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Fierce Invalids Home From Hot Climates Paperback – May 29, 2001
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The fierce invalid in Tom Robbins's seventh novel is a philosophical, hedonistic U.S. operative very loosely inspired by a friend of the author. "Sex, drugs, and rock 'n' roll are enormously popular in the CIA," claims Switters. "Not with all the agents in the field, but with the good ones, the brightest and the best." Switters isn't really an invalid, but during his first mission (to set free his ornery grandma's parrot, Sailor, in the Amazon jungle), he gets zapped by a spell cast by a "misshapen shaman" of the Kandakandero tribe named End of Time. The shaman is reminiscent of Carlos Castaneda's giggly guru, but his head is pyramid-shaped. In return for a mind-bending trip into cosmic truth--"the Hallways of Always"--Switters must not let his foot touch the earth, or he'll die.
Not that a little death threat can slow him down. Switters simply hops into a wheelchair and rolls off to further footloose adventures, occasionally switching to stilts. For a Robbins hero, to be just a bit high, not earthbound, facilitates enlightenment. He bops from Peru to Seattle, where he's beguiled by the Art Girls of the Pike Place Market and his 16-year-old stepsister, and then off to Syria, where he falls in with a pack of renegade nuns bearing names like Mustang Sally and Domino Thirry. Will Switters see Domino tumble and solve the mystery of the Virgin Mary? Can the nuns convince the Pope to favor birth control--to "zonk the zygotic zillions and mitigate the multitudinous milt" and "wrest free from a woman's shoulders the boa of spermatozoa?" Can the author ever resist a shameless pun or a mutant metaphor?
The tangly plot is almost beside the point. Switters is a colorful undercover agent, and a Robbins novel is really a colorful undercover essay celebrating sex and innocence, drugs and a firm wariness of anything that tries to rewire the mind, and Broadway tunes, especially "Send in the Clowns." Some readers will be intensely offended by Switters's yen for youth and idiosyncratic views on vice. But fans will feel that extremism in the pursuit of serious fun is virtue incarnate. Fierce Invalids Home from Hot Climates is classic Tom Robbins: all smiles, similes, and subversion. --Tim Appelo --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Fans of Robbins (Jitterbug Perfume; Still Life with Woodpecker) will be delighted to find that his first book in almost six years contains many of the elements they have come to expect from this imaginative author. Sex, sedition and similes abound in a tale of loves both indictable and divine. Unlike Robbins's previous work, however, the novel's story line, though typically eclectic, feels contrived. Switters, the protagonist, is an errand boy for the CIA, a secret lover of Broadway show tunes and a pedophile. On assignment in Peru (he has been ordered to verify the philosophical commitment of a new CIA recruit), Switters encounters a Kandakandero medicine man who gives him mind-altering drugs and wisdom, but in exchange inflicts a curse: if Switters's feet ever touch the ground, he will be struck dead instantly. So Switters spends the rest of the novel in a wheelchair, although this in no way slows him down. He returns to Seattle, chases after his 16-year-old stepsister and numerous art students, then embarks on a mission to Syria to sell gas masks to Kurds; there, he beds a nun who even so remains a virgin. In true Robbins style, the writing throughout is lush and sexy, containing a great deal of witty social and political commentary. But this time around, his story fails to catch hold until too far into the text. And although Robbins's signature prose is in effect here--he mentions, for example, "a pink wink of panty"--he leaves too many loose ends dangling. Agent, Phoebe Larmore. (May)
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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2) Characters (4 stars) - Switters is the cocksure adventurer. Intellectual, bold, spontaneous. He's a great guy to ride along with on a fun journey. However, there didn't seem to be much room for his inner growth. What did he want to become? Or was he already perfect when the novel began?
3) Theme (4 stars) - The central theme seems to be about the power of mindful playfulness ... that joy is wisdom. In addition, there were dozens of other little ideas to keep you pondering--from what makes someone human (humor, imagination, eroticism, spirituality, rebelliousness, and aesthetics, in case you were wondering), to what our inner awareness can show us vs. the awareness brought by ingesting certain plants, to the boundaries and powers of language. Robbins likes his theories, and he sprinkles them liberally in this work.
4) Voice (4 stars) - Robbins likes to enjoy himself, and it comes through in his prose. He doesn't just have a proclivity for metaphor, he turns those metaphors into little anthropomorphized stories that have a life of their own. When not supporting whimsical metaphor, his sentences are jaunty and smooth. A fine fine writer, but sometimes it felt like he might be nervous to convey any of life's sadder side--depression, loss, hopelessness. Don't get me wrong, I'm not saying I want books filled with the sad stuff, just that it exists and perhaps it should get some page time to make things seem more real.
5) Setting (4 stars) - Robbins' descriptions of the various locales were always vivid and entertaining. However, the observational distance of his writing sometimes left me feeling a little distant from these places.
6) Overall (4 stars) - All 4s equals a 4. I'd recommend it. It was a lively, thought-provoking, zany ride.