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Product details

MPAA rating ‏ : ‎ R (Restricted)
Product Dimensions ‏ : ‎ 0.7 x 7.5 x 5.4 inches; 2.4 Ounces
Item model number ‏ : ‎ 35345155
Director ‏ : ‎ David Cronenberg
Media Format ‏ : ‎ NTSC, Widescreen
Run time ‏ : ‎ 1 hour and 51 minutes
Release date ‏ : ‎ May 10, 2016
Actors ‏ : ‎ Jennifer Jason Leigh, Jude Law, Ian Holm, Don McKellar, Callum Keith Rennie
Studio ‏ : ‎ Lionsgate
ASIN ‏ : ‎ B01CIXVWOY
Number of discs ‏ : ‎ 1

Best Sellers Rank: #136,906 in Movies & TV (See Top 100 in Movies & TV)
- #3,030 in Science Fiction DVDs
- #13,327 in Action & Adventure DVDs

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D. Mills

Cronenberg's Virtual Reality Opus

Reviewed in the United States on December 26, 2012

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This review applies to the Blu-ray Miramax release from 2012. If you're a fan of this film and want to upgrade to the hi-def picture, you'll be pleased to know that the transfer is superb, adding a level of clarity that adds immensely to the experience. But be warned: the extras consist only of three interviews (with the two principal actors, and the production director). If you own the original Canadian DVD release, don't part with it, since it contains the director commentary and a 'making of', neither of which are included in this Blu-ray treatment.

That commentary was an invaluable aid, and explains certain directorial decisions that impact the pace and style of acting. For one thing, Cronenberg was inspired by Salman Rushdie, who, as you may recall, was the exiled Persian author marked for assassination by Islamic fundamentalists in the late 90s. Cronenberg took this concept and applied it to a game designer (played here by Jennifer Jason Leigh), who is trapped in her own creation, and winds up in a game of EXistenZ ("capital X and capital Z", explains the marketing rep), fighting for her life. Another aspect of the production involves the cues taken from early video games, in which characters appear to be catatonic until the others utter a phrase that prompts the required response. For viewers who missed this type of gaming experience, this may come across as bad acting, or a Cronenberg conceit. Of course, it's neither. There are other touches: generic locations labelled COUNTRY GAS STATION, HOTEL, and CHINESE RESTAURANT, which reflect the conventions of early gaming.

Cronenberg was known earlier in his career for emphasizing fleshy horror - exploding heads, dissection, and body metamorphosis. This will surprise viewers who have come to him only recently, in his more mainstream thrillers, 'A History of Violence' and 'Eastern Promises'. With Existenz, we're somewhere in between: Existenz is played by a group who are all connected by a type of fleshy umbilicus. You have to have a bioport installed in your lower spine, and need to purchase a controller that looks more like a mound of flesh than a joystick or mouse. The film is rife with imagery involving 'jacking in' with the ports, and sly body humor. On the other hand, the setting is pure thriller, in its own way.

I follow Cronenberg closely and rank this film in the top 50% of his output, on a par with 'Videodrome', but not quite as satisfying as 'Dead Ringers', and 'Spider', both of which bring in a new level of human tragedy not found in all of Cronenberg's work. (in the former, there's also the magnificent Jeremy Irons in an Oscar-worthy performance). As far as I know, Existenz is the first Blu-Ray revamping of his earlier films. As other Cronenberg films are upgraded, I'd like to see more of the excellent remastering we have here, without sacrificing the commentary and other features that were so valuable to the overall package.

9 people found this helpful

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Rad

"Matrix" Loses to Smart Sci-Fi "eXistenZ"

