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Faithful Place Paperback – June 28, 2011
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Stef Penney: You have created a tapestry of interlocking characters who all work in law enforcement in Dublin, and so far you’ve turned the spotlight on three different police officers. . . Do you have a favorite? Have you found some harder to inhabit than others?
Tana French: Frank Mackey in Faithful Place was by far the most fun to write because he’s got that dark, abrasive Dublin sense of humor that surfaces even--or especially--at life’s worst moments. The hardest to get into was Scorcher Kennedy, in my new book, Broken Harbour--I’ve just finished the edits. I think it’s to do with the gap between the way Frank saw him in Faithful Place, where he was a supporting character, and the way he sees himself. Frank sees a rule-bound, up-himself, irritating git; but from Scorcher’s point of view, he’s a man struggling desperately to do the right thing in a world where you have to trust in the rules because your own mind is too fragile and slippery to trust. There’s a huge gap between the two perspectives, and it wasn’t easy to switch. That perspective shift is one of the things I enjoy most about writing a series of books, where a secondary character in one book becomes the narrator in the next--it lets me explore the way truth can be mutable and subjective, shaped by people’s own needs as much as by objective reality--but it’s also the toughest part of it.
Penney: You’re known for writing about Dublin. Can you see yourself going anywhere else as the setting for a book?
French: I’ll be sticking with Dublin--for the foreseeable future, anyway. It’s the only city where I know all the little details--the sense of humor, the connotations of the accents, where to get a good pint and where not to go after dark. Setting a book in a place I didn’t know this intimately would feel very dislocated. I think crime is very deeply rooted in its setting--it happens everywhere but the form it takes is shaped by the fears and desires of the society where it happens--and so crime novels are rooted in setting, too. Both In the Woods and The Likeness deal with the relationship between past and present--how to balance the two without destroying either--and that’s a question that Ireland’s been struggling (and often failing) to deal with over the past twenty years. It wasn’t a deliberate choice to make the books “relevant”; it’s just that since the issue was a central part of the world I lived in while I was coming up with the books, it soaked into them. If I set a book anywhere else, that connection wouldn’t be there. Plus, I love Dublin. I care about its fears and desires with a passion that I don’t feel for any other place. Faithful Place, especially, is a love song to Dublin, its bad side as well as its good. I can’t imagine writing about somewhere I don’t care about so strongly.
Penney: The Mackeys in Faithful Place are extraordinarily vivid, but it’s a terrifying, bleak portrait of family life. Does this relate to anything in your life? Or, if not, what made you interested in writing about such a family?
French: Thank God, my family’s nothing like the Mackeys! I had an unfashionably happy childhood. But I’ve always been most interested in writing about things I don’t know about. That’s at the heart of Faithful Place, in a lot of ways. It’s about a big family, and a viciously dysfunctional one, neither of which I’ve experienced. And it’s also about a family that’s very deeply rooted in Dublin, and specifically in the centuries-old community of Faithful Place. Those roots have shaped everything the Mackeys are. I’ve always been fascinated by that kind of rooted life because it’s something I’ll never have--my parents have a handful of nationalities between them, I grew up in several continents, I’m an international brat. . . Writing about something so far from my own life is the closest I’ll ever come to understanding it.
Penney: Down to nuts and bolts: How do you write? Are you very disciplined? I imagine you must be since you’re quite prolific!
French: Hah, I wish. I’m not one of nature’s disciplined types. Back in college, I had a reputation for going into the library only to convince other people to come out for coffee, and I haven’t changed that much. Every morning, I fight the urge to call my friends and see if I can persuade anyone to come out and play. These days, though, my disciplined side almost always wins. I work six days a week, about seven hours a day. What makes the difference is that I love what I do and I feel ridiculously lucky to be doing it. After years of acting, where you’re dependent on other people to decide whether you’re allowed to work or not, being able to work every day feels like a massive gift. That considerably lessens the urge to goof off.
Penney: Any TV or film adaptations in the works? Because there should be! If yes, how did you find the experience?
French: Paramount has optioned The Likeness and In the Woods, and I’ve just heard that Likeness is in development. I’m not totally clear on exactly what that means, but it sounds very cool but slightly intimidating. I’m dying to see what comes out at the other end, but I deliberately didn’t even try to ask for any role in the adaptation process because anything I know about writing fiction is probably worthless when it comes to writing film. They’re such utterly different genres that the book’s going to have to change in ways I can’t begin to picture.
Penney: I loved the mythic quality of the backstory in In the Woods--and the fact that in the end you refused to answer the question. Did you encounter any resistance from publishers over the ending?
