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Fahrenheit 451: A Novel Hardcover – Deckle Edge, September 23, 2003
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Ray Bradbury
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Print length208 pages
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LanguageEnglish
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PublisherSimon & Schuster
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Publication dateSeptember 23, 2003
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Dimensions5.62 x 0.8 x 8.44 inches
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ISBN-100743247221
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ISBN-13978-0743247221
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About the Author
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Product details
- Publisher : Simon & Schuster; Reissue edition (September 23, 2003)
- Language : English
- Hardcover : 208 pages
- ISBN-10 : 0743247221
- ISBN-13 : 978-0743247221
- Item Weight : 14.4 ounces
- Dimensions : 5.62 x 0.8 x 8.44 inches
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Best Sellers Rank:
#2,480,382 in Books (See Top 100 in Books)
- #2,012 in Censorship & Politics
- #7,763 in Classic American Literature
- #54,279 in Classic Literature & Fiction
- Customer Reviews:
About the author

In a career spanning more than seventy years, Ray Bradbury, who died on June 5, 2012, at the age of 91, inspired generations of readers to dream, think, and create. A prolific author of hundreds of short stories and close to fifty books, as well as numerous poems, essays, operas, plays, teleplays, and screenplays, Bradbury was one of the most celebrated writers of our time. His groundbreaking works include Fahrenheit 451, The Martian Chronicles, The Illustrated Man, Dandelion Wine, and Something Wicked This Way Comes. He wrote the screen play for John Huston's classic film adaptation of Moby Dick, and was nominated for an Academy Award. He adapted sixty-five of his stories for television's The Ray Bradbury Theater, and won an Emmy for his teleplay of The Halloween Tree. He was the recipient of the 2000 National Book Foundation Medal for Distinguished Contribution to American Letters, the 2004 National Medal of Arts, and the 2007 Pulitzer Prize Special Citation, among many honors.
Throughout his life, Bradbury liked to recount the story of meeting a carnival magician, Mr. Electrico, in 1932. At the end of his performance Electrico reached out to the twelve-year-old Bradbury, touched the boy with his sword, and commanded, "Live forever!" Bradbury later said, "I decided that was the greatest idea I had ever heard. I started writing every day. I never stopped."
Customer reviews
Top reviews from the United States
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If all you get out of this book is the "removal" of books from society to become more connected to our electronic devices I feel so bad for you.
The point of burning the books is explained. I might give just a couple of spoilers, but everyone knows the premise of 1984 and this book is similar. It is so much more than about books.
It is about censorship and the people wanting it. The government has banned all printed material except for comic books, 3D pornographic magazines, "good old confessions" and trade journals. All other printed material is deemed too offensive to someone. So much in-fighting in society because everyone claiming something offends them. So to make everyone happy, the offensive materials are removed. Because of the year this was written (1953) Ray Bradbury could have not envisioned the internet. If he had, it would have been heavily censored also. In 1953 ideas and knowledge were shared through print as they had been for hundreds of years.
According to the book, the people wanted the offensive materials removed. Because everyone is offended by something then everything is offensive, it must all be destroyed.
For me the novel rings true about how easily people are offended by another person's ideas, thoughts, actions, beliefs. In the story those things are still allowed (they can't control what you think), but without being able to write them down ideas and thoughts die pretty fast.
Ultimately the story is about freedom and not being so judgmental of others lest ye be judged. If you look around today, 11/4/2017, this story has never been more relevant. We have protests and attacks in the streets daily based on ideals and beliefs that clash with others. These clashes occur, rather than people going their separate ways and understanding that the beliefs and ideals of others are just as legitimate as their own. Some groups would rather have a scorched earth policy and destroy everything they hold dear, as long as the other side loses everything as well.
How am I supposed to read a book about a dystopian future where books are forbidden, deemed a danger to society, summarized, digested, and then silenced, and not trust you to publish an accurate copy of the author's original work?
I found two errors by the time I reached page 53, and only because they are glaringly obvious. Having not read the book before I have no idea how else the work has deviated from the author's source material.
Page 37 - "Master Ridley," said Montag a last.
A last? What is that? "A" should be "at."
This one is particularly egregious:
Page 53 - "School is shortened, discipline relaxed, philosophies, histories, languages dropped, English and spelling gradually gradually neglected, finally almost completely ignored."
Gradually gradually? Really, really? There should only be one occurrence of the word.
I am disappointed, at best. It is now upon me to return this book and find an accurate replacement. The onus to find accurate text in published works should not be on the consumer.
By Anonymous shopper on September 13, 2020
How am I supposed to read a book about a dystopian future where books are forbidden, deemed a danger to society, summarized, digested, and then silenced, and not trust you to publish an accurate copy of the author's original work?
I found two errors by the time I reached page 53, and only because they are glaringly obvious. Having not read the book before I have no idea how else the work has deviated from the author's source material.
Page 37 - "Master Ridley," said Montag a last.
A last? What is that? "A" should be "at."
This one is particularly egregious:
Page 53 - "School is shortened, discipline relaxed, philosophies, histories, languages dropped, English and spelling gradually gradually neglected, finally almost completely ignored."
Gradually gradually? Really, really? There should only be one occurrence of the word.
I am disappointed, at best. It is now upon me to return this book and find an accurate replacement. The onus to find accurate text in published works should not be on the consumer.
