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The Fault in Our Stars Paperback – April 8, 2014

4.6 out of 5 stars 162,243 ratings

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The beloved, #1 global bestseller by John Green, author of The Anthropocene Reviewed and Turtles All the Way Down

“John Green is one of the best writers alive.” –E. Lockhart, #1 bestselling author of We Were Liars

“The greatest romance story of this decade.″ –Entertainment Weekly

#1 New York Times Bestseller • #1 Wall Street Journal Bestseller • #1 USA Today Bestseller • #1 International Bestseller

Despite the tumor-shrinking medical miracle that has bought her a few years, Hazel has never been anything but terminal, her final chapter inscribed upon diagnosis. But when a gorgeous plot twist named Augustus Waters suddenly appears at Cancer Kid Support Group, Hazel’s story is about to be completely rewritten.

From John Green, #1 bestselling author of
The Anthropocene Reviewed and Turtles All the Way Down, The Fault in Our Stars is insightful, bold, irreverent, and raw. It brilliantly explores the funny, thrilling, and tragic business of being alive and in love.
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From the Publisher

TFIOS 1

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TFIOS 6

The Anthropocene Reviewed: Essays on a Human-Centered Planet
Turtles All the Way Down
The Fault in Our Stars
Looking for Alaska
John Green: The Complete Collection Box Set
Customer Reviews
4.7 out of 5 stars 9,330
4.4 out of 5 stars 26,506
4.6 out of 5 stars 162,243
4.5 out of 5 stars 33,035
4.9 out of 5 stars 533
Price $12.32 $9.00 $7.82 $7.59 $27.25
John Green’s nonfiction debut is a masterful and deeply moving collection of personal essays about falling in love with the world. “The perfect book for right now.” Aza is living within the ever-tightening spiral of her own thoughts. Told with shattering, unflinching clarity, this is a brilliant exploration of love, resilience, and the power of lifelong friendship. “The greatest romance story of this decade.” Hazel and Augustus meet at support group for teens with cancer. Last words and first loves at boarding school. John Green’s award-winning, genre-defining debut. The deluxe 5-book set is the definitive collection of John Green’s critically acclaimed fiction.

Editorial Reviews

Review

CRITICAL ACCLAIM FOR THE FAULT IN OUR STARS:
 
“Damn near genius . . .
The Fault in Our Stars is a love story, one of the most genuine and moving ones in recent American fiction, but it’s also an existential tragedy of tremendous intelligence and courage and sadness.” —Lev Grossman, TIME Magazine
 
“This is a book that breaks your heart—not by wearing it down, but by making it bigger until it bursts.”
The Atlantic
 
“A story about two incandescent kids who will live a long time in the minds of the readers who come to know them.”
—People
 
“Remarkable . . . A pitch-perfect, elegiac comedy.”
—USA Today
 
“A smarter, edgier
Love Story for the Net Generation.”
—Family Circle
 
“Because we all need to feel first love again. . . . Sixteen-year-old Hazel faces terminal cancer with humor and pluck. But it isn’t until she meets Augustus in a support group that she understands how to love or live fully.”
—Oprah.com, a Best Book selection and one of “5 Books Every Woman Needs to Read Before Her Next Birthday”
 
“[Green’s] voice is so compulsively readable that it defies categorization. You will be thankful for the little infinity you spend inside this book.”
—NPR.org
 
“Hilarious and heartbreaking . . . reminds you that sometimes when life feels like it’s ending, it’s actually just beginning.”
—Parenting magazine
 
“John Green deftly mixes the profound and the quotidian in this tough, touching valentine to the human spirit.”
—The Washington Post
 
“[Green] shows us true love—two teenagers helping and accepting each other through the most humiliating physical and emotional ordeals—and it is far more romantic than any sunset on the beach.”
New York Times Book Review
 
“In its every aspect, this novel is a triumph.”
Booklist, starred review
 
 
“You know, even as you begin the tale of their young romance, that the end will be 100 kinds of awful, not so much a vale as a brutal canyon of tears. . . . Green’s story of lovers who aren’t so much star-crossed as star-cursed leans on literature’s most durable assets: finely wrought language, beautifully drawn characters and a distinctive voice.”
Frank Bruni, The New York Times
 
“A novel of life and death and the people caught in between,
The Fault in Our Stars is John Green at his best. You laugh, you cry, and then you come back for more.”
Markus Zusak, bestselling and Printz Honor–winning author of The Book Thief
 
