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A Farewell to Arms: The Hemingway Library Edition Kindle Edition
| Ernest Hemingway (Author) Find all the books, read about the author, and more. See search results for this author |
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Written when Ernest Hemingway was thirty years old and lauded as the best American novel to emerge from World War I, A Farewell to Arms is the unforgettable story of an American ambulance driver on the Italian front and his passion for a beautiful English nurse. Set against the looming horrors of the battlefield—weary, demoralized men marching in the rain during the German attack on Caporetto; the profound struggle between loyalty and desertion—this gripping, semiautobiographical work captures the harsh realities of war and the pain of lovers caught in its inexorable sweep.
Ernest Hemingway famously said that he rewrote the ending to A Farewell to Arms thirty-nine times to get the words right. This edition collects all of the alternative endings together for the first time, along with early drafts of other essential passages, offering new insight into Hemingway’s craft and creative process and the evolution of one of the greatest novels of the twentieth century. Featuring Hemingway’s own 1948 introduction to an illustrated reissue of the novel, a personal foreword by the author’s son Patrick Hemingway, and a new introduction by the author’s grandson Seán Hemingway, this edition of A Farewell to Arms is truly a celebration.
- LanguageEnglish
- PublisherScribner
- Publication dateJuly 10, 2012
- File size12728 KB
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Editorial Reviews
Review
“A Farewell to Arms” stands, more than 80 years after its first appearance, as a towering ornament of American literature." (The Washington Times)
"This special edition of [Hemingway's] classic World War I novel, first published in 1929, contains several features that illuminate how Hemingway constructed his timeless tale of love and war." (Minneapolis Star-Tribune)
"A Farewell to Arms is a gem....To see Hemingway go from bold pronouncements and overwriting to his signature stripped-down style isn't just instructive, it's practically intrusive (but fun!)" (NPR.org)
About the Author
Amazon.com Review
Hemingway was not known for either unbridled optimism or happy endings, and A Farewell to Arms, like his other novels (For Whom the Bell Tolls, The Sun Also Rises, and To Have and Have Not), offers neither. What it does provide is an unblinking portrayal of men and women behaving with grace under pressure, both physical and psychological, and somehow finding the courage to go on in the face of certain loss. --Alix Wilber
--This text refers to an alternate kindle_edition edition.From the Publisher
From AudioFile
From Library Journal
Copyright 1995 Reed Business Information, Inc. --This text refers to an alternate kindle_edition edition.
Excerpt. © Reprinted by permission. All rights reserved.
In the late summer of that year we lived in a house in a village that looked across the river and the plain to the mountains. In the bed of the river there were pebbles and boulders, dry and white in the sun, and the water was clear and swiftly moving and blue in the channels. Troops went by the house and down the road and the dust they raised powdered the leaves of the trees. The trunks of the trees too were dusty and the leaves fell early that year and we saw the troops marching along the road and the dust rising and leaves, stirred by the breeze, falling and the soldiers marching and afterward the road bare and white except for the leaves.
The plain was rich with crops; there were many orchards of fruit trees and beyond the plain the mountains were brown and bare. There was fighting in the mountains and at night we could see the flashes from the artillery. In the dark it was like summer lightning, but the nights were cool and there was not the feeling of a storm coming.
Sometimes in the dark we heard the troops marching under the window and guns going past pulled by motor-tractors. There was much traffic at night and many mules on the roads with boxes of ammunition on each side of their pack-saddles and gray motor trucks that carried men, and other trucks with loads covered with canvas that moved slower in the traffic. There were big guns too that passed in the day drawn by tractors, the long barrels of the guns covered with green branches and green leafy branches and vines laid over the tractors. To the north we could look across a valley and see a forest of chestnut trees and behind it another mountain on this side of the river. There was fighting for that mountain too, but it was not successful, and in the fall when the rains came the leaves all fell from the chestnut trees and the branches were bare and the trunks black with rain. The vineyards were thin and bare-branched too and all the country wet and brown and dead with the autumn. There were mists over the river and clouds on the mountain and the trucks splashed mud on the road and the troops were muddy and wet in their capes; their rifles were wet and under their capes the two leather cartridge-boxes on the front of the belts, gray leather boxes heavy with the packs of clips of thin, long 6.5 mm. cartridges, bulged forward under the capes so that the men, passing on the road, marched as though they were six months gone with child.
There were small gray motor cars that passed going very fast; usually there was an officer on the seat with the driver and more officers in the back seat. They splashed more mud than the camions even and if one of the officers in the back was very small and sitting between two generals, he himself so small that you could not see his face but only the top of his cap and his narrow back, and if the car went especially fast it was probably the King. He lived in Udine and came out in this way nearly every day to see how things were going, and things went very badly.
At the start of the winter came the permanent rain and with the rain came the cholera. But it was checked and in the end only seven thousand died of it in the army.
