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Film Noir: The Dark Side of Cinema XII

4.4 out of 5 stars 25 ratings

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From the manufacturer

Film Noir: The Dark Side of Cinema XII

This collection features brand new 2K masters of three film noir classics: Undertow (1949), Outside the Wall (1950), and Hold Back Tomorrow (1955)

Undertow

Outside the Wall

Hold Back Tomorrow

Product Description

This collection features three film noir classics:

UNDERTOW (1949) – Best known for fright fare such as House on Haunted Hill, The Tingler and Let’s Kill Uncle, cult director William Castle turns his lens on guns and gangsters for the film noir gem Undertow. Scott Brady (I Was a Shoplifter) stars as Tony Reagan, a gambler just out of wartime military service. No longer interested in wagers and speculations, Reagan wants only to open up a mountain vacation lodge. Before this can take place, however, he is framed for murder and forced to go on the run from both the police and the unknown killers. Dorothy Hart (Larceny) and Peggy Dow (Shakedown) play the love interests in this serpentine tale of mob-and-moll double-crosses, with John Russell (Yellow Sky), Bruce Bennett (Mildred Pierce) and future star Rock Hudson (The Tarnished Angels) in his second film appearance.

OUTSIDE THE WALL (1950) – Richard Basehart (He Walked by Night) stars as Larry Nelson, paroled from prison after serving nearly half of his thirty-year sentence. Larry is determined to not fall into the clutches of the law again and takes a quiet job at a country sanitarium. There he meets and falls for a gold-digging nurse, Charlotte Maynard (Marilyn Maxwell, Race Street), and he knows the only way to enter her web is to make a lot of fast money. So when Larry learns that the sanitarium is a front for a robbery syndicate, he soon finds himself a clay pigeon for the gang. Meanwhile, sweet-and-wholesome nurse Ann Taylor (Dorothy Hart, Undertow) does her best to help Larry out of the unpleasant situation. Also starring Swedish sensation Signe Hasso (The House on 92nd Street), Outside the Wall is a classic noir story of an ex-con’s struggle to go straight.

HOLD BACK TOMORROW (1955) – What Strange Law Answered His Last Request...to Bring THIS Beautiful Woman to His Cell? Hollywood great John Agar (Sands of Iwo Jima, Shield for Murder) stars as Joe, a death row inmate with one final request before his impending hanging: to spend the night with a woman. The police bring him a down-on-her-luck former “waitress” named Dora, played by femme fatale extraordinaire Cleo Moore (On Dangerous Ground, The Other Woman). At first these two tormented souls meet with disdain, but soon gain each other’s respect. After a night of raw and unexpected passion, Joe informs Dora that, with her love, he will not be afraid to die. The nihilistic noir two-hander Hold Back Tomorrow comes written, produced and directed by Czech star and cult auteur, Hugo Haas (The Girl on the Bridge, Bait).

Special Features:
• Brand New 2K Masters
• NEW Audio Commentary for UNDERTOW by Scott Brady's Son Tim Tierney and Professor/Film Scholar Jason A. Ney
• NEW Audio Commentary for OUTSIDE THE WALL by Author/Film Historian Alan K. Rode
• Theatrical Trailer (Hold Back Tomorrow)
• Optional English Subtitles

Product details

  • Aspect Ratio ‏ : ‎ 1.37:1, 1.85:1
  • MPAA rating ‏ : ‎ NR (Not Rated)
  • Product Dimensions ‏ : ‎ 6.85 x 5.47 x 0.98 inches; 10.72 ounces
  • Director ‏ : ‎ William Castle, Hugo Haas, Crane Wilbur
  • Media Format ‏ : ‎ Blu-ray
  • Run time ‏ : ‎ 3 hours and 46 minutes
  • Release date ‏ : ‎ April 4, 2023
  • Actors ‏ : ‎ Richard Basehart, Scott Brady
  • Studio ‏ : ‎ KL Studio Classics
  • ASIN ‏ : ‎ B0BVS6G3BC
  • Number of discs ‏ : ‎ 3
  • Best Sellers Rank: #40,860 in Movies & TV (See Top 100 in Movies & TV)
  • Customer Reviews:
    4.4 out of 5 stars 25 ratings

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4.4 out of 5 stars
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Top reviews from the United States

  • Reviewed in the United States on April 27, 2023
    The Dark Side of Cinema series has been mixed, including some real gems and a few not-so-good titles. But Kino deserves thanks for rescuing the good ones from obscurity and issuing them in fine blu-ray transfers. Volume XII is one of the very best in the series, with three very good films. OUTSIDE THE WALL and UNDERTOW fully make the grade as Noir, even if they are not destined for classic status. While HOLD BACK TOMORROW, though barely Noir, if at all, is an example of a B-movie elevated by very good acting. Some may be surprised to see that John Agar and Cleo Moore are more than up to the task, playing down-and-out characters with real conviction.