The Fault in Our Stars takes a spin on universal themes—Will I be loved? Will I be remembered? Will I leave a mark on this world?—by dramatically raising the stakes for the characters who are asking.”
Jodi Picoult, bestselling author of My Sister’s Keeper and Sing You Home
 
“John Green is one of the best writers alive.”
E. Lockhart, National Book Award Finalist and Printz Honor–winning author of The Disreputable History of Frankie Landau-Banks and We Were Liars
 

About the Author

John Green is the award-winning, #1 bestselling author of books including Looking for AlaskaThe Fault in Our Stars, and Turtles All the Way Down. His books have received many accolades, including a Printz Medal, a Printz Honor, and an Edgar Award. John has twice been a finalist for the LA Times Book Prize and was selected by TIME magazine as one of the 100 Most Influential People in the World. He is also the writer and host of the critically acclaimed podcast The Anthropocene Reviewed. With his brother, Hank, John has co-created many online video projects, including Vlogbrothers and the educational channel Crash Course. He lives with his family in Indianapolis, Indiana. You can visit John online at johngreenbooks.com.

Product details

  • Publisher ‏ : ‎ Penguin Books
  • Publication date ‏ : ‎ April 8, 2014
  • Edition ‏ : ‎ Reprint
  • Language ‏ : ‎ English
  • Print length ‏ : ‎ 352 pages
  • ISBN-10 ‏ : ‎ 014242417X
  • ISBN-13 ‏ : ‎ 978-0142424179
  • Item Weight ‏ : ‎ 11.9 ounces
  • Reading age ‏ : ‎ 14 - 17 years
  • Dimensions ‏ : ‎ 1.1 x 5.4 x 8.2 inches
  • Grade level ‏ : ‎ 9 - 12
  • Lexile measure ‏ : ‎ 850L
  • Best Sellers Rank: #3,054 in Books (See Top 100 in Books)
  • Customer Reviews:
    4.6 out of 5 stars 162,243 ratings

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4.6 out of 5 stars
162,243 global ratings

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Customers say

Customers find this book captivating and well-written, describing it as a unique love story that makes them cry and laugh. The book features wonderful characters with witty banter, and customers appreciate how it makes them think about life. They describe it as a touching book that feels very real.

20,730 customers mention "Readability"20,258 positive472 negative

Customers find the book captivating and charming, describing it as a must-read.

"...Great book." Read more

"...Seriously though, this was such a great book. So many lines that just kick you right in the gut...." Read more

"...Great read!" Read more

"...This is a sad book, as its premise clearly tells you, but it is beautiful and happy as well...." Read more

9,280 customers mention "Heartbreaking"7,035 positive2,245 negative

Customers find the book heart-wrenching, describing it as a tear-jerker that made them both cry and laugh.

"...He's hot, one legged, funny, and hopeful. Cancer-free and in remission, Augustus Waters is what cancer patients hope to be one day...." Read more

"...The writing is stark, beautiful, humorous, sad. About the support group: "..." Read more

"...fragile point in their lives and living and loving each other is heartbreaking and beautiful...." Read more

"...I get why it is a tear jerker...perhaps my tears are a bit tougher to jerk...which is funny because I have been known to cry at commercials...." Read more

8,039 customers mention "Story quality"7,780 positive259 negative

Customers praise the book's unique love story, describing it as a very sweet and moving narrative with a great storyline.

"...This is the perfect book! It has wonderful characters, a great story ans is magnificently written. It's hard not to like it...." Read more

"...A beautiful story that also ripped my heart out and slowly pieced it back together. I can now add a fourth...." Read more

"Great story and great writing...." Read more

"...I chose this rating because I really think it was an amazing story. This is a story about growing up, sacrificing, love and drama...." Read more

7,666 customers mention "Written content"7,129 positive537 negative

Customers praise the book's writing style, describing it as well-crafted and poetic, making it a quick and thoughtful read.

"...good book that I do recommend picking up if you're looking for a well written, genuine live story." Read more

"...It's pretty short and a therefore a quick, easy read. Of course, the first question out of everyone's mouth is, "What's it about?"..." Read more

"This book is so beautifully written with incredible depth of emotion...." Read more

"...I loved that the characters were each so unique. Well written, perfectly described, I felt as I knew the characters.... Each character, got into..." Read more

5,716 customers mention "Thought provoking"5,655 positive61 negative

Customers find the book thought-provoking, making them think about life and being inspirational and heartwarming.