Copyright © 1929 by Charles Scribner's Sons
Copyright renewed 1957 © by Ernest Hemmingway
--This text refers to an alternate kindle_edition edition.Product details
- ASIN : B007BP3FK4
- Publisher : Scribner; Hemingway Library ed. edition (July 10, 2012)
- Publication date : July 10, 2012
- Language : English
- File size : 12728 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 144 pages
- Best Sellers Rank: #202,740 in Kindle Store (See Top 100 in Kindle Store)
- #182 in Classic American Fiction
- #500 in Classic Literary Fiction
- #585 in Classic American Literature
- Customer Reviews:
About the author

Ernest Hemingway was born in 1899. His father was a doctor and he was the second of six children. Their home was at Oak Park, a Chicago suburb.
In 1917, Hemingway joined the Kansas City Star as a cub reporter. The following year, he volunteered as an ambulance driver on the Italian front, where he was badly wounded but decorated for his services. He returned to America in 1919, and married in 1921. In 1922, he reported on the Greco-Turkish war before resigning from journalism to devote himself to fiction. He settled in Paris where he renewed his earlier friendships with such fellow-American expatriates as Ezra Pound and Gertrude Stein. Their encouragement and criticism were to play a valuable part in the formation of his style.
Hemingway's first two published works were Three Stories and Ten Poems and In Our Time but it was the satirical novel, The Torrents of Spring, that established his name more widely. His international reputation was firmly secured by his next three books; Fiesta, Men Without Women and A Farewell to Arms.
He was passionately involved with bullfighting, big-game hunting and deep-sea fishing and his writing reflected this. He visited Spain during the Civil War and described his experiences in the bestseller, For Whom the Bell Tolls.
His direct and deceptively simple style of writing spawned generations of imitators but no equals. Recognition of his position in contemporary literature came in 1954 when he was awarded the Nobel Prize for Literature, following the publication of The Old Man and the Sea. He died in 1961.
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A Farewell to Arms is the first novel I’ve read by Hemingway, although I have read some of his short stories. I generally prefer older books of naturalist and romanticist literature, and I was worried he might be too modern for my tastes. To my pleasant surprise, Hemingway uses modernist techniques like stream of consciousness sparingly, only in the most emotionally tense moments, when it is most appropriate. A Farewell to Arms is quite modernist, however, in another respect: its deliberate avoidance of drama. It is almost as if Hemingway goes out of his way to deprive his audience of any satisfying dramatic moments, as if to deliver a thrill or a tear would be a cliché. The narrator relates the most frightening and stressful moments of life like war, birth, and death with a delivery so deadpan he could be reading the phone book. This happened, and then this happened, and then this happened—in feelingless monotone. I don’t require a war novel to contain combat scenes, but there ought to be some moments of emotional power that illustrate the effect that war has on human lives, instead of just a series of meals and pointless conversations. At one point, a person is shot and killed (not by the enemy) and the event is merely glossed over in a sentence or two as if nothing ever happened. That should have been a shocking moment in the character’s development, but to shock would be too conventional, so instead it is treated as a commonplace occurrence.
This deliberate eschewing of emotional stimulation is most evident in Henry’s romance with Barkley. They have sex, drink wine, and engage in terrible dialogue which makes her sound stupid. Henry repeatedly says he loves her, but it is difficult for the reader to see why, other than she’s beautiful and available. It is not easy to care for such a thinly drawn character, which makes any scene in which the two are in danger that much more difficult to become emotionally invested in. All bets are off in the final chapter, however, which is far more visceral and moving than the book that precedes it, even though it has nothing to do with the war. Though the outcome is predictable, Henry’s reaction to it is the best writing in the book. If the entire novel were as good as its final chapter, its status as a masterpiece of American literature would be easier to understand.
The novel is based on Hemingway’s own experiences as an ambulance driver in Italy, which would explain why he chose such an unusual perspective on the First World War, rather than something more indicative of the typical Doughboy’s experience. For all its faults, A Farewell to Arms is a pretty good war novel. It is worlds better than John Dos Passos’s boring and overly poetic World War I novel Three Soldiers, yet doesn’t succumb to the sensationalistic macho excesses of Norman Mailer’s World War II epic The Naked and the Dead. To some extent, I don’t see what all the fuss is about, and given Hemingway’s reputation, I doubt this is his best work, but it is good enough to make me want to give For Whom the Bell Tolls a try.
His writing isn’t as staid and prosaic as some critics have made it out. An example: ”[T]here was a flash, as when a blast-furnace door is swung open, and a roar that started white and went red and on and on in a rushing wind. . . I felt myself rush bodily out of myself and out and out and out and all the time bodily in the wind. . . Then I floated, and instead of going on I felt myself slide back. I breathed and I was back.” (p. 47)
Hemingway does write as an American Everyman – He’s objective, pragmatic, non-dogmatic; he describes accurately what he sees with typical American practicality, and in war what he sees is horrible and cruel. It’s an American perspective: No fantasy, no exaggeration, no flights into the unrealistic, no sugar-coated slogans. War is a massive waste of human capital. Even so, Hem’s story is one of finding love and comradeship in an active war zone, and it makes this instance of his early work profoundly relatable.
