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"Candice Bergen shows how to do a memoir right. . . . The self-possessed, witty, and down-to-earth voice that made Bergen's first memoir a hit when it was published in 1984 has only been deepened by life's surprises. . . . As a fictional newswoman, Murphy Brown was iconically brassy. As a memoirist, Candice Bergen is flesh-and-blood classy." Source: The New York Times Book Review
“Bergen is . . . daring in her smart, self-mocking memoir A Fine Romance. . . . She’s awfully good company.” Source: The Wall Street Journal
“Bergen may not have had Murphy’s sharp elbows or unswerving career focus, but she reveals herself to be just as complicated and sophisticated as her television counterpart—and infinitely more introspective. . . . [A Fine Romance] succeeds in the way a good memoir should. It presents a human life in full—with great glories and heartaches and watercolored memories. Bergen tells her story with humor, confidence and candor. Perhaps she’s not so different from Murphy after all." Source: The Washington Post
“A Fine Romance is just that. Candice tells her own story with honesty and humor—a story of loves lost and found, of marriages, joys and heartaches. I am not sure Candice ever realized her own beauty or how well she writes. Well, she is, and she does.” Author: Barbara Walters
“Candice Bergen's memoir is moving with the wisdom that only age can bring. The woman you thought had everything has been through more than most of us could bear. Revelatory, anguished, and utterly inspirational.” Author: Bette Midler, author of A View from a Broad
"You'll fall for Bergen's A Fine Romance. . . . Her writing and storytelling are superb throughout. . . . With this memoir, we're all likely to be wishing Bergen herself—funny, insightful, self-deprecating, flawed (and not especially concerned about that), and slugging her way through her older years with bemused determination—was living next door.” Source: USA Today
“Candice’s book is candid, honest, interesting, and reading it, you love her more than ever.” Author: Diane von Furstenberg, author of The Woman I Wanted to Be
“Bergen is a talented and graceful writer—something she first demonstrated in Knock Wood, which chronicled her Hollywood youth and coming of age as the daughter of famed comedian and ventriloquist Edgar Bergen. Her literary voice is enormously engaging, capable of infusing considerable wit and poignancy. . . . She has something real to say here, and one hopes that her journey will continue for many years to come—and that eventually she'll write about that too.” Source: Chicago Tribune
“Candy's memoir is intimate and surprisingly candid. We learn, we laugh, we marvel because her voice is as honest, funny, and rapier-smart as Murphy’s. Add in self-reflection and self-deprecation and you have one heck of a great read.” Author: Lesley Stahl, 60 Minutes correspondent
“Candy gives us a glimpse into the fascinating world of fame and shares with us the ordinary in the extraordinary.” Author: Carrie Fisher, author of Postcards from the Edge and Wishful Drinking
About the Author
Candice Bergen’s film credits include The Sand Pebbles, Carnal Knowledge, Starting Over (for which she received an Oscar nomination), and Miss Congeniality. On television, she made headlines as the tough-talking broadcast journalist and star of Murphy Brown, for which she won five Emmys and two Golden Globes. She later starred with James Spader and William Shatner in the critically acclaimed series Boston Legal.
It was midway through October 1985, as I waddled in a huge plaid tent dress through the ground floor of Bergdorf’s. I’d put on almost fifty pounds since becoming pregnant. A woman kept peering at me, looking away, looking back. Finally she approached. “You know, you have Candice Bergen’s face.”
“But not her body,” I said.
Old friends saw me lurching along the street and burst out laughing. I scowled back. Would this baby be born in a hospital or at SeaWorld?
The due date was the second half of October. I’d been hoping she’d arrive on Halloween, which was the day after my husband Louis Malle’s birthday. As the date grew closer, then passed, I went in for a checkup. Whoever was in there, she was hyperactive, that much was sure. She somersaulted and flipped around. Then she landed wrong. Her feet were tangled in the umbilical cord and she was upside down and feet first. There was a high risk of her cutting off the supply of oxygen and nutrients. A risk of brain damage.
