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- LanguageEnglish
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Foundation | Foundation and Empire | Second Foundation | |
Series Order | Book One | Book Two | Book Three |
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Foundation's Edge | Foundation and Earth | Prelude to Foundation | |
Series Order | Book Four | Book Five | Prequel |
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- ASIN : 0008117497
- Language : English
- ISBN-10 : 9780008117498
- ISBN-13 : 978-0008117498
- Item Weight : 6 ounces
- Dimensions : 5.12 x 0.6 x 7.76 inches
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About the author

Isaac Asimov (/ˈaɪzᵻk ˈæzᵻmɒv/; born Isaak Yudovich Ozimov; circa January 2, 1920 – April 6, 1992) was an American author and professor of biochemistry at Boston University, best known for his works of science fiction and for his popular science books. Asimov was prolific and wrote or edited more than 500 books and an estimated 90,000 letters and postcards. His books have been published in 9 of the 10 major categories of the Dewey Decimal Classification.
Asimov wrote hard science fiction and, along with Robert A. Heinlein and Arthur C. Clarke, he was considered one of the "Big Three" science fiction writers during his lifetime. Asimov's most famous work is the Foundation Series; his other major series are the Galactic Empire series and the Robot series. The Galactic Empire novels are explicitly set in earlier history of the same fictional universe as the Foundation series. Later, beginning with Foundation's Edge, he linked this distant future to the Robot and Spacer stories, creating a unified "future history" for his stories much like those pioneered by Robert A. Heinlein and previously produced by Cordwainer Smith and Poul Anderson. He wrote hundreds of short stories, including the social science fiction "Nightfall", which in 1964 was voted by the Science Fiction Writers of America the best short science fiction story of all time. Asimov wrote the Lucky Starr series of juvenile science-fiction novels using the pen name Paul French.
Asimov also wrote mysteries and fantasy, as well as much nonfiction. Most of his popular science books explain scientific concepts in a historical way, going as far back as possible to a time when the science in question was at its simplest stage. He often provides nationalities, birth dates, and death dates for the scientists he mentions, as well as etymologies and pronunciation guides for technical terms. Examples include Guide to Science, the three-volume set Understanding Physics, and Asimov's Chronology of Science and Discovery, as well as works on astronomy, mathematics, history, William Shakespeare's writing, and chemistry.
Asimov was a long-time member and vice president of Mensa International, albeit reluctantly; he described some members of that organization as "brain-proud and aggressive about their IQs". He took more joy in being president of the American Humanist Association. The asteroid 5020 Asimov, a crater on the planet Mars, a Brooklyn elementary school, and a literary award are named in his honor.
Bio from Wikipedia, the free encyclopedia. Photo by Phillip Leonian from New York World-Telegram & Sun [Public domain], via Wikimedia Commons.
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Reviewed in the United States on March 10, 2019
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And yet . . . revisiting the beloved Foundation, reading through the filter of a lifetime of experience, cracks appear in the plaster, and beneath them one finds that the lath is too widely spaced, the bricks behind that lath are often without mortar, and one can see the trees where bricks are missing. We live already in an age where technology has bypassed this particular Universe. Computers have become infinitely more pervasive than Asimov might have dreamed in his wildest fantasy, for at the time of the writing they were mere collators of stacks of punched cards, the transistor had yet to be introduced or shrunk to the size of a grain of sand, much less a sub-microscopic speck imprinted by the millions on a tiny wafer of silicon.
Asimov had enormous faith in the future of Humanity, but he had no idea of how rapidly that future would approach - or how slowly humans would react and adapt to the challenges posed. No Empire can be established when information is instantaneously available to three-quarters of the population. Will an army composed of humans indefinitely repress an entire population composed of their friends, family, relatives? We see the answer in Libya, in Egypt, in Syria, in Africa - where the mobile phone has allowed guerrilla tactics to be employed by any group, whether terrorist or freedom-fighter or mall-invasion gangs or "mothers against the death camps of dog pounds."
Human society has been transformed by 24/7 information availability - but the universe of the Foundation proposes a populace of ciphers acting in ignorance of facts that would already be generally available in the 21st century. "Just Google it" or "look it up in Wikipedia" is nowhere to be found. There is a project of the First Foundation to write a "Galactic Encyclopedia" - yet it already exists in 2012.
And yet that universe is immensely attractive, reduced to comic book simplicity, perfect for any adolescent (whether 14 or 74) to immerse himself - or very infrequently herself, as this universe is truly misogynist: the strongest female is just a papier maché accoutrement.