"...and conversations between the characters are often funny and thought provoking...." Read more

"...School fellow classmates, Lily Clark also states, “This book was inspiring and heartwarming...." Read more

"...Hazel is inquisitive and smart, just like Augustus; they contemplate life, purpose, philosophy unlike day-to day teenagers who can't imagine their..." Read more

"...It's heartbreaking, and heartwarming all at the same time. I recommend you read this for real and not just wait for the movie to come out...." Read more

4,389 customers mention "Character development"3,776 positive613 negative

Customers enjoy the characters in the book, finding them wonderful and funny, though some find them predictable.

"...I fell in love with the plot, the characters, the selfless acts, the relationships and the realism along with everything else embedded in the few..." Read more

"...I loved the characters and how real they were...." Read more

"Honestly, I read this in a day. I FELL IN LOVE. I fell in love with the characters, I fell in love with the way the story was told...." Read more

"...I loved the characters and their ability to laugh at their own sufferings...." Read more

2,457 customers mention "Wit"2,376 positive81 negative

Customers appreciate the book's wit, particularly its witty banter and dialogue that makes them laugh and cry.

"...Their banter, with each other and with others, is witty and intelligent and often irreverently funny...." Read more

"...You must pick it up and read it! I laughed, I cheered, I cried.......I couldn't ask for anything more...." Read more

""The Fault in Our Stars" is an incredible book to say the least. It made me laugh and it made me cry, a lot. I wept and then wept some more...." Read more

"...But in all seriousness, this book made me laugh and cry and is just pure perfection...." Read more

2,445 customers mention "Heartfelt"2,402 positive43 negative

Customers find the book heartfelt and touching, noting that it made them feel something and felt very real.

"...very real, their strength, humour, and their charm to be riveting and touching...." Read more

"...I choose to use the names they use for one another - is tender, deep, sweet, and real...." Read more

"...ability to take such a heart-wrenching topic and balance it with humor, love, and growth proves he is genius...." Read more

"...The Fault In Our Stars is very touching, and within the span of it's pages, John Green was able to fully connect his characters and world to me as..." Read more

Oh my god...
5 out of 5 stars
Oh my god...
Reading this book will possibly be one of the most masochistic things that you will ever do. This is because it is going to cause you real, visceral pain. You are going to cry. I say this as someone who never, ever cries at books, and yet this book brought me to tears. I don't know if I will ever be able to reread this, because it affected me so deeply the first time around that I don't know if I could handle another time. I think the closer you are to the issues in the book, the more it it is going to make you feel. This might be the only place that I would say to exercise caution, because this is not a book where all the problems and sadness are neatly wrapped up by the end. It ends on an incredibly satisfying note, but it is not a happy ending, and so if your life has been closely impacted by cancer at some point then this book might be a little too close to the issue, if this book had come out a couple of years ago I think I might not have been able to read it. It's not all sadness, though. It also made me laugh out loud, and I got so incredibly invested in the characters that their futures were, for a brief time, intertwined with my own. I cared about what happened to them, on a level that most books can only hope to achieve. The prose is beautiful and incredibly intelligent, like John's other books you feel like you're learning something every time you turn the page. The characters are so witty and wonderful that I wish they really existed in my life. I was a little bit wary going in, because of all the hype and the way the Nerdfighter community tends to place John's books on such a high pestle that it's amazing he can continuously top the previous ones. This one lives up to everything, though. I think it's his best one yet, because at the heart of everything it made me feel something, and that quality is one that not many other books have been able to attain. I feel emotionally tired after reading it, and it almost seems like it made me a better person on some level. This book is going to change you. It's breathtaking and heartbreaking and desperately witty, all at the same time, and you should definitely read it. You'll come out of it a different person than when you started it.
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Top reviews from the United States

  • Reviewed in the United States on July 26, 2016
    The best stories are about memory.

    The Fault in Our Stars by John Green is quite possibly the best standalone novel I have ever read and is certainly the most phenomenal book I’ve had the privilege to experience in the year 2013. It is my third favorite story and favorite non-fantasy novel. The title comes from Shakespeare’s Julius Caesar, and it sets the perfect tone for this story written in the first person by Hazel, a sixteen year old girl in the regressive stage of lung cancer who nevertheless is required to cart around an oxygen tank because (as she so perfectly puts it) her “lungs suck at being lungs.” Her mother forces her to go to a cancer patient/survivor group where she proceeds to exercise her considerable teenage snark and wit along with her friend Isaac who is suffering from a type of cancer that eventually requires the removal of an eye.

