The Fatal Environment: The Myth of the Frontier in the Age of Industrialization, 1800–1890
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Richard Slotkin
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The Legacy of Conquest: The Unbroken Past of the American WestPatricia Nelson Limerick Ph.D.Paperback
Editorial Reviews
Amazon.com Review
Slotkin begins by elaborating on the themes of the previous study, specifically showing how the mythic Indian fighter, who defined sectional interests in the decades prior to the Civil War, evolved into the frontier aristocrat, who not only possesses the virtues of the "leatherstocking" hero but also demonstrates the ability to lead men in erecting large-scale, technologically complex enterprises. Thus, Slotkin argues, popular imagery concerning the conquest of the West was made to reflect the interests of post-Civil War industrialized capitalism.
Custer's Last Stand epitomizes the transformation of the frontier hero from warrior to robber baron. In the book's most vivid chapter, Slotkin shows how the popular press turned the Boy General's defeat into a call not only for the destruction of the Plains Indians but for social controls over the immigrants who formed the emerging, potentially militant, urban proletariat. The Fatal Environment makes a compelling case that the culture of cowboy capitalism was steeped in the suppression of class conflict. --John M. Anderson
Review
"Without question, this is the most ambitious and provocative work in the field of American Studies to appear in recent years." -George M. Fredrickson, New York Review of Books
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Product details
- Publisher : University of Oklahoma Press (April 15, 1998)
- Language : English
- Paperback : 656 pages
- ISBN-10 : 080613030X
- ISBN-13 : 978-0806130309
- Item Weight : 1.79 pounds
- Dimensions : 6 x 1.48 x 9 inches
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Best Sellers Rank:
#861,038 in Books (See Top 100 in Books)
- #3,605 in United States History (Books)
- #3,908 in Native American History (Books)
- #20,712 in U.S. State & Local History
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Son of The Morning Star, The Last Stand, Cavalier in Buckskin.
Of course, this thesis begs several questions: Does Custer as culmination of the myth of the industrial captain make any sense? He was, after all, suckered and slaughtered by a pack of illiterate barbarians, are we to believe that the overlords of Capitalism wanted to be seen as incompetent fops? Also, why does Sitting Bull emerge as an American legend too? Shouldn't we expect him to be remembered as some kind of monster, rather than as a noble savage?
The reason that Slotkin can not, or does not, answer these questions, is because his book is a work of ideology as much as of history. He wanted to vilify Capitalism and 19th century robber barons and so, he finds primary sources to support his view. But does the fact that a few novels or newspapers treated the Last stand in the manner that he hoped they had actually prove anything? How do we know what kind of influence these contemporary writings had & did they really outweigh the opposing presentations in other periodicals and novels? And what explains the image that comes down to us in films like She Wore a Yellow Ribbon, where Custer is portrayed as a blindly obstinate fanatic, largely responsible for his own death? Had Capitalism lost the need for it's own myths? It hardly seems likely.
In the end, Slotkin's book should be read for the panoramic sweep it offers of Frontier history and for the provocative, albeit inaccurate, theories that it offers up. His arguments are well worth wrestling with & refuting.
GRADE: B-








