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Fire & Blood: 300 Years Before A Game of Thrones (The Targaryen Dynasty: The House of the Dragon) Hardcover – November 20, 2018
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“The thrill of Fire & Blood is the thrill of all Martin’s fantasy work: familiar myths debunked, the whole trope table flipped.”—Entertainment Weekly
Centuries before the events of A Game of Thrones, House Targaryen—the only family of dragonlords to survive the Doom of Valyria—took up residence on Dragonstone. Fire & Blood begins their tale with the legendary Aegon the Conqueror, creator of the Iron Throne, and goes on to recount the generations of Targaryens who fought to hold that iconic seat, all the way up to the civil war that nearly tore their dynasty apart.
What really happened during the Dance of the Dragons? Why was it so deadly to visit Valyria after the Doom? What were Maegor the Cruel’s worst crimes? What was it like in Westeros when dragons ruled the skies? These are but a few of the questions answered in this essential chronicle, as related by a learned maester of the Citadel and featuring more than eighty black-and-white illustrations by artist Doug Wheatley. Readers have glimpsed small parts of this narrative in such volumes as The World of Ice & Fire, but now, for the first time, the full tapestry of Targaryen history is revealed.
With all the scope and grandeur of Gibbon’s The History of the Decline and Fall of the Roman Empire, Fire & Blood is the first volume of the definitive two-part history of the Targaryens, giving readers a whole new appreciation for the dynamic, often bloody, and always fascinating history of Westeros.
Praise for Fire & Blood
“A masterpiece of popular historical fiction.” —The Sunday Times
“The saga is a rich and dark one, full of both the title’s promised elements. . . . It’s hard not to thrill to the descriptions of dragons engaging in airborne combat, or the dilemma of whether defeated rulers should ‘bend the knee,’ ‘take the black’ and join the Night’s Watch, or simply meet an inventive and horrible end.”—The Guardian
- Reading age5 years and up
- Print length736 pages
- LanguageEnglish
- Dimensions6.53 x 1.9 x 9.41 inches
- PublisherBantam
- Publication dateNovember 20, 2018
- ISBN-10152479628X
- ISBN-13978-1524796280
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What's it about?
This book is about the history of the Targaryens, the only family of dragonlords to survive the Doom of Valyria, and their tale begins with Aegon the Conqueror, creator of the Iron Throne.Amazon editors say...

It's always a thrill to get a glimpse of the turmoil behind our Game of Thrones obsession.
Adrian Liang, Amazon Editor
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Of the five dragons who had flown with Aenar the Exile from Valyria, only one survived to Aegon’s day: the great beast called Balerion, the Black Dread. The dragons Vhagar and Meraxes were younger, hatched on Dragonstone itself.1,952 Kindle readers highlighted this
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From that day to this day, Torrhen Stark is remembered as the King Who Knelt…but no northman left his burned bones beside the Trident, and the swords Aegon collected from Lord Stark and his vassals were not twisted nor melted nor bent.1,791 Kindle readers highlighted this
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And Orys Baratheon he proclaimed to be “my shield, my stalwart, my strong right hand.” Thus Baratheon is reckoned by the maesters the first King’s Hand.1,625 Kindle readers highlighted this
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Editorial Reviews
Review
“A brilliant book . . . vivid, memorable and personal.”—The Times
“Lean and efficient and slyly seductive and instructive . . . The text is filled with such a wealth of incident and so many colorful characters.”—Locus
“The overall narrative of the book is wonderfully fluid. . . . Fire & Blood was a great surprise to me. I found myself becoming deeply emotionally invested in the Targaryens, thrilling when they achieved great victories and lamenting when they succumbed to their more idiotic desires. (And they have a lot of idiotic desires.) This book feels like A Song of Ice and Fire. And you know how I know? Because I want the next book right away.” —Tordotcom
“An absolutely irresistible, dragon-filled delight.”—Bustle
“[There are] treasures hidden in this new Targaryen history.”—Vanity Fair
“The world of ice and fire only gets more fascinating the more we learn about it.”—Mashable
“Martin is still a powerfully gifted, inventive writer. . . . [Fire & Blood] has hundreds of fascinating anecdotes, ranging from the cruel fate of a jester named Tom Turnip to a dragon that, tellingly, refuses to venture beyond the Wall. . . . Fire & Blood is a lavish object, with charts, family trees, and stunning illustrations by comic book artist Doug Wheatley. . . . In this sense it fits into a venerable tradition, from J.R.R. Tolkien in his Silmarillion to Diana Gabaldon in her companion to the Outlander series.”—USA Today
“[Fire & Blood] explores the dragon-fueled secrets upon which the current saga is built.”—The Hollywood Reporter
“Martin has done it again. . . . [Fire & Blood is] a beautiful weaving of the wars, marriages, deaths, dragons, and politics that shape the world Martin has created, leaving the reader feeling like this is a true history rather than a piece of fantasy. This is a masterpiece of world-building. . . . Beyond Martin’s legions of fans, anyone with a taste for richly, even obsessively detailed historical fiction or fantasy about royalty will enjoy this extraordinary work.”—Booklist (starred review)
About the Author
Doug Wheatley is a comic book artist, concept designer, and illustrator who has worked on such properties and characters as Star Wars, Aliens, Superman, The Incredible Hulk, and Conan the Barbarian, to name just a few. Wheatley was the artist on the comic book adaptation of the film Star Wars: Episode III: Revenge of the Sith and contributed illustrations to The World of Ice & Fire.