The psychobabble of "psychohistory" which is the very premise of the Foundations is wholly implausible, of course. The introduction by Asimov of "The Mule" is his admission of the absurdity of such a concept, which he probably didn't consider when the first book was written. Man has mutated more rapidly in the past 10,000 years than Asimov's populace has in 50,000 - a highly unlikely probability in the event that man actually progresses to interstellar colonization.
All that said - I downloaded the trilogy on Kindle whilst in America, read it through lovingly, and was again transported to that clean, technologically impossible universe, forgetting all the travails of real life at present, putting the horrors of terrorism, the Hunger Games, the beheadings of "infidels" and the lies of politicians to one side for too brief a span. It isn't great literature, not even great Science Fiction - yet it is riveting to any adolescent male who enjoys reading as opposed to or in parallel with the escapism of cinematic action films like the "Matix" or "Terminator" trilogies.
For some reason, Europeans aren't allowed to download the books. No doubt the vagaries of copyright laws, tax authorities and those £%^&* politicians - as well as the accursed lawyers (who are blissfully absent from the trilogy, undoubtedly bred out of existence due to their total lack of humanity).
Asimov was the supreme techie of his time - and it shows in his use of language - sparse, precise, technically impeccable, but occasionally impenetrable without a modicum of concentration.
I heartily recommend it to you !
While I liked this book, I'd rather have read "Prelude to Foundation" and "Forward The Foundation" before this one. Those two deal with the Hari Seldon story, and I think should be read before Foundation instead of later.
I thought the characters introduced were interesting, as was the idea. Nice read.
Imagine yourself in the future. Now imagine yourself in a further future where you are studying the chronology of the future. Remember your history classes in school? Yeah, that's where he's taking you. Analyzing the Galactic Empire from a distant and omnipotent way of view, he sets a pattern in the development of mankind that repeats itself various and various times, that's why this book could be written set in Middle Age. But it isn't and that's one of the most fascinating things about it.
Everything starts when Hari Seldon, a famous psychohistorian - a new science developed by himself based in history, statistics and mathematics - predicts the fall of the Galactic Empire. To save mankind from thousands years of darkness and restart, he suggests setting a new colony at the fringe of the Galaxy - Terminus System - to develop the greatest literacy work of history and regroup all knowledge ever acquired: the Encyclopedia Galactica.
Set as a scientific colony and lacking natural resources, the Foundation, as it is called, starts to suffer of politics and diplomatic issues and that's just where all the greatness starts coming. As it's well more developed in technology and science than the rest of Periphery - as they call the region of the galaxy containing the Terminus system - other colonies start trading natural resources, such as gold and iron, for scientific gadgets to control their masses.
Based on science, there is created a new religion in which priests are, actually, researchers and technicians. It was Arthur C. Clarke who once said that high level technology is indistinguishable from magic, though it makes perfect sense for this novel, except we are not taking magic in consideration, but religion (although they are equal if you look from a different angle, but this is not to be discussed in this review). To control masses in the Four Kingdoms of Periphery, they sell science. And it works pretty well until there's a crisis, and another, and another. In each of them, those called Seldon Crisis and taken in consideration when the psychohistorian predicted the need of Foundation, he appears and hints a new period of development.
But it is not only religion that control masses and it is not only faith that is needed in human race, but also trading, protection, food, gadgets, industry and, of course, a stable economy. Nuclear force moves everything in the future, that's how Asimov puts it and he puts it so well that he really makes us think if isn't it the power we should explore - consider this book was written in the beginning of nuclear power.
The book is well-split in five sections: The Psychohistorians, The Encyclopedists, The Mayors, The Traders and The Merchant Princes. In each of those, Asimov explores a deep wound in human civilization, psychology and sociology, based on a few dominating aspects, and shows that it is even easier to overpower an entire society poking only its foundation.
It is a masterpiece, well-thought from the beginning to the last word. That's all I have to say.
95/100
Top reviews from other countries

With Hari Seldon’s psychohistory, the Foundation sets up on Terminus but faces enemies both from within and outside.
Foundation by Isaac Asimov is brilliant. If you are looking for a plot that is simple, character-driven, and takes place over a short period of time, this probably isn’t what you’re looking for.
The worldbuilding is huge in scale and because of this the characters are almost irrelevant compared to the larger forces at work. I say almost, because there are individuals who, at times, take control of their own future or present – psychohistory be damned!
In a lot of book reviews, I can talk about the characters a lot but because of the genre and the style, there isn’t much to talk about! Despite that, the main characters we meet are all quite individual and – for the most part – are interesting to follow.