Reviewed in the United States on March 18, 2001

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It has been almost two years since I first wanted to see eXistenZ by David Cronenberg. And I do insist on the particular ortography since, in the very first sequence, one of the movie's characters says that "It's a new game - it's spelled like this: small 'e,' capital 'X,' capital 'Z.'" But the game is not new at all! It is as old as time, except now somebody has finally done a coherent, solid, and downright smart film about the make-believe of video games. Before them, of course, it used to be the theatre and film that got accused for their make-believe.
Done with much much less money than the well-acclaimed "Matrix," eXistenZ should also stimulate much much more neurons than Keanu Reeves's square-shaped face that - unfortunately - haunts me not through the films he's made but through his bad-hair-day appearances at various gatherings and awards. In lieu of him, eXistenZ features one of the best actors to emerge from the UK in the past 3-4 years - Jude Law. Beside him, there's Jennifer Jason-Leigh - whom, after seeing this film, I will never again mistake with Claire Dannes or Julliette Lewis. And of course, it doesn't hurt the movie a bit that alongside these two there are Willem Defoe and Ian Holm.
It is a general opinion that Cronenberg has got us used to strange films, which is a strange affirmation in itself since all of his films deal with very human themes, even though sometimes they are very obscure. eXistenZ does not contradict this. It is a story in which the constant shifting of perspectives and the director's imagination create a rhythm that cannot by any chance be equalled by the fights and special effects of "Matrix." Moreover, while "Matrix" is already dated (probably in less than ten years from now people will regard it as some sort of "Blade Runner," if that) eXistenZ will stay fresh because it is already filmed as a classic. Don't get me wrong - it is a Sci-Fi alright - but it also demonstrates very well how it is like to cut a little on the special effects and add a little on the mental effects!
Cronenberg is diabolical - he will make you want to go right back to the beginning of the film once you've watched it, and make you want to watch it again and again. He will also make you want to play eXistenZ - the video game - which to my knowledge does not exist (while the one based on "Matrix" is probably already out of fashion) and he will make you want to be Law of Jason-Leigh. Which is perfectly alright since they are both fresh and sexy.

4 people found this helpful

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Corey

Weird movie, but fun ride.

Reviewed in the United States on July 17, 2022

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The first things that hit you is the weird tech they have going on. All organic. It comes off a cheesy, but you just have to stay with it and laugh at the strangeness of it all. The second thing that hits you is the absolutely horrible acting......but it's intentional? I don't want to spoil the movie for someone wanting to check it out, so I can't delve into the acting any more than that.

Just know, going in, you're going to cringe at the "tech", the acting, and the storyline. But like I said, I believe it's all done intentionally, and when you get to the end, with the payoff, you'll understand.

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Mom's favorite

Exciting and unexpected adventure

Reviewed in the United States on January 20, 2022

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This was an excellent surprise. The plot was clear about when the game being played in the movie ended and so the denouement was clearly delineated, so even after so many twists and turns during the game, I was aware of what was happening. Sad at the end, given how crazy the real life characters were, but a very good story. I watched this movie in the theater when it came out and had forgotten about the main thrust of the story. The actors did a great job, and it is a serious statement, at least in my mind, of how it's dangerous to plug tech into human bodies (and it's also a warning). The other part of it, the audience can appreciate that visceral and real experiences with a loved one can be very exciting without going into a virtual reality. The two main characters enjoyed a very sensual and vulnerable relationship of trust in the game, but they could've done this outside the game. These two characters having such a hard time being vulnerable with each other and so untrusting wind up being the two sickest individuals back in reality as the movie ends with them killing others in reality after the game ends.

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Daniel Vázquez Zamarripa

Su problema fue salir en tiempos de Matrix

Reviewed in Mexico on August 17, 2023

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Mundos virtuales y como podría desaparecer la línea entre ellos, se desarrolla un videojuego virtual donde prácticamente tienes todos los sentidos hasta el punto donde ya es difícil saber cualcescreal y cual no, película con un gran mensaje pero paso desapercibida por salir en tiempos cuando Matrix se estrenaba, era versión viene subtitulada al español

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Roxane

Willkommen in der Zukunft? ...

Reviewed in Germany on November 6, 2022

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Dieser bizarre, spannende Film entstand im Jahr 1999 unter der Regie von David Cronenberg und ist trotz seiner Faszination mit einer der ekligsten Filme, die ich je gesehen habe.

Durch seine unglaublich abgründige Bildsprache, das Verwischen der Bewusstseinsebenen und seiner fesselnden als auch abstossenden Wirkung könnte man den Film vielleicht irgendwo zwischen surrealem Ekel-Horror, Science-Fiction, Thriller und Arthouse einordnen.