This is the premier edition of A Farewell to Arms. It contains early drafts of key passages. There are included his many, many alternative endings. This is a writer’s writer at a key juncture in the writer’s career, completely exposed, showing all his guts, spleen and innards for all the world to see. This volume is worth reading, or reading again if you are a Hemingway fan.
Top reviews from other countries
A Farewell to Arms tells a story set in World War One. An American named Frederick Henry joins the Italian army as an ambulance driver. Caught in a chaotic retreat, he witnesses summary and arbitrary justice meted out by military policemen. Realising his own side is as lethal as the enemy, Henry deserts. The story then follows Henry through his desperate escape bid.
The writing of Henry’s story mirrors the breaking of rules in his life. As a narrator, Frederick Henry ignores all the civilised writing rules drummed into the aspiring author - repeated words, frequent adverbs, passive voice, limited vocabulary, confusing sentences, liberal use of intensifiers such as “very”, which intensify weak adjectives such as “nice”.
And yet the rules of good writing lurk, the demanding sense that these words are shaped. This “bad” writing aspires to excellence. In the famous opening paragraph, Hemingway uses repeated words like “the” to give rhythm, as in a spoken conversation. The use of “the” also serves to conduct us into Henry’s world, where mountains he describes are “the” mountains which narrator and reader both seem to be looking at, rather than any old range of hills introduced to us at the beginning of a story.
From then on every untutored line has a hidden quality. Take, for example, the following exchange:
“I went everywhere. Milan, Florence, Rome, Naples, Villa San Giovanni, Messina, Taormina——” “You talk like a time-table. Did you have any beautiful adventures?”
“Yes.”
“Where?”
“Milano, Firenze, Roma, Napoli——”
A timetable might not seem like great writing, but there is undeniable beauty in simple place names. Place names, for example, are hugely influential in song writing, the music journalist Nick Coleman suggesting that apart from love, “pop is better on cities than anything else.”
The writing of A Farewell to Arms might have the literary quality of a timetable, but that doesn’t mean it can’t aspire to the sort of poetry informing thousands of songs.
A Farewell to Arms is a perfect combination of form and content, of what is said and how it is said. As in James M. Cain’s The Postman Always Rings Twice and Saul Bellow’s The Adventures of Augie March, A Farewell to Arms is a remarkable writing achievement in the form of not very good writing
It has to be remembered that Hemingway started his literary career as a journalist, and as with many other such writers he took across what he learnt from writing for papers and magazines into his stories, thus cutting down on extraneous pieces and concentrating on the immediate. He was to come to call this the iceberg theory, where the story remains relatively simple on top, with all the meanings and other elements that you can take away from a novel buried under the surface. His aim was to create tales that were visceral and immediate and took you straight into the scenes and feel them, in effect virtual reality in book form.
In this novel then the author used his own experiences from being a Red Cross ambulance driver in Italy in the First World War and embellishing that with things that he had heard or had known about. There was quite a bit of research then whilst creating this story, even including checking on the weather reports and communications with others who also served in the country. Here then we meet American Lieutenant Frederic Henry, who whilst recuperating in hospital after sustaining injuries falls in love with English nurse Catherine Barkley. We do know who some of the characters here were based on, and although having a dalliance with a nurse whilst suffering injuries, Hemingway was spurned by her when he wanted to marry her, unlike in this story. We can thus see certain semi-autobiographical elements being used as inspiration and a starting point for some of the things that happen here.
As we follow the tale we have scenes of romance as well as war, with explosions, death, shootings and trying to stay alive, along with medical drama, bravery, cowardice and the meaning of loyalty, and even a childbirth. This novel then encompasses so much more than just a simple war experience, and that has helped it remain so popular and worth reading. The writing is simplistic as such, with some great descriptions of the landscape and the weather, with the main elements not gone into in great detail, thus leaving us as readers to experience them more intimately and obviously the more you have lived the greater the effect. As we can also see in the appendices, Hemingway had great difficulty in coming up with a satisfactory ending, but the one he ultimately used I believe was the best one, as it leaves an indelible impression on you long after you have finished the book.
What does war mean to a young man? To the protagonist Mr Henry, who serves as an ambulance driver in the Italian territory. It is unsound and unreasonable. He first gets wounded in the knee, gets himself treated and risks his life by going back to the front. When the army is in retreat, he almost gets himself shoot by high-rank officers, who do not reason nor do they care how many soldiers they have to shoot to kill.
Mr Henry decides to run away from such madness by jumping into a nearby stream and gets drifted away from the retreating army. With a floating log, he survives bad luck and comes back to visit his girl, Catherine. With the help of a barman, the young couple run away and seek refuge in Switzerland. The story concludes with the death of Catherine who dies of hemorrhage in hospital.
The story is written in the first person, with a linear storyline. Unlike For Whom the Bell Tolls, this is not punctuated with artistic effect which calls attention to the text itself; rather it has a smoothness that appeals to readers both contemporary and nowadays.
Though the delivery of my book is late for 5 works days, I am able to finish reading it in 2018, the 100th anniversary of the victorious ending of World War One, during which the fictionalized story took place and in which the author drew his experience. Deeply touching!
















