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The Fabulous Riverboat (Riverworld Saga, Book 2) Paperback – July 28, 1998
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Philip Jose Farmer
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Print length240 pages
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LanguageEnglish
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PublisherDel Rey
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Publication dateJuly 28, 1998
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Dimensions5.15 x 0.56 x 7.95 inches
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ISBN-100345419685
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ISBN-13978-0345419682
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Editorial Reviews
Amazon.com Review
But Clemens is not alone in his quest for the iron, which arrives on the planet in the form of a giant meteorite. In fact, Clemens is besieged on all sides by forces determined to seize the precious ore, leading him to make a deadly pact with one of history's most notorious villains, John Lackland. Lackland's crimes during his reign as king of England were so hideous that no other English monarch will ever carry his name, and he's up to equally nefarious tricks on Riverworld. However, Clemens has a guardian angel in the form of Joe Miller, a giant subhuman with a big nose, a serious lisp, and a cutting wit. Miller has also been to the very headwaters of the river, where he saw a mysterious tower in the middle of the North Sea and where the creators of Riverworld are thought to reside. He will be an invaluable ally in completing the riverboat and sailing to the headwaters, but even an 800-pound giant may not be enough to help Clemens fulfill X's mission. --Craig E. Engler
From the Inside Flap
But before he can carry out his plan, he first must undertake a dangerous voyage to unearth a fallen meteor. This mission would require striking an uneasy alliance with the bloodthirsty Viking Erik Bloodaxe, treacherous King John of England, legendary French swordsman Cyrano de Bergerac, Greek adventurer Odysseus, and the infamous Nazi Hermann Göring. All for the purpose of storming the ominous stone tower at the mouth of the river, where the all-powerful overseers of Riverworld--and their secrets--lie in wait . . .
From the Back Cover
"A VASTLY IMAGINATIVE TOUR DE FORCE."
--Books and Bookmen
"Charts a territory somewhere between Gulliver's Travels and The Lord of the Rings."
--Time
Excerpt. © Reprinted by permission. All rights reserved.
"Resurrection, like politics, makes strange bedfellows," Sam Clemens said.
"I can't say that the sleeping is very restful."
Telescope under one arm, he puffed on a long, green cigar while he paced
back and forth on the poop deck of the Dreyrugr
(Bloodstained). Ari Grimolfsson, the helmsman, not understanding English,
looked bleakly at Clemens. Clemens translated for him in wretched Old
Norse. The helmsman still looked bleak.
Clemens loudly cursed him in English for a dunderheaded barbarian. For
three years, Clemens had been practicing tenth-century Norse night and
day. And he was still only half intelligible to most of the men and women
aboard the Dreyrugr.
"A ninety-five-year-old Huck Finn, give or take a few thousand years,"
Clemens said. "I start out down The River on a raft. Now I'm on this idiot
Viking ship, going upRiver. What next? When will I realize my dream?"
Keeping the upper part of his right arm close to his body so he would not
drop the precious telescope, he pounded his right fist into his open left
palm.
"Iron! I need iron! But where on this people-rich, metal-poor planet is
iron? There has to be some! Otherwise, where did Erik's ax come from? And
how much is there? Enough? Probably not. Probably there's just a very
small meteorite. But maybe there's enough for what I want. But where? My
God, The River may be twenty million miles long! The iron, if any, may be
at the other end.
"No, that can't be! It has to be somewhere not too far away, within
100,000 miles of here. But we may be going in the wrong direction.
Ignorance, the mother of hysteria, or is it vice versa?"
He looked through the telescope at the right bank and cursed again.
Despite his pleas to bring the ship in so that he could scan the faces at
a closer range, he had been refused. The king of the Norseman fleet, Erik
Bloodaxe, said that this was hostile territory. Until the fleet was out of
it, the fleet would stay close to the middle of The River.
The Dreyrugr was the flagship of three, all alike.
It was eighty feet long, built largely of bamboo, and resembled a Viking
dragon boat. It had a long, low hull, an oak figurehead carved into a
dragon's head, and a curled-tail stern. But it also had a raised foredeck
and poop deck, the sides of both extending out over the water. The two
bamboo masts were fore-and-aft rigged. The sails were a very thin but
tough and flexible membrane made from the stomach of the deep-dwelling
Riverdragon fish. There was also a rudder controlled by a wheel on the
poop deck.
The round leather-and-oak shields of the crew hung over the sides; the
great oars were piled on racks. The Dreyrugr was
sailing against the wind, tacking back and forth, a maneuver unknown to
the Norsemen when they had lived on Earth.
The men and women of the crew not handling the ropes sat on the oarsmen
benches and talked and threw dice and played poker. From below the poop
deck came cries of exultation or curses and an occasional faint click.
Bloodaxe and his bodyguard were shooting pool, and their doing so at this
time made Clemens very nervous. Bloodaxe knew that enemy ships three miles
up The River were putting out to intercept them, and ships from both banks
behind them were putting out to trail them. Yet the king was pretending to
be very cool. Maybe he was actually as undisturbed as Drake had supposedly
been just before the battle of the Great Armada.