Denn wer einen geradlinigen und Effekte-überladenen Cyber-Thriller erwartet, ist hier definitiv fehl am Platz. Der Film erfordert vielmehr Offenheit für eine recht schräge Geschichte über Realitätsverlust , Wahn und Wirklichkeit, die auf bizarre, nicht mehr eindeutig voneinander zu trennende, ironisch-makabere Art und Weise miteinander verschmolzen sind. Und sie schafft es, parallel zur fortschreitenden Handlung, auch den Zuschauer immer mehr zu irritieren, indem die Regeln, die zu Beginn des Films aufgestellt werden immer häufiger gebrochen werden.

Allegra Geller (Jennifer Jason Leigh) ist die Entwicklerin des neuen, ultimativen Computerspiels „eXistenZ“, das alles bisher dagewesene in den Schatten stellen soll.
Dabei sind die Spieler mit einer Art biologischer Konsole miteinander verbunden. Diese Verbindung erfolgt dabei durch einen sogenannten „Bioport“, einem Loch im Rücken der Spieler, der durch ein Nabelschnur-ähnliches Kabel zum Nervensystem führt und so mit der virtuellen Welt des Spiels interagiert. Der Übergang zur virtuellen Welt ist den Spielern dabei zunächst nicht bewusst, da das Ganze möglichst authentisch und unterbrechungsfrei geschehen soll.
Doch plötzlich zückt einer der Zuschauer im Präsentationssaal eine seltsame Waffe aus biologischer Materie und tötet damit mehrere Spieler. Allegra Geller wird dabei zwar verletzt, kann aber zusammen mit dem Pressevertreter Ted Pikul (Jude Law) in letzter Sekunde fliehen...

Dabei greift der Film in seiner düsteren Atmosphäre auch auf zahlreiche Anleihen aus herkömmlichen Videospielen zurück. So etwa das wiederholte Handeln einiger Charaktere in einer Art Spielschleife oder auch bestimmte notwendige Schlüsselphrasen, um die nächste Spielebene zu erreichen, wodurch sich auch die hölzerne Spielweise der Hauptdarsteller einigermassen erklären lässt. Wobei Willem Dafoe in seiner kurzen Nebenrolle die beiden gnadenlos an die Wand spielt.

Doch in „eXistenZ“ geht es nicht nur darum, ein Spiel im fieberhaften Wechsel zwischen Realität und Fiktion zu spielen, sondern besonders um dessen Implikation, die keineswegs lediglich auf die eigene Vorstellungskraft beschränkt ist, sondern durch die erforderliche Körperöffnung im nervenreichen Rückenmark, eben dieser Zone zwischen Hirn/Geist und physischem Bewegungsapparat, eine organische Verbindung mit dem Spieler eingeht. Die irreale Welt des Spiels überträgt sich damit auf den gesamten Körper.
Dabei gibt es ganz sonderbare sexuelle Stimmungen und Zweideutigen. Mit Hingabe lecken die Figuren die Körperöffnung für den „Bioport“, greifen lustvoll in ihre pulsierenden Controller, einer Art fleischlichem, bizarren Wesen, das stimuliert wird, um Körper und Geist ebenso zu stimulieren.
Dennoch steht im Mittelpunkt dieser fast schon neurotisch übersteigerten Vereinigungslust fleischlicher Substanzen auch bald die Angst vor einer Infektion...

Eine wahnwitzige Idee, wie wir uns der künstlichen Fantasie ausliefern und ihr kompletten Zugriff auf uns gewähren. Wir geben uns ihr hin, mit Haut, Haar, Leib und vielleicht sogar Seele. Aus Neugier und fasziniert von den Möglichkeiten, die sie uns bietet, ohne die Risiken zu überdenken. Denn wenn alles eins wird, wir selbst biologischer Teil dieser „perfekten“ Illusion, wo sind noch Grenzen?
Ein selbsterschaffener Kontrollverlust des Menschen durch den Triumph seiner eigenen Genialität. Damit wären wir an den Punkt gekommen, an dem wir uns selbst besiegen können. Spielerisch. Ohne es zu merken oder erst, wenn es längst viel zu spät ist. Dazu bedarf es keiner direkten, menschlichen Konflikte mehr. Keine Kriege, keine Bomben, kein Schlachtfeld. Nur einen „Stecker“ und die perfekte Illusion.... „Sind wir noch im Spiel?“

