Buy new:
$9.99$9.99
FREE delivery: Wednesday, Feb 15 on orders over $25.00 shipped by Amazon.
Ships from: Amazon.com Sold by: Amazon.com
Buy Used: $6.22
Other Sellers on Amazon
FREE Shipping
+ $3.99 shipping
85% positive over last 12 months

Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required. Learn more
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.


Final Draft Paperback – April 16, 2019
Price | New from | Used from |
Audible Audiobook, Unabridged
"Please retry" |
$0.00
| Free with your Audible trial |
Enhance your purchase
- Print length272 pages
- LanguageEnglish
- PublisherAmulet Paperbacks
- Publication dateApril 16, 2019
- Grade level8 and up
- Reading age13 years and up
- Dimensions5.5 x 0.75 x 8.25 inches
- ISBN-101419734873
- ISBN-13978-1419734878
- Lexile measure930L
Frequently bought together
- +
What other items do customers buy after viewing this item?
Editorial Reviews
About the Author
Product details
- Publisher : Amulet Paperbacks; Reprint edition (April 16, 2019)
- Language : English
- Paperback : 272 pages
- ISBN-10 : 1419734873
- ISBN-13 : 978-1419734878
- Reading age : 13 years and up
- Lexile measure : 930L
- Grade level : 8 and up
- Item Weight : 8 ounces
- Dimensions : 5.5 x 0.75 x 8.25 inches
- Best Sellers Rank: #1,488,745 in Books (See Top 100 in Books)
- #116 in Teen & Young Adult Literary Fiction
- #1,492 in Teen & Young Adult Humorous Fiction
- #1,917 in Teen & Young Adult LGBTQ+ Fiction (Books)
- Customer Reviews:
About the author

Riley Redgate is the author of SEVEN WAYS WE LIE, NOTEWORTHY, FINAL DRAFT, and ALONE OUT HERE.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Laila has two writing teachers/mentors in the book, Mr. Madison and Nazarenko. I mostly liked her relationship with Mr. Madison; I recognized a lot of aspects of it from my relationships with important teachers and professors. There were a few times that I thought Laila crossed boundaries and Mr. Madison didn't really call her on it, even if he didn't similarly cross boundaries.
Laila's relationship with Nazarenko wasn't healthy. It's not that Nazarenko's writing advice is bad; a lot of it is reasonable, but the recommended implementation is... not, often. Nazarenko also mixes with Laila's perfectionism in a really bad way. There's a moment when Nazarenko asks Laila whether her opinion is the only one that matters to Laila, and Laila truthfully says no, it's just that Nazarenko is "the only other person who wants [the piece] perfect." (There's also a dynamic where, in taking Nazarenko's advice, Laila pushes away from genre, but I don't think that was intentional on either person's part. It just happened; it's still interesting.)
I really liked Laila's relationships with her parents, her sister (especially this; it's a small part of the book but ends up being so important), and her three best friends. In Laila's family, her parents take up very different space on page and have very different personalities, but they still feel like a couple; the family feels cohesive. Laila's sister, Camille, is four or five years younger and not that close to Laila but trying to be closer, bit by bit. They snark at each other and fight and don't share much, but they know each other. All four people in the friend group are again really different, and they acknowledge that, acknowledge the sometimes awkward mix of it, the way they don't obviously fit and yet do. They look out for each other so much, and they fight, and it all feels very real. Related to the friend group: I don't know how I feel about the friend-to-romance part of the story overall, but by the end I was rooting for them.
Laila grows so much, in all kinds of directions, and some of the things she thinks are growth aren't.
There's a conversation between Laila and her mom that made me squirm a little bit. Laila's mom loves the idea of Laila dating her friend Felix (something that isn't going to happen), and when asked why she likes the idea so much, Laila's mom says, "Because he's a good friend." Laila views this as kind of ridiculous, but the conversation turns a bit, and that part's not really addressed again.
CW: motor vehicle accident, character death, drug-related blackout, depression and anxiety, on-page sex, mentions of people saying/teaching anti-queer or racist things (all called out).
The weird thing to me is that this girl has a really close relationship with her teacher, Mr. Madison, not that there's anything wrong with that, it doesn't get creepy but just not something I can relate to is all, I'm not sure if there are many people like that to be honest which is why I'm even mentioning it even though he's her 'creative writing' teacher. I mean she describes the teacher as more of a student anyway so why not just make the leap as her classmate? Anyway this story she writes throughout the book is kind of a way for her to make an excuse to make here life more interesting and I like that. It reminds me of this game in "Choices" (Stories you play) called "the Freshman" where this girl signs up for a bit of an intership under her teacher and he basically has her log her life and make it into a story for him to read and review, basically using her real life as inspiration. He pushes her to do new things saying things like "Go to this party, heck I don't care, join a frat house, make some drama, make the plot THICKEN!" That side of the story is very relevant for this book.
Laila is a different kind of character because she has the same sort of thoughts about writing that I have and I love the way she describes it but also the book is diverse, many different types of people and ethnicity, I mean her friend is Korean, she speaks Spanish but only knows so much and in a way she reminds me of a friend I once had, going to bed at early times, the edgy psycho best friend, "I'm 18 but still under jurisdiction", all of that is familiar in some ways. And because of that, I had a pretty good idea where the ending was heading from early on and I was correct however I think it should've been done in a different order for a more 'complete' effect.
Alright I want to make this clear, about half way in the book, there's a scene where it gets dirty...like "why are you writing this?" kind of dirty. It's something I didn't think existed outside of fanfiction and erotic fiction but I stand corrected, for those who want to skip that, it starts with Chapter 12, 134 and then on until the middle of 138, then she'll start talking about her story again (you'll know because it's bolder), it was unpleasant to say the least, just leaving a warning.
But after that, it kind of takes a dive. In a way it's because it's about coping and those habits she's picked up throughout change and morph and she's not really sure what to do with herself and since she's trying to experience everything for her story, in a way it's hurting her. In a way it's like Booksmart. So in that regard I was disappointed and wasn't a fan of this book overall so a 2.5/5.
But other than that I'll be honest, I mentioned how this book is like somebody I used to know, in a way this is kind of an alternate timeline for them in my mind, what could have happened to them so I decided to leave the last chapter (only a few pages) up for decision, an open-ended response. For them.
Riley Redgate is a wonderfully insightful and lyrical writer. When the moment comes to pour on the beautiful prose, she has no trouble at all stepping up. I felt her storytelling was controlled, that she'd accomplished what she set out to do in Final Draft.
Everything Laila and her three friends, all high school seniors, grappled with moved me so much. The descriptions and dialogue, the texts, the emails, all put me in their world. The book has some wandering, slow parts - as so many do - but I was engaged thought it, mainly because it’s obvious this writer has great heart.
Beautiful, compassionate, so recognizable to striving creatives. And man, her approach to love, sexuality, and teen uncertainty always gets me.
This is certainly in my YA top five for the year.
Top reviews from other countries