    One day Hazel catches the attention of a boy named Augustus and their romance is as breathtaking and expedient as it is completely genuine and uncontrived. Augustus has recovered from bone cancer that left him with a prosthetic leg, but did nothing to diminish his spirit. She can scarcely believe he’s as perfect as he projects and indeed feels as though she’s found his hamartia or fatal flaw when he puts a cigarette in his mouth. Hazel is of course livid that anyone who survived cancer would willingly place themselves into its way again, but Augustus never lights them using the act as a metaphor of having “the killing thing right between your teeth, but you not giving it the power to do its killing.”

    Both of them together have enough wit and snark to drown the world in metaphors and sarcasm with just the barest dash of bitterness for their plight. Hazel whom Augustus calls “Hazel Grace” for most of the novel feels incredibly guilty that she’s allowed Augustus to fall for her as she and her family expect her cancer to return full force at any moment, and yet their relationship parallels the ever moving train of her mortality. So much so that Hazel shares with him that her favorite book is a story by the reclusive author Peter Van Houten called An Imperial Affliction.

    “My favorite book, by a wide margin, was An Imperial Affliction, but I didn’t like to tell people about it. Sometimes, you read a book and it fills you with this weird evangelical zeal, and you become convinced that the shattered world will never be put back together unless and until all living humans read the book. And then there are books like An Imperial Affliction, which you can’t tell people about, books so special and rare and yours that advertising that affections feels like a betrayal.”

    Van Houten’s work is very meta to the larger story at hand being about a girl named Anna who suffers from cancer and her one-eyed mother who grows tulips. But Hazel makes it very clear that this is not a cancer book in the same way that The Fault in Our Stars is not a cancer book. Anna grows progressively sicker and her mother falls in love with a Dutch Tulip Man who has a great deal of money and exotic ideas about how to treat Anna’s cancer, but just when the DTM and Anna’s mom are about to possibly get married and Anna is about to start a new treatment, the book ends right in the middle of a-

    Exactly.

    This drives Hazel and eventually Augustus up the wall to not know what happened to everyone from Anna’s hamster Sisyphus to Anna herself. Hazel assumes that Anna became too sick to continue writing (the assumption being that her story was first person just as Hazel’s is), but for Van Houten to not have finished it seems like the ultimate literary betrayal.

    As terrified as Hazel was to share this joy with Augustus (and god knows I understand that feeling) it was the best thing she could’ve done because they now share the obsession and the insistence that the characters deserve an ending.

    The conversations of Hazel and Augustus are not typical teenage conversations, but they’re not typical teenagers. Mortality flavors all of their discussions and leads to elegance such as

    “The tales of our exploits will survive as long as the human voice itself. And even after that, when the robots recall the human absurdities of sacrifice and compassion, they will remember us.”

    They speak of memory and calculate how there are fourteen dead people for everyone alive and realize that remembering fourteen people isn’t that difficult. We could all do that if we tried that way no one has to be forgotten. But will we then fight over who we are allowed to remember? Or will the fourteen just be added to those we can never forget? They read each other the poetry of T.S Eliot, the haunting lines of Prufrock,

    “We have lingered in the chambers of the sea
    By sea-girls wreathed with seaweed red and brown
    Til human voices wake us, and we drown.”

    And as Augustus reads Hazel her favorite book she

    “…fell in love the way you fall asleep: slowly, and then all at once.”

    The quotes from this story are among the most poignant and beautiful I have ever seen.

    “Grief does not change you, Hazel. It reveals you.”

    “There will come a time when all of us are dead. All of us. There will come a time when there are no human beings remaining to remember that anyone ever existed or that our species ever did anything. There will be no one left to remember Aristotle or Cleopatra, let alone you. Everything that we did and built and wrote and thought and discovered will be forgotten and all of this will have been for naught. Maybe that time is coming soon and maybe it is millions of years away, but even if we survive the collapse of our sun, we will not survive forever. There was time before organisms experienced consciousness, and there will be time after. And if the inevitability of human oblivion worries you, I encourage you to ignore it. God knows that’s what everyone else does.”

    When I finished this I thought to myself, “How am I going to read anything else? How will I find something to match this? How can I pick up another book and not expect it to resonate with this haunting beauty, this tragedy ringed with comic teenage snark and tones that are themselves tragic in their sarcasm like whistling in the ninth circle of hell or laughing uproariously at the monster?” I realized I was lost. I could think of no negative critique unless you count the fact that the two main characters have Dawson’s Creek Syndrome where they’re teenagers who speak as if they were philosophers, but then again Bill Watterson did the same thing with a boy and a stuffed tiger.

