, ’69 session to be included in the “On The Corner” album. “Talking Shit,” “ Ghetto Walkin’,” and “They Can’t Hold Me Down” flows seamlessly. Notwithstanding powerful R&B protest songs, they are comfortable to our ears. “Maisha” is published as a song in the “Get Up With It” album during Miles’ seclusion. Miles put this song into a repertoire of his Japan tour in ’75, and became one of my favorites. Erykah Badu interprets this into a light-touched bossa nova. Miles’ trumpet blends smoothly into the new soundscape. Glasper’s keyboard dances lively. However, there remains a feeling of something-taken-off-too-much. In addition to latin flavor, the song also has weird, magics-religious taste. Miles’ organ sent out occult atmosphere with no thought for the audience around him. Mark Randall correctly points out this. He criticizes Glasper overemphasizes mood at the expense of everything else in his disc review on Jazz Times.(June, ’16) Glasper and crew might have their hearts in the right place, however, their tribute to Miles feels much lighter. Enigmatic Miles towers before them as much deeper, fathomless, and mercurially unpredictable existence.

On the whole, the album is brimming with sunny R&B grooves, silky soul, hip-hop thunder and jazz lightning. Glasper leaves some trucks as much as chosen musician’s inspiration develops. On “Violet,” Evans’ clear tones are sinking leisurely into the bottom of the lake, where rapping bubbles erupt incessantly. Hiatus Kaiyote depicts silent lake’s bottom scenery. Ending part of “Little Church” goes together with the mood of “Violet.” A persistently repeated phrase is the foundation of “Silence Is The Way.” Programmed “Milestones” is close to, and at the same time, remote from the original. Glasper’s ostinato bridges two opposite worlds. John Scofield and Stevie Wonder save the project becoming a stale one. Glasper finds a rhythm in Miles’ simple phrase of ‘wait a minute’ and feels so much swag in his saying. “I’m Leaving You” is build upon this findings, and uplifted with R&B flavor. Scofield’s guitar is a linchpin of this track. On “Right On Brotha” Stevie begins harmonica solo with playing the theme from “Nefertiti.” His sound go strait to our heart. Because of Stevie, this song becomes the best track in this album. Miles would thumb up to him.

10 people found this helpful

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Florence A. Schell

I MAKE ART. This CD rocks my process.

Reviewed in the United States on May 8, 2017

Verified Purchase

As a painter, I am searching always for music that gets me in the flow. Once I turned this on, it never came off until the painting was complete. I love every song and it is kept on Repeat Disc always. My favorite; Violets. LOVE. Painting shown: The Messenger (C) Flo Schell 2017

4 people found this helpful

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Socotronic

Meh.

Reviewed in the United States on September 30, 2016

Verified Purchase

I have tremendous admiration for Robert Glasper. He is one of the most compelling of the "younger" players out there. I've enjoyed many of his trio recordings, and I loved Black Radio...it was a beautiful example of genre-mashing. Irt felt honest and unforced, and quite unique. He manages to keep a foot in two seemingly disparate worlds...r & b/hop hop and jazz.
This particular recording left me scratching my head. It's well-played, but nothing really jumps out, and I don't really get much of the "Miles" element. Not sure what the intention was here, but it just did not work for me.
From what I've heard from the newer CD, maybe he's back on form.

One person found this helpful

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Antinisia Young

Absolutely love the collaboration of Miles Davis and Rober Glasper

Reviewed in the United States on July 1, 2016

Verified Purchase

this album is off the charts. Absolutely love the collaboration of Miles Davis and Rober Glasper, along with the featuring artist. I love jazz with a passion, music as a Whole. While driving i listen to this album, and while reading it sets the tone.

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Matt

Superb

Reviewed in the United States on August 7, 2018

Verified Purchase

Fans of Miles Davis will find a lot to love here. Fans of Robert Glasper will find a world to love here. Highly, highly recommended.

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