Despite the sheer scale of this science fiction book, it’s definitely only an introduction for things to come. We see the fall of an Empire and the foundations of a new one brewing. Reading this book is like watching history come to life and it’s a joy to read.
SPOILER SECTION BELOW
In this section, I briefly go through each part of Foundation which I’ve used as subtitles for the book review.
“The Psychohistorians”
In the first part of Foundation we are introduced to Hari Seldon who has developed psychohistory. We see him tried for treason and then allowed to leave for Terminus where – he tells Gaal Dornick – the first Foundation will be established. The second foundation is also introduced in this part which I am excited to learn more about.
I really enjoyed this part as it introduced the “what if?” element immediately. I was intrigued by this scientific method of essentially telling the future. Yes, there were a lot of questions to be answered, but that’s half the fun!
Hari Seldon was a strong character – considering the genre and the style, this was a surprise – and this part was actually quite character driven.
“The Encyclopedists”
This is a very politically driven part of Foundation and I loved it. Terminus is surrounded by ‘The Four Kingdoms’ who want to set up a military base there, and the Board of Trustees are ruling over Terminus who are focused only on the creation of the Encyclopedia Galactica.
We follow Salvor Hardin, who seems to be only a face to the government who is really in charge behind the scenes, but he strongly disagrees with them and plans a coup.
They manage to stop the Kingdom of Anacreon from establishing a military base, which is a really fun plotline of this part, and at the end of the part we see a holographic Hari Seldon in the Time Vault.
He reveals that the Encylopedia Galactica was a ruse to keep the Empire from stopping the colony’s creation and that their true purpose is to begin the Second Galactic Empire.
I wasn’t expecting so much mystery in this book! I also wasn’t expecting to become to attached to the main characters. First, Hari Seldon was brilliant to follow, and in this part I found myself wanting an entire book with Salvor Hardin!
“The Mayors”
I was glad to have another part with Salvor Hardin, but quite a few things have changed in that short period of time. Scientism is a new religion which Terminus used to assert control over the people and as propaganda in the Four Kingdoms.
I found that it made for a morally grey character – in both Seldon and Hardin – as despite working towards an incredibly large goal, they don’t think about how their actions might affect the people in the ‘present’ day.
This part was fast-paced and had a few twists I didn’t see coming.
“The Traders”
This was an interesting part as it didn’t seem to have anything to do with the rest of the plot. We are introduced yet again to new character and also a new world.
It was great to see more of the world (universe), but I found myself wanting it to be over and to continue on with the main plot!
“The Merchant Princes”
As an ending to Foundation, this part had a lot going on! It was great to see the shift from religious control to commercial control begin.
Watching a civilization start from the beginning and then to flick forward in time quickly is something you rarely get to watch in books (unless you read a fantasy history/lore book like Fire and Blood or The Silmarillion!).
The focus of the main character also changes. Mallow decides to focus on the present and leave the future to sort itself out which I found refreshing after Seldon and Hardin’s desire only to aim for the future goal.
It makes me wonder if this will affect Seldon’s psycohistorical predictions.

Wait… are they mathematicians or psychologists? The book seems to start off with Seldon as a mathematician and then goes onto refer to him as a psychologist throughout all the other stories. Weird.
The fall of the Galactic Empire as explored by Asimov is based around the history and fall of the Roman Empire. It’s a great concept, as with all of Asimov’s work - very high in concept indeed, for its time - but as a thoroughly modern reader, I couldn’t help but feel it was all rather… simplistic.
What do I mean by “simplistic”? The reason we’re given for the fall of the Galactic Empire is stagnation of thought: the entire galaxy has basically forgotten how the 50,000 year old technology of “atomic power” operates - a crucial technology for their very survival - and instead of training more people to reclaim that knowledge, they ignore it and restrict the use of the technology to the core worlds (and have maintenance people constantly doing minor repairs on power plants that are falling apart because they only know how to use it empirically). The consequence is that entire star systems essentially regress to an early 20th Century level. And the reason for all of this is because the nobles of the Empire have forgotten what the scientific method really is, and nobody is bothered about doing any new scientific research. They only want to catalogue the old.
An entire galaxy. Hundreds of thousands of planets. Quadrillions of people. And everyone’s simply forgotten how to do science? Come on.
