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Female Chauvinist Pigs: Women and the Rise of Raunch Culture Paperback – October 3, 2006
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Meet the Female Chauvinist Pig—the new brand of “empowered woman” who wears the Playboy bunny as a talisman, bares all for Girls Gone Wild, pursues casual sex as if it were a sport, and embraces “raunch culture” wherever she finds it. If male chauvinist pigs of years past thought of women as pieces of meat, Female Chauvinist Pigs of today are doing them one better, making sex objects of other women—and of themselves. They think they’re being brave, they think they’re being funny, but in Female Chauvinist Pigs, Ariel Levy asks if the joke is on them.
In her quest to uncover why this is happening, Levy interviews college women who flash for the cameras on spring break and teens raised on Paris Hilton and breast implants. She examines a culture in which every music video seems to feature a stripper on a pole, the memoirs of porn stars are climbing the bestseller lists, Olympic athletes parade their Brazilian bikini waxes in the pages of Playboy, and thongs are marketed to prepubescent girls. Levy meets the high-powered women who create raunch culture—the new oinking women warriors of the corporate and entertainment worlds who eagerly defend their efforts to be “one of the guys.” And she traces the history of this trend back to conflicts between the women’s movement and the sexual revolution long left unresolved.
Levy pulls apart the myth of the Female Chauvinist Pig and argues that what has come to pass for liberating rebellion is actually a kind of limiting conformity. Irresistibly witty and wickedly intelligent, Female Chauvinist Pigs makes the case that the rise of raunch does not represent how far women have come, it only proves how far they have left to go.
- Print length236 pages
- LanguageEnglish
- PublisherFree Press
- Publication dateOctober 3, 2006
- Dimensions5.5 x 0.7 x 8.38 inches
- ISBN-100743284283
- ISBN-13978-0743284288
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Editorial Reviews
Review
-- Malcolm Gladwell, author of Blink and The Tipping Point
"Reading Female Chauvinist Pigs, Ariel Levy's lively polemic, gave me an epiphany of sorts. Finally a coherent interpretation of an array of phenomena I'd puzzled over in recent years.... Levy's argument is provocative -- and persuasive...a consciousness-raising call to arms."
-- The New York Times Book Review
"With the fresh voice of a young woman who grew up taking equal rights for granted while feminism was being perverted into a dirty word, Levy both shocks and sobers as she exposes the real cost of youth culture's 'Girls Gone Wild' form of status-seeking....A great choice for book clubs of either gender, it's a fast read and a surefire discussion sparker."
-- Minneapolis Star-Tribune
"Witty and provocative, painfully funny...as it documents the rise of trashy, raunchy, really, really bad female behavior, Levy's newly published book may well provide the next 'aha' moment in how North American women see themselves."
-- Maclean's (Toronto)
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Female Chauvinist Pigs
Women and the Rise of Raunch CultureBy Ariel LevyFree Press
Copyright ©2006 Ariel LevyAll right reserved.
ISBN: 9780743284288
Introduction
I first noticed it several years ago. I would turn on the television and find strippers in pasties explaining how best to lap dance a man to orgasm. I would flip the channel and see babes in tight, tiny uniforms bouncing up and down on trampolines. Britney Spears was becoming increasingly popular and increasingly unclothed, and her undulating body ultimately became so familiar to me I felt like we used to go out.
Charlie's Angels, the film remake of the quintessential jiggle show, opened at number one in 2000 and made $125 million in theaters nationally, reinvigorating the interest of men and women alike in leggy crime fighting. Its stars, who kept talking about "strong women" and "empowerment," were dressed in alternating soft-porn styles -- as massage parlor geishas, dominatrixes, yodeling Heidis in alpine bustiers. (The summer sequel in 2003 -- in which the Angels' perilous mission required them to perform stripteases -- pulled in another $100 million domestically.) In my own industry, magazines, a porny new genre called the Lad Mag, which included titles like Maxim, FHM, and Stuff, was hitting the stands and becoming a huge success by delivering what Playboy had only occasionally managed to capture: greased celebrities in little scraps of fabric humping the floor.
This didn't end when I switched off the radio or the television or closed the magazines. I'd walk down the street and see teens and young women -- and the occasional wild fifty-year-old -- wearing jeans cut so low they exposed what came to be known as butt cleavage paired with miniature tops that showed off breast implants and pierced navels alike. Sometimes, in case the overall message of the outfit was too subtle, the shirts would be emblazoned with the Playboy bunny or say Porn Star across the chest.
