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Feed Paperback – July 17, 2012
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The tour de force that set the gold standard for dystopian YA fiction — in a compelling paperback edition.
For Titus and his friends, it started out like any ordinary trip to the moon — a chance to party during spring break. But that was before the crazy hacker caused all their feeds to malfunction, sending them to the hospital to lie around with nothing inside their heads for days. And it was before Titus met Violet, a beautiful, brainy teenage girl who has decided to fight the feed and its ever-present ability to categorize human thoughts and desires. M. T. Anderson’s not-so-brave new world is a smart, savage satire that has captivated readers with its view of an imagined future that veers unnervingly close to the here and now.
- Print length299 pages
- LanguageEnglish
- PublisherCandlewick
- Publication dateJuly 17, 2012
- Grade level9 - 12
- Reading age14 - 17 years
- Dimensions5 x 0.8 x 8.25 inches
- ISBN-100763662623
- ISBN-13978-0763662622
- Lexile measure770L
The chilling story of the abduction of two teenagers, their escape, and the dark secrets that, years later, bring them back to the scene of the crime. | Learn more
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| Customer Reviews |
4.2 out of 5 stars 2,578
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4.3 out of 5 stars 124
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4.0 out of 5 stars 248
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4.6 out of 5 stars 157
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| Read more from the award-winning author M. T. Anderson! | A National Book Award finalist! Titus and his friends’ spring break is cut short when a hacker messes with their feeds, sending them to a hospital. There, Titus meets Violet, a girl who’s decided to fight the feed that’s implanted their heads. | A Newbery Honor Book! After a global plague brings Clay’s summer to a halt, he’s only too happy to retreat to the woods. There, he finds mysterious dog Elphinore among the trees and they go on an adventure that will change their lives forever. | A major motion picture! After aliens called the vuvv take over Earth, Adam’s parents lose their jobs. Now that they have no money for food, clean water, or the vuvv’s miraculous medicine, Adam has to get creative to survive. How far will he go? | A National Book Award finalist! Uptight elfin historian Brangwain Spurge is on a mission to spy on the goblin kingdom, but a series of extraordinary misunderstandings throws him and his host Werfel into the middle of an international crisis! |
Editorial Reviews
Review
—New York Times
"Another book that can be added to the list entitled 'YA Novels I'd Never Heard of But Which Turn Out to Be Modern Classics' and Feed may well turn out to be the best of the lot . . . Funny, serious, sad, superbly realized."
—Nick Hornby, The Believer
M.T. Anderson has created the perfect device for an ingenious satire of corporate America and our present-day value system...Like those in a funhouse mirror, the reflections the novel shows us may be ugly and distorted, but they are undeniably ourselves.
—The Horn Book (starred review)
The crystalline realization of this wildly dystopic future carries in it obvious and enormous implications for today's readers — satire at its finest.
—Kirkus Reviews (starred review)
This satire offers a thought-provoking and scathing indictment that may prod readers to examine the more sinister possibilities of corporate-and media-dominated culture.
—Publishers Weekly (starred review)
What really puts the teeth in the bite...is Anderson's brilliant satiric vision in the seamless creation of this imagined but believable world. The writing is relentlessly funny, clever in its observations and characters....
—Bulletin of the Center for Children's Books (starred review)
A gripping, intriguing, and unique cautionary novel.
—School Library Journal
Many teens will feel a haunting familiarity about this future universe.
—Booklist
Both hilarious and disturbing.
—Booklist Editors' Choice
In spite of its foreboding overtones, FEED is in a sense an optimistic novel. By involving its readers in the act it suggests is central to society's survival, the book offers hope.
—Riverbank Review
Although set in the future, Anderson's novel is a stunning indictment of contemporary America and its ever-increasing obsession with consumerism even in the face of impending environmental collapse . . . the novel is both intense and grim. It should, however, appeal strongly to mature and thoughtful readers who care about the future of their world.
—VOYA
Disturbing yet wickedly funny, with as brilliant a use of decayed language as Russell Hoban's post-apocalyptic RIDDLEY WALKER.
—Horn Book Fanfare, The
This dystopic vision is dark but quite believable. Sad and strong and scary.
—Chicago Tribune
The book is fast, shrewd, slang-filled and surprisingly engaging.
—New York Times Book Review Notable Books of the Year
This wickedly funny and thought-provoking novel is written in a slang so hip it is spoken only by the characters in this book. Teens will want to read it at least twice.