Excerpt. © Reprinted by permission. All rights reserved.
The gods and the Free Cities had other plans, however. Even as the king’s ships were beating their way north, envoys from Pentos and Tyrosh called upon His Grace in the Red Keep. The two cities had been at war for three years and were now desirous of making peace, but could not agree on where they might meet to discuss terms. The conflict had caused serious disruption to trade upon the narrow sea, to the extent that King Jaehaerys had offered both cities his help in ending their hostilities. After long discussion, the Archon of Tyrosh and the Prince of Pentos had agreed to meet in King’s Landing to settle their differences, provided that Jaehaerys would act as an intermediary between them, and guarantee the terms of any resulting treaty.
It was a proposal that neither the king nor his council felt he could refuse, but it would mean postponing His Grace’s planned progress to the North, and there was concern that the notoriously prickly Lord of Winterfell might take that for a slight. Queen Alysanne provided the solution. She would go ahead as planned, alone, whilst the king played host to the Prince and Archon. Jaehaerys could join her at Winterfell as soon as the peace had been concluded. And so it was agreed.
Queen Alysanne’s travels began in the city of White Harbor, where tens of thousands of northerners turned out to cheer her and gape at Silverwing with awe, and a bit of terror. It was the first time any of them had seen a dragon. The size of the crowds surprised even their lord. “I had not known there were so many smallfolk in the city,” Theomore Manderly is reported to have said. “Where did they all come from?”
The Manderlys were unique amongst the great houses of the North. Having originated in the Reach centuries before, they had found refuge near the mouth of the White Knife when rivals drove them from their rich lands along the Mander. Though fiercely loyal to the Starks of Winterfell, they had brought their own gods with them from the south, and still worshipped the Seven and kept the traditions of knighthood. Alysanne Targaryen, ever desirous of binding the Seven Kingdoms closer together, saw an opportunity in Lord Theomore’s famously large family, and promptly set about arranging marriages. By the time she took her leave, two of her ladies-in-waiting had been betrothed to his lordship’s younger sons and a third to a nephew; his eldest daughter and three nieces, meanwhile, had been added to the queen’s own party, with the understanding that they would travel south with her and there be pledged to suitable lords and knights of the king’s court.
Lord Manderly entertained the queen lavishly. At the welcoming feast an entire aurochs was roasted, and his lordship’s daughter Jessamyn acted as the queen’s cupbearer, filling her tankard with a strong northern ale that Her Grace pronounced finer than any wine she had ever tasted. Manderly also staged a small tourney in the queen’s honor, to show the prowess of his knights. One of the fighters (though no knight) was revealed to be a woman, a wildling girl who had been captured by rangers north of the Wall and given to one of Lord Manderly’s household knights to foster. Delighted by the girl’s daring, Alysanne summoned her own sworn shield, Jonquil Darke, and the wildling and the Scarlet Shadow dueled spear against sword whilst the northmen roared in approval.
A few days later, the queen convened her women’s court in Lord Manderly’s own hall, a thing hitherto unheard of in the North, and more than two hundred women and girls gathered to share their thoughts, concerns, and grievances with Her Grace.