"But the conditions are different here," Clemens muttered. "There's not
much room to maneuver on a river only a mile and a half wide. And no storm
is going to help us out."
He swept the bank with the telescope as he had been doing ever since the
fleet set out three years ago. He was of medium height and had a big head
that made his none-too-broad shoulders look even more narrow. His eyes
were blue; his eyebrows, shaggy; his nose, Roman. His hair was long and
reddish brown. His face was innocent of the mustache that had been so well
known during his terrestrial life. (Men had been resurrected without face
hair.) His chest was a sea of brown-red curly hair that lapped at the
hollow of his throat. He wore only a knee-length white towel secured at
the waist, a leather belt for holding weapons and the sheath for his
telescope, and leather slippers. His skin was bronzed by the equatorial
sun.
He removed the telescope from his eye to look at the enemy ships trailing
by a mile. As he did so, he saw something flash in the sky. It was a
curving sword of white, appearing suddenly as if unsheathed from the blue.
It stabbed downward and then was gone behind the mountains.
Sam was startled. He had seen many small meteorites in the night sky but
never a large one. Yet this daytime giant set his eyes afire and left an
afterimage on his eyes for a second or two. Then the image faded, and Sam
forgot about the falling star. He scanned the bank again with his
telescope.
This part of The River had been typical. On each side of the
mile-and-a-half-wide River was a mile-and-a-half-wide grass-grown plain.
On each bank, huge mushroom-shaped stone structures, the grailstones, were
spaced a mile apart. Trees were few on the plains, but the foothills were
thick with pine, oak, yew, and the irontree. This was a thousand-foot-high
plant with gray bark, enormous elephant-ear leaves, hundreds of thick
gnarly branches, roots so deep and wood so hard that the tree could not be
cut, burned, or dug out. Vines bearing large flowers of many bright colors
grew over their branches.
There was a mile or two of foothills, and then the abruptness of
smooth-sided mountains, towering from 20,000 to 30,000 feet, unscalable
past the 10,000-foot mark.
The area through which the three Norse boats were sailing was inhabited
largely by early nineteenth-century Germans. There was the usual ten
percent population from another place and time of Earth. Here, the ten
percent was first-century Persians. And there was also the ubiquitous one
percent of seemingly random choices from any time and any place.
The telescope swung past the bamboo huts on the plains and the faces of
the people. The men were clad only in various towels; the women, in short
towellike skirts and thin cloths around the breasts. There were many
gathered on the bank, apparently to watch the battle. They carried
flint-tipped spears and bows and arrows but were not in martial array.
Clemens grunted suddenly and held the telescope on the face of a man. At
this distance and with the weak power of the instrument, he could not
clearly see the man's features. But the wide-shouldered body and dark face
suggested familiarity. Where had he seen that face before?
Then it struck him. The man looked remarkably like the photographs of the
famous English explorer Sir Richard Burton that he'd seen on Earth.
Rather, there was something suggestive of the man. Clemens sighed and
turned the eyepiece to the other faces as the ship took him away. He would
never know the true identity of the fellow.
He would have liked to put ashore and talk to him, find out if he really
was Burton. In the twenty years of life on this river-planet, and the
seeing of millions of faces, Clemens had not yet met one person he had
known on Earth. He did not know Burton personally, but he was sure that
Burton must have heard of him. This man--if he was Burton--would be a
link, if thin, to the dead Earth.
And then, as a far-off blurred figure came within the round of the
telescope, Clemens cried out incredulously.
"Livy! Oh, my God! Livy!"
There could be no doubt. Although the features could not be clearly
distinguished, they formed an overwhelming, not-to-be-denied truth. The
head, the hairdo, the figure, and the unmistakable walk (as unique as a
fingerprint) shouted out that here was his Earthly wife.
"Livy!" he sobbed. The ship heeled to tack, and he lost her. Frantically,
he swung the end of the scope back and forth.
Eyes wide, he stomped with his foot on the deck, and he bellowed,
"Bloodaxe! Bloodaxe! Up here! Hurry!"
He swung toward the helmsman and shouted that he should go back and direct
the ship toward the bank. Grimolfsson was taken aback at first by Clemens'
vehemence. Then he slitted his eyes, shook his head, and growled out a no.
"I order you to!" Clemens screamed, forgetting that the helmsman did not
understand English. "That's my wife! Livy! My beautiful Livy, as she was
when she was twenty-five! Brought back from the dead!"
Someone rumbled behind him, and Clemens whirled to see a blond head with a
shorn-off left ear appear on the level of the deck. Then Erik Bloodaxe's
broad shoulders, massive chest, and huge biceps came into view, followed
by pillarlike thighs as he came up on the ladder. He wore a
green-and-black checked towel, a broad belt holding several chert knives
and a holster for his ax. This was of steel, broadbladed and with an oak
handle. It was, as far as Clemens knew, unique on this planet, where stone
and wood were the only materials for weapons.