My obstetrician, the ironically named Dr. Cherry, was an affable, easygoing guy, but he grew concerned after the recent sonogram. “We need to think about scheduling a Cesarean,” he told me. Meanwhile, I was to go home and stay in bed with my feet up. No activity. That would be interesting, as Louis and I lived in a two-story loft and were having people for dinner that night.
That was the beginning of the real bonding. Until that point, I’d kept a bit of distance, thinking of the baby as a kind of invader in my comfortable routines. I’d dragged my feet about preparing her room. No longer. It was ready, wallpapered in tiny pink rosebuds. I’d bought a white rocker and a white crib with pink ticking on the mattress and bumpers and found a pink Kit-Cat clock whose eyes and tail moved rhythmically back and forth.
Now the Alien was in jeopardy. I could not lose her.
Louis and I had been invited to a state dinner at the White House in honor of Prince Charles and Princess Diana. It was the big wingding of the fall, and the royal couple was causing quite the stir. It was possible we could make it if the baby was prompt. The dinner was November 6. I figured we could take the train with the newborn and a baby nurse and stay in DC for a night. I would look like a blimp, but we could attend.
As the date inched closer and there was no sign of a baby, I called Nancy Reagan, who has been a family friend all my life, and apologized for the delayed response. “Mrs. Reagan, she’s not moving,” I told her. She couldn’t have been sweeter. “Well, they’d love you to be there, Candy. Let us know when you can. Of course we understand.”
What I didn’t understand was where this baby was. What was keeping her?
At almost two and a half weeks past the due date, Dr. Cherry told me he’d decided to extract the baby by cesarean in three days; he was afraid she might have “exhausted prepartal nutrients.” Apparently my amniotic fluid was drying up. She was running out of snacks.
The Kit-Cat clock was ticking. I was not in the market for abdominal surgery. I wanted to have this baby naturally. More or less. I did the few primitive things that were suggested to induce labor. Three of my closest girlfriends took me out to dinner and I ate the spiciest things on the menu, hoping to bring on contractions. Sweat streamed down my tiny head and pooled under my newly enlarged breasts. Nothing. I heaved my 180 pounds sixteen floors up to my apartment to see if that would get her moving. Zilch. Louis was giving me a wide berth; I was getting testy.
Louis and I went to Mount Sinai Hospital the next day, November 8, 1985. The surgery was scheduled for 3:00 p.m. We were shown to a pre-op room and I undressed and got into a gown. They gave me oxytocin as a last gasp to start contractions. No dice. The baby was dug in. Dr. Cherry came in with the anesthesiologist and introduced him. He had clammy hands and a mustache that screamed “Shave me!” This was not a guy who seemed cool under pressure. He recognized me and appeared nervous. This was the guy who was going to give me the dreaded epidural? Women had been warning me about this shot, which is given in the base of the spine and is generally successful at blocking pain, except when it results in paralysis. The anesthesiologist told me to curl into the fetal position, which I did, but I was babbling incessantly, compulsively. I am not a good patient. The anesthesiologist also seemed stressed. He mentioned a movie I was in. I was freezing and shivering and the needle looked like a harpoon. Finally, he managed to give me the epidural, and I was wheeled down the battleship gray hall into the operating room. Louis walked beside me in his gown.
The nurses erected a discreet sheet to screen any activity below the waist. Louis sat by my head. They started to swab me but I could feel it, and then I really panicked. The upside of the epidural was, I wasn’t paralyzed. The downside was, I wasn’t numb. Hey, guys, I’m not numb! I CAN FEEL EVERYTHING! This was a definite crick in the procedure. “Give her a shot of Valium and administer another spinal,” someone said. I resumed the fetal position. The anesthesiologist came at me with another harpoon. I wondered, Is this really the best guy you got here?!? Things got blurry; then I got a third epidural. Enough medication for a rhino, which in a sense I had become. I was groggy beyond belief, but I could still feel a prickling in my legs. I might have heard the word paresthesia. Was I going to feel it when the surgeon cut through my abdomen? Because I would not be okay with that. I was stoned and ranting and raging.