After taking leave of White Harbor, the queen’s retinue sailed up the White Knife to its rapids, then proceeded overland to Winterfell, whilst Alysanne herself flew ahead on Silverwing. The warmth of her reception at White Harbor was not to be duplicated at the ancient seat of the Kings in the North, where Alaric Stark and his sons alone emerged to greet her when her dragon landed before his castle gates. Lord Alaric had a flinty reputation; a hard man, people said, stern and unforgiving, tight-fisted almost to the point of being niggardly, humorless, joyless, cold. Even Theomore Manderly, who was his bannerman, had not disagreed; Stark was well respected in the North, he said, but not loved. Lord Manderly’s fool had put it elsewise. “Methinks Lord Alaric has not moved his bowels since he was twelve.”
Her reception at Winterfell did nothing to disabuse the queen’s fears as to what she might expect from House Stark. Even before dismounting to bend the knee, Lord Alaric looked askance at Her Grace’s clothing and said, “I hope you brought something warmer than that.” He then proceeded to declare that he did not want her dragon inside his walls. “I’ve not seen Harrenhal, but I know what happened there.” Her knights and ladies he would receive when they got here, “and the king too, if he can find the way,” but they should not overstay their welcome. “This is the North, and winter is coming. We cannot feed a thousand men for long.” When the queen assured him that only a tenth that number would be coming, Lord Alaric grunted and said, “That’s good. Fewer would be even better.” As had been feared, he was plainly unhappy that King Jaehaerys had not deigned to accompany her, and confessed to being uncertain how to entertain a queen. “If you are expecting balls and masques and dances, you have come to the wrong place.”
Lord Alaric had lost his wife three years earlier. When the queen expressed regret that she had never had the pleasure of meeting Lady Stark, the northman said, “She was a Mormont of Bear Isle, and no lady by your lights, but she took an axe to a pack of wolves when she was twelve, killed two of them, and sewed a cloak from their skins. She gave me two strong sons as well, and a daughter as sweet to look upon as any of your southron ladies.”
When Her Grace suggested that she would be pleased to help arrange marriages for his sons to the daughters of great southern lords, Lord Stark refused brusquely. “We keep the old gods in the North,” he told the queen. “When my boys take a wife, they will wed before a heart tree, not in some southron sept.”
Alysanne Targaryen did not yield easily, however. The lords of the south honored the old gods as well as the new, she told Lord Alaric; most every castle that she knew had a godswood as well as a sept. And there were still certain houses that had never accepted the Seven, no more than the northmen had, the Blackwoods in the riverlands chief amongst them, and mayhaps as many as a dozen more. Even a lord as stern and flinty as Alaric Stark found himself helpless before Queen Alysanne’s stubborn charm. He allowed that he would think on what she said, and raise the matter with his sons.
The longer the queen stayed, the more Lord Alaric warmed to her, and in time Alysanne came to realize that not everything that was said of him was true. He was careful with his coin, but not niggardly; he was not humorless at all, though his humor had an edge to it, sharp as a knife; his sons and daughter and the people of Winterfell seemed to love him well enough. Once the initial frost had thawed, his lordship took the queen hunting after elk and wild boar in the wolfswood, showed her the bones of a giant, and allowed her to rummage as she pleased through his modest castle library. He even deigned to approach Silverwing, though warily. The women of Winterfell were taken by the queen’s charms as well, once they grew to know her; Her Grace became particularly close with Lord Alaric’s daughter, Alarra. When the rest of the queen’s party finally turned up at the castle gates, after struggling through trackless bogs and summer snows, the meat and mead flowed freely, despite the king’s absence.
Things were not going as well at King’s Landing, meanwhile. The peace talks dragged on far longer than anticipated, for the acrimony between the two Free Cities ran deeper than Jaehaerys had known. When His Grace attempted to strike a balance, both sides accused him of favoring the other. Whilst the Prince and the Archon dickered, fights began to break out between their men across the city, in inns, brothels, and wine sinks. A Pentoshi guardsman was set upon and killed, and three nights later the Archon’s own galley was set afire where she was docked. The king’s departure was delayed and delayed again.
In the North, Queen Alysanne grew restless with waiting, and decided to take her leave of Winterfell for a time and visit the men of the Night’s Watch at Castle Black. The distance was not negligible, even flying; Her Grace landed at the Last Hearth and several smaller keeps and holdfasts on her way, to the surprise and delight of their lords, whilst a portion of her tail scrambled after her (the rest remained at Winterfell).