Countless works have elaborated on the foundation (pun intended) Asimov laid here over the years. Galactic empires have been a staple for large-scale epic sci-fi for decades now, and I daresay they’ve refined the concept. We have more believable politics and motives, more complex machinations, and deeper analyses in later works than here right at the start. The politics that led to the rise, and then the resistance that preceded the fall of the Empire in Star Wars, for instance, is far more engaging and believable than the reasons given in Foundation. It is perhaps because Asimov frames the concept of an empire as a largely good thing: sure the current Galactic Empire is rotten to the core due to corruption and stagnation, but we only need to do it right next time around. Whereas in more modern works, a true empire (under a single absolute monarch) is pretty much universally acknowledged as a bad thing: a force for the evils of conquest and indigenous erasure.
So, in all, I don’t think the version of the Empire Asimov has in Foundation holds up today. I mean Frank Herbert’s Dune, written only 14 years later, does it a lot better.
Also, I know this is endemic of the genre in general (most egregiously in Star Trek), and something we’ve begun to move past now, but we have a failure of worldbuilding in that planets are treated as though they are small nations or settlements. It’s much easier to manage a world when it has only one type of people on it and is administered from one central place, but across an entire planet it’s not very realistic. Terminus, the planet of the Foundation itself, is excused from this, because the Foundation literally is a small settlement on an otherwise barren and inhospitable world lacking in resources. The other planets of the outer reaches - Anacreon, Smyrno, the other two of the Four Kingdoms, and Korell? No. Not excused. It’s possible the problem here is that Asimov was trying to apply the fall of the Roman Empire to a vastly upscaled civilisation, to the point where I think a lot of that stuff falls apart. Controlling lots of planets is a different creature to controlling and administering several countries on one planet. If you can only just barely do the one with a centralised totalitarian regime, there’s no way you can do the other.
The Foundation’s growth isn’t particularly believable either. I can buy that it starts as a small settlement focused wholly on creating the Encyclopedia Galactica, and that it needs to leverage its bargaining strength as the only atomic power in the sector to stop itself being invaded by the Kingdom of Anacreon, but later on it turns science into a religion and rules through it and… what? It kind of lost me at that point. I couldn’t suspend my disbelief any more after that.
Let’s move on to characters. Asimov is not good at characters. I’ve been told he’s better at it in later books, but these early works really do just treat characters as entirely inconsequential. One of the main reasons Foundation is not engaging to me as a modern reader is because there’s zero attention paid to the people in the story. Couple this with the fact that the five stories are short and they each represent a significant jump forward in time and a brand new set of characters, by the end I didn’t know or care who anyone was, aside from Hari Seldon and Salvor Hardin. Even then, everyone has essentially the same personality - the main characters in each story are shrewd, businesslike, intelligent, logical and project this air of professionalism akin to MPs in the House of Commons pretending to be gentlemanly. They all chomp cigars and outwit their opponents. The differences between them are very minor. By contrast all of their opponents are framed as stupid; angry, lumbering oafs that are easily outwitted by applications of simple logic.
The prose lacks in any meaningful description, and the setting of each story is essentially in a meeting room or an office. It involves people: dignitaries, mayors, boards of trustees etc… sitting down in formal meetings and talking - all except the last story, The Merchant Princes, which does have changes of scenery at least. It all makes for very dull reading. There’s snippets of action here and there that hint at the potential of the story, but overall the execution feels like a rough outline. This is the skeleton of a story. With actual character development, engaging imagery and heavy edits, this one book could be expanded into a five-part series of 100,000 word novels (and that’s forgetting the rest of the series).
As it is, if you took the characters out and presented Foundation as an essay, it would make more sense.
I enjoyed parts of the book for its ideas, and for the inkling of greater things that poked at my imagination - Derelict Imperial Cruisers, threats of war and the fear of retaliation from the Empire. Some of the characters were okay. Salvor Hardin and Hari Seldon were decent, for instance. My favourite story out of the lot was The Mayors - the third - where Mayor Salvor Hardin prevents a war by showing just how much the Foundation has infiltrated the hearts and minds of their entire society. But overall, it doesn’t hold up, and I won’t be prioritising reading further in the series. There’s a niggling curiosity in the back of my mind to see where the Foundation goes after The Merchant Princes, so I may read the next book at some point, but it won’t be for a very long time.
Oh, and something that made me laugh, that’s absolutely indicative of its time: The first mention of a woman character is on page 186. We see her all of twice, though she does hold significant political influence - she was quite interesting, actually. But the book is only 231 pages long! There’s also the preponderance on ATOMIC EVERYTHING. I’m sure modern writers will be laughed at in 100 years time for our quaint ideas about far future technology, but it was nonetheless amusing to read the idea that literally everything in Asimov’s future is powered by atomic generators. From spaceships to personal shields, to weapons and dishwashers and even women’s clothing accessories. It’s a good thing Asimov assures us they’ve cured cancer 50,000 years from now.
