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Fair Use, Free Use, and Use by Permission: How to Handle Copyrights in All Media Paperback – November 1, 2005
| Lee Wilson (Author) Find all the books, read about the author, and more. See search results for this author |
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Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
- Print length256 pages
- LanguageEnglish
- PublisherAllworth
- Publication dateNovember 1, 2005
- Dimensions6 x 6.03 x 9 inches
- ISBN-101581154321
- ISBN-13978-1581154320
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Product details
- Publisher : Allworth; 1st edition (November 1, 2005)
- Language : English
- Paperback : 256 pages
- ISBN-10 : 1581154321
- ISBN-13 : 978-1581154320
- Item Weight : 12.5 ounces
- Dimensions : 6 x 6.03 x 9 inches
- Best Sellers Rank: #1,118,012 in Books (See Top 100 in Books)
- #111 in Copyright Law
- #133 in Media & the Law
- #425 in Engineering Patents & Inventions
- Customer Reviews:
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But for a book that claims to tell you how handle copyright in all media, it is sorely lacking. I wanted to learn more about derivative works, and fair use as they applied to visual media including drawing and video. In the creative section, there was a few vague paragraphs about fair use, but not a deep explanation. It hardly covers how to handle copyright in all media. Instead, there are many long-winded hypothetical examples as they pertain to a few examples, mostly in which someone (you) take or borrow something that isn't completely yours to take without the proper checking up, and you get in usually get in trouble because you're a bonehead, but sometimes you get lucky and narrowly miss it. Even with all these examples, they do not really cover all media, nor does it often suggest alternatives.
I think rather than the many lengthy hypothetical situations, the book could have used real examples of when people have been accused of infringement and the reasons they won or lost. In the appendix, there are forms and fair use checklist. The footnotes on one part of the checklist, lead to descriptions in tiny font of two different real copyright court cases, and their results. I would have liked to have seen more of that in the text as it is more concise and relevant.
Thank you,
Francine Keehnel