    You realize the story’s hamartia doesn’t matter. That the fact that the plot may be cliched is unimportant and that dwelling on such trivialities is in and of itself a fatal flaw. This story is so much more than the letters and words on each page. It’s the triumph of morning over night when the night grows ever longer. It’s the dream of hope when you’ve done nothing but dine on despair. It is sad? Yes. It is heartbreaking? More so. Is it worth reading? Has anything sad and heartbreaking not been worth reading? The story of Hazel and Augusts deserves to be read just as the story of Anna, her mother, and dear hamster Sisyphus deserves an ending, and that becomes their exploit to seek out reclusive Peter Van Houten so that the characters can be properly laid to rest and remembered.

    The best stories are about memory.
    178 people found this helpful
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  • Reviewed in the United States on April 6, 2012
    Although I wasn't very satisfied with a previous novel of John Green's, AN ABUNDANCE OF KATHERINES, his other books, LOOKING FOR ALASKA & PAPER TOWNS, were phenomenal and are some of my all-time favorites. Like its aforementioned brethren, THE FAULT IN OUR STARS is a tearjerker, but also well worth reading because it exposes heavier subject matter we all tend to neglect in our everyday lives. What, exactly? Cancer.

    I was introduced to TFIOS through one of my good friends in mid-February and, at first, was apprehensive about buying it on my kindle because (a.) I hadn't been satisfied with how AAofK ended, and (b.) I was leery towards any book that was labeled a "cancer book", thinking that I would barely be able to read through the first 50 pages without feeling too depressed and wanting to throw the book away.

    Of course, I was wrong and had underestimated John Green's ability to weave such a hush-hushed topic into a story that could end up on the NYT Bestsellers List. As the book infamously states within its first few pages, "Whenever you read a cancer booklet or website or whatever, they always list depression among the side effects of cancer. But, in fact, depression is not a side effect of cancer. Depression is a side effect of dying. (Cancer is also a side effect of dying. Almost everything is, really.)". I was stunned at how the narrator, Hazel, was able to take her diagnosis so light-hearted it was almost like you weren't reading her story but you actually were her, living through the ups and downs, the trials and tribulations. Throughout the novel, I felt "grand", like I was "on a roller coaster that only goes up", pun intended; every chance I got to read, I did; whether in school or at home, I could simply not put the book down.

    The main character, Hazel, is a sarcastic and lovable 16 year old girl who has overcome the impossible: stage IV thyroid cancer. Withdrawn from school at 13, her parents and an author who doesn't know she exists, Peter Van Houten, have become "her best friends". She dreads going to Support Group every Wednesday, a "depressing as hell" place where other cancer survivors talk about their struggles. Until she meets Augustus Waters, a fellow cancer survivor (osteosarcoma) who has a prosthetic leg, a limp, and smokes metaphorical cigarettes, which he explains as: "You put the killing thing right between your teeth, but you don't give it the power to do its killing".

    Having found out that Hazel spent her One Wish on a trip to Disney Land, Augustus, having saved his, spurs a trip to Amsterdam and organizes a meeting with the author Peter Van Houten, whom Hazel is dying (figuratively) to meet so she can finally get answers to the ending of An Imperial Affliction, her favorite novel.

    As it turns out, Peter Van Houten is a selfish alcoholic and no more help than how AIA ended - in the middle of a sentence. Furthermore, while on the trip, Hazel finds out that Augustus has gotten cancer again and that it's fatal. For the rest of the book, Hazel tries to deal with a dying Augustus and then a dead Augustus because, no matter what, "That's the thing about pain...It demands to be felt".

    Heartwarming and eventually heartbreaking, THE FAULT IN OUR STARS is an amazing love story about growing up and moving on that you can read over and over and, unlike others, never get tired of it.
    One person found this helpful
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  • Lori
    5.0 out of 5 stars Imperdível!
    Reviewed in Brazil on February 10, 2014
    A narrativa conta a estória de Hazel que aos treze anos foi diagnosticada com um câncer agressivo. Contudo, com o uso de uma nova droga, os médicos conseguiram reduzir e interromper o desenvolvimento de seu tumor. Aos dezesseis anos, em estágio terminal, seus pulmões não conseguem funcionar sozinhos e ela está sempre com um tubo de oxigênio em seus nariz. Em uma de suas reuniões em um grupo de ajuda para crianças portadores de câncer ela conhece Augustus Waters (o Gus), um jovem que possui a perna amputado em decorrência de um câncer que ele conseguiu vencer. A descoberta do amor e da alegria de viver é que vai delinear o enredo desta linda estória. Aqui, o câncer não é romantizado, não haverá atos incríveis de altruísmo, de superação, rendição ou pessoas que realmente deixaram sua marca no mundo. Não. São apenas dois extraordinários adolescentes descobrindo a vida.