    OUTSIDE THE WALL is a solid B Film Noir that delivers everything fans might expect, without attaining classic status. It might make a nice comparison with TOMORROW IS ANOTHER DAY, released the next year. In both films, an ex-con, newly released, runs into trouble despite their pretty naive aspirations and innocuous personalities.
    Probably the main distinguishing characteristic of OUTSIDE THE WALL is the use of Philadelphia locations for some scenes. It's always fascinating to see a large city back in the middle of the last century. We are usually shown L.A. or N.Y., the Pennsylvania metropolis makes a welcome change.
    At the top of the cast list is Richard Basehart. Pretty much an asset in any film, Basehart carries the lead perfectly. His boyish good looks serve the character, a still-young man who never had a chance to experience the world before he was thrown into prison. When he's let out, Basehart meets a stream of women, most of them unworthy of his attentions. Marilyn Maxwell is also well-cast as a brittle, materialistic nurse whom Basehart encounters in his first legitimate job. Her influence leads him to rejoin the criminal life, and plenty of trouble ensues. Among the rest of the cast are Noir favorites, Joseph Pevney, the incredibly prolific John Hoyt, a hardened, bedridden gangster, and Harry Morgan (who here plays a crime boss with gusto), . Dorothy Hart plays Basehart's possible love interest, while Signe Hasso is almost wasted as a money-hungry gangster's wife. There's plenty of action and high drama in the final act. Now on blu-ray, rescued from murky TV prints.

    UNDERTOW: William Castle, later known for several gimmick-laden horror films, directs a well-paced and nicely acted Noir thriller with UNDERTOW. This is one in a long line of plots involving an innocent person being framed for a murder. As such, it succeeds through a focus on characters. With an actor like Scott Brady in the lead that was a wise approach. Brady is terrific as a nice guy recently out of military service, now in Las Vegas with an intention to start a lodging business up north. To accomplish everything he needs to go to Chicago. Since the film uses a good number of real locations (mostly in Chicago) we get to see how a city looked in 1949. That's always fascinating for some viewers. Those locations are also pretty well-used by Castle's film crew. Opposite Brady is the excellent Peggy Dow (whom Noir fans should see in a recently released-to-home video of SHAKEDOWN). She had a short career, by her own choice, but never lets a movie down, performance-wise. Dorothy Hart is another female presence, but she doesn't register as well as Ms Dow does. Noir semi-regular Bruce Bennet delivers a typically solid characterization of a conflicted police detective and we also have a sinister John Russell and young Rock (billed here as "Roc") Hudson in one brief scene. Not a must-see classic, but UNDERTOW delivers enough of what Noir-holics crave.

    HOLD BACK TOMORROW: Two performers who were not known for their acting talent show that they really did have what it takes. This is a Hugo Haas movie--he wrote and directed--but it's a little different: the focus really is on the acting. Without real actors it wouldn't work. A two-person story, with both people on the lower rungs of life. The man is on death row for murder (he may not really be guilty) and the woman, a companion whom the man has requested for his last day, is a former prostitute with nothing much going for her but her beauty. They're both beautiful--Cleo Moore and John Agar have never looked better. But what really matters is that they make us believe who they are and what matters most to them. Starting out as complete strangers, and after a phase of mutual hostility, they draw close. Very close and it's a genuinely moving thing to watch. Classified by some as Film Noir, this is really a psychological drama, with nothing relating it to Noir, apart from its setting, mostly in a prison cell. Two people, locked up, a death sentence over the man's head, a woman at the end of her rope. But it's not a drag, not depressing in the least. A real sleeper if there ever was one, now preserved in a fine blu-ray transfer.
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  • Reviewed in the United States on April 2, 2023
    It’s a Blu-ray movie
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  • Reviewed in the United States on January 6, 2024
    I'm a noir fan but I do not appreciate the lack of any bonus to those of us that are habitual loyalist to the Noir Box Sets from Kino Lorber. KL has put a noir shadow on there box sets because of greed rather than
    quality of purchase.
  • Reviewed in the United States on May 11, 2023
    generally a satisfying series, but this edition is a disappointment. i truly hope this doesn't signify kl has reached the bottom of the barrel