Doch trotz all meiner Faszination von dieser perfiden Idee, muss ich noch meinen grössten Kritikpunkt und persönliches Problem an der Inszenierung anbringen: Der Ekelfaktor war für meinen Geschmack einfach zu (unnötig) hoch geschraubt.
(Spoiler)
Es möchte nun mal nicht jeder einen Menschen beim genüsslichen Verzehr einer schleimig-ekelhaften amphibischen Kreatur beobachten, der aus dessen Knochen eine Waffe mit Kugeln aus menschlichen Zähnen bastelt. Das ist nicht nur rein kulinarisch nichts für Feinschmecker, sondern lässt den Kopf einfach nur angewidert wegdrehen um den eigenen Mageninhalt noch zu erhalten und den nächsten Besuch im China-Restaurant nicht mit Widerwillen antreten zu müssen. - Oder auch wie in einer Fleischerei Amphibien sehr detailreich und blutig in Gedärme und Glibberfleisch zerlegt werden um deren Innereien nutzbar zu machen, usw. (Spoiler Ende)

Cronenberg-Filme sind immer etwas besonderes.. Und auch dieses psychologische Verwirrspiel ist durchaus sehenswert, die Idee seiner Zeit weit voraus und faszinierend, doch zwei Sterne sind bei mir leider in der viel zu häufigen Ekel- und Schleimflut ertrunken.

11 people found this helpful

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Mr. D. A. Jacovelli

Must-buy edition of this Cronenberg movie.

Reviewed in the United Kingdom on June 7, 2018

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This is a review of 101 Films' May 2018 blu-ray release. It is not a review of the movie itself; likely, you will already be aware of the film if you are reading this, but is a review of this particular version as a product.

Starting with the packaging, 101 presents the film in a stylish slipcase cover, larger than normal to accommodate both the double disc (blu-ray and dvd) Amaray case and a seriously attractive 32 page perfect bound booklet. In terms of reading material, it boasts a Glossary of Terms reflecting the concepts within the language of the movie, an Introduction by 101 Films' Tim Scaping, an essay by Alex Morris called Enemy of Reality: David Cronenberg's Existenz and an interview with Denise Cronenberg called Of Fabrics and Flesh by Phillip Escott. It also features many character portrait shots of the various starts and guest stars of the production. This is really nicely done, and to a standard rarely seen in accompanying booklets of this type. The sleeve of the Amaray box itself is double-side printed,, and features a character portrait shot of Jude Law on the interior.

Moving onto the discs themselves, the key difference between the blu-ray and the dvd appears to be the omission of any of the commentaries included on the blu-ray itself. I have to confess that I've not really looked at the dvd, so cannot say for sure if anything else is not on there, though the stated running times for the extras on the back of the sleeve suggests different running lengths for the extras, and so implies that some at least have been left off too.

On to the extras on the blu-ray then, which is where things get interesting.

Through the years there have been a number of releases of Existenz in various territories, including as it stands one other blu-ray release. Suffice it to say, 101 Films' version of the movie is massively superior to the other version out there, both in film and sound quality and also in terms of extras. The other version did however manage to pull together 3 otherwise unique featurettes not previously offered for this film, which did make it attractive. Pleasingly, this release has all 3 of those featurettes included, thus negating any reason to look further afield than this one if you're looking for a good edition of this film. Every other extra featurette, from every other edition released worldwide, is included here. As it stands, this version is definitive. It is also, not insignificantly, offered in the correct aspect ratio too, with no picture 'squashing'.

All other releases in all territories have been on dvd prior to now, with varying extras between them. Of these, possibly the best version was the Canadian release, boasting as it did no less than 3 commentaries, unlike any other edition. There were also releases in Germany and Italy that offered otherwise unique extras to their territories, in addition to the shared ones. Also, this version boasts a brand new interview with Christopher Eccleston, filmed recently, which itself is highly informative and interesting. Basically, you've got all the featurettes ever released for Existenz brought together under one roof for the first time, plus an all-new one, with a combined running time of over 2 hours and 20 minutes.

