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The Fall Paperback – May 7, 1991
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Elegantly styled, Camus' profoundly disturbing novel of a Parisian lawyer's confessions is a searing study of modern amorality.
- Print length147 pages
- LanguageEnglish
- PublisherVintage Books
- Publication dateMay 7, 1991
- Reading age14 - 18 years
- Dimensions5.16 x 0.44 x 7.98 inches
- ISBN-100679720227
- ISBN-13978-0679720225
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Product details
- Publisher : Vintage Books (May 7, 1991)
- Language : English
- Paperback : 147 pages
- ISBN-10 : 0679720227
- ISBN-13 : 978-0679720225
- Reading age : 14 - 18 years
- Item Weight : 5.2 ounces
- Dimensions : 5.16 x 0.44 x 7.98 inches
- Best Sellers Rank: #17,329 in Books (See Top 100 in Books)
- #512 in Psychological Fiction (Books)
- #734 in Classic Literature & Fiction
- #1,884 in Literary Fiction (Books)
- Customer Reviews:
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About the author

Albert Camus (French: [albɛʁ kamy]; 7 November 1913 - 4 January 1960) was a French philosopher, author, and journalist. His views contributed to the rise of the philosophy known as absurdism. He wrote in his essay The Rebel that his whole life was devoted to opposing the philosophy of nihilism while still delving deeply into individual freedom. He won the Nobel Prize in Literature in 1957.
Camus did not consider himself to be an existentialist despite usually being classified as one, even in his lifetime. In a 1945 interview, Camus rejected any ideological associations: ""No, I am not an existentialist. Sartre and I are always surprised to see our names linked..."".
Camus was born in Algeria to a Pied-Noir family, and studied at the University of Algiers from which he graduated in 1936. In 1949, Camus founded the Group for International Liaisons to ""denounce two ideologies found in both the USSR and the USA"".
Bio from Wikipedia, the free encyclopedia. Photo by Photograph by United Press International [Public domain], via Wikimedia Commons.
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In Albert Camus’ The Fall, an expatriate Frenchman indulges us through a narration that gives us glimpses of his past, a journey that includes his experiences of being a lawyer as well as philosophical points about his life experiences. There is a sense that he omits quite a bit from his narration, and Camus’ style creates this.
While I realize that this book is highly regarded in literary circles, I felt like this reading experience was only so-so.
I know mostly it was the author’s intentions, but the rambling, stream of consciousness quality to the story left me feeling rather detached from the narrator’s tale, and thus uninterested. There is a scatterbrained sort of effect where he begins, stalls, starts a subject, diverts, leaves the subject, and then goes onto something else. It is very jarring and difficult to latch onto what he is reporting to us. I have read novels where stream of consciousness is handled in a more capable way by the author; this is not the case here at all. Everything sort of falls flat because there is too much of a separation and disconnect between the reader and his story, resulting in his audience being indifferent to what he is saying.
And this brings me to the next point: the rather unremarkable narrator, who is speaking to us for the entirety. He reveals bits and fragments of his life experiences in a part boast, part confessional, duplicitous, self-indulgent, sort of way, but the fact that he is not putting all his cards on the table makes it difficult to care one way or another.
Admittedly, this is my first read of Camus, so I am not familiar with his style. I bought The Stranger a few years ago and have it on my to read pile, but I might put it on hold for a bit.
The book starts in a seedy bar, where a former lawyer is speaking with a visitor to the bar (the visitor is referred to as "you," as if the reader is in fact the visitor). The narrator explains, over the course of a few days, how his perspective on life fundamentally shifted. While the narrator once was eager to give to charities and help others, he has since chosen to cease this lifestyle in favor of debauchery and self-fulfillment. He explains that the only real reason that he was doing noble things such as helping others was the attention and praise that he received from it.
Camus is a very good writer, and the book moves at a quick, readable pace. Stylistically, it is very reminiscent of Dostoevsky's Notes from Underground. This was perhaps intentional -- Camus was a noted admirer of Dostoevsky, and Notes from Underground is often attributed as the start of the Existentialism movement of which Camus was a key part.
Camus also makes some very apt criticisms of human tendencies. Of particular note is the narrator's discussion of the change in attitudes and treatment of the recent dead. The observation that the dead are placed on a pedestal is perhaps not entirely unique, but Camus's discussion of why they are placed on a pedestal is reticent.
Ultimately, however, Camus's philosophy (or at least the philosophy of the narrator) is empty. The narrator's shift from doing good to doing nothing is never expressly critiqued, and indeed seems supported by the Existentialist approach of self-satisfaction. From a philosophical perspective (or even from a mere human perspective), this seems hollow and unsatisfying. After all, while the narrator was acting to help others (even for his own selfish tendencies), at least some ascertainable good was created.
So, while The Fall acts as a gateway to discussion and intellectual inquiry, it also provides a discouraging non-answer to the questions it raises regarding the worth of humanity.
Top reviews from other countries
It consists of a monologue, spread across five days in Amsterdam and its environs, as the garrulous narrator Jean-Baptiste Clamance tells his story ("as soon as I open my mouth, the words pour out"). Clamance is a French exile who describes himself rather oddly as a "judge-penitent". Quite what he means by this will have to wait. He begins his monologue to an unnamed listener (the reader?) whom he meets in a sailor's bar he calls 'Mexico City' in the red-light district of Amsterdam and accompanies through the rain-soaked streets of the city at night. All the while he expounds his views on humanity, offering a jaded opinion of human freedom and liberty drawn from bitter experience. The monologue becomes a confessional, as though the narrator is overcome by a compulsion to speak, driven by a determination as dogged as that of the Ancient Mariner to tell his tale .
Camus wrote 'The Fall' in the mid-1950s and his setting is a Europe still recovering from the trauma of World War and preferring to forget the shocking events of that conflict. The world and mankind has descended into a Hell of its own making. The novel considers the question of how an intelligent person might formulate an intellectual response to such horrors, how to take any ethical stance in the face of absolute amorality.
'The Fall' is a short book, almost a novella, and just about sustains the narrative structure of a single character's monologue, which after a while can get somewhat wearing to read at length. In this edition, translator Robin Buss has captured the elegance of the author's pen, and Camus' writing - however bleak and pessimistic - is often poignant and beautiful, full of aphorisms and immensely quotable. The book was Camus' last finished work of fiction, published just four years before his death in a car accident in Villeblevin, northern France, on 4 January 1960.
Reviewed in Germany on May 9, 2023
Lover of Women + Justice . A successful Lawyer , defender of widows + orphans + the downtrodden . Willing to offer a helping hand to just about anyone . This great generosity of spirit . Then this Fall from Grace . How + Why ??
This great generosity of spirit ? Might it be self-serving ?
This Love for Women ? Maybe that's a way of saying : I never Loved any of them .
A brilliant portrayal of a man who has lost his innocence and comes to understand himself better .
Camus at his best .
Reviewed in the United Kingdom on June 6, 2020
Lover of Women + Justice . A successful Lawyer , defender of widows + orphans + the downtrodden . Willing to offer a helping hand to just about anyone . This great generosity of spirit . Then this Fall from Grace . How + Why ??
This great generosity of spirit ? Might it be self-serving ?
This Love for Women ? Maybe that's a way of saying : I never Loved any of them .
A brilliant portrayal of a man who has lost his innocence and comes to understand himself better .
Camus at his best .