Product details
- Publisher : Bantam; First Edition (November 20, 2018)
- Language : English
- Hardcover : 736 pages
- ISBN-10 : 152479628X
- ISBN-13 : 978-1524796280
- Reading age : 5 years and up
- Item Weight : 2.5 pounds
- Dimensions : 6.53 x 1.9 x 9.41 inches
- Best Sellers Rank: #56 in Books (See Top 100 in Books)
- #7 in Fantasy Action & Adventure
- #10 in Sword & Sorcery Fantasy (Books)
- #40 in Epic Fantasy (Books)
- Customer Reviews:
About the author

George R.R. Martin is the globally bestselling author of many fine novels, including A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, and A Dance with Dragons, which together make up the series A Song of Ice and Fire, on which HBO based the world’s most-watched television series, Game of Thrones. Other works set in or about Westeros include The World of Ice and Fire, and A Knight of the Seven Kingdoms. His science fiction novella Nightflyers has also been adapted as a television series; and he is the creator of the shared-world Wild Cards universe, working with the finest writers in the genre. He lives in Santa Fe, New Mexico.
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Customers find the book very well written and amazing. They also say the content provides great insight into the birth of certain customs and expanded material. However, some find the characters confusing. Opinions are mixed on the history content, with some finding it interesting and others saying it's bleak and reads like a dressed up textbook. Readers also have mixed feelings about the comprehensibility, with others finding it surprisingly easy and enjoyable to read, while others say it'll get hard to follow with all the names.
AI-generated from the text of customer reviews
Customers find the book well-written, reliable, and does a good job explaining how the realm ebbed and flowed. They also mention that it's not uncomfortable to read and incredible to compare to the TV show, House of the Dragon on HBO.
"...Of course the writing is great and the story is awesome and I'm loving it..but the fact that there's beautiful illustrations every 3-5 pages is..." Read more
"Great writer but he writes real real real slooow" Read more
"...It reads like a history book. It is so very well written and I highly encourage all fans to read it, especially fans of House of the Dragon...." Read more
"It is a history. No dialogue, no real character development...." Read more
Customers find the book gives great insight into the birth of certain customs, and is a great addition to the world of Westeros. They also appreciate the writing and world building from GRR Martin. Readers also mention that the book contains interesting stories about politics, alliances between ancestors of the characters we've come. They mention that it contains expanded material.
"...This is a history book. It's also a world-building lesson, one I think any aspiring writer (and even some already established authors) can learn from..." Read more
"...The book just really adds to the masterful world building that G.R.R. Martin has built, filling in so much color and interesting history to the world..." Read more
"...This gives the reader the unique perspective of each character, helping the reader empathize with many characters s/he might otherwise have written..." Read more
"Way too many insignificant details to try to remember. A rather long and boring story. Glad when I finally finished." Read more
Customers find the history content interesting, easy to make up, and alive. They also say the book contains plenty of adventure. However, some readers feel the history is very bleak and leaves much open to interpretation.
"...Of course the writing is great and the story is awesome and I'm loving it..but the fact that there's beautiful illustrations every 3-5 pages is..." Read more
"Great writer but he writes real real real slooow" Read more
"...ADVENTURE: Yes, there is plenty of adventure, even if it is not as layered through as creative writing would be in an epic story of conquest...." Read more
"...Because it has no real narrative, it often has pages of a king traveling to various places in Westeros and, so, without a map the reader has no idea..." Read more
Customers are mixed about the comprehensibility. Some find the amount of detail in the book immaculate, complex, and interesting. They also say the story moves quickly. However, some readers feel the book is confusing and a rambling repeated mess.
"...It is not the easiest or quickest read...." Read more
"...nearly as interested, but the overall story was so enthralling and complexed, I loved it!" Read more
"The book is sometimes hard to follow, but if you watched HOUSE OF THE DRAGAON AND GAMES OF THRONES then you will like this book" Read more
"...The amount of detail in this book is immaculate...." Read more
Customers find the characters confusing and absent as a personality. They also say the book is heavy and a recording of events, not dialogue or characters.
"...So, the characters are often "two-dimensional" since there is no effort by Mr. Martin to make the reader care for any of the characters...." Read more
"...There are a ton of characters in the book, he reuses names so it is, at times, hard to tell exactly who he is talking about, and the story is not..." Read more
"...There was no reverence to scene and scenery and he jumped from character to character, and frequently from era to era...." Read more
"...There are hundreds of new stories and characters to think about in this book. Two birds with one stone?..." Read more
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Reviewed in the United States on July 2, 2024
My review of Fire & Blood is sure to be a different take than any other review. In such light,. My review may be the least helpful to most readers. Why? I have not yet successfully read any works of Mr. Martin, because I find them a daunting challenge. Note that I state challenge, not that his writing is unappealing or uninteresting. What I mean is, I greatly respect his ability to weave great yarns. I just have difficulty in immersing myself into the worlds he creates.
