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Fields of Fire: A Novel Mass Market Paperback – August 28, 2001
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They each had their reasons for joining the Marines. They each had their illusions. Goodrich came from Harvard. Snake got the tattoo—“Death Before Dishonor”—before he got the uniform. Hodges was haunted by the ghosts of family heroes. They were three young men from different worlds, plunged into a white-hot, murderous realm of jungle warfare as it was fought by one Marine platoon in the An Hoa Basin, 1969. They had no way of knowing what awaited them. Nothing could have prepared them for the madness to come. And in the heat and horror of battle they took on new identities, took on one another, and were each reborn in fields of fire.
Fields of Fire is James Webb’s classic novel of the Vietnam War, a novel of poetic power, razor-sharp observation, and agonizing human truths seen through the prism of nonstop combat. Weaving together a cast of vivid characters, Fields of Fire captures the journey of unformed men through a man-made hell—until each man finds his fate.
Praise for Fields of Fire
“Few writers since Stephen Crane have portrayed men at war with such a ring of steely truth.”—The Houston Post
“A stunner . . . Webb gives us an extraordinary range of acutely observed people, not one a stereotype, and as many different ways of looking at that miserable war.”—Newsweek
“A novel of such fullness and impact, one is tempted to compare it to Norman Mailer’s The Naked and the Dead.”—The Oregonian
“Webb’s book has the unmistakable sound of truth acquired the hard way. His men hate the war; it is a lethal fact cut adrift from personal sense. Yet they understand that its profound insanity, its blood and oblivion, have in some way made them fall in love with battle and with each other.”—Time
- Print length480 pages
- LanguageEnglish
- PublisherBantam
- Publication dateAugust 28, 2001
- Dimensions4.12 x 0.98 x 6.87 inches
- ISBN-100553583859
- ISBN-13978-0553583854
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Editorial Reviews
Review
“In swift, flexible prose that does everything he asks of it—including a whiff of hilarious farce just to show he can do it—Webb gives us an extraordinary range of acutely observed people, not one a stereotype, and as many different ways of looking at that miserable war . . . Fields of Fire is a stunner.”—Newsweek
“James Webb has rehabilitated the idea of the American hero—not John Wayne, to be sure, but every man, caught up in circumstances beyond his control, surviving the blood, dreck, and absurdity with dignity and even a certain elan. Fields of Fire is an antiwar book, yes, but not naively, dumbly anti-soldier or anti-American . . . Webb pulls off the scabs and looks directly, unflinchingly on the open wounds of the Sixties.”—Philadelphia Inquirer
“Webb’s book has the unmistakable sound of truth acquired the hard way. His men hate the war; it is a lethal fact cut adrift from personal sense. Yet they understand that its profound insanity, its blood and oblivion, have in some way made them fall in love with battle and with each other.”—Time
“A novel of such fullness and impact, one is tempted to compare it to Norman Mailer’s The Naked and the Dead.”—The Oregonian
“In my opinion, the finest of the Vietnam novels.”—Tom Wolfe
From the Inside Flap
They each had their illusions. Goodrich came from Harvard. Snake got the tattoo -- Death Before Dishonor -- before he got the uniform. And Hodges was haunted by the ghosts of family heroes.
They were three young men from different worlds plunged into a white-hot, murderous realm of jungle warfare as it was fought by one Marine platoon in the An Hoa Basin, 1969. They had no way of knowing what awaited them. Nothing could have prepared them for the madness to come. And in the heat and horror of battle they took on new identities, took on each other, and were each reborn in fields of fire....
Fields of Fire is James Webb's classic, searing novel of the Vietnam War, a novel of poetic power, razor-sharp observation, and agonizing human truths seen through the prism of nonstop combat. Weaving together a cast of vivid characters, Fields of Fire captures the journey of unformed men through a man-made hell -- until each man finds his fate.
From the Back Cover
Fields of Fire is James Webb's classic, searing novel of the Vietnam War, a novel of poetic power, razor-sharp observation, and agonizing human truths seen through the prism of nonstop combat. Weaving together a cast of vivid characters, Fields of Fire captures the journey of unformed men through a man-made hell -- until each man finds his fate.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
February 1968
There he went again. Smack-man came unfocused in the middle of a word, the unformed syllable a dribble of bubbly spit along his chin, and leaned forward, that sudden rush of ecstasy so slow and deep it put him out. His knees bent just a little and he stood there motionless, styled out in a violet suit and turquoise, high-heeled shoes. He had the Wave and his hair was so perfectly frozen into place that he seemed a mimic sculpture of himself, standing there all still with skag.
