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Feed Paperback – July 17, 2012
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M.T. Anderson
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Print length299 pages
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LanguageEnglish
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PublisherCandlewick
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Publication dateJuly 17, 2012
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Grade level9 - 12
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Reading age14 - 17 years
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Dimensions5 x 0.86 x 8.25 inches
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ISBN-100763662623
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ISBN-13978-0763662622
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Lexile measure770L
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From the Publisher
"Anderson’s vision of alien invaders is captivating." —Entertainment Weekly
Ultimately, though, I don’t read J.K. Rowling — or M.T. Anderson, or Ursula K. Leguin — because of what their books have to tell me about life. I read them because these writers have mastered the ancient magic of storytelling, and because they remind me of what it’s like to be young, living in a world that seems both simple and incomprehensible.
-The New York Times.
"A triumphant story . . . that will shock and inspire." -Kirkus (starred review)
"In a gripping narrative, helped along by ample photos and shockingly accurate historical details, Anderson offers readers a captivating account of a genius composer and the brutally stormy period in which he lived. Though easily accessible to teens, this fascinating, eye-opening, and arresting book will be just as appealing for adults."
-Booklist (starred review).
Editorial Reviews
Review
—New York Times
"Another book that can be added to the list entitled 'YA Novels I'd Never Heard of But Which Turn Out to Be Modern Classics' and Feed may well turn out to be the best of the lot . . . Funny, serious, sad, superbly realized."
—Nick Hornby, The Believer
M.T. Anderson has created the perfect device for an ingenious satire of corporate America and our present-day value system...Like those in a funhouse mirror, the reflections the novel shows us may be ugly and distorted, but they are undeniably ourselves.
—The Horn Book (starred review)
The crystalline realization of this wildly dystopic future carries in it obvious and enormous implications for today's readers — satire at its finest.
—Kirkus Reviews (starred review)
This satire offers a thought-provoking and scathing indictment that may prod readers to examine the more sinister possibilities of corporate-and media-dominated culture.
—Publishers Weekly (starred review)
What really puts the teeth in the bite...is Anderson's brillinat satiric vision in the semaless creation of this imagined but believable world. The writing is relentlessly funny, clever in its observations and characters....
—Bulletin of the Center for Children's Books (starred review)
A gripping, intriguing, and unique cautionary novel.
—School Library Journal
Many teens will feel a haunting familiarity about this future universe.
—Booklist
Both hilarious and disturbing.
—Booklist Editors' Choice
In spite of its foreboding overtones, FEED is in a sense an optimistic novel. By involving its readers in the act it suggests is central to society's survival, the book offers hope.
—Riverbank Review
Although set in the future, Anderson's novel is a stunning indictment of contemporary America and its ever-increasing obsession with consumerism even in the face of impending environmental collapse . . . the novel is both intense and grim. It should, however, appeal strongly to mature and thoughtful readers who care about the future of their world.
—VOYA
Disturbing yet wickedly funny, with as brilliant a use of decayed language as Russell Hoban's post-apocalyptic RIDDLEY WALKER.
—Horn Book Fanfare, The
This dystopic vision is dark but quite believable. Sad and strong and scary.
—Chicago Tribune
The book is fast, shrewd, slang-filled and surprisingly engaging.
—New York Times Book Review Notable Books of the Year
This wickedly funny and thought-provoking novel is written in a slang so hip it is spoken only by the characters in this book. Teens will want to read it at least twice.
—Miami Herald
A darkly comic satire that can be read as a promise or a warning.
—Detroit Free Press
The flashes of humor as well as the cleverly imagined grim future world should quickly draw readers into this look at teenage love and loss, and at consumerism carried to its logical extreme.
—Kliatt Book Review
The scariest part of FEED's brilliantly conceived futuristic dystopia is that much of it isn't futuristic . . . To list all the prescient details in this novel would require taking something from nearly every page.
—Riverbank Review
Frightening in its realistic depiction of what is possible in a culture addicted to information, this novel is a guaranteed conversation-starter.
—Publishers Weekly Best Children's Books of the Year
It's exhilarating to decipher Anderson's futuristic adolescent slang, but his story is a serious one. He has an uncanny gift for depicting how teenagers see the world.
—BookPage
This language sets a perfect tone for the story of a teenage boy growing up in a frighteningly futuristic world . . . The scariest thing of all is its unnerving plausibility.
—Raleigh News and Observer
Surely one of the most prescient novels of last 20 years.
—Lev Grossman
As with the best futuristic fiction, it's scary how little needs to be exaggerated.
—Newsday
The novel is chilling in the way only a well crafted and darkly writ satire can be.
—DigBoston.com
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
I was like, Okay, sure, fine, whatever swings your string, and she was all, Babycakes, you swing my string, which is a nice thing for someone to say to you, especially before you use mouthwash.