Some odd things were happening in my social life, too. People I knew (female people) liked going to strip clubs (female strippers). It was sexy and fun, they explained; it was liberating and rebellious. My best friend from college, who used to go to Take Back the Night marches on campus, had become captivated by porn stars. She would point them out to me in music videos and watch their (topless) interviews on Howard Stern. As for me, I wasn't going to strip clubs or buying Hustler T-shirts, but I was starting to show signs of impact all the same. It had only been a few years since I'd graduated from Wesleyan University, a place where you could pretty much get expelled for saying "girl" instead of "woman," but somewhere along the line I'd started saying "chick." And, like most chicks I knew, I'd taken to wearing thongs.
What was going on? My mother, a shiatsu masseuse who attended weekly women's consciousness-raising groups for twenty-four years, didn't own makeup. My father, whom she met as a student radical at the University of Wisconsin, Madison, in the sixties was a consultant for Planned Parenthood, NARAL, and NOW. Only thirty years (my lifetime) ago, our mothers were "burning their bras" and picketing Playboy, and suddenly we were getting implants and wearing the bunny logo as supposed symbols of our liberation. How had the culture shifted so drastically in such a short period of time?
What was almost more surprising than the change itself were the responses I got when I started interviewing the men and -- often -- women who edit magazines like Maxim and make programs like The Man Show and Girls Gone Wild. This new raunch culture didn't mark the death of feminism, they told me; it was evidence that the feminist project had already been achieved. We'd earned the right to look at Playboy; we were empowered enough to get Brazilian bikini waxes. Women had come so far, I learned, we no longer needed to worry about objectification or misogyny. Instead, it was time for us to join the frat party of pop culture, where men had been enjoying themselves all along. If Male Chauvinist Pigs were men who regarded women as pieces of meat, we would outdo them and be Female Chauvinist Pigs: women who make sex objects of other women and of ourselves.
When I asked female viewers and readers what they got out of raunch culture, I heard similar things about empowering miniskirts and feminist strippers, and so on, but I also heard something else. They wanted to be "one of the guys"; they hoped to be experienced "like a man." Going to strip clubs or talking about porn stars was a way of showing themselves and the men around them that they weren't "prissy little women" or "girly-girls." Besides, they told me, it was all in fun, all tongue-in-cheek, and for me to regard this bacchanal as problematic would be old-school and uncool.
I tried to get with the program, but I could never make the argument add up in my head. How is resurrecting every stereotype of female sexuality that feminism endeavored to banish good for women? Why is laboring to look like Pamela Anderson empowering? And how is imitating a stripper or a porn star -- a woman whose job is to imitate arousal in the first place -- going to render us sexually liberated?
Despite the rising power of Evangelical Christianity and the political right in the United States, this trend has only grown more extreme and more pervasive in the years that have passed since I first became aware of it. A tawdry, tarty, cartoonlike version of female sexuality has become so ubiquitous, it no longer seems particular. What we once regarded as a kind of sexual expression we now view as sexuality. As former adult film star Traci Lords put it to a reporter a few days before her memoir hit the best-seller list in 2003, "When I was in porn, it was like a back-alley thing. Now it's everywhere." Spectacles of naked ladies have moved from seedy side streets to center stage, where everyone -- men and women -- can watch them in broad daylight. Playboy and its ilk are being "embraced by young women in a curious way in a postfeminist world," to borrow the words of Hugh Hefner.
But just because we are post doesn't automatically mean we are feminists. There is a widespread assumption that simply because my generation of women has the good fortune to live in a world touched by the feminist movement, that means everything we do is magically imbued with its agenda. It doesn't work that way. "Raunchy" and "liberated" are not synonyms. It is worth asking ourselves if this bawdy world of boobs and gams we have resurrected reflects how far we've come, or how far we have left to go.
Copyright © 2005 by Ariel Levy
Continues...
Excerpted from Female Chauvinist Pigs by Ariel Levy Copyright ©2006 by Ariel Levy. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : Free Press; 1st edition (October 3, 2006)
- Language : English
- Paperback : 236 pages
- ISBN-10 : 0743284283
- ISBN-13 : 978-0743284288
- Item Weight : 8.8 ounces
- Dimensions : 5.5 x 0.7 x 8.38 inches
- Best Sellers Rank: #1,241,551 in Books (See Top 100 in Books)
- #2,384 in Feminist Theory (Books)
- #4,280 in Popular Culture in Social Sciences
- Customer Reviews:
About the author

Ariel Levy is a staff writer at The New Yorker magazine, where she has written about the swimmer Diana Nyad, the Supreme Court plaintiff Edith Windsor, the former Italian Prime Minister Silvio Berlusconi, and the drug ayahuasca. She was the editor of The Best American Essays 2015. Her personal story "Thanksgiving in Mongolia" won a National Magazine Award for Essays and Criticism, and it is the basis for her new book, The Rules Do Not Apply.