Snake peeped into the doorway one more time, still saw no one, and took a deep breath: I owe it to myself. He grabbed a sink with one hand and unloaded with a furious kick, perfectly aimed. Smack-man’s head bounced up like a football on a short string, stopping abruptly when his neck ended. Then he slumped onto the floor, out cold, breathing raggedly through a mashed, gushing nose.
Nothing to it. Never knew what hit him.
Snake quickly sorted through Smack-man, careful to replace each item as he found it. Two ten’s were stuffed inside one pocket. Whatta you know. Smack-man must be a bag man. Smack-man should be ashamed. Snake pocketed the money, laughing to himself: for the good of society, and little kids on dope.
He stood, pushing his glasses back up his nose, and scratched his head, studying his kill. Well, I gotta go tell Mister Baum. What a bummer.
And in twenty minutes he was on the street again, walking briskly toward nowhere under winter’s lingering chill. His shoulders were raised underneath the gray sweatshirt, guarding hopelessly against the wind. His head was tilted to the side and back. A sneer sat tightly on his face.
What the hell. You gotta believe in yourself. It was the right thing to do.
A gust of wind swooped down from the amber mist of sky and chased him, rattling trash. Next to him the door of an abandoned rowhouse swung open and banged. The boards over its windows clapped against the building. His eyes scanned the building quickly and his narrow shoulders raised against the biting wind again, but otherwise there was no reaction from him.
Gotta be cool, man. Can’t let no empty building spook you.
An old car clanked past him, spewing clouds of oil, and he eyed it also, not breaking his sauntering stride. Driving too slow. Looking for something. Hope it ain’t me.
He was small, with a mop of brittle hair. The hair flopped along his neck, bending with any hint of wind. His face was narrow and anonymous but for the crooked memory of a broken nose and the clear eyes. The eyes were active and intense.
He left the sidewalk, turning inside a rusted fence, and walked up to a rowhouse stairway. He climbed the outside steps, pondering each one as if searching for an excuse not to ascend it, and did a mull-dance on the landing, finally being chased inside by another gust of wind.
Hell with it. Need a beer anyway.
The black stench of air clung to him as he climbed the inside stairs. Sadie stuck her head out on the second landing and he jammed a ten-dollar bill inside her stained cotton robe. The bill never stopped moving. Sadie extracted it with a lightning stroke and ogled it as if it were an emerald. Her wild gray hair came full into the hallway and she called to Snake. He was three steps up from her landing now.
“What you been up to, bad old Snake?”
“Trouble. You know that.” He stopped on the stairs for one moment and gave her his ten-dollar sermon. “Now, go buy that dog of yours some diapers. Or a box of kitty litter. I’m tired of seeing his shit inside the door down there.”
She slammed the door on him. He laughed, continuing up the stairs. Old bitch.
Inside his own door, a vision on the bed. He blinked once at the greater light and focused. It was his mother, in her bathrobe. She dangled imaginatively on the bed’s edge, her chubby legs crossed, neither of them quite touching the floor. Her arms were up behind her head, pushing her hair over the top so that it fell down around her face. She looked as if she were carefully attempting to re-create a picture from some long-forgotten men’s magazine. She watched the door with expectant eyes and dropped her hands in disappointment when she saw Snake. He shook his head slightly, then pulled out a cigarette and leaned against the doorway.
“Uh huh. What are you doing? Paying bills?”
She smoothed a wrinkle on the bed, studying it for a moment, not looking at him. Then she gave her hair a flip. She had bleached it artificial gold again, and she smiled her sugar smile and her sad, remembering voice came across the room on a puffy little cloud, floating lazily to his ears.
“You’re home early, Ronnie.”
“You noticed that.”
She was naked underneath the robe. She leaned forward on the bed, finding the floor with her dangling feet, and the robe fell loosely away, revealing her. Snake shrugged resignedly. Something’s going on. Again. He walked to the refrigerator and searched for a beer but they were gone. There had been two six-packs that morning.
“Old Bones out on a job?” She nodded, watching him from beside the bed.
“You sure he’s working?” She laughed a little. He did, too. The old man’s antics were legendary and unpredictable.
