Sawyer, like many writers of near-future science fiction, has an unfortunate tendency to be too rooted in today, to make so many casual references to our present that they draw undue attention to themselves, making it difficult for the reader to suspend disbelief. This fascination with 20th-century pop culture crowds the real story and real details into a corner and underscores an apparent lack of creativity in painting future landscapes. Otherwise, and forgiving Sawyer's breathtakingly myopic view of Native Canadians and rather bland prose, this is exciting, readable science fiction that will take you where no one has gone before--and you'll never forget the ending. --Jhana Bach

KATHERINE KELLGREN is a New York-based actress who works on stage and in film and television. She has recorded several award-winning audiobooks and numerous plays for radio, including one Peabody Award winner.

1


Heather Davis took a sip of her coffee and looked at the brass clock on the mantelpiece. Her nineteen-year-old daughter Rebecca had said she’d be here by 8:00 P.M., and it was already eight-twenty.
Surely Becky knew how awkward this was. She had said she’d wanted a meeting with her parents—both of them, simultaneously. That Heather Davis and Kyle Graves had been separated for almost a year now didn’t enter into the equation. They could have met at a restaurant, but no, Heather had volunteered the house—the one in which she and Kyle had raised Becky and her older sister Mary, the one Kyle had moved out of last August. Now, though, with the silence between her and Kyle having stretched on for yet another minute, she was regretting that spontaneous offer.
Although Heather hadn’t seen Becky for almost four months, she had a hunch about what Becky wanted to say. When they spoke over the phone, Becky often talked about her boyfriend Zack. No doubt she was about to announce an engagement.
Of course, Heather wished her daughter would wait a few more years. But then again, it wasn’t as if she was going to university. Becky worked in a clothing store on Spadina. Both Heather and Kyle taught at the University of Toronto—she in psychology, he in computer science. It pained them that Becky wasn’t pursuing higher education. In fact, under the Faculty Association agreement, their children were entitled to free tuition at U of T. At least Mary had taken advantage of that for one year before…
No.
No, this was a time of celebration. Becky was getting married! That was what mattered today.
She wondered how Zack had proposed—or whether it had been Becky who had popped the question. Heather remembered vividly what Kyle had said to her when he’d proposed, twenty-one years ago, back in 1996. He’d taken her hand, held it tightly, and said, "I love you, and I want to spend the rest of my life getting to know you."
Heather was sitting in an overstuffed easy chair; Kyle was sitting on the matching couch. He’d brought his datapad with him and was reading something on it. Knowing Kyle, it was probably a spy novel; the one good thing for him about the rise of Iran to superpower status had been the revitalization of the espionage thriller.
On the beige wall behind Kyle was a framed photoprint that belonged to Heather. It was made up of an apparently random pattern of tiny black-and-white squares—a representation of one of the alien radio messages.
Becky had moved out nine months ago, shortly after she’d finished high school. Heather had hoped Becky might stay at home a while—the only other person in the big, empty suburban house now that Mary and Kyle were gone.
At first, Becky came by the house frequently—and according to Kyle, she had seen her father often enough, too. But soon the gaps between visits grew longer and longer—and then she stopped coming altogether.
Kyle apparently had become aware that Heather was looking at him. He lifted his eyes from the datapad and managed a wan smile. "Don’t worry, hon. I’m sure she’ll be here."
Hon. They hadn’t lived together as husband and wife for eleven months, but the automatic endearments of two decades die hard.
Finally, at a little past eight-thirty, the doorbell rang. Heather and Kyle exchanged glances. Becky’s thumbprint still operated the lock, of course—as, for that matter, did Kyle’s. No one else could possibly be dropping by this late; it had to be Becky. Heather sighed. That Becky didn’t simply let herself in underscored Heather’s fears: her daughter no longer considered this house to be her home.
Heather got up and crossed the living room. She was wearing a dress-hardly her normal at-home attire, but she’d wanted to show Becky that her coming by was a special occasion. And as Heather passed the mirror in the front hall and caught sight of the blue floral print of the dress, she realized that she, too, was acting as Becky was, treating her daughter’s arrival as a visit from someone for whom airs had to be put on.
Heather completed the journey to the door, touched her hands to her dark hair to make sure it was still properly positioned, then turned the knob.
Becky stood on the step. She had a narrow face, high cheekbones, brown eyes, and brunette hair that brushed her shoulders. Beside her was her boyfriend Zack, all gangly limbs and scraggly blond hair.
"Hello, darling," said Heather to her daughter, and then, smiling at the young man, whom she hardly knew: "Hello, Zack."
Becky stepped inside. Heather thought perhaps her daughter would stop long enough to kiss her, but she didn’t. Zack followed Becky into the hall, and the three of them made their way up into the living room, where Kyle was still sitting on the couch.
"Hi, Pumpkin," said Kyle, looking up. "Hi, Zack."
His daughter didn’t even glance at him. Her hand found Zack’s, and they intertwined fingers.
Heather sat down in the easy chair and motioned for Becky and Zack to sit as well. There wasn’t enough room on the couch next to Kyle for both of them. Becky found another chair, and Zack stood behind her, a hand on her left shoulder.
"It’s so good to see you, dear," said Heather. She opened her mouth again, realized that what was about to come out was a comment on how long it had been, and closed it before the words got free.
Becky turned to look at Zack. Her lower lip was trembling.
"What’s wrong, dear?" asked Heather, shocked. If not an engagement announcement, then what? Could Becky be ill? In trouble with the police? She saw Kyle lean slightly forward; he, too, was detecting his daughter’s anxiety.
"Go ahead," said Zack to Becky; he whispered it, but the room was quiet enough that Heather could make it out.
Becky was silent for a few moments longer. She closed her eyes, then re-opened them. "Why?" she said, her voice quavering.
"Why what, dear?" said Heather.
"Not you," said Becky. Her gaze fell for an instant on her father, then it dropped to the floor. "Him."
"Why what?" asked Kyle, sounding as confused as Heather felt.
The clock on the mantelpiece chimed; it did that every quarter-hour.
"Why," said Becky, raising her eyes again to look at her father, "did you…"
"Say it," whispered Zack, forcefully.
Becky swallowed, then blurted it all out. "Why did you abuse me?"
Kyle slumped against the couch. The datapad, which had been resting on the couch’s arm, fell to the hardwood floor with a clattering sound. Kyle’s mouth hung open. He looked at his wife.
Heather’s heart was racing. She felt nauseous.
Kyle closed his mouth, then opened it again. "Pumpkin, I never—"
"Don’t deny it," said Becky. Her voice was quaking with fury; now that the accusation was out, a dam had apparently burst. "Don’t you dare deny it."
"But, Pumpkin—"
"And don’t call me that. My name is Rebecca."
Kyle spread his arms. "I’m sorry, Rebecca. I didn’t know it bothered you, my calling you that."
"Damn you," she said. "How could you do that to me?"
"I never—"
"Don’t lie! For God’s sake, at least have the guts to admit it."
"But I never—Rebecca, you’re my daughter. I’d never hurt you."
"You did hurt me. You ruined me. Me, and Mary."
Hea