    Há um passagem do livro, na qual John Green faz referência à peça Julius Cesar de Shakespeare: "A culpa, caro Brutus, não está nas estrelas, mas em nós mesmos". O que Julius Cesar inferia é que não há um destino traçado, nós é quem fazemos a nossa própria estória. O enredo e o título do livro, no entanto, demonstram exatamente o contrário: temos o livre arbítrio para alterar inúmeras coisas na nossa vida, mas algumas coisas já estão fadadas a acontecer, já estão escritas nas estrelas e por mais que tentamos não conseguimos alterá-la.

    O livro é lindamente escrito, cheio de metáforas e ironia. Os diálogos são fantásticos e os personagens extremamente cativantes. Se ele é triste? Sim, mas não é só isso, ele traz uma montanha russa de emoções. Eu sofri, chorei e também ri com os personagens que são extremamente reais e críveis. A culpa é das estrelas é um livro imperdível que vai te deixar com o coração partido.
    Report
  • Nelou Keramati
    5.0 out of 5 stars Okay? Okay.
    Reviewed in Canada on February 13, 2016
    John Green’s approach to the ultimate existential problem (time) is rather brilliant. He has demonstrated with gut-wrenching accuracy, what it is like to feel like a ticking time-bomb, and what makes this love story exceptionally thought-provoking, is that it actually IS thought-provoking. Not simply because of its premise, but the way in which it is dealt with; seemingly mundane, and in every way imaginable, extraordinary.

    For children to be grappling with life-crises most adults postpone until old age is heart-breaking as it is, but also unfathomably eye-opening. And the questions raised, while paint an ugly picture of the cruel reality of being ill, help extricate nuances (by definition, small and seemingly insignificant) which are surprisingly powerful in changing one’s mindset about why we are here, why it is transient, and whether or not that’s ok.

    I was shook to the core by this narrative, and though it was becoming painful to sob uncontrollably every few pages or so, it was also incredibly cathartic because every single word confirmed a reality I know exists, but which I would never want to experience for myself.

    The Fault in our Stars is unprecedented. It is raw, ugly, spellbinding, beautiful, infuriating, heart-breaking, and most importantly, it forces you to feel.

    It has dawned on me that all things—whether in or out of existence—pertain to the ultimate existential crisis. Not simply as relevant to us as human begins, but as fundamental as what it means to be a rock. To be a collection of molecules devoid of what we as humans deem as ‘awareness’.

    It would take a lifetime to decipher the enigma of what life is, and at best it seems, the most satisfactory conclusion is: that we simply do not know. And it can seem disheartening, not knowing what it is about life we cling onto so desperately, and why we fear its loss the most, even though there are losses far more excruciating within the realm of our experience: loss of hope, loss of freedom, loss of self, of dignity, of time.

    And there it is: time. The one commodity we falsely assume we have enough of. And once you have managed to grapple with its uncompromising nature, once you think you have planned your life well enough to do all that matters to you with the time you've been given, you only wind up with more questions than answers; and not the kind of answers you find, but the kind of answers you concoct. And we do so, because not knowing what lurks in the dark is infinitely more terrifying than the death sentence itself.

    So what it is about, this 'life'? Is it about living it as comfortably as you can manage? Is it about self-actualization? About leaving something behind? Is it ultimately about deciphering it? And most importantly, is this 'meaning of life' universal, or is it as personal as it can possibly get?

    The most comfort I have found in questioning virtually everything there is to question has been this: That most certainly, the only thing certain thing about life and death is uncertainty. And I’ve found that acknowledging this fact has in many ways relinquished my responsibility of a life-long pursuit for answers I will never get. In some ways, that is the simultaneous beauty and pitfall of philosophy: raising more unanswerable questions, but broadening horizons in the process.

    So what do you prefer? Do you prefer never loving, never laughing, never experiencing neither the peaks nor the valleys of life, so that once death comes, you can easily part with this ‘life’ you have not lived? Or do you want experience every beautiful and ugly facet of life alike, so that when it comes to part with it, you simply cannot?

    It seems to me that if parting with my life is not the most tragic, frightening, and unbearable thing imaginable, then my dreams have not been big enough; that I have not been living a full enough life. And the last thing I'd want on my death-bed (or within the last seconds of still retaining my consciousness) is feeling like: 'I cannot believe I could, and I didn't.'