But there’s also the idea that Asimov didn’t think beyond the miniaturisation of atomic power. He has a character state that atomic power is a fifty thousand year-old technology. Surely a Galactic Empire that’s been around for 12,000 years, 50,000 years from now, would be using something other than nuclear fission - which is undoubtedly the type of “atomic power” Asimov is talking about here, given it was a new thing at the time he was writing this. Only seventy years on, and we’re so close to having viable nuclear fusion power. Tens of thousands of years in the future I’d expect us to be a lot further on than that (and we’d need to be, if we’re to travel the stars and become a galactic civilisation).
There’s weird errors in the version of the book I’ve got as well. I don’t mean the odd typo that’s slipped through, but a character in the final story called Sutt is routinely and erroneously referred to as “Sun”. I thought at first it was just an expression the characters were using (like “great galloping galaxies!” - that one made me laugh, legitimately) but as I read on, it definitely seemed like they were using Sun as Sutt’s name. Very odd.

~plot~
Hari Seldon is able to predict the future using mathematical calculations, the science of which he calls 'Psychohistory'. In his analysis, he sees the fall of the all powerful Galactic Empire. Inorder to save mankind from this dark future, he forms a team of scientists and scholars and together they travel to a planet at the edge of the galaxy. He names them the 'Foundation'.
~
The first book, I felt, served more as a setup for the story moving forwards. It shows the 'crisis' that the Foundation faces through the decades, and how an individual rises each time inorder to overcome them. It shows the the evolution of culture, religion and what happens when scientists are put on the war front.
I am new to Asimov, this was my introduction to his writing. The writing did get boring at times, because the structure of the novel is not something that I am used to. A whole lot of it is left to the imagination of the reader. It's in dialogue, meaning, you do not get paragraphs after paragraphs of description on the world (which I love). Thats up to our wild minds. But he had layed a 'foundation' for us to build on.
But still, the imagination it took to create the Galactic Empire and the concept of Foundation back in that time though... *slow claps*


Reviewed in India 🇮🇳 on September 14, 2020
~plot~
Hari Seldon is able to predict the future using mathematical calculations, the science of which he calls 'Psychohistory'. In his analysis, he sees the fall of the all powerful Galactic Empire. Inorder to save mankind from this dark future, he forms a team of scientists and scholars and together they travel to a planet at the edge of the galaxy. He names them the 'Foundation'.
~
The first book, I felt, served more as a setup for the story moving forwards. It shows the 'crisis' that the Foundation faces through the decades, and how an individual rises each time inorder to overcome them. It shows the the evolution of culture, religion and what happens when scientists are put on the war front.
I am new to Asimov, this was my introduction to his writing. The writing did get boring at times, because the structure of the novel is not something that I am used to. A whole lot of it is left to the imagination of the reader. It's in dialogue, meaning, you do not get paragraphs after paragraphs of description on the world (which I love). Thats up to our wild minds. But he had layed a 'foundation' for us to build on.
But still, the imagination it took to create the Galactic Empire and the concept of Foundation back in that time though... *slow claps*


Insofern kann man es kurz machen: FOUNDATION ist definitiv eines der Werk, welches SF Fans kennen sollten.
Allerdings fiel mir, als ich das Buch nach Jahrzehnten nochmals las, durchaus auf, das FOUNDATION seine Macken hat. Der asimovsche Erzählstil ist sicherlich sehr analytisch und manchmal ein Fall für sich. Hauptproblem ist, das die Charaktere definitiv farblos und sehr grob geschildert werden. Grossen Widererkennungswert haben die zahlreichen Protagonisten nicht, sie wirken meistens eher austauschbar und werden nur selten näher beschrieben.
Aber wie gesagt: Asimov liest man eh nicht wegen der Charaktere, sondern wegen der Ideen - und auch wenn man FOUNDATION anmerkt, dass die Story in den 40ern konzipiert wurde, faszinierend ist dieses Werk des SF-Altmeisters auch heute noch... und bei Erscheinen war es, da erwarte ich keinen Widerspruch, seiner Zeit weit voraus!

words have been added or words changed .Now I don't know if the problem is with the publishing house (Voyager) or Amazon delivered a pirated copy pretending to be from a legit publishing house .My recommendation: don't buy any of the Foundation series from Amazon. I ordered the original trilogy and 2 of the three books are horrible pirated products