Regarding commentaries, as with the original Canadian release, there are no less than 3 offered here. However, they are not the same commentaries, although the David Cronenberg one is identical to the original. On the Canadian version, we were also offered a commentary by sfx man Jim Isaac, and an additional commentary by long-time Cronenberg Director of Photography Peter Suschitzky. This version offers a new commentary by Kim Newman and Ryan Lambie, and another one with a couple of people from Mondo Films. I'll be honest and say I would have preferred to have those other 2 commentaries from the Canadian release as well, as a completionist. However, I wouldn't have them over these two new ones: perhaps reflecting the now-archival nature of Existenz (it's nearly 20 years old) the two new ones take a much more historical approach to the movie, and both are extremely engaging and informative, packed full of insight and wit, and are genuinely excellent extras to have. The two now-missing ones are very much 'in the now', as they were then, but both these two new ones stand up to repeated listening.

In all, 101 Films' version boasts over 7 hours and 12 minutes of extras, and a few minutes under 9 hours in total. It's attractively packaged for collectors, and the quality of the render is simply miles ahead of any other version. As a title taken from Cronenberg's much neglected mid-period on blu-ray, 101 Films are to be applauded for putting out such a great edition of the title. If you're going to buy any version of this movie, this is the one to go for. I hope it sells well; if it does, we may yet be lucky enough to get titles such as Spider, Dead Zone, Crash, M. Butterfly, Naked Lunch and Dead Ringers too, (though I'm not privy to any information regarding rights etc of those other movies). If they're as well presented as Existenz is here, they'll all be must-buys. 100% recommended.

12 people found this helpful

M.W.

Skurril, bizarr, originell und spannend

Reviewed in Germany on July 4, 2015

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Filme, die in virtuellen Welten oder Träumen spielen, gibt es nicht wenige. DREAMSCAPE fällt mir spontan ein, ebenso TRON, JACOB'S LADDER, THE CELL, TOTAL RECALL und natürlich MATRIX. Auch die NIGHTMARE ON ELM STREET-Serie kann man dazu zählen. In TV-Serien wie STAR TREK oder THE X-FILES wurde das Thema ebenfalls schon behandelt, und es ist noch nicht lange her, dass INCEPTION mit einer ausgeklügelten Story und atemberaubenden Spezialeffekten neue Maßstäbe gesetzt hat. In all diesen Filmen spielt die Frage, was real ist und was nicht, eine wichtige Rolle, und als Zuschauer wird man dabei bewusst oft und gerne im Unklaren gelassen.

Das gilt auch für David Cronenbergs EXISTENZ. Die Handlung spielt in einer ganz nahen Zukunft, fast schon im Hier und Heute, und zu Beginn wird bei einem Seminar ein neues Spiel mit dem Namen eXistenZ präsentiert, das die Spieler mental in eine andere Welt versetzt, wo sie - ja, was eigentlich? Mehr möchte ich an dieser Stelle nicht über Sinn und Zweck dieses Spiels verraten.

Während der Präsentation, bei der einige ausgewählte Teilnehmer mittels spezieller Ports in die andere Welt eintauchen dürfen, verübt ein militanter Gegner von Cyber-Spielen dieser Art einen Anschlag auf die Erfinderin von eXistenZ. Die junge Frau und der Mann, der ihr von der Entwicklerfirma als Assistent zur Seite gestellt wurde, können mit knapper Not entkommen. Da sie aber befürchten müssen, dass ihre Feinde weiterhin Jagd auf sie machen, setzen sie ihre Flucht fort auf der Suche nach einem sicheren Unterschlupf. Dort angekommen, begeben sie sich ebenfalls in die virtuelle Welt von eXixtenZ, und damit beginnt das Abenteuer erst richtig...