“Do you feel this?” Dr. Cherry asked as he jabbed a pin in my leg. And then . . . murmuring, movement, a team at work. Louis watched it as the director he was. The curtain set up. People beyond it performing together.
And suddenly a cry. A really loud cry. That would be my daughter crying. Bellowing. All nine pounds two ounces of her had been pried out of my ample abdomen, where she’d made a home—carpet, armchair, reading lamp, sound system—she was not happy about moving out. Now the trouble begins, I thought. Schools. Mean girls. Boyfriends. SATs. Now it hits the fan.
Mademoiselle Chloe Malle. I heard Louis singing softly to her in French: “À la claire fontaine . . .” She’d been wrapped like a burrito and he held her gently in his arms, crooning. She relaxed and quieted, scrutinizing him. I was sobbing. So much emotion. So many drugs.
She was placed in my arms now, cautiously, since I was so medicated that I was completely gaga. As if I would let anything happen. Again, the tears streamed down my cheeks. My baby girl. My baby girl. Who knew love was this huge? All-enveloping. All-encompassing. My baby girl.
My God, I can’t believe I almost didn’t do this. It was clearly the beginning of my life.
In the recovery room upstairs, Chloe was brought back to me, steamed and cleaned, fierce and irresistible.
Ali MacGraw and Anne Sterling, two of my closest friends, had been waiting in the hospital lobby. They came up to meet Chloe and give me a pat on the head. I was having trouble speaking clearly, what with my dozens of epidurals, plus I was still weeping. But I was aglow.
Chloe is here. Chloe is here. I was happier than I ever thought possible. Chloe is here.
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As a preteen my Mom and I would watch Murphy Brown every week on TV...we followed Murphy from the first to the last episode. Growing up in the Midwest, being exposed to a woman who was a career woman: bold, stylish, at turns sardonic and sensitive...the show, and Candice Bergen's portrayal, captured my attention and forever love. Remember when Dan Quayle tried to make Murphy a poster child for unwed mothers? Murphy Brown was a groundbreaking television program, and this book has, if possible, made me like Candice Bergen even more- as a person, not as a talented actress. The story weaves reflection, life events, and the incredible twists, turns, and surprises that life holds. Beautifully written, the trajectory of the story spans critical years in Candice's mid-thirties to today. Louis Malle, the French filmmaker, becomes her first husband, and she discusses the dilemmas of cross-cultural marriages, as well as the joys. She struggles with the decision to have a child or not, and becomes a mother...her description of the ambiguities and dilemmas of the pros and cons of motherhood put into expression the thoughts many women have, in a witty and thoughtful manner. When the pilot for Murphy Brown is green-lighted by the network, Candice's life changes forever: a demanding but exhilarating work life, real-life motherhood and marriage amid widespread acclaim. She wins an Emmy the first year. Career and financial success is solidified, but her marriage with Malle becomes strained as his work life is increasingly centered in France, hers in Los Angeles. Her career success proves challenging for Malle's ego.
As Murphy Brown settles into its final seasons, Malle becomes terminally ill, and she describes the brutal realities of working and caregiving, poignantly illustrated when the consummate professional cannot remember the 50 plus pages of dialogue per week, and her daughter Chloe with dark circles under her eyes in her 9th year, bravely trying to cheer her father's spirits as he faces death. With Malle's death, Candice focuses her energy on Chloe and slowly and painstakingly rebuilds her life. Years after Malles' death, Candice finds love again with a widowed Jewish architect. For the first time in her life, Candice is not the caretaker...Marshall takes care of her! There are a few chapters devoted to her travails of aging: weight gain, medical crises, her mother's final and tough years, and a few Botox and Restylane tales. Candace boldly claims that she "lives to eat" and she is not about to starve herself to maintain an impossible physique. She is still acting on TV and on Broadway and she is still a woman of extraordinary beauty, inside and out. What a joy to read this book and find out that one of my childhood icons is a gifted writer who expresses the tensions, challenges, joys, and heartbreaks of life...with humor and aplomb. Candice Bergen is an indomitable spirit, and a true American treasure.