—Miami Herald
A darkly comic satire that can be read as a promise or a warning.
—Detroit Free Press
The flashes of humor as well as the cleverly imagined grim future world should quickly draw readers into this look at teenage love and loss, and at consumerism carried to its logical extreme.
—Kliatt Book Review
The scariest part of FEED's brilliantly conceived futuristic dystopia is that much of it isn't futuristic . . . To list all the prescient details in this novel would require taking something from nearly every page.
—Riverbank Review
Frightening in its realistic depiction of what is possible in a culture addicted to information, this novel is a guaranteed conversation-starter.
—Publishers Weekly Best Children's Books of the Year
It's exhilarating to decipher Anderson's futuristic adolescent slang, but his story is a serious one. He has an uncanny gift for depicting how teenagers see the world.
—BookPage
This language sets a perfect tone for the story of a teenage boy growing up in a frighteningly futuristic world . . . The scariest thing of all is its unnerving plausibility.
—Raleigh News and Observer
Surely one of the most prescient novels of last 20 years.
—Lev Grossman
As with the best futuristic fiction, it's scary how little needs to be exaggerated.
—Newsday
The novel is chilling in the way only a well crafted and darkly writ satire can be.
—DigBoston.com
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
is not
an organ
We went to the moon to have fun, but the moon turned out to completely suck.
We went on a Friday, because there was shit-all to do at home. It was the beginning of
spring break. Everything at home was boring. Link Arwaker was like, “I’m so null,” and Marty was all, “I’m null too, unit,” but I mean we were all pretty null, because for the last like hour we’d been playing with three uninsulated wires that were coming out of the wall. We were trying to ride shocks off them. So Marty told us that there was this fun place for lo-grav on the moon. Lo-grav can be kind of stupid, but this was supposed to be good. It was called the Ricochet Lounge. We thought we’d go for a few days with some of the girls and stay at a hotel there and go dancing.
We flew up and our feeds were burbling all sorts of things about where to stay and what to eat. It sounded pretty fun, and at first there were lots of pictures of dancing and people with romper-gills and metal wings, and I was like, This will be big, really big, but then I guess I wasn’t so skip when we were flying over the surface of the moon itself, because the moon was just like it always is, after your first few times there, when you get over being like, Whoa, unit! The moon! The goddamn moon! and instead there’s just the rockiness, and the suckiness, and the craters all being full of old broken shit, like domes nobody’s using anymore and wrappers and claws.
The thing I hate about space is that you can feel how old and empty it is. I don’t know if the others felt like I felt, about space? But I think they did, because they all got louder. They all pointed more, and squeezed close to Link’s window.
You need the noise of your friends, in space.
I feel real sorry for people who have to travel by themselves. In space, that must suck. When you’re going places with other people, with this big group, everyone is leaning toward each other, and people are laughing and they’re chatting, and things are great, and it’s just like in a commercial for jeans, or something with nougat.
To make some noise, Link started to move his seat up and back to whack Marty’s knees. I was like trying to sleep for the last few minutes of the flight because there was nothing to see except broken things in space, and when we’re going hard I get real sleepy real easy, and I didn’t want
to be null for the unettes on the moon, at the hotel, if any of them were youch.
I guess if I’m honest? Then I was hoping to meet someone on the moon. Maybe part of it
was the loneliness of the craters, but I was feeling like it was maybe time to hook up with someone again, because it had been a couple months. At parties, I was starting to get real lonely, even when there were other people around me, and it’s worse when you leave. Then there’s that silence when you’re driving home alone in the upcar and there’s nothing but the feed telling you, This is the music you heard. This is the music you missed. This is what is new. Listen. And it would be good to have someone to download with. It would be good to have someone in the upcar with you, flying home with the lights underneath you, and the green faces of mothers that you can see halfway through the windows of dropping vans.
As we flew across the surface of the moon, I couldn’t sleep. Link was playing with the seat like an asshole. He was moving it forward and backward. Marty had dropped his bird, these fake birds that were the big spit and lots of people had them, and Marty’s bird was floating off, because there was hardly any gravity, and whenever he leaned out to get his bird, Link would slam his seat back like meg hard and it would go bam on Marty’s face, and they would start laughing. Marty
would be all, “Unit! Just wait one —” and Link would be, “Go for it. Try! Try it!” and Marty would be like, “Unit! You are so — !” And then they would be all big laughing and I felt like a complete bonesprocket for trying to sleep when there was fun. I kept hoping the waitress lady would say something and make them shut up for a minute, but as soon as we got out of Earth’s gravitational zone she had gone all gaga over the duty-free.
