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A Fire Engine for Ruthie Hardcover – Picture Book, August 23, 2004
| Cyd Moore (Illustrator) Find all the books, read about the author, and more. See search results for this author |
Ruthie loves to visit Nana, but they don’t always like to play with the same things. Ruthie loves fire engines and motorcycles, while Nana loves dolls and dress-up clothes. Nana’s neighbor, Brian, gets to play with fire engines and motorcycles. So why doesn’t Ruthie? Energetic illustrations capture the loving relationship between Ruthie and Nana in this insightful and sensitive story.
- Reading age4 - 7 years
- Print length32 pages
- LanguageEnglish
- Grade levelPreschool - 3
- Dimensions10 x 0.13 x 10 inches
- PublisherClarion Books
- Publication dateAugust 23, 2004
- ISBN-100618159894
- ISBN-13978-0618159895
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Editorial Reviews
From Publishers Weekly
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Review
"A good choice for challenging gender stereotypes and creating a culture of acceptance." KIRKUS REVIEWS Kirkus Reviews
"positive depiction of imaginative play...illustrations are full of homey details...many young listeners will relate to Ruthie's preference" BCCB Bulletin of the Center for Children's Books
"This book hits the mark on three solid counts--a real story, good pacing, and deliciously full artwork" BOOKLIST Booklist, ALA
"a protagonist with interests that buck societal stereotypes...vibrant watercolors pack in plenty of detail" PUBLISHERS WEEKLY Publishers Weekly —
About the Author
Lesléa Newman is the author of more than 40 books, including Matzo Ball Moon and Remember That. She lives in Massachusetts.
Product details
- Publisher : Clarion Books; New title edition (August 23, 2004)
- Language : English
- Hardcover : 32 pages
- ISBN-10 : 0618159894
- ISBN-13 : 978-0618159895
- Reading age : 4 - 7 years
- Grade level : Preschool - 3
- Item Weight : 14.4 ounces
- Dimensions : 10 x 0.13 x 10 inches
- Best Sellers Rank: #1,677,217 in Books (See Top 100 in Books)
- #2,407 in Children's Cars & Trucks Books (Books)
- #3,730 in Children's Multigenerational Family Life
- #8,129 in Children's Books on Girls' & Women's Issues
- Customer Reviews:
About the authors

Cyd Moore is a painter, graphic designer and illustrator of magazines, McDonald's Happy Meal boxes, games, posters, and more than 50 children's books including the adorable (and addictive!) I LOVE YOU, STINKY FACE written by Lisa McCourt. Her artwork can be seen here: www.CydMoore.com.

Lesléa Newman is the author of 75 books for readers of all ages including the teen novel in verse, OCTOBER MOURNING: A SONG FOR MATTHEW SHEPARD; the middle grade novel, HACHIKO WAITS; the poetry collection, I CARRY MY MOTHER; the short story collection, A LETTER TO HARVEY MILK; and the children's books, A SWEET PASSOVER, THE BOY WHO CRIED FABULOUS, KETZEL, THE CAT WHO COMPOSED, and HEATHER HAS TWO MOMMIES. Her literary awards include poetry fellowships from the National Endowment for the Arts and the Massachusetts Artists Foundation. OCTOBER MOURNING: A SONG FOR MATTHEW SHEPARD was named an American Library Association 2013 Stonewall Honor Book, and A SWEET PASSOVER was named a 2013 Sydney Taylor Honor as well. A past poet laureate of Northampton, Massachusetts, she is a faculty member of Spalding University's brief-residency MFA in Writing program. Her newest poetry collection, I CARRY MY MOTHER is a book-length cycle of poems that explores a daughter's journey through her mother's illness and death. From diagnosis through yahrtzeit (one-year anniversary), the narrator grapples with what it means to lose a mother. The poems, written in a variety of forms (sonnet, pantoum, villanelle, sestina, terza rima, haiku, and others) are finely crafted, completely accessible, and full of startling, poignant, and powerful imagery. These poems will resonant with all who have lost a parent, relative, spouse, friend, or anyone whom they dearly love.
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BUT I guess I missed the point of this story. It seems to be supposed to be about how it's okay for girls to play with boy toys. We have never differentiated girl and boy toys in our house. My son has a (boy) doll, my girls play with trains and snap circuits. I didn't even pick up that message initially. Instead this book really bothered me. The little girl goes to stay with grandma. Grandma has planned many wonderful trips and fun activities for them to do together but all the girl can think about is what the boy down the street has. She doesn't want a tea party although she plays along for a while with grandma she wants to play fire trucks. At first she gets creative turning a box into a fire engine (great solution I thought) but the author points out all that is lacking about a cardboard imaginary fire truck (no sounds etc). Things like this go on for a week until finally the grandmother goes out and spends a fortune at the toy store so her granddaughter can have all the same toys as the boy down the street.
If you know people who have issues with girls playing with trains and fire trucks and want to teach them that it's okay for girls to play with the "boy toys" then this book is for you but if you are trying to teach your kids not to covet their neighbor's toys and enjoy making the best of what they have then you might not enjoy this book as much.
I liked that the book showed it's ok for girls to like to same toys as boys and for boys to enjoy things that girls like as well.
I would recommend this book to others. Girls who enjoy playing with "boy toys" will relate to Ruthie well.
Nana fails to notice that Ruthie always inserts Brian's more exciting toys into the pretend play and painting that she and Ruthie do together: A motorcycle appears in Ruthie's daisy picture, and she pretends to smell fire. Nana appears oblivious to Ruthie's interests, and Ruthie's imagination has not yet developed enough to play without real-looking toys. For example, Ruthie makes a pretend fire truck from a box, but she loses interest because it "has no black-and-white dog sitting up front," and "no silver ladder that slides up and down and no yellow hose to unwind." The two are so out of touch that the book's funniest line occurs on day four, when Nana once again asks Ruthie, "What would you like to do today?"
"Ruthie tells Nana, 'I want to play with Brian.'" This comes as no surprise to the reader.
To make a long story short (and, unfortunately, the book does seem longer than its 32 pages), Nana finally understands Ruthie's need for more exciting, action-oriented toys and play when they visit Brian. Nana becomes involved with the kids, and even "buys a fire engine for Ruthie, a train for herself, and two motorcycles to share." The book's colorful pictures--especially one of Nana all dressed up in a feather boa and a floppy orange hat--maintain interest, even though Nana sometimes looks like a teenager. In fact, Nana neither looks nor acts much differently from a parent who doesn't know his or her own child. Real generational and gender themes are portrayed so subtly that the book sometimes lacks warmth and a feeling of authenticity. The book could be useful for instructional and counseling purposes, and it might be fun for grandparents to read with their extended family.