“Man came for him in a truck this morning and he left with his painting clothes on, carrying a sackload of beer.” She shrugged, then looked at Snake with an insightful stare. “From the beer I’d say he’s working. If it was hard stuff...” She made a funny face and shrugged again. “I think he’s working.”
There was nothing else to drink in the refrigerator. “Any coffee?”
“Instant.”
He put some water on. She eyed him closely, walking from the bed into the kitchen. “Why are you home so early? Did you get fired again?”
He spooned the instant into the cup. “Yup.”
She grinned, half-amused and half-curious, her eyes lingering on his wiry body. “Was it another fight? How can you stand to fight so much? You’re so blind without your glasses! Was it another fight?”
He checked the water. Hot enough. He poured it into the cup. “Yup. Sort of.”
She sat down and leaned over the table, admiring him. “How can a man be fired for ‘sort of’ being in a fight?”
He joined her at the table and sipped his coffee. Perfect. Then he lit another cigarette. “Well. It all started when I had to clean the women’s room.” She nodded eagerly, already knowing that he would make it into a great story. She had always told him that he shouldn’t fight but she cloyed him with attention when he did. She had always admonished him to be civil but at times like this he was John Wayne, straight out of Dodge City. He casually sipped his coffee.
“I put the sign out in front of the door, you know, so nobody will walk into the room when I’m cleaning it. Then I wait until all the girls are out of there, asking each one when she leaves if there’s anybody else still in there. I don’t want to get into that kind of trouble, moral turpitude is a bust, you know that. Finally I go in and clean the toilets and the sinks, and I’m starting to mop the floor when this nigger dude stumbles in. Got a Jones on, I can tell the minute he walks into the room. He’s just shot up, too. Don’t know where the hell he got off, maybe right there in the movie room. Don’t know if he could cook up without being caught but I guess it’s as good as any other place. Nobody ever gave a damn when a match was lit that I ever saw. Maybe he was snorting. Who knows. He looked too out of it to be snorting. He was out on his goddamn feet. You know he’s out of it if he walks into the wrong bathroom. Moral turpitude and all.”
She reached over and took one of his cigarettes, ogling him as if he were telling a bedtime story. Really grooving on it. “Yeah. O.K. So what did you do?”
“Take it easy. Don’t steal my lines, all right? The dude walks into the bathroom, taking a couple steps and then stopping, nodding out right on his feet, leaning all the way forward at the waist, all the way out. Then he wakes up real quick and goes ‘whoooeeee, whooooooeee,’ like that, and then falls asleep again, there on his feet. I don’t know how the hell he made it to the bathroom. Well. I watch him do that a couple times. He smiles when he wakes up like everything’s O.K. I try to check his fingers to see if he’s got the poison but I can’t tell, and he’s pretty strong when he wakes up. Figure he’s just got a strong shot in him.
“He’s dressed pretty good. That don’t always mean anything, I mean, why the hell would he be in a movie in the afternoon if he’s worth a shit, it’s a lousy movie anyway. But you never can tell.”
He flipped his cigarette into the cluttered sink and slowly lit another, enjoying her eagerness. “Didn’t know what to think, to tell you the truth. Coulda been anybody. But I watched him dropping off like that, and checked those clothes out, and I figured it was worth a shot.” She nodded quickly to him, smiling, enraptured by his logic. Snake laughed ironically. “It was like the Lord his-self delivered him to me. Here we are in the girls’ room, with a sign out front that says ‘CLOSED,’ ain’t nobody coming in, ain’t nobody there to say what happened, this dude is so far gone he could take a picture of me and still not remember me. Well. Just had to make me a play.”
She was still smiling. She leaned forward in anticipation. “So you punched his lights out.”
He laughed a little. “Well, I thought about it. You know John Wayne woulda dropped him with a poke between the eyes. But I figured the motherfucker would break my hand. Nigger heads are like that, you know? So the next time he gave a whoooeee I kicked him right between the eyes. Pow!” He checked her face out. She was ecstatic. It was the high point of her day. “Kept my toe pointed so I wouldn’t put my foot between his eyes. Don’t need no murder rap from a junkie dead inside a toilet. Popped his nose like a light bulb. He had twenty bucks and four bags on him. Took the bucks. Left the bags.”
She stared at him curiously. “So how’d you get fired?”