Laila has some great character development, a diverse protagonist facing some truths and realities through the prism of her writing, fear, and eventually loss. For a goody-two-shoes teen Laila could have been laconic and uninteresting, but Redgate let the main character’s imagination and narrative shine through, adding a dynamic to the writing style that had me captivated.
It was great to see Laila challenge herself and explore without judgement shine through in the narrative, or from her peers.
There were a few brief moments were these inner lamenting’s dragged a bit, but on the whole, the pacing of ‘Final Draft’ is excellent and I completed the novel in just two sittings.
With many themes popping up in this coming of age contemporary, there really is a lot going on, a lot to hold your attention.
On a personal note, I maybe wanted a touch more humour… there was plenty of sarcasm, like an insult comic hiding in the wings, which was amusing, but not really my speed of entertainment. And even though I appreciated the ending and symbolism of those final paragraphs, I couldn’t help feeling like I wanted something more… romantic. In a rom-com sort of way. Sheesh, when did I become so sappy and derivative? But it is what it is.
The secondary characters are just as interesting and nuanced as our protagonist and I couldn’t help feeling that I wanted more of them. This is a double edged sword: one side being the cast was intriguing enough for me to keep reading and get invested in their arcs; and the other side of feeling like there was a missed opportunity and not really fulfilled upon completion of ‘Final Draft.’
I loved the family dynamic, Laila’s parents were present but not smothering. Her little sister Camille represents the doting sibling, just wishing to be included in everything while also carving out her own separate journey into adulthood. Their relationship was adorable. I can’t help but wonder why a more typical sibling rivalry/bickering was not included to make it realistic… but I guess that would have interrupted the tone of the novel.
Predictability for ‘Final Draft’ went out the window. I started to think this contemporary was one kind of story and then it turned out to be something completely different. So I can’t say I guessed to where this novel was going other than some sort of coming of age, write your own novel plot. It is that in spirit, but not in the most literal interpretation. Redgate’s writing style was simple and sophisticated. I was supremely jealous of her sentence structure and word usage. It makes me want to pick this up again and use as a study guide.
Definitely a novel I’d recommend to everyone – especially if you love contemporaries or envision yourself as becoming a writer.


Reviewed in Australia 🇦🇺 on May 30, 2019
Laila has some great character development, a diverse protagonist facing some truths and realities through the prism of her writing, fear, and eventually loss. For a goody-two-shoes teen Laila could have been laconic and uninteresting, but Redgate let the main character’s imagination and narrative shine through, adding a dynamic to the writing style that had me captivated.
It was great to see Laila challenge herself and explore without judgement shine through in the narrative, or from her peers.
There were a few brief moments were these inner lamenting’s dragged a bit, but on the whole, the pacing of ‘Final Draft’ is excellent and I completed the novel in just two sittings.
With many themes popping up in this coming of age contemporary, there really is a lot going on, a lot to hold your attention.
On a personal note, I maybe wanted a touch more humour… there was plenty of sarcasm, like an insult comic hiding in the wings, which was amusing, but not really my speed of entertainment. And even though I appreciated the ending and symbolism of those final paragraphs, I couldn’t help feeling like I wanted something more… romantic. In a rom-com sort of way. Sheesh, when did I become so sappy and derivative? But it is what it is.
The secondary characters are just as interesting and nuanced as our protagonist and I couldn’t help feeling that I wanted more of them. This is a double edged sword: one side being the cast was intriguing enough for me to keep reading and get invested in their arcs; and the other side of feeling like there was a missed opportunity and not really fulfilled upon completion of ‘Final Draft.’
I loved the family dynamic, Laila’s parents were present but not smothering. Her little sister Camille represents the doting sibling, just wishing to be included in everything while also carving out her own separate journey into adulthood. Their relationship was adorable. I can’t help but wonder why a more typical sibling rivalry/bickering was not included to make it realistic… but I guess that would have interrupted the tone of the novel.
Predictability for ‘Final Draft’ went out the window. I started to think this contemporary was one kind of story and then it turned out to be something completely different. So I can’t say I guessed to where this novel was going other than some sort of coming of age, write your own novel plot. It is that in spirit, but not in the most literal interpretation. Redgate’s writing style was simple and sophisticated. I was supremely jealous of her sentence structure and word usage. It makes me want to pick this up again and use as a study guide.
Definitely a novel I’d recommend to everyone – especially if you love contemporaries or envision yourself as becoming a writer.