    I believe not having anything to lose is the most tragic thing about loss.
  • Amazon Customer
    5.0 out of 5 stars Heartbreakingly Amazing
    Reviewed in Australia on January 9, 2015
    Having watched the movie and recently read 'Looking for Alaska' I decided it
    was about time I gave this novel a go. Needless to say, it was amazing and I had it done and dusted within a day. The Fault in our Stars is a thought- provoking exploration of love and pain. Having experienced an immediate family member slowly declining and then passing away from cancer, I found the novel a realistic portrayal of the emotions of those who are facing a terminal illness as well as that of their loved ones. I also recently visited Amsterdam and thought that Hazel's descriptions of this magical place were amazing, there could not have been a better setting for Hazel and Gus' love to blossom. Basically, read this novel, you will not regret it. I burst into tears at 'I just wanted to buy a pack of cigarettes' and then managed to remain crying for the last fifth of the book. The world and our existence is one confusing concept, but despite the inevitable heartbreak and pain, love is worth spending your existence on. Read this novel!
  • Lettrice
    5.0 out of 5 stars Ridere e piangere insieme
    Reviewed in Italy on June 20, 2014
    Normalmente non sono un’amante dei libri strappalacrime. Preferisco i libri e gli scrittori più sfumati, che indagano i toni grigi della vita, le emozioni più confuse e perciò più vere. I grandi drammi mi sembrano sempre troppo facili.
    Ma il modo migliore per descrivere questo libro sono le parole di un mio studente, in una classe in cui l’ho dato da leggere:
    “Questo libro è strano. Mi fa ridere, però allo stesso tempo mi fa anche piangere.”
    The fault in our stars affronta sì uno dei drammi peggiori della vita – la morte, la morte incombente e ineluttabile e in giovane età -, ma lo affronta come piace a me, scavando nel profondo delle cose. Non è tutto una lacrima o tutto una lezione di vita; le lezioni di vita le trovi solo se vuoi, e sono piccole e perciò fondamentali. E ci sono passaggi estremamente comici, e ce ne sono altri di una crudezza indicibile – la definizione dei malati di cancro come effetti collaterali, scarti nel processo di evoluzione.
    Augustus Waters è uno dei personaggi più veri di cui io abbia mai letto – e più incantevoli. È impossibile non innamorarsene, magari in modo materno come è capitato a me, ed è impossibile non credergli. Nulla viene edulcorato: la ragazza malata di tumore al cervello, che la malattia rende crudele ma che non si sa se incolpare della sua crudeltà, perché forse è il cancro a parlare per lei; il ragazzo che diventa cieco e che viene mollato, perché nella vita spesso accade così e non tutti continuano ad amarci quando non siamo più interi; il peggioramento delle condizioni di Hazel e di Augustus, di cui non ci viene risparmiato nulla. E infine, la capacità e il bisogno di amare, che io non ho mai capito così tanto, e ammirato così tanto come in questo libro.
    Non mi è facile aggiungere qualcosa senza rovinare la magia del testo; è un libro privo di speranza, perché non offre miracoli, né fisici né mentali – non si guarisce dalle malattie terminali, non si guarisce dalla morte di una figlia, non si guarisce dalla voglia di vivere senza poter vivere; ed è un libro pieno di speranza, perché mostra come sia possibile vivere mille vite in pochi anni, in pochi mesi, in pochi giorni – l’infinito in una serie di istanti rubati.
    Il primo bacio di Hazel e Gus ha luogo nella casa di Anna Frank e non credo ci sia modo migliore di spiegare come questo romanzo trovi la vita nella morte; eppure non fornisce false e semplici risposte e illusioni, nessuno dei personaggi vorrebbe vivere la vita che ha ricevuto, tutti farebbero a cambio; e credo che la perfezione si raggiunga in Van Houten, che legge dal vivo la storia di Hazel e Gus e non riesce ad usarla per cambiarsi, per riprendersi, per rinascere: non ci sono risposte. Non ci sono verità finali, conversioni, illuminazioni.
    C’è il tentativo di rendere speciale quello che abbiamo, anche se quello che abbiamo fa schifo, e c’è la sfida più importante di tutte le vite di tutti gli esseri umani: ridere mentre si piange.
    Come dovremmo saper fare ogni giorno.
  • Andrew D Wright
    5.0 out of 5 stars Stop whatever you're doing, you have to read this book.
    Reviewed in the United Kingdom on February 18, 2014
    It goes against nature. A book whose teenage protagonists are dying of cancer shouldn't make you smile, but it does. Again and again and again. And laugh out loud too. There's been an awful lot written about John Green's publishing phenomenon; The Fault In Our Stars, but I'm sorry, I have to add to the chatter in the blog-o-sphere. I can't let this one without adding my four penneth.