So I flew over to the mall near her house through the rain, which was coming down outside in this really hard way. Everyone had on all their lights until they got above the clouds. Up there it was sunny, and people were flying very businesslike.
The mall was really busy, there were a lot of crowds there. They were buying all this stuff, like the inflatable houses for their kids, and the dog massagers, and the tooth extensions that people were wearing, the white ones which you slid over your real teeth and they made your mouth just like one big single tooth going all the way across.
Violet was standing near the fountain and she had a real low shirt on, to show off her lesion, because the stars of the Oh? Wow! Thing! had started to get lesions, so now people were thinking better about lesions, and lesions even looked kind of cool. Violet looked great in her low shirt, and besides that she was smiling, and really excited for her idea.
For a second we said hello and just laughed about all of the stupid things people were buying and then Violet, she pointed out that, regarding legs to stand on, I didn’t have very much of one, because I was wheeling around a wheelbarrow full of a giant hot cross bun from Bun in a Barrow.
I said, "Yum, yum, yum."
She was like, "You ready?"
I asked her what the idea was.
She said, "Look around you." I did. It was the mall. She said, "Listen to me." I listened. She said, "I was sitting at the feed doctor’s a few days ago, and I started to think about things. Okay. All right. Everything we do gets thrown into a big calculation. Like they’re watching us right now. They can tell where you’re looking. They want to know what you want."
"It’s a mall," I said.
"They’re also waiting to make you want things. Everything we’ve grown up with - the stories on the feed, the games, all of that - it’s all streamlining our personalities so we’re easier to sell to. I mean, they do these demographic studies that divide everyone up into a few personality types, and then you get ads based on what you’re supposedly like. They try to figure out who you are, and to make you conform to one of their types for easy marketing. It’s like a spiral: They keep making everything more basic so it will appeal to everyone. And gradually, everyone gets used to everything being basic, so we get less and less varied as people, more simple. So the corps make everything even simpler. And it goes on and on."
This was the kind of thing people talked about a lot, like, parents were going on about how toys were stupid now, when they used to be good, and how everything on the feed had its price, and okay, it might be true, but it’s also boring, so I was like, "Yeah. Okay. That’s the feed. So what?"
"This is my project."
"Is . . . ?"
She smiled and put her finger inside the collar of my shirt. "Listen," she said. "What I’m doing, what I’ve been doing over the feed for the last two days, is trying to create a customer profile that’s so screwed, no one can market to it. I’m not going to let them catalog me. I’m going to become invisible."
I stared at her for a minute. She ran her finger along the edge of my collar, so her nail touched the skin of my throat. I waited for an explanation. She didn’t tell me any more, but she said to come with her, and she grabbed one of the nodules on my shirt - it was one of those nodule shirts - and she led me toward Bebrekker & Karl.
We went into the store, and immediately our feeds were all completely Bebrekker & Karl. We were bannered with all this crazy high-tech fun stuff they sold there. Then a guy walked up to us and said could he help us. I said I didn’t know. But Violet was like, "Sure. Do you have those big searchlights? I mean, the really strong ones?"
"Yeah," he said. "We have . . . yeah. We have those." He went over to some rack, and he took these big searchlights off the rack. He showed us some different models. The feeds had specs. They showed us the specs while he talked.
When he went into the back to get another, cheaper searchlight, I said to Violet, "What next?"
She whispered, "Complicating. Resisting."
Bebrekker & Karl were bannering us big. It was, We’ve streamlined the Tesla coil for personal use - you can even wear it in your hair! With these new, da da da, and Relax, yawn, and slump! While our greased cybermassage beads travel up and down your back! Guaranteed to make you etc., like that.
I was like, "Okay, huh?" but the guy came back and he had another searchlight.
He told us, "You can see shit real good with this one? I have one of these on my upcar. It’s sometimes like - whoa, really - whoa. There was this one time? And I was flying along at night and I shined the light down at the ground, to look at the tops of all the suburb pods? And all over the top of them, it looked like it was moving, like there was a black goo? So I turned up the brightness, and I went down, and I shined it more bright, and it turned out the black moving goo was all these hordes of cockroaches. There were miles of them, running all over the tops of the domes. . . .
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Product details
- Publisher : Candlewick; Reprint edition (July 17, 2012)
- Language : English
- Paperback : 299 pages
- ISBN-10 : 0763662623
- ISBN-13 : 978-0763662622
- Reading age : 14 - 17 years
- Lexile measure : 770L
- Grade level : 9 - 12
- Item Weight : 9.6 ounces
- Dimensions : 5 x 0.86 x 8.25 inches
- Best Sellers Rank: #13,064 in Books (See Top 100 in Books)
- Customer Reviews:
Customer reviews
Top reviews from the United States
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A brief quip on Anderson – he was born and raised in Massachusetts and lives there today. He has been a radio DJ and a college professor and currently sits on the board of Vermont College of Fine Arts and National Children’s Book and Literary Alliance. Anderson has published over a dozen books since 1997.