He squinted, sipping coffee. The coffee was almost gone. “Well, I had to report it. Everybody knew it was me inside the girls’ room. Found Mister Baum and told him a dude got pushy with me when I tried to make him leave the girls’ bathroom. Told him the dude looked a little drunk and started shoving me, so I poked him in the face.”
She squinted back. “Sounds like a pretty good story to me.”
“I thought so, too. But you know them hebes. Always worrying about getting sued. He tells me, ‘Snake, you can’t just go round hitting people when you work in a place like this.’ I says, ‘Mister Baum, you know I never started a fight in my whole life, but I just can’t let people push me round, no matter where I work. What kind of a man lets people push him round?’ And he says, ‘Snake, I think you done a good job for us but I gotta can you.’ And he fires me and gives me full pay for the week. Plus I got the nigger’s twenty bucks. Not bad, huh?”
She nodded approvingly: not bad. “What happened to the nigger?”
Snake stacked the coffee cup in the sink. “Who cares?” His face showed a moment of sparkle. “If he’s got a hair on his ass he’ll sue Mister Baum.”
She leaned back in her chair, laughing. Not a bad story. Then she smiled and he could tell she was remembering again. She shook her head a little. “You’re so bad, Ronnie. And so young to be so bad. Doesn’t anybody scare you? Don’t you like anybody?”
He did not answer. The question was rhetorical. He stifled the retort that once was commonplace, that she was not one to be lecturing anyway. She continued, though, in a rare moment when the emotion of the memory overwhelmed the reality of the present. “And you were stupid to quit school. You always did so well.”
Again he did not answer. She’s talking about history, he mused. Don’t do no good to talk about it. Won’t change it. And it was nothing but a hassle, anyway. Rules rules rules.
She gave him an acquiescent smile and floated those pillowed, remembering words again. “Well, I guess you’ll be out job-hunting tomorrow morning, huh?”
“I don’t know. I’m getting sick of it.”
She shrugged, avoiding his eyes. She had already said too much. Or perhaps it would have been one of the rare days when her memories mounted until they drove him back into the street. Who knows. There was a measured clomping on the stairs then, and the door burst open. No knock.
A reddened face peered expectantly into the room as if it were his personal possession. The red face was meaty, heavy-bearded, framed by thinning black hair. The nose was mashed and grainy and the eyes seemed dull, unfocused. The man had huge hands and a belly that hung over his belt.
Snake understood immediately. He felt humiliated, but mostly he was embarrassed at being in the way. She’s going to do it, he thought, starting for the door, there’s no way I can ever stop that. Her life, anyway. She wants it and I got no right to get pissed. But he looked at the animal that had just entered his home for the purpose of smothering his mother underneath his rolls of fat and muscle, stroking that most special part of her insides, and his neck crawled with a rage that did not delude him as to its depth.
He knew that he could kill this fat man whose only pertinent fault was that he wanted to fill Snake’s mother with the one thing she desired more than anything else. He could kill him and laugh for weeks about it. For one pulsing, heated flash he seriously considered using his knife. Then he became embarrassed at his own rage. I got no right, he decided. Don’t do no good, anyway. It’s what she wants. Hell with it.
Fat Man looked dully at his mother, seemingly too unfocused to understand. Maybe he’s jealous, Snake mused. That’s a laugh. He decided that he must leave the apartment, get out of their way. Fat Man was still standing in the door, half in and half out, trying to figure the whole thing out. Snake reminded himself that he would have to laugh about Fat Man once he escaped the apartment. Christ, is the bastard dumb. Where does she find ‘em? But I bet he has a big one.
He turned to his mother and said, for the benefit of Fat Man, “Well, I’m cutting out, Mom. Catch you later.”
Product details
- Publisher : Bantam; Reprint edition (August 28, 2001)
- Language : English
- Mass Market Paperback : 480 pages
- ISBN-10 : 0553583859
- ISBN-13 : 978-0553583854
- Item Weight : 8.3 ounces
- Dimensions : 4.12 x 0.98 x 6.87 inches
- Best Sellers Rank: #200,480 in Books (See Top 100 in Books)
- #1,091 in Military Historical Fiction
- #2,782 in War Fiction (Books)
- #12,418 in Literary Fiction (Books)
- Customer Reviews:
About the author

The Honorable James H. Webb, Jr., has been a combat Marine, committee counsel in Congress, Assistant Secretary of Defense, Secretary of the Navy, U.S. Senator from Virginia, Emmy-award winning journalist, filmmaker and author of 10 books.