    This is a beautiful, beautiful book. The characters are so coruscatingly real that simply writing about them still brings tears to my eyes. The Fault In Our Stars is a line from Shakespeare, and the tale is pure tragedy but with a twist, a twist that should put a spring in your step and a smile on your face. Look beyond the canular tubes and the oxygen tanks, the phalanxifor (made up cancer medicine) that keeps Hazel Grace Lancaster alive well beyond her bleak prognosis and we get an opportunity to see, feel and experience how very precious life is. This close to death we really feel alive, we really get that totally unique never-to-be-repeatedness of every moment.

    Hazel - the book's written in a very convincing first person POV (point of view) - is our heroine. She's dying of secondary cancers which are gnawing away at her lungs, reducing their efficiency, meaning she has to pull an oxygen tank on a trolley around with her. She goes to a support group in a church where other teenagers dying of cancer gather in a kind of mawkish group hug to stoically urge each other "to live our best lives today!" But mawkish this book isn't, for Hazel falls in love with Augustus Waters, an elegantly beautiful cancer-survivor who's absorbed more joie de vivre in his short and difficult life than most of us manage over the entire span. He is philosophical, clever, sensitive, funny and so intense you sit up straighter when he walks onto the page. He is everything we'd all want to be. He dangles an unlit cigarette from his mouth at key moments, not to smoke - what giddy craziness that would be - but as a metaphor for his continued existence. "I have it between my lips but I don't give it the power to kill me by lighting it."

    Augustus and Hazel fall in love, crazy, giddy-love, made all the more poignant - but never in a sentimentally fluffy way - by the death watch tick tock of their illnesses. She's on the edge, but in this position, with the wind from the precipice blowing in her face she can truly feel alive. Augustus Waters has been in remission since the osteosarcoma that was threatening his life responded to chemo and he had his leg preventatively loped off just below the knee. These are young people who represent the best of what humanity has to offer, they are free-thinking despite the heavy chain of mortality. The clarity of the dialogue leaves you breathless, Green spent some time amongst children suffering from cancer and you can hear that experience in his every cadence. There's heaps of gallows humour, but amongst it a sense of the urgency and engagement with all experience that the worried well never achieve.

    There's much adolescent existentialist philosophising here, but it's never pretentious because if people who are quite literally on the edge can't explore such deep waters who's going to? The talk is clever, genuine and poignant as well as being insightful. The book spares no blushes or pulls no punches, we witness the surgery of a friend of Hazel and Augustus from support group. It's a Hobson's Choice surgery that saves his life but at the expense of his cancer-riddled remaining eye, making him permanently blind. Poor Isaac rehearses for us an idea that crops up through the book as Hazel worries about falling in love with Augustus. Before the operation to take away his one good eye, Isaac's girlfriend dumps him, unable to bare the thought she might one day have to break it off with a blind boy. This of course would be so horribly mean, so, she reasons, not irrationally - the narrative even let's us explore this perspective - she decides to get it done before the op. Hazel agonises about becoming just such an emotional grenade for Augustus as her terminal prognosis, though paused by the drug trial, is still very much a dead cert. She doesn't want to destroy him in when she dies and he is left all alone.

    But love finds a way and Hazel and Augustus, as they so beautifully put it, fall deep into a quantum entanglement all their own. This book is clever, sassy, honest, witty and deeply, deeply respectful of its subject matter without ever becoming sentimental. Hazel provides just the right voice, a voice suffused with wisdom and a desperate sorrow at her situation, without ever wet with self-pity.

    A novel of death and life and love and suffering and how we survive. The loving, meaningful portrayal of the courage of Hazel and Augustus's parents is also very touching. We're left with the impression that our own sensibilities about engaging with such people - those branded with a terminal diagnosis and their devastated families - leaves us shadows of the brave people they are. Yes, they're close to death, yes they're possibly literally counting the breaths to the end, but during that time, despite the debilitating sickness, they are possibly more alive than many people with the luxury of many more years ahead of them. This books stares death in the face and it's the sallow-faced reaper who blinks because life in the midst of death is as poignant and wonderful and sad as a soon-to-be broken butterfly.

    You have to read this book. Right now.

    A very rare five stars *****