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Fahrenheit 451 Mass Market Paperback – August 12, 1987
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In Fahrenheit 451, Ray Bradbury's classic, frightening vision of the future, firemen don't put out fires--they start them in order to burn books. Bradbury's vividly painted society holds up the appearance of happiness as the highest goal--a place where trivial information is good, and knowledge and ideas are bad. Fire Captain Beatty explains it this way, "Give the people contests they win by remembering the words to more popular songs.... Don't give them slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy."
Guy Montag is a book-burning fireman undergoing a crisis of faith. His wife spends all day with her television "family," imploring Montag to work harder so that they can afford a fourth TV wall. Their dull, empty life sharply contrasts with that of his next-door neighbor Clarisse, a young girl thrilled by the ideas in books, and more interested in what she can see in the world around her than in the mindless chatter of the tube. When Clarisse disappears mysteriously, Montag is moved to make some changes, and starts hiding books in his home. Eventually, his wife turns him in, and he must answer the call to burn his secret cache of books. After fleeing to avoid arrest, Montag winds up joining an outlaw band of scholars who keep the contents of books in their heads, waiting for the time society will once again need the wisdom of literature.
Bradbury--the author of more than 500 short stories, novels, plays, and poems, including The Martian Chronicles and The Illustrated Man--is the winner of many awards, including the Grand Master Award from the Science Fiction Writers of America. Readers ages 13 to 93 will be swept up in the harrowing suspense of Fahrenheit 451, and no doubt will join the hordes of Bradbury fans worldwide. --Neil Roseman --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Starred Review. After years of working as a fireman--one who burns books and enjoys his work--Guy Montag meets a young girl who makes him question his profession and the values of the society in which he lives. Stephan Hoye's narration is perfectly matched to the subject matter: his tone is low and ominous, and his cadence shifts with the prose to ratchet up tension and suspense. He produces spot-on voices, and his versions of the gruff Captain Beatty, the playful Clarisse, and the fearful professor Faber are especially impressive. A Ballantine paperback. (Aug.)
(c) Copyright PWxyz, LLC. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
Top customer reviews
The most surprising thing about Fahrenheit 451 is that it's premise could, in the hands of a lesser writer, easily turn a condescending little lesson about the importance of reading books. But like any work of art that would be missed if it was burned, Fahrenheit 451 doesn't want to give you answers. The book wants you to ask questions.
The main point for me is not that books are burned. That is only the most dramatic side of something bigger: that society allows them to be burned, and that no one is interested in reading in the first place. The only sources of distraction for the denizens of Fahrenheit 451 are sports or soap operas in televisions the size of entire walls. The speed of television does not allow you to stop and think, just swallow that entertainment loaf. From this insipid entertainment are born people who literally talk to the walls and a society unable to question.
Montag's wife, Mildred is one example. She can't talk about anything other than the soaps or what threatens her financial security. She is a cattle-person, described as having an invisible cataract behind her pupils, afraid of anything different, incapable of thinking or feeling without directions from the TV or authorities. Montag discovers how they can't connect to one another because in the end they don't know their own history. And without that knowledge you can't even know who you are, or what you want.
Today is 2015, and the society described in Fahrenheit 451 seems even more palpable than when the book was written in 1953. The internet shortens our attention span towards shorter and simpler texts and videos. More than ever we more intelligent - we have access to an ocean of information literally at our finger tips - but we are not wise. We don't know what to do with our information.
And we have no memory. The social media timelines dictate the discussion of the day, what funny video is trending, what news we should be disgusted with, what meme will be the big joke for a day or two before it is once again forgotten. Fahrenheit 451 even reminds us of the "mass society judgments" that lead to self-censorship.
I believe reading is fundamentally important for wisdom, more than any other art form. Reading is solitary work. It demands silence, and to let your ideas absorb the author's, contest them, accept or adapt. Fahrenheit 451 says that you can't make others think, but I believe it comes with a good recipe for wisdom: "Number one, like I said, is quality of information. Number two: time to digest. And number three: the right to conduct your actions based on what we learn from the two previous items."
Level: Quick and easy read, fairly short.
Away in the dark near future, there is a still a profession called 'fireman', but they don't save houses from burning (houses are fireproof now), but now they start fires. Not for houses, but for books. The book follows the story of one of these firemen as he starts to question why they are doing what they do, and instead starts saving and hiding books. After he is found out, he becomes the victim of the system he used to be a part of.
This is a classic of dystopian fiction. The scary thing is, though some elements are over the top, much is too accurate. Bradburry rightly predicts (originally published in 1951) that books won't be banned by the government or people in the majority for challenging the status quo, but instead, books will be questioned or banned for offending some group or another. We see this happening today, especially with elements of history that people do not like. He also predicted the heavy use of what are basically headphones. I went for a walk this morning and noticed every one of the dozen or so people I saw had headphones in.
As a big book-reader and someone who isn't paranoid about the government, I see Bradburry's vision as much more accurate than something like 1984. He was even wrong that the government would actively burn books by the will/request of the people. We don't have to worry about that now, people just stopped reading them. Hell, people buy digital books, so you can't even burn them anyway. But it doesn't matter, in the most recent Pew study (2014) 23% of people hadn't read a book in the past year. That's up from 8% in 1978, the first year they asked. The median number of books read a year by American adults is 4. We don't need to burn book, and the government doesn't need to ban them. We are doing this to ourselves. We have 100 of channel showing pointless shit on TV and endless ways to stalk people we don't even like on facebook and twitter, who needs books?
Maybe his most accurate portrayal was related to this. One of the characters in the book, whom the police watch due to being 'peculiar', lives in the only house that doesn't glow blue at night. The family has their lights on and can be seen through the window sitting around talking, everyone else has their lights off and is watching TV, so that only a low, flickering blue color can be seen from the street. Where he is wrong is that no one thinks it odd now, but most people likely never think about it. I know I never did, but now if I walk around at night, I notice all the windows from the back of the houses and some of the bedrooms are dark and flickering blue. It becomes kind of eerie if you look or think about it too much.
Anyway, over all, the book is a bit over-dramatic at times, well not being dramatic enough in others, due to un-imagined technological change. The concepts are great and the portrayal of why life could be like in this dystopian future is frighteningly accurate at times. I as I said above, it is a classic in the genre, and a book to put on your reading list.
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