Anyway, I decided to approach his works from a different angle. I chose to read the history he prepared, then I will move on to Game of Thrones.
I mention all this so you can skip my review if you are already a Martin fan, because what little light I might shed on the topic probably will be of little use or interest to you.
On with my review…
BLUSH FACTOR: You probably won’t want to read this story to your children aged 13 and younger due to three eff-words and a reference to men and sheep. Unless, that is, you have raised your children to on a farm and providing you have a sense of humor regarding sheep and find them prettier than the local maidens… Okay, I am parroting Martin’s humor at location 5406.
POV: Third person.
WRITING & EDITING: Readers tend to gage the writing of history somewhat differently than fiction. At least I do. With a history I don’t expect quite the same sort of flow. With “Fire & Blood” we don’t get the same flow as with, say, Game of Thrones. But, since we don’t expect to, we can more readily accept such ebb and flow as exists in “Fire & Blood.”
ADVENTURE: Yes, there is plenty of adventure, even if it is not as layered through as creative writing would be in an epic story of conquest. To better show the adventure and character building that does exist in “Fire & Blood,” please refer to the below excerpt.
EXCERPT
‘…his summons. Lastly he descended upon the seat of House Doggett, reducing it to ash. The fires claimed the lives of Ser Joffrey’s father, mother, and young sister, along with their sworn swords, serving men, and chattel. As pillars of smoke rose all through the westerlands and the riverlands, Vhagar and Balerion turned south. Another Lord Hightower, counseled by another High Septon, had opened the gates of Oldtown during the Conquest, but now it seemed as if the greatest and most populous city in Westeros must surely burn.
Thousands fled Oldtown that night, streaming from the city gates or taking ship for distant ports. Thousands more took to the streets in drunken revelry. “This is a night for song and sin and drink,” men told one another, “for come the morrow, the virtuous and the vile burn together.” Others gathered in septs and temples and ancient woods to pray they might be spared. In the Starry Sept, the High Septon railed and thundered, calling down the wroth of the gods upon the Targaryens. The archmaesters of the Citadel met in conclave. The men of the City Watch filled sacks with sand and pails with water to fight the fires they knew were coming. Along the city walls, crossbows, scorpions, spitfires, and spear-throwers were hoisted onto the battlements in hopes of bringing down the dragons when they appeared. Led by Ser Morgan Hightower, a younger brother of the Lord of Oldtown, two hundred Warrior’s Sons spilled forth from their chapterhouse to defend His High Holiness, surrounding the Starry Sept with a ring of steel. Atop the Hightower, the great beacon fire turned a baleful green as Lord Martyn Hightower called his banners. Oldtown waited for the dawn, and the coming of the dragons.
And the dragons came. Vhagar first, as the sun was rising, then Balerion, just before midday. But they found the gates of the city open, the battlements unmanned, and the banners of House Targaryen, House Tyrell, and House Hightower flying side by side atop the city walls. The Dowager Queen Visenya was the first to learn the news. Sometime during the blackest hour of that long and dreadful night, the High Septon had died.
A man of three-and-fifty, as tireless as he was fearless, and to all appearances in robust good health, this High Septon had been renowned for his strength. More than once he had preached for a day and a night without taking sleep or nourishment. His sudden death shocked the city and dismayed his followers. Its causes are debated to this day. Some say that His High Holiness took his own life, in what was either the act of a craven afraid to face the wroth of King Maegor, or a noble sacrifice to spare the goodfolk of Oldtown from dragonfire. Others claim the Seven struck him down for the sin of pride, for heresy, treason, and arrogance.
Many and more remain certain he was murdered…but by whom? Ser Morgan Hightower did the deed at the command of his lord brother, some say (and Ser Morgan was seen entering and leaving the High Septon’s privy chambers that night). Others point to the Lady Patrice Hightower, Lord Martyn’s maiden aunt and a reputed witch (who did indeed seek an audience with His High Holiness at dusk, though he was alive when she departed). The archmaesters of the Citadel are also suspected, though whether they made use of the dark arts, an assassin, or a poisoned scroll is still a matter of some debate (messages went back and forth between the Citadel and the Starry Sept all night). And there are still others who hold them all blameless and lay the High Septon’s death at the door of another rumored sorceress, the Dowager Queen Visenya Targaryen.