Webb graduated from the Naval Academy in 1968, one of 18 midshipmen to receive a special commendation for “outstanding leadership contributions,” and was the Honor Graduate, first in his class of 243 lieutenants, at Marine Corps Officer's Basic School. At age 23 as a rifle platoon and company commander in Vietnam he was awarded the Navy Cross, the Silver Star Medal, two Bronze Star Medals with the combat “V” and two Purple Hearts, and was the most highly decorated member of the Naval Academy’s historic class of 1968.
Webb graduated from Georgetown University Law Center in 1975, receiving the Horan Award for excellence in legal writing, then became the first Vietnam veteran to serve as a full committee counsel in the U.S. Congress, serving from 1977 to 1981 as assistant minority counsel and then full counsel to the House Committee on Veterans Affairs. In 1982, he led the fight to include an African-American soldier in the Vietnam Veterans Memorial.
Appointed by President Ronald Reagan, Webb was the first-ever Assistant Secretary of Defense for Reserve Affairs in 1984, and in 1987 the first Naval Academy graduate in history to serve in the military and become Secretary of the Navy. At the Pentagon, he also was a member of the Armed Forces Policy Council and the Defense Resources Board.
He was a Fellow at Harvard University’s Institute of Politics in 1992.
Webb served six years representing Virginia in the United States Senate. While in the Senate, in 2007 Webb delivered the response to the President’s State of the Union address, and served on the Foreign Relations, Armed Services, Veterans Affairs, and Joint Economic committees, including four years as Chairman of the Armed Services Subcommittee on Personnel, and of the Foreign Relations Subcommittee on East Asian and Pacific Affairs.
He wrote and guided to passage the Post-9/11 GI Bill, the most significant veterans’ legislation since World War II. Despite strong opposition by the Bush Administration and Republican leaders, Webb conceived and implemented a bipartisan approach and accomplished the passage of this landmark legislation in only sixteen months. He also was the leading voice in the United States Congress on behalf of reforming America’s broken criminal justice system, and co-authored legislation which exposed $60 billion of waste, fraud and abuse in Iraq and Afghanistan wartime-support contracts.
The Atlantic Magazine spotlighted him as one of the world’s “Brave Thinkers” for possessing “two things vanishingly rare in Congress: a conscience and a spine.”
Having widely traveled in Asia for decades, as chair of the Senate Foreign Relations Committee’s Asia-Pacific Subcommittee, Webb was the leading voice in calling for the U.S. to re-engage in East Asia, meeting frequently with key national leaders throughout the region. He personally initiated what later became known as the “strategic pivot to Asia,” two years before Obama was elected President. He also conceived and carried out the process that resulted in opening up Burma (Myanmar) to the outside world. In 2009, he was the first American leader to be allowed entry into Burma in ten years, leading a historic visit that opened up a dialogue that resulted in the re-establishment of relations between our two countries.
A long-term observer of the strategic balance in East Asia, Webb has been warning for twenty years about Chinese expansionism in the Senkaku Islands and in the South China Sea. He speaks Vietnamese and has maintained strong relations with the American Vietnamese community, including extensive pro bono work dating from the late 1970s. He has maintained continuous relations in Thailand for more than thirty years, and In 2015 was a guest of Thai government leaders to discuss how to improve deteriorating US – Thai relations. He also has maintained similar relations in Japan.
In addition to his public service, Webb has had a varied career as a writer. He taught “Poetry and the Novel” as writer in residence at the Naval Academy. He wrote frequent policy-oriented articles and editorials for major American newspapers and magazines, particularly in the area of defense and national security issues, including numerous articles for the New York Times and Wall Street Journal editorial pages. Traveling widely as a journalist with multiple assignments in Japan, Philippines, Thailand and Vietnam, Webb was the first American journalist ever allowed access to report from inside the Japanese prison system. He covered the American military in many ways, including TV coverage of the Marines in Beirut in 1983 for PBS for which he received a national Emmy Award, and in 2004 as an “embedded reporter” with the U.S. military in Afghanistan.
Webb is the author of ten books. These include six best-selling novels, notably “Fields of Fire,” widely recognized as the classic novel of the Vietnam War. His nonfiction books include “Born Fighting,” a sweeping cultural history of the Scots-Irish people that author Tom Wolfe termed “an important work of sociological history…the most brilliant battle-flare ever launched by a book."