I didn’t want to be sleepy and like all stupid, but I had been drinking pretty hard the night before and had been in mal and I was feeling kind of like shit. So it was not a good way to start this whole trip to the moon, with the seat thumping on Marty’s face, and him going, “Unit! I’m
trying to get my bird!”
Link was saying, “Go for it.”
Marty went, “Linkwhacker! Shit! You’re like doing all this meg damage to my knees and my face!”
“Kiss the chair. Pucker up.”
They both started laughing again. “Okay,” said Marty. “Okay, just tell me which of my frickin’ organs you’re going to smash this time.”
“Keep your tray in the upright position.”
“Like what organ? Just tell me.”
“Those aren’t organs.”
“What do you mean?”
“Your face is not an organ.”
“My face is too an organ. It’s alive.”
“Omigod, is there enough oxygen?” said our friend Calista. “Because are you having some kind of neuron death?”
“I’m trying to sleep,” Loga complained. She yawned. “I’m flat-lining. Meg.”
Then there was this wham and Marty was all, “Oh, shit,” holding on to his face, and I sat up and was like completely there was no hope of sleeping with these morons doing rumpus on my armrest.
The waitress came by and Link stopped and smiled at her and she was like, What a nice young man. That was because he purchased like a slop-bucket of cologne from the duty-free.
Product details
- Publisher : Candlewick
- Publication date : July 17, 2012
- Edition : Reprint
- Language : English
- Print length : 299 pages
- ISBN-10 : 0763662623
- ISBN-13 : 978-0763662622
- Item Weight : 9.2 ounces
- Reading age : 14 - 17 years
- Dimensions : 5 x 0.8 x 8.25 inches
- Grade level : 9 - 12
- Lexile measure : 770L
- Best Sellers Rank: #15,557 in Books (See Top 100 in Books)
- #11 in Computers & Internet Humor
- #121 in Teen & Young Adult Dystopian
- #214 in Fiction Satire
- Customer Reviews:
About the author

M. T. Anderson is the author of Feed, winner of the Los Angeles Times Book Prize, as well as The Astonishing Life of Octavian Nothing, Traitor to the Nation Volume I: The Pox Party, winner of the National Book Award and a New York Times bestseller, and its sequel, The Kingdom on the Waves, which was also a New York Times bestseller. Both volumes were also named Michael L. Printz Honor Books. M. T. Anderson lives in Cambridge, Massachusetts.
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book entertaining and thought-provoking, with one review noting how it forces readers to consider societal issues. The writing style receives mixed reactions - while some appreciate the language, others find it obnoxious. The story's scariness level is also debated, with some describing it as a terrifyingly plausible dystopian future, while others find it flimsy. Customers praise the book's creativity, with one review highlighting its beautiful insider look into characters' lives, and many appreciate its satirical take on corporate consumer culture. Character development receives mixed feedback, with some finding the characters interesting while others find them inane.
AI-generated from the text of customer reviews
Customers find the book enjoyable and entertaining, particularly noting it is suitable for teenagers.
"...i would say this is a great work of fiction, that anyone in 8th grade or older could read (which, really, is true of a lot of great fiction, right?)...." Read more
"...Great story. I read all the time and this story has been the best idea for the past few months, at least...." Read more
"...This is a terrific novel which needs to be read and discussed - nothing makes that need more clear than the response of some of my 10th graders...." Read more
"...The reading style was upbeat and fun and showed how language was adapted to make room for the feed...." Read more
Customers find the book thought-provoking, describing it as incredibly insightful with an interesting concept. One customer notes how it makes readers think about business, while another appreciates its commentary on present-day society.
"...the nutty thing about all of this is that it makes sense...." Read more
"...a constant flow of advertising, public relations messages, and pop culture prompts that keep everyone "connected" 24/7, all of them aimed..." Read more
"...The premise is amazing...." Read more
"...to compare the two, but it is a story of youthful innocence, self-consciousness, and hope...." Read more
Customers find the book humorous, appreciating its satirical take on corporate consumer culture and believable slang.