By Bubba Militia on August 15, 2018
It's such a famous opening line and despite the fact that I'd never read Fahrenheit 451, one I've seemed to know for the longest time. It would crop up every so often in my life, usually at trivia nights. I knew it was a classic book, the type reluctant schoolchildren are assigned to read as part of their curriculum. As a progressive I always felt I was doing it a disservice by not reading it, so I set out to buy it on Amazon and finished it in under a day.
Let's tackle the plot first.
It's set in a Mid-West American city in a dystopian future. Our hero, Guy Montag, is a fireman except firemen in the future don't put out fires, they cause them. Books are forbidden and if any are discovered they are burned, including the house hiding them. Montag has no qualms with this, until one day he's called out to the house of an elderly lady. She chooses to set fire to herself and her house before Montag can do it. Shaken to the core by this, he tries to share it with his wife Mildred, but she's too addicted to vapid and superficial television shows to engage in conversation. Her big concern is getting a fourth TV. The only person he develops a connection to is his teenage neighbour, Clarisse. She's free-spirited and questions him constantly. One day she goes missing. Mildred casually tells him that Clarisse is dead.
Montag starts to wonder if books are really so bad. He steals a book of poetry from a house he's called out to burn. His chief begins to grow suspicious of him and pontificates about the dangers of books and independent thinking. Montag begins to feel rebellious as he rails against the hedonistic nature of society. One night Mildred invites some girlfriends over. Montag rashly brings his book out and recites poetry to them, moving one woman to tears. The others are mortified and Montag finds himself in serious trouble. I'll stop here before spoilers creep in.
I was interested to learn Bradbury's inspiration for this book. Apparently he was once out walking at night with a fellow writer when a police car pulled up and an officer got out. He asked Bradbury what he was doing, to which he responded that he was walking, "Putting one foot in front of the other." The officer was unamused with what he considered a smark aleck response and told him never to do it again. Bradbury was so angry that he went home and wrote a short story about a man who lived in a time when walking was considered a crime. Bradbury was also outraged at the persecution of artists by Senator Joseph McCarthy, and the House of un-American Activities.
Many writers far better equipped than myself have wrestled writing a treatise for this book, so I'll leave further analysis to them. I just wanted to say that despite the obvious allegory in the story, I think it works just as a simple tale about the importance of books. Books have always been a big presence in my life. From as far back as I can remember, I have always had a full bookcase, jam-packed with titles in my bedroom. I was a voracious reader, blithely leaving books wherever I finished them (invariably not in said bookcase). I grew complacent and took it for granted that I was free to read whatever I chose. It was only as I grew older that I began learning about the destruction of the Library of Alexandria, about the Nazi book burnings, and about the scorching and burial of texts and hundreds of Confucian scholars in ancient China. It's sobering stuff and made me think. I know of no country that doesn't have an undercurrent of anti-intellectualism. Generally books are considered deep (though plenty aren't), and there will always be those whom openly distrust (to the point of hostility) those deemed 'highfalutin and clever.' It is entirely plausible that at some stage in the future, books will be banned in any given country. If nothing else Fahrenheit 451 should serve as a warning against authoritarianism, and for a call to keep the free flow of knowledge and art alive. When I cast a roving eye on the pile of books next to me, I am full of appreciation and awe. I will protect them from any fire.
Top reviews from other countries
It's a short novel and a quick read and it lights the flicker of a flame of thinking about the power of books but it's all just so rushed, so fast to develop and accelerate, that a lot of the opportunities to explore deeper are missed. Montag the fireman - one of the elite who set fire to books, burn people's houses to punish them for the knowledge in their books - witnesses an old lady start a fire and kill herself because she can't be without her books, and meets a young girl who tells him there's so much more to books then just fuel for his fires. He takes a book and becomes part of the anti-establishment.
In the foreword to the book, Ray Bradbury tells us he spent less than 10 dollars hiring the use of a typewriter to write Fahrenheit 451. Sadly sometimes it shows. This is just the bare bones of a story, lacking the meat to flesh it out into something more satisfying, more horrifying. It was written in the 1950s with the Nazi book burnings still fresh in people's minds but long before the wall-to-wall round the clock interactive television experiences that Bradbury envisions. For its time it must have been revolutionary. Today it just looks a bit tired and much too rushed.
As is explained in the book, Farenheit 451 is the temperature at which paper burns. Society has "developed" to the point where people are immersed in a world created by gigantic video screens, tiny radios in their ears and drugs. Books are illegal and must be burned because the ideas inside COULD make some people unhappy. (Sound familiar?)
This is the story of one of the book-burners, (ironically called firemen due to all modern houses being fireproof) who realises the fundamental wrong he's helping to commit, waking up and doing something about it.
The first half of the book is pacy and well constructed, you follow Montag through his growing awareness of the emptiness he's feeling. The second half follows what he does about it.
This was written in the McCarthy era of the 1950's but it stands up extremely well today. Sadly, a lot of the things in the book proved prophetic, fortunately though, not all!
Hang onto your hats and prepare for the ride of your lives. Written in a fast, urgent style I found myself propelled into Montag’s world at a breakneck pace. It’s astonishing how fast his life changes, and you need to run to keep up. Given that this book was written in 1953 it has turned out to be astonishingly prescient and so many references within it resonate with life in the twenty-first century.
The characters are bought to life with well-written dialogue that gives everyone a distinct voice. And despite the futuristic setting, the picture of life in an unfamiliar world is so well crafted that at times it’s difficult to remember it’s not the way life really is. Though when you do, you can’t help but be grateful.


















