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Firestarter [Collector's Edition] [Blu-ray]
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Editorial Reviews
She has the power to set objects afire with just one glance!
Firestarter, based on the unforgettable best-seller by esteemed horror author Stephen King, chronicles the extraordinary life of Charlene "Charlie", McGee. Eight-year-old Drew Barrymore stars as the child who has the amazing ability to start fires with just a glance. Can her psychic power and the love of her father save her from the threatening government agency, "The Shop, ", which wants to control her… or destroy her? Filled with blazing special effects and featuring an all-star cast including Martin Sheen, Heather Locklear, Art Carney, Louise Fletcher and George C. Scott, Firestarter is directed by Mark L. Lester (Class of 1999, Commando) and driven by a pulsating, thrilling score from Tangerine Dream (Legend, Sorcerer, Risky Business).
Product details
- MPAA rating : R (Restricted)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 5.92 Ounces
- Item model number : 43449088
- Director : Mark L. Lester
- Media Format : NTSC, Widescreen, Collector's Edition
- Run time : 1 hour and 55 minutes
- Release date : March 14, 2017
- Actors : Drew Barrymore, George C. Scott, Martin Sheen
- Studio : Shout Factory
- ASIN : B01N7G95ZX
- Country of Origin : USA
- Number of discs : 1
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Best Sellers Rank:
#5,366 in Movies & TV (See Top 100 in Movies & TV)
- #324 in Horror (Movies & TV)
- Customer Reviews:
Customer reviews
Top reviews from the United States
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"Firestarter" is guilty of something I've covered several times in this retrospective. Whether my identification is fully correct or entirely fair I'm not sure but I will now call stories that are very simplistic or "reactionary" as "Pulp" works. As far as I know pulp writing by its nature is simple and is looking to offer a robust experience. Another way to see pulp works is "out of the frying pan and into the fryer" and I loath it. What's the point of "Firestarter?" It's to get away. Truly that's it! (One could make the case that there are themes of family, government oversight, innocence betrayed, etc. but those themes would be post interpreted application) What happens to the characters when their only goal is to get away? Well they meet some really nice people, really mean people, and we are even treated to some pointless flashback sequences that are supposed to make us feel anger toward their enemies and great sympathy for the antagonists <insert fart noise>. It is the weakest form of story telling and requires minimal effort from the audience in terms of thinking. It's "amusing." That is "A" which comes from the Greek meaning "without" and "muse" which means "deep thought." I'm personally irritated by efforts to amuse me. The assumption being that I don't have capacity for much more. Amusement doesn't dignify its constituency. If you like "Firestarter" I'm not saying I'm better than you. In fact I sometimes wish I could just sit back and enjoy movies like I did when I was a kid. I can't just switch to that mode though. Siskel and Ebert, who I greatly respect, said when they watch a movie they analyze how it made them feel. So if you can watch a movie, like "Firestarter," for pure entertainment then you are in good company. For me? I just can't do it and I want more from film makers and story tellers as well.
Speaking of "entertaining" was "Firestarter" entertaining? Yes it was actually. I was never bored so I do appreciate that.
In the end the worst part of "Firestarter" is that it confirmed my expectations. Despite the marketing that stuck in my head all these years I never was tempted to go see it because it just looked like a movie about a girl that starts fires with her mind and that's essentially true. I gained nothing from having finally seen it.
Pros
-not boring
-good special effects
-Drew Barrymore was cute as a button!
Cons
-not a story that had to be told
-relies heavily on its flemsy premise
-simplistic adversaries
-a throw back to 70's government conspiracy films (that I covered in this retrospective already) and one of those was almost too much. If one doubts this it's ending is almost exactly like "Three Days of the Condor."
-officially part of the "pulp works" canon that I fully reject.
The film has a strong cast including George C. Scott and Martin Sheen part of the government agents after the father and daughter. Scott looks great with a bad eye, a pony tail and an evil demeanor.
The story is just as good with agents after Keith and Barrymore. Her lighting things up, etc. It’s definitely one of the better early adaptations of a Stephen King story.
Top reviews from other countries
The cast was also unbelieveably strong, basically an allstar who's who of Hollywood and many performances were a tad over the top, but in a film such as this, larger than life performances from veterans like George C. Scott and Martin Sheen and David Keith are what you need.
For me, this film belongs totally to Drew Barrymore. She will always be the Firestarter for me, a part she was meant for and she is incredibly endearing and it makes the governement villians in this even more despicable and it makes you hate them more for what they do to her and her father. Governement agencies really do get a kick out of breaking up families like that and it's laid on heavily here, nothing short of fascism. And when Charley uses her powers, it's visually impressive and you just have to cheer the little blonde one on. It's terribly sad at times, but that makes it work so much the better. George C Scott's chilling hitman villian of course could have stolen the show, especially when he 'makes friends with her and becomes close' and nearly did when I first saw it, but Drew matched him every step of the way and (slight spoiler alert) wins in the end.
The film packs a very strong emotional punch, the stuntwork and pyrotechnics are often breathtaking and the visual effect of Charley's hair blowing and the sound effect that comes along with it is extremely clever, and wasn't in the book by the way. Logic has nothing to do with it, it's a film, which uses visual tricks and sound to tell the story, get over it.
I have always been a big fan of this film and congrats to Mark L. Lester for pulling off an unfairly mauled underrated classic. I am having to buy it again too, since the version I had is released by another company, not Universal, and so you lose a whole chunk of the beginning, which is no good to me. Big price though, but it's worth it.
The disc is loaded with extras, a theatrical poster, art cards & collector's booklet .
A truly stunning release for a classic film,,,well done PlanB....

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