"...along the same lines of "you" was interesting, and the use of other slang was realistic and easy to pick up on as one read the book...." Read more
"...this story compelling & thought-provoking, touching, yet darkly amusing at times...." Read more
"...Anderson’s novel fluctuates between two goals—it is both a cautionary satire against the dominance of pervasive, continuous media saturation of..." Read more
"...It's hilarious and illuminating how the main character tries to explain his complex emotions without the vocabulary to express it...." Read more
Customers appreciate the book's futuristic content, describing it as an excellent glimpse into the future, with one customer noting how eerily close it is to our current technological reality.
""Feed" felt like a futuristic melding of books. The author tried to mix Bridge of Terabithia, A Clockwork Orange, and 1984. Does it work?..." Read more
"Though this fine book takes place in the distant future..." Read more
"...5 stars. Oh, and I loved the futuristic teen-lingo -- "unit" and "unette" for "dude" and "chick," indicating..." Read more
"...media saturation of our everyday lives and a poignant tale of doomed adolescent romance...." Read more
Customers appreciate the creativity of the book, describing it as beautiful and providing an insider look into lives, with one customer noting its unique structure.
"...the home owner's association, but the description is there, like great framing...." Read more
"...CONCLUSION Great art is amazing because it brings everything together into a satisfying thesis and makes you feel like you have access to..." Read more
"...them, except for Violet, who is deliciously independent-minded and super-cool...." Read more
"A unique, prescient book fit for teens and adults. Really on the mark about how entangled our lives have become with technology...." Read more
Customers have mixed opinions about the language in the book, with some praising its use and well-written style, while others find it obnoxious and difficult to get past the slang.
"...a great, fun, somewhat uncomfortable, read." Read more
"...The difficult part of the book- the vocabulary is really aggravating at first...." Read more
"...The story is touching, the characters well developed, and the ideas behind it real- but I believe that had Anderson pulled back a little, brought it..." Read more
"...Although well characterized, Titus was almost too typical of a teen: selfish and increasingly uninteresting. Violet was by far my favorite character...." Read more
Customers have mixed reactions to the scariness level of the book, with some finding it a very engaging tale with a terrifyingly close scenario, while others describe it as an extremely depressing dystopian future with a flimsy storyline.
"...i would say this is a great work of fiction, that anyone in 8th grade or older could read (which, really, is true of a lot of great fiction, right?)...." Read more
"...The storyline carries it enough to overlook the aggravation. Even the narrator's dad says "Dude". haha. Great story...." Read more
"...potential, it's really a shame it turns into conventional, predicable melodramatic crap through the whole second half. THE GOOD..." Read more
"...may ask her / his class to compare the two, but it is a story of youthful innocence, self-consciousness, and hope...." Read more
Customers have mixed opinions about the character development in the book, with some finding them interesting while others find them inane.
"...Due to this "connection" being constant, people lose pieces of their personalities...." Read more
"...The story is touching, the characters well developed, and the ideas behind it real- but I believe that had Anderson pulled back a little, brought it..." Read more
"...Titus never undergoes a character arc. He's essentially the same from the start to the end, save for a guilty conscience...." Read more
"...merits of this work by pointing out that the minor characters are not very well developed and that the plot shifts its focus about two-thirds of the..." Read more
Reviews with images
Top reviews from the United States
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- Reviewed in the United States on May 27, 2008feed is officially young adult fiction. but that category, i'm finding, can be really misleading. i would say this is a great work of fiction, that anyone in 8th grade or older could read (which, really, is true of a lot of great fiction, right?). of course, the fact that the main characters are all high schoolers doesn't hurt.
so, here's the deal: feed takes place in some kind of distant future. it's not clear how distant; but it is clear that the grandparents of the high school students in the book remember what life was like in the fairly close future. one of the brilliant things anderson does in this book is paint all kinds of passing descriptions of this future, details all over the place, without focusing the narrative lens on them. for instance, he never directly addresses the stacks of suburbs, vertical and self-contained, each with their own artificial sun and weather voted on by the home owner's association, but the description is there, like great framing.
the focus of the book is the "feed" that almost everyone has implanted in their brains in early childhood. it started as a brain-connected educational tool (or, at least, was marketed that way), much like the internet was talked about in its early days. but quickly, the feed became a replacement for theaters and television, radio and all other forms of listening to music, m-chatting (almost like esp -- a form of text communication brain-to-brain, along with file attachment options and such), purchasing, and - mostly - advertising. the feed provides a constant customized barrage of marketing, based on the emotions of the moment, experiences of the moment, things you're looking at, and much more.
the nutty thing about all of this is that it makes sense. the book plumbs, without being overly preachy, some of the "how we got heres" and "what this means" aspects of the feed.