Feed takes place in the future…a future that isn’t too far away. All-powerful American corporations are obsessed with controlling consumerism, by any means necessary and at the expense of everything else. The planet is ecologically devastated, seemingly beyond repair, the mass production of goods too much for the planet to continue to handle.
Despite environmental risks and pleas from world’s leaders, American corporations continue to encourage consumerism. 73% of American citizens are connected to the feednet, a digital network accessible via an implant in the brain called a feed. The feed gives consumers direct access to digital information, instant purchasing, and if shared, memories of others. In return, consumer profiles are created for each individual, allowing the feed to cater its advertising to the needs of that individual.
Sounds a lot like the targeting advertising on desktop and mobile devices today, huh?
What’s impressive is that Anderson wrote this story back in 2002, before Facebook’s infamous newsfeed and before tech companies had enough consumer data to create the algorithms of today that make ad tech intelligent. Some scifi geeks (me included) like to say that many a scifi idea has inspired many an inventor, and maybe Feed is one of them. Google revolutionized modern intellectualism by making information so easily accessible, yes, but when Feed was published, online advertising was NOTHING like what we see today…or in what Anderson depicted. That alone, fascinated me enough to keep reading.
The story follows Titus and Violet, a teenage couple that meet, by accident, on the Moon during spring break. They are caught in the crossfire of a feed hack and wake up in a hospital. Their feeds have been shutdown for repair and their minds are quiet, forcing them to communicate the old fashioned way, without private feed chats (m-chatting). Titus’s feed was installed when he was an infant, but Violet’s wasn’t installed until age 7. Unlike any of his other friends, Violet questions the feed, the government, and their way of life. Refusing to allow the government to categorize her based on her data, she decides to make it her mission to confuse her feed. Titus, in love, tags along.
I’ll stop there before I start to give too much away…but if I haven’t made it clear yet, READ THIS BOOK! As far as anti-consumerism books, this one is tops….I think it’s almost as good as Fight Club. Where Fight Club takes place in present day, Feed’s setting is more technologically advanced, like Minority Report. If you like either of those stories, you’ll like Feed, guaranteed.
As for story? It's about people you will hate. If not hate, not like. None of them are really very good people. It's the breakdown of everything. What happens when you have always on INTERNET piped directly into your brain with corporations running everything. It's just not good.
Buy this book! Also, buy the audiobook as it's really amazing. Words can not express how well done that was.
Titus, the hero, is the main character. He's just an ordinary teen who likes to do dumb stuff with his friends. When we meet them, they're partying on the moon, wanting to hook up and get wasted. Then he sees a girl who isn't like other girls. Her name is Violet and she uses big words and actually cares about the world beyond what it can offer up to her for sale. But when a rioter hijacks their computers to make a political statement, something goes wrong with Violet's... and as she struggles with her health, she tries to make Titus see without the influence of his feed.
This is a very depressing book but I think the author did a really good job with it. All the slang is a bit tricky at first, but the words the author chose all make sense and I picked it up pretty quickly. Some readers complained about the swearing and graphic content, but again, I think it sets the stage for the vapid, superficial world the author created and it never crosses into explicit.
Some sci-fi books don't age well but this one actually got better with age. The author actually predicted so much-- doom scrolling, toxic positivity, physically harmful trends for the sake of virality, and so much more. What makes this even more impressive is that social media was still kind of a gleam in the internet's eye when this was published, and so were the shopping algorithms that are now economical powerhouses online. I can't say that this book filled me with joy but it was incredibly intelligent and insightful for a YA dystopian and I think I liked it more as an adult than I did as a teen.
4 to 4.5 out of 5 stars
Top reviews from other countries
Published in 2002, when the internet was yet to invade every corner of our lives as it does today, this book truly felt visionary and premonitory, particularly with it's prediction of how advertising would track our every movements and filter into all aspects of our lives. A brilliant read, not without flaws, but any flaws the book may contain did not bother me in face of the great strength and force that the novel delivered.
Absolutely recommended.
A plausible future if consumerism and technology were to go on to dominate are lives even further. And capitalism was to be very unregulated. It is a dystopia so paints a very pessimistic of our future, I would like to think it would not come to this but I must say I would not be too surprised if the future was as Anderson paints it.
Despite liking the themes, and even the story line is good, but sad. It is written in future speak, and from the narrative of late teens. This limits the brilliance of the writing, it is pretty basic, but I understand that is the point.
Overall a very good book. If you liked; We, 1984 or Brave New World. I doubt you would regret buying it. 4/5