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book thought-provoking, enlightening, and educational. They describe it as a good summary of raunch culture, pop culture, and feminism. Readers also find the content intriguing, provocative, and interesting. They appreciate Levy's straightforward, easy writing style and witty humor.
AI-generated from the text of customer reviews
Customers find the book amazing, enlightening, and engaging. They say it makes reading worthwhile and provides good critique. Readers also mention it's a great educational book for people who are judgmental.
"...She did a terrific job of setting up the context, looking at the different historic and social forces that have shaped the current state of affairs,..." Read more
"...as a dinosaur's debate in the late 90s and early 2000s, Levy's book is excellent...." Read more
"...In general though, I think this book is fantastic and needs to be more widely read, or at the very least, it needs to be more widely (and openly)..." Read more
"...However, her light-yet stern approach to writing, coupled with her witty humor, save the book from what could have definitely been a boring read...." Read more
Customers find the book a good summary of raunch culture. They say it's a great, light read on feminism and an excellent critique of the social perceptions surrounding what constitutes female equality. Readers also mention the book is good for women to explore themselves and open up.
"...conducts numerous interviews with women of all ages, and gives a brief history of feminism, while keeping a quick pace..." Read more
"...It examines our fascination with raunch culture without being A)..." Read more
"...Ignorance is bliss I suppose.Anyway, this is a great novel on feminism that won't make the reader uncomfortable...." Read more
"...about this particular body of feminist literature is that it doesn't vilify raunch culture for feminism's sake...." Read more
Customers find the book interesting, provocative, and engaging. They say the events are real and implied. Readers also mention the information and statistics are still relevant today.
"I just finished reading FCP, and have to say it was one of the most engaging books I've read in quite a while...." Read more
"...The events are real and implied, although even though it is only eight years old, actually feels surprisingly dated now...." Read more
"...I was NOT DISAPPOINTED. FCP is so thought-provoking and interesting...I am giving the book as gifts to everyone this holiday season, because I think..." Read more
"...I thoroughly enjoyed this book. It puts an intriguing spin on how we perceive just about everything about sex except sex itself...." Read more
Customers find the book readable. They appreciate Levy's straightforward, spare-no-idiotic style.
"...It was a quick read (one day) while still being extremely thought provoking and engaging...." Read more
"...women of all ages, and gives a brief history of feminism, while keeping a quick pace (I read this book in under 24 hours)...." Read more
"...It's a quick read, but you'll think about it for a while." Read more
"...it is a great book for both woman and men. it is a fast, easy read too...." Read more
Customers find the humor in the book witty.
"...However, her light-yet stern approach to writing, coupled with her witty humor, save the book from what could have definitely been a boring read...." Read more
"...Levy writes with humor and an admirable amount of poignancy, which is why I recommend this book to anyone interested in women's studies, feminism,..." Read more
"Funny and eye opening. especially the parts about the sexism in the lesbian scene. Who knew?" Read more
"funny, entertaining and informative. I wish there were more books by this author on amazon, i loved it!" Read more
Customers find the content outdated.
"...although even though it is only eight years old, actually feels surprisingly dated now...." Read more
"A little outdated (which is sweet and funny to realize) but a trail-blazing book on the deep problems plaguing third-wave feminism and the..." Read more
"...For such a modern book, I felt the examples were really outdated, and the author kept using the same 3 or 4 examples." Read more
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I would love to see (perhaps in a second book??) a more nuanced presentation of her views on a different way to approach sexuality as well as the perspective of some women who's sexuality is NOT based on Raunch culture (as she says, there are many many different ways of being sexual...I'd love to hear her take on some of the 'more successful'). How have other's managed to explore the vast and complex landscape of sexuality, desire and pleasure without falling into the trap of reducing it to an act devoid of so much meaning? I've had some interesting discussions about the difference between pornography and eroticism...and I believe that there are both out there...I'd like Ariel Levy's take on the difference.