There are a number of reasons to be interested in a book by Candice Bergen; not the least of which is the idea of glimpsing process in movie and television making, and the balance between two professionals in managing a life together with careers that encompassed both mediums (plus a continent and an ocean in between the two). When one of those professionals is the remarkable Louis Malle, how could that fail to interest? But that's not really the book we have here.
I'm not sure what kind of book Bergen wanted to write, but this one feels far too loose for any real definition, and far too shallow for any real insight. Most of all, it seems as though there's a story that should have had a chance to emerge; should have had a champion at the publisher. Someone Bergen could have trusted, who might have shown her where to reveal and where to cover up. Where to go for more insight, more truth; not just candor, but depth. Alas, she didn't find it here. And sadly, neither will you.
I have been a fan of Candace Bergen since seeing her in Carnal Knowledge in 1971. But I can’t help but feel that this book was written by two different women. One women says she tended to be a vegetarian and loved animals so much. The other wrote with ecstasy about the meals she ate including pigs feet (hardly vegetarian fare). Also, when she met Marsh he mentions that he is going on a hunting trip and Candace Bergan doesn’t raise an eyebrow or mention her distaste for shooting innocent animals? Then of course one Candace Bergan enjoys her wealth and is able to travel to exclusive resorts but is horrified when she comes in contact with the 98% which she refers to as THE OTHERS. I enjoyed this book especially how she wrote about her love affair with Louis Malle and her years on Murphy Brown. But really, didn’t she read this herself and see the inconsistencies?
I've always loved Candice Bergen for her amazing talents but now that I have read this book, she's right up there with Katherine Hepburn after I saw her live in an off Broadway play years ago! Amazing!
I'm so glad that I saw Candice being interviewed and they mentioned this book. I purchased it immediately. So delighted I did.
One of my favorite Candice performances is in a more recent film called "Book Club." It's one I can watch over and over and it still entertains me!
She speaks of things that happen to our bodies as we age. Well, you've still got it Candice!
Now that I have finished reading this book, I feel like I need to read "the next one" Candice so keep writing!
After Knock On Wood I expected the level of honesty and immersion lacking in A Fine Romance. So many celebs,menus,decors, entwined with Bunny Baby Talk made me skip pages and wish an editor had prevailed. There's Candice the Vegetarian at odds with her lifestyle and more than one mention as to how rich, truly rich she's become made me feel Candice needed a Table Of Contents along with some stringent editing. What struck me about Malle and Chloe is how their relationship mirrored Candice @ her father's . Both father's had difficulty in showing emotion. Chloe is depicted as perfect. Candice is in a bubble.
Was I reading Town And Country? Murphy Brown was real and wonderful. What happened? Candice has offered no insight or narrative......just events,money,nannies,@details, and too expensive dog walkers. I lost interest.
Reviewed in the United Kingdom on January 31, 2019
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Wow, she is really full of herself. I haven't read something this arrogant since Kathleen Turner's autobiography. I made it through about 25% and then gave up. She has had an interesting life, but there is a way of telling your story without making it sound like you invented life itself.
5.0 out of 5 starsFabulous book written by the fabulous Candice
Reviewed in the United Kingdom on October 14, 2015
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If you miss the old Hollywood glamour then this book is definitely for you! I love Candice Bergen and this book is amazingly written and narrated! I've cried more than once while reading it and when I was done I wanted to start reading it again!