Webb has extensive experience in Hollywood as a screenwriter and producer. He wrote the original story and was executive producer of the film “Rules of Engagement,” starring Tommy Lee Jones and Samuel Jackson, which held the top slot in U.S. box offices for two weeks in April 2000.
Webb has received more than 30 national awards, including two American Legion National Commander Awards for his work in the area of Veterans Affairs and for his writings, including the Vietnam classic “Fields of Fire,” and the Thomas Jefferson Foundation Medal in Citizen Leadership (in April 2014), which is the University of Virginia’s highest recognition for public service. He received the Department of Defense Medal for Distinguished Public Service in 1987, as well as the Congressional Medal of Honor Society’s Patriot Award for being an American who “exemplified the ideals that make our country strong and a beacon of liberty to people throughout the world” (President Ronald Reagan was the previous year’s recipient of this award).
Each year, the Marine Corps Heritage Foundation presents a series of awards to Marines and civilian community members, recognizing exemplary work in advancing and preserving Marine Corps history. The James Webb Award is named for the senator, author, and Navy Cross recipient. It is given for distinguished fiction dealing with U.S. Marines or Marine Corps life.
Webb has six children and lives in Northern Virginia with his wife, Hong Le Webb, who was born in Vietnam and is a graduate of Cornell Law School.
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My review Fields of Fire (1977)
James “Jim” Webb
Yes, the author is “that” Jim Webb, the Secretary of the Navy under Reagan, the 1968 Annapolis graduate, the Democratic Senator from Virginia. Why I owned no previous knowledge of this book remains a mystery to me. "Fields of Fire", an epic novel serves as an introduction to what Webb calls, “My Marines”.
Webb’s Marines are complex and nuanced characters, far from the stereotypes that so many held for our “grunts” during those times when we first became so divided over Vietnam. Webb writes with precision and accuracy, often more accurately than the artillery fire which rained in 1969.
The stories of the 2.5 million Americans who served in Vietnam covering the entire involvement from 1959 through 1975, differ markedly based on time and place. Yet, so many in the US. In 1969, the total numbers for Americans serving in the military were:
1969
Army = 1,512,169
Navy = 775,869
Marines = 309,771
Air Force = 862,353
Total = 3,460,162
Source: http://historyinpieces.com/…/us-military-personnel-1954-2014
Of that 3.46 M total, 549,500, or approximately 1 in 7, served in Vietnam.
Webb’s experiences and mine both took place in 1969. However, we served in markedly different places. Webb served in I Corps, the farthest northern region of the Republic of Vietnam. My First Cavalry Division experiences took place in III Corps, about 50 miles northwest of Saigon. Distance over 300 miles.
The Vietnam experience was a complex, confusing, dangerous, terrifying, dirty business. All our technology, all our training, all our spirit, were tested and matched by a devout, determined, willing enemy. Our leaders made bad decisions, backed corrupt South Vietnamese dictators. Our military faced an impossible task. Even today, I hear many people, including veterans attempt to oversimplify the enormity of the task with thoughts like we should have bombed them into the Stone Age. Well parts of Vietnam, were still in the Stone Age, both Paleolithic variety (hunter-gatherers, who became some of our staunchest allies, see Montagnards, and Neolithic variety raising their own food, though they really remained living within a few miles of their village. The Vietnamese had been digging tunnels since fight Japan in WW2 and the French during the forties and fifties. We poured more ordnance on Vietnam than the whole of WW2. We bombed and fired artillery every day.
Much of the literature of Vietnam War tells the stories up to 1968, as if the war ends in that watershed year. However, 1969 continued a brutal war and the second most number of Americans to die in a year was the year 1969.
Webb’s war, chronicles insight into the continuance in the Marine Corps Area of Operations (AO). Webb’s main character, a platoon leader, like Webb, suffered debilitating injuries which first required MEDEVAC to Okinawa, operations and lengthy rehabilitation. Webb and his character choose to return to the field. Webb saw 51 of his Marines become KIAs, a terrifying number to comprehend from a single company in the space of less than a single calendar year.
But Webb takes the reader beyond the Vietnam combat scene. In addition to training, transit, and R&R, Webb recounts who the men were before becoming Marines. Plus, he shares survivors and their saga following the combat experience, zeroing in with one character who returns to college. That man is recruited to speak at an anti-war rally, but disappoints the anti-war leaders and inflames the crowd because he speaks of the authentic experience of combat camaraderie, the building of brothers.