on the surface, it's a story of a titus (a teenage guy), his group of extremely shallow friends, and a somewhat mysterious antagonist girlfriend who is suspicious of the feed, and has complications due to getting hers installed when she was 7 years old. but, of course, it's about much more than that.
so here's my grandiose statement:
aldous huxley's book, brave new world, published in 1932, took cutting edge technology of his time, along with current trajectories in religion, philosophy, science, and other areas, and projected a potential reality (told in story form, of course) of our current day. feed does the same - it takes our current technology, consumption, relational dynamics, political climate, and much more, and projects a trajectory for something like 80 years from now (give or take). some of it will crack you up, and some of it will freak you out.
a great, fun, somewhat uncomfortable, read.
- Reviewed in the United States on July 16, 2009Imagine a world where you don't have to leave your house. The internet, IMs, chats, stores and all connections to the outside world are directly installed... in your head. But, if you DO choose to leave your home, you have the ability to ride (not drive) in your "up-car" to the Moon, Jupiter, Mars, etc. Everything you'd ever want is directly at your fingertips. There is even a way to experience virtual reality and even watch your favorite personal memories with your friends. You can share your dreams and the thoughts and images that you see in your head (including your personal feelings while you were seeing these images) with other people- projected in their minds like a movie.
Everything is connected. Everyone is connected.
But, there's a problem. Due to this "connection" being constant, people lose pieces of their personalities. Commercials and advertisements are constantly being broadcasted into your MIND so that you'll get the sudden urge to buy, buy, buy everything that's in "style", even though styles only last about 15 minutes. Girls excuse themselves to go to the bathroom and change the part in their hair, people "zone out" during conversations because they're "chatting" with their friends IN THEIR HEADS!
Human bodies aren't meant to function this way, so they begin to fall apart. Not everything is "meg rad".
The scary part is, while this story is a bit over the top and far-fetched, I can't say that it will NEVER happen. I see the deterioration of Earth and America as a whole. (Tear down the forest to put up Air factories) I see the ever persistant need to be "connected". I am old enough to remember a time when cell phones didn't even exist- now, I can't possibly get through the day without checking my email and text messages. Even this review is online. How else would I be able to share this with you?
The difficult part of the book- the vocabulary is really aggravating at first. It took me a few chapters to warm to the characters because they "like" said "like" everything in "meg" overtoned simpleton language. It was frustrating, at first, but I was over it by the middle of the book. The storyline carries it enough to overlook the aggravation. Even the narrator's dad says "Dude". haha.
Great story. I read all the time and this story has been the best idea for the past few months, at least. Even though I am much older than its intended audience (I think around 14?) it is still really enjoyable. I may read more MT Anderson. "Feed" is my first.
Top reviews from other countries
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Cliente de AmazonReviewed in Mexico on June 30, 20175.0 out of 5 stars Muy bueno!!
Por el precio yo esperaba algo de menor calidad, pero no esta super bien, es altamente recomendable para aquellos amantes de la lectura y que no les gusta gastar demaciado
IslandReviewed in Canada on October 18, 20185.0 out of 5 stars Worth a read
Good condition. Its and interesting concept of a novel that is worth a read
Aaron PeetersReviewed in Australia on September 9, 20205.0 out of 5 stars Wow!
A prescient tale of the strings attached to our consumerist lifestyle and where it might lead. It certainly has made me reflect on the growing role that technology plays, or the role I want/don't want it to play, in my life. Highly recommend.
Arlo MarlonReviewed in the United Kingdom on May 3, 20175.0 out of 5 stars Underrated, brilliant YA-crossover novel
Great book. I heard about this through a friend, and after reading it feel it's one of those great books that didn't get as much recognition as it deserves. The opening pages are some of my favorite to any book: we are immediately thrust into the narrator's strange world via his strong voice and use of dialect/neologisms that work to cement the strange dystopic future setting of the novel. Probably described as YA for the novel's voice and adolescent narrator, like all good YA books it transcends the YA genre and explores many interesting and broad-reaching themes.
Published in 2002, when the internet was yet to invade every corner of our lives as it does today, this book truly felt visionary and premonitory, particularly with it's prediction of how advertising would track our every movements and filter into all aspects of our lives. A brilliant read, not without flaws, but any flaws the book may contain did not bother me in face of the great strength and force that the novel delivered.
Absolutely recommended.
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Marc SczepanskiReviewed in Germany on December 5, 20235.0 out of 5 stars Top
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