The truth will likely never be known…but the swift reaction of Lord Martyn when word reached him at the Hightower is beyond dispute. At once he dispatched his own knights to disarm and arrest the Warrior’s Sons, amongst them his own brother. The city gates were opened, and Targaryen banners raised along the walls. Even before Vhagar’s wings were sighted, Lord Hightower’s men were…’
Martin, George R. R.. Fire & Blood (A Song of Ice and Fire) (Kindle Locations 1270-1300). Random House Publishing Group. Kindle Edition.
BOTTOM LINE
I enjoyed this fiction that felt like a true history. I confess that I enjoyed the Audible edition a bit more than the Kindle edition, but, for me, that is becoming the case with most reading. I read the Kindle edition when I can, and listen to the professional narration edition while commuting or otherwise enjoying the countryside in what “The People’s Almanac” referred to as ‘The Empty Quarter.” Listening to “Fire & Blood” while cruising through these wind-blown prairies, I found myself speculating that perhaps, just perhaps, when the ancient ones entered these lands several eons ago, they may have slew dragons and brute goliaths to wrestle the Upper Midwest free from some precursors of the human race…THAT is one mark of a good writer of fantasy, the learned one some refer to as George R. R. Martin.
The one downside of this epic history is that this book is only the first volume and the author himself admits that he has other pressing epics to bring forth before he can get around to writing the conclusion. In that sense, this book ends without being complete. An annoyance to me and, I’m certain, many other readers.
At least now I can tackle “A Game of Thrones.”
Four stars out of five.
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Why am I telling you this about Tolkien in a review for GRR Martin? This should seem fairly obvious by now: GRR Martin has the same longing Tolkien did. He has the same love of the grand, sweeping historical epic. So far he has been giving us his 'Lord of the Rings,' his drama of the minutiae, but in the process he got caught up in the grand and glorious visions of the Targaryens, just as Tolkien was swept up into the glories of the First Age. It’s no mistake this book is being called the “GRRMillion.”
Martin's popularity is granting him a chance that Tolkien unfortunately never had in his lifetime: To create his myth IN FULL. To give us the grand sweep of things in the greater world, beyond just the characters we know and love in 'A Song of Ice and Fire.'
Please accept this book for what it is, rather than complaining about what it does not aim to be. And what exactly is it? An artefact from Westeros. It should be read not as a book Martin wrote, but one he transcribed, from the original text by Archmaester Gyldayn. It will require some work on the part of the reader. The lines have been drawn, and we are being asked to fill in the colors with our imaginations. This participatory reading is what can make history so engaging—it takes work, but the work pays off.
We have two choices: We can claw after the next GoT book, complaining that the author hasn’t yet met our demands. Or we can allow the author a chance to fill out his universe. For my part, this stuff is more exciting than the series proper. We get to see the bigger picture that all of the Song of Ice and Fire is a part of. If you don't want this sort of thing, simply move on rather than ruining the experience for others.
I remember what it felt like to sit down one day as a boy and open 'The Silmarillion.' I was holding the Bible of the Elves. It was a piece of that world. It was a text that might have been read by a scholar in Minas Tirith. It was magic. Martin has the chance to give us this now. Imagine being Samwell Tarly, sitting in the Citadel's library, opening up this ponderous and magical tome about the history of the Targaryens for the first time.
Why now, though? Why not wait until he's finished telling the main story? For my part, I'd rather follow the passion of a writer than get mediocre work demanded by fans. Martin created this universe for us; let him follow his vision for how it should proceed. He was caught up in the glorious history of his universe as he was telling his story, and he wants us to have it in all of its rich complexity. I can only wish that Tolkien had had the same opportunity in his lifetime. We only see fragments of what that might have been. But Martin is giving us his own great mythology, in his own lifetime, whole and complete; and I am a boy again with wonder.
This, my friends, is going to be a feast.
Top reviews from other countries
Great story. Blood & cheese shoked me, Jaehaerys the Conciliator was my favorite king by far.
A must if you like a song of fire and ice, or game of throne, or house of the dragon.
p.s. Please winds of winter , dream of spring Come to ME




