French: No resistance from publishers. I was expecting it, because the ending does break genre convention--I was all ready to argue my case that this was the only ending with integrity and anything else would be forced and artificial, sacrificing character truth for cheap closure. But none of the editors ever suggested changing it. I do get e-mails from readers who hate the ending. Fair enough; the genre comes with expectation of closure and the book doesn’t provide it, and some people have real trouble with that. But I also get e-mails from readers who love the ending and who would have been furious if I’d sacrificed that integrity in order to stick to the rules. There was no way I could have written something that would make both types of readers happy. All I could do was write the best book I could and hope there were enough people out there who like the same kind of thing that I do.
From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
Top Customer Reviews
The story begins with Frank Mackey, 19 years old, waiting for his true love, Rosie Daly, to meet him. They have plans to run away from their dysfunctional homes and neighborhood in Dublin to make a new life together in England. They are totally and fiercely in love as only first loves can be. Rosie never shows up. Frank waits until morning and then proceeds alone, never knowing what happened to Rosie but thinking, deep down, that she'd changed her mind and decided not to go with him. He doesn't make it as far as England but he does manage to start a new life for himself in Dublin.
Ever since that time, Frank keeps hoping that he'll hear from Rosie. No one in her family, nor any of her friends know where she is and no one has heard from her. Frank hears nary a word, ever.
Faithful Place, the neighborhood he's leaving, is close to Trinity College but is a world away. People in `The Place' "stank of stale nicotine and stale Guinness, with a saucy little top-note of gin". People held grudges and if they were not on the dole, they worked at the Guiness plant or at odd jobs. Those who worked regularly had nothing to show for it. You knew everyone and heard conversations and arguments going on from windows and in the streets.Read more ›
Twenty-two years have passed; Frank has married and divorced. Now, he's an undercover detective for "the Guard," the Dublin police. The very suitcase surfaces that Rosie took with her that fateful December night, and it's fully packed. This leads Frank to hunt for Rosie. What follows is a most suspenseful crime story. It's also a brilliant study of family dynamics.
Frank has a large family with large problems. That's why he had been willing to run away to London. He hates his abusive father, and has very few warm feelings for his mother and older brother. It seems Frank is surrounded by hard-drinking people who get mean(er) when they're drunk. They are profane and violent. Crude and rude. And hanging over it all is a dreary culture of poverty.
Author Tana French is a master wordsmith. She has great insight into what makes humans tick, both on the dark and bright side. She looks at the Mackey family and the other key characters up close and personal. She has Frank tell the story himself, and Frank casts grave doubts on his own character. The reader wonders if Frank has indeed been driven insane by his own twisted family.
Most highly recommended.
Tana French's writing is beautiful. She has a way of describing modern-day Ireland that will leave you completely enamored of this fascinating country. In my opinion, nobody creates more powerful descriptions of today's Dublin than this writer. French's sentences are always beautifully constructed, the characters are incredibly well-crafted, and the plot lines are engrossing.
The best thing about Tana French for me is her capacity to create a very unique first-person perspective in every one of her novels. Each book is narrated in a voice that is very unique and absolutely unforgettable. Faithful Place: A Novel is very different in terms of its first-person narrator from French's previous two novels. Her fans are used to this author creating very endearing, complex characters whom you cannot fail to admire. In this new novel, however, we encounter a very different kind of character.Read more ›
Most Recent Customer Reviews
I loved this book, even though I spotted the perpetrator quite early. The motive completely fooled me, however! This book kept me turning pages until late at night.Published 3 hours ago by Carol Carter Gilbertson
Another excellent foray by French. Shifting this time to a case involving Frank Mackey (who, in the prior book, ran the undercover operation involving Cassie), French has a chance... Read morePublished 1 day ago by S. Yates
Faithful Place, like other Tana French novels, moves with the unique rhythm of Dublin. French mixes old traditions and customs with edge of your seat mystery and modern police... Read morePublished 3 days ago by Linda
Quick and enjoyable read, but I didn't like this one as well as the first two in the series.Published 5 days ago by Flicker
The tone of murderer mysteries usually affords the reader some distance from the actual murder. There is irony, or a focus on technicalities or eccentricities. Read morePublished 8 days ago by John Stanhope
I had read Tana French's first novel, "In the Woods," a while back and found it very disappointing -- vowed never to read another of hers. Read morePublished 10 days ago by A reader
I've been reading through this series over the last year. This book was my second favorite. I wasn't crazy about the first, but loved the second. Read morePublished 17 days ago by Rachel D.