He frowned as he looked over The River. He turned to Clemens and said,
"What is it, sma-skitligr? You made me miscue when you screamed like
Thor's bride on her wedding night. I lost a cigar to Toki Njalsson."
He took the ax from its holster and swung it. The sun glinted off the blue
steel. "You had better have a good reason for disturbing me. I have killed
many men for far less."
Clemens' face was pale beneath...
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Product details
- Publisher : Del Rey; 1st Ballantine Books ed edition (July 28, 1998)
- Language : English
- Paperback : 240 pages
- ISBN-10 : 0345419685
- ISBN-13 : 978-0345419682
- Item Weight : 7.2 ounces
- Dimensions : 5.15 x 0.56 x 7.95 inches
-
Best Sellers Rank:
#357,334 in Books (See Top 100 in Books)
- #6,516 in Space Operas
- #8,979 in Science Fiction Adventures
- Customer Reviews:
Customer reviews
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I was so excited to read the Riverworld Series after watching the movie and greatly enjoyed the first of the series, The Fabulous Riverboat: Riverworld Saga, Book 2. When I picked up this book to read as the second in a series, I was very surprised and amazed anyone would try to sell this as a part of the series. This whole book is an exerpt from the first in the series: To Your Scattered Bodies...I am so fortunate I purchased a used copy for $22 rather than the $51. If you are reading the series- do yourself a favor- don't waste your money.
There are not language issues. Besides the annoying speech of the giant Joe Miller; 'This Booketh sukth so muh, I slepin.' I got tired of the repeated use of the N-word, even if it was used in the context of how the people of time talked. Second of all, there is this emphasis of segregation of the races, which is understandable given that this book was published just after the Civil Rights movement was completed. Black characters sport the Afro hairdo of the 70s which is referred to as `Natural' hair.
Overall, this book offers few revelations. The reason the Ethicals created this planet, is supposedly so they can study all of the different culture interacting together. Basically, a giant social experiment. Pretty lame. Couldn't Farmer come up with something better?
The ending is beyond lousy. It's almost as if Farmer knew the reader was going to be upset, so he put in one page Epilogue promising that something would happen in the 3rd book.
So skip this book and read Book 3 - The Dark Design.
During his earthly life, Clemens was, for a time, the captain of a Mississippi riverboat, and his great ambition on Riverworld is to build a similar boat in which to explore the planet's great river and, if possible, to find out who was responsible for creating this strange world and for the resurrection of humanity. His task of building a suitable boat, however, is hampered by the shortage of metals on Riverworld and by the political rivalries between the many small kingdoms into which the planet is divided.
One of the advantages of Farmer's "Riverworld" concept is that it enables him to imagine interactions between famous historical figures from all periods of human history, even if those figures were not contemporaries of one another during their earthly lives. ("How would Richard Burton have got on with Hermann Goering?") In "The Fabulous Riverboat" Clemens's main adversary is a character from some seven centuries before his time, King John Lackland of England; the two find themselves for a time joint rulers of the Kingdom of Parolando, although their relationship is never an easy one. (The name "Parolando" means "Pair Land"- or possibly "Twain Land"- in Esperanto, which has become an unofficial lingua franca of Riverworld). Other historical characters in the novel include the Viking chieftain Eric Bloodaxe, the German aviator Lothar von Richthofen (brother of the more famous Manfred), the French writer Cyrano de Bergerac (Clemens's rival for the affections of his terrestrial wife, Livy) and the Greek hero Odysseus. Goering, the main villain of the first novel but now a convinced pacifist following a religious conversion, makes another appearance. The main non-historical figure is a Neanderthal giant whom Clemens, unable to pronounce his real name, calls Joe Miller.
Like a number of science-fiction and alternate-world novels, this one includes a certain amount of satire on the writer's own times. The complex web of shifting alliances between Parolando and its neighbouring states may have been devised as a comment on real-world diplomacy, particularly as the book was published at the height of the Cold War, and twentieth-century racial politics are satirised through the black nationalist kingdom of "Soul City", a place whose leader is obsessed with creating an ethnically pure all-black state.
"The Fabulous Riverboat" is, of course, a work of fantasy rather than history, so it is not surprising that, for the sake of his story, Farmer takes a few liberties with strict historical fact. Contrary to what he states, there was never any collective decision by the English people never to have another King named John; during the later Middle Ages there were several Royal princes of that name who, had history taken a different course, could have become King John II. Farmer's Cyrano bears a closer resemblance to Edmond Rostand's fictionalised character than to the real individual of that name. Odysseus was probably a mythical character rather than a real person. Neanderthals were not giants; they were, in fact, rather shorter on average than modern humans.
As another reviewer has pointed out, Farmer seems to be better at creating male characters than female ones. Neither Alice Liddell, the main female character of "To Your Scattered Bodies Go", nor Livy emerges as a rounded individual in her own right in the way that Richard Burton and Sam Clemens do. Clemens in particular comes across as an engaging figure, part adventurer, part idealist, part trickster, and it is following his adventures that makes "The Fabulous Riverboat" such an entertaining read.