Die Ports, jene Konsolen, die das Eintauchen in die Welt von eXistenZ ermöglichen, sind nicht mit einer Playstation oder X-Box vergleichbar, sondern sehen sehr fleischig und organisch aus und müssen durch eine Art Nabelschnur direkt mit ihrem Benutzer verbunden werden, der dazu einen speziellen Zugang im Rückenmark benötigt. Und wie lebende Organismen können sich die Ports untereinander infizieren und krank werden. Solche bizarren Einfälle sind typisch für die Filme Cronenbergs in dieser Schaffensperiode. Ebenso die aus Knochen bestehende Waffe, die der Attentäter für seinen Anschlag auf die eXistenZ-Schöpferin verwendet, und die statt Kugeln Zähne verschießt.

Auf ihrer Flucht versuchen die beiden Leute einerseits zu überleben und andererseits herauszufinden, wer hinter ihnen her ist und wem sie noch trauen können. Dabei geht es mitunter nicht gerade zimperlich zu, aber auch dafür war und ist Cronenberg bekannt. Mit extremer Gewaltdarstellung hält er sich in EXISTENZ jedoch wohltuend zurück und konzentriert sich lieber darauf, die Geschichte so zu erzählen, dass man ihr als Zuschauer folgen kann.

Skurrile Szenen gibt es dennoch mehr als genug, und gerade deswegen mag ich den Film. Wie die beiden Flüchtenden in einem asiatischen Restaurant die Spezialität des Hauses bestellen, daraufhin ein höchst unappetitliches Allerlei serviert bekommen, dass der Mann trotzdem tapfer in sich reinschlingt und dabei die Einzelteile einer Knochen-Pistole freilegt, diese sogleich zusammenbaut und zum Einsatz bringt... auf so was kommt nur Cronenberg.

Ist man als Zuschauer anfangs noch ein wenig irritiert, gewöhnt man sich bald an die verzwickte Story und lässt sich darauf ein. Jennifer Jason Leigh und Jude Law meistern ihre Rollen routiniert, und Willem Dafoe hat einen markanten Kurzauftritt. Weitere bekannte Darsteller sind u.a. Christopher Ecclestone und Ian Holm.

Die Umsetzung auf DVD ist meiner Meinung nach gelungen. Dazu muss ich aber sagen, dass ich weder über einen HD-Fernseher noch eine Dolby-Surround-Anlage verfüge. Bestimmt gibt es zu diesem Film andere Bewertungen, die sich ausführlicher und informativer mit den technischen Aspekten der DVD beschäftigen.

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Mr. J. C. Gross

It's nice to see this film get a bit of attention

Reviewed in the United Kingdom on June 23, 2018

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It's nice to see this film get a bit of attention. It's certainly one of my favourites from the late 90's, as I was coming of age. I was taken in by the "only 3000 copies made" slogan, so I rushed to buy this, but the presentation is somewhat lacking. First off, the good. The packaging is nice, if not astounding. We get a detailed booklet and a slipcover, plus a dvd, which, for most blu ray enthusiasts, will probably never get a spin. The transfer leaves a lot to be desired. I had to double check to make sure I hadn't put in the dvd, yet it's obviously an improvement over the previous dvd, letterboxed and non-anamorphic as it was. Extras wise, we get an interview with Christopher Eccleston, I believe the only newly produced extra on the disc. Two issues here - one, he's in the film for a grand total of 10 minutes, two, the cameraman screwed up both of his two camera setups. Being a cameraman myself, that's unforgivable for a pro presentation. The rest is all vintage stuff. The Carol Spier doc from the old dvd and some short featurettes (suffering from mtv cuttiness as did the trailer, a sign of the time) and on-set interviews.

I feel like Arrow or Eureka would have been a better fit for this one. A new 4K scanned transfer and some newly produced more in-depth docs would have been wonderful, but I think this is the best we're going to get for now and it is a fairly low profile flick. So I'm happy to own this, even for it's shortcomings.

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Genre	Science Fiction & Fantasy
Format	NTSC, Widescreen
Contributor	James Kirchner, Stephanie Belding, Jennifer Jason Leigh, Vik Sahay, Don McKellar, Oscar Hsu, Christopher Eccleston, Willem Dafoe, Robert A. Silverman, Callum Keith Rennie, David Cronenberg, Kirsten Johnson, Balázs Koós, Kris Lemche, Jude Law, Ian Holm, Sarah Polley See more
Language	English
Runtime	1 hour and 51 minutes

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Existenz [DVD + Digital]

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