This novel would make the Great American Vietnam War movie, though I read that the Pentagon vetoed that proposal.
It is not light reading. Be prepared to descend into the muddy hell of firing positions, call for medic, carry your dying brother, and loading your KIA brother onto a Medevac. If you can take it, be sure to read this incredible story.
This story is by far one of the best I've read novelizing Vietnam. The story revolves around 3 main characters all serving in the 25th Marines during 1969. Their AO is called "Arizona" and refers to a valley somewhere in the middle of nowhere, Vietnam. The main actors, Hodges, Snake and Goodrich take on personalities that seem to cover the 60's view of the war.
Snake, is probably the most realistic given the circumstances. He's very good at being a marine. Thinks clearly about what he needs to do and wont stand for any BS from anyone. Hodges is the 2nd LT, new to the bush, not too wide eyed; idealistic to a point but realizes certain things have to be done. Goodrich, Harvard educated, bored but way too intelligent for his own good becomes more and more disenchanted with the proceedings as his time in country wears on. Goodrich never quite fits in to the group.
We follow the Platoon through it's various phases of life, death, lies, deceit, ideology, maturity and eventual renewal through various forms of rotation. Dead man out, new guy in, wounded out, new guy in etc... Along with the main Vietnam theme of the book, each of the main players gets his own chapter showing his evolution from main street into the war.
The writing style meshes the strained and guttural conversation of bush marines with the clarity and articulation needed to illustrate experiences and situations required to keep the reader hooked. Mr Webb, along with being experienced, is obviously extremely well read as his choice of words and phrasing exhibits.
I'd like to offer this:
We all have feelings and thoughts about War, probably about the Vietnam war more than any other, it was just one of those wars. Those feelings are ours to think about, explore, play with etc. Positive or negative, we owe it to the guys who served to hear their side of things. We can sit all day and share our speeches and opinions on politics and military actions until the cows come home, it changes nothing. What makes the changes are the guys who put up at the time of calling. Their meat hit the metal and we owe it to all of them to sit on our hands and listen as they speak to us. Offer no words of encouragement, no words of grievance, no words of understanding but offer a willingness to keep our mouths shut and listen.
Top reviews from other countries

The book follows a squad of marines in Vietnam, with flash back episodes to the lives of the various members of the squad at home. Most novels (and many non-fiction works on the subject) seem to fall into one of two camps, either regurgitating anti-war clichés or alternatively imagine that the US won a war but was failed by a spineless society and politicians at home. In both cases it is about re-fighting old battles. This book is unusual in that it is neither, and it treats the soldiers as human beings, warts and all but nevertheless human beings. In a way the book has something in common with Remarque's classic "All Quiet on the Western Front" in that the book provides a fictionalised story based on the actual wartime experiences of the writer and basically just tells a story and leaves the reader to figure out what they think of it all.
At times the book is very violent, and it does not shy away from the horrors of war (and counter-insurgency type operations can be particularly brutal) and in places it does make for disturbing reading. The ending in it's own way demonstrates both the de-humanising of young soldiers in such a savage war and the tendentious and self righteous attitude of parts of the anti-war movement.
James Webb was a decorated soldier who served in Vietnam, and whatever one might think of his politics I think his record of service gives him a right to write such a book, and perhaps surprisingly it is a much more balanced book than most books about Vietnam. The writer shows the horror of that awful war without being patronising or turning the characters into caricatures or falling into the usual cliché's.
A great book, 5*.

He paints a vivid picture of his characters and the choices they make and why. Loyalty to one another becomes the raison d’etre in a war which had strategic objectives so lofty and amorphous as to be meaningless to the men on the ground.
I particularly enjoyed the concentration on the back story of various characters, and the final part where the aftermath of the things done by the team is played out. The very last part concentrated on the one character who was painted in a rather unsympathetic light, but he manages to get right with the team in a strange way.
A great book, I love it and highly recommend it.

Most heartwrenching of all is the reaction at home to the war and the people involved. Highly relevant today with public opinion divided about Iraq, this shows how the troops involved were completely demoralised by negative, and sometimes venemous, reactions from people who had limited understanding of combat.
I could not put this book down until I finished it!
Even if war stories are not your thing, give it a go. I think you'll be pleasantly surprised.