I'd also want to hear more about men's perspectives (the afterwards addresses some of this...but again more would be nice)...no matter what she intended, I believe this book is as relevant and important for men as it is for women. A great read.
The last three chapters seem to be only tangentially related--one on the misogyny of San Fransisco Boi's in the 2000's, and another on high school sexuality and the failure of abstinence education during the Bush years that could have been written by anyone at the Atlantic. So these parts read like a book with magazine pieces sutured in, and when I read the notes they were. There was nothing particularly objectionable to these sections but instead of going deeper into the roots of the problem, just more symptoms are pointed out. While the "raunch culture" Levy describes may have died-down a bit, the aping of stereotypes of male and female values have not and the neo-liberalization of feminist rhetoric continues. This book seems to indicate that Levy would have a lot to say on that, but more pathological work is needed. This book isn't in the genre for that to possible within its pages.
For what the book actually does, popularizing a problem that seemed be treated as a dinosaur's debate in the late 90s and early 2000s, Levy's book is excellent. The events are real and implied, although even though it is only eight years old, actually feels surprisingly dated now. I just saw a pathological critique implied about how the problem emerged hidden in the pages of Levy's book, but the structure and format of popular non-fiction long-form journalism didn't enable it to come out.
Top reviews from other countries
I am very grateful to Levy for explaining so well in this excellent book what a tragic mistake we're all making today - why us women are so profoundly wrong in thinking that we are empowered and liberated when, for example, we now imitate strippers and/or porn stars in dress and behaviour; when we subject ourselves to mutilation (including genital) under the guise of cosmetic surgery; when we forego education, hard work and generally being excellent people, and choose instead to focus on our (increasingly standardized) looks ... and imagine we're doing it for our own gratification.
'Female Chauvinist Pigs' tells us how and why this all started, how our whole culture and way of life have become so pornified, why everything in our society today has to be ''sexy'' in order to be noteworthy. For women, but resolutely not for men, being ''sexy'' is the one and only factor by which our worth as human beings is measured; and sadly, women willingly participate in this tragic situation. Levy successfully takes apart the contemporary prevailing argument, the gigantic misconception we all now seem to have: that striving for sexiness at all cost is somehow feminist, liberating, and altogether some kind of wonderful and empowering thing for women everywhere. It is not.
To those who believe it is, I warmly recommend this book. Likewise, if you are trying to make up your mind, you will find here a lot of intelligent arguments to help. A brilliant but easy read, which made me re-think a whole lot of my own assumptions.
Ariel Levy has explained in her book things that had been bothering me but I couldn't put into words. Its nice that someone has figured it out and pointed it out for us all to understand. This book has helped me to be more confident to be the kind of woman I want to be, and in a way that I don't feel quite so alone about it. I will share this book with many people, my son and daughter for sure and would recommend it to anyone who can handle taking a good hard look at themselves and how they contribute to "raunch culture."
This seems to be a common stance taken in today's culture, not only in the US (which the author here analyzes exclusively). But have we really gained so much? Are women really part of it? Is the power of one form of sexuality the only power available and in fact desirable for women?
Levy undertakes a tour of the US, interviews women and men in the TV industry, the sex industry, straight and lesbian women about their perceptions of women and femininity and develops a position highly critical of what she terms "raunch culture."
While her style is mostly essayistic and sometimes a little repetitive, her description of the situation women find themselves in today - a total commodification of their sexuality disguised as liberation - is very successful. Her comparison to the feminism of the 1970s - both its criticism of porn and its demand for a freed, sovereign sexuality for women - is very illuminating, especially when she interviews an icon such as "sex-friendly feminist" Erica Jong.
The analysis could be sharper and better balanced at times. I was left wondering whether "raunch culture" is really that ubiquitous in the US (Levy reports mainly from the coasts and her subjects seem to be mainly white middle class young women) and whether there aren't any benefits to it (the freedom to have sex as opposed to, say, old-fashioned religious control over women's bodies).
However, all in all I find this an important publication that helped me developed new distance to the omnipresence of sexualized pictures of women. Yes, I find these pictures offensive. Yes, women should not just have (some sort of limited) power because they have boobs. I, personally, want the power of making responsible decisions because I have a brain and a will and dedication.
Levy does a good job of reminding us of the importance of this form of participation and she argues well that we must not let ourselves be limited by one idea of male centered sexuality.
(I would give this book 4,5 stars if it were possible. Since I consider it an important publication, I will give it 5)



