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![First Love, Last Rites by [Ian McEwan]](https://m.media-amazon.com/images/I/31pOpTFH8zL._SY346_.jpg)
First Love, Last Rites Kindle Edition
Ian McEwan (Author) Find all the books, read about the author, and more. See search results for this author |
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Taut, brooding, and densely atmospheric, the stories here show us how murder can arise out of boredom, perversity from adolescent curiosity—and how sheer evil can become the solution to unbearable loneliness.
These short fiction pieces from the early career of the New York Times–bestselling and Man Booker Prize–winning author of Atonement and On Chesil Beach are claustrophobic tales of childhood, twisted psychology, and disjointed family life as terrifying as anything by Stephen King—and finely crafted with a lyricism and an intensity that compels us to confront our secret kinship with what repels us.
“A powerful talent that is both weird and wonderful.” —The Boston Sunday Globe
“Ian McEwan’s fictional world combin[es] the bleak, dreamlike quality of de Chirico’s city-scapes with the strange eroticism of canvases by Balthus. Menace lies crouched between the lines of his neat, angular prose, and weird, grisly things occur in his books with nearly casual aplomb.” —The New York Times
- LanguageEnglish
- PublisherRosettaBooks
- Publication dateFebruary 11, 2011
- File size234 KB
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Editorial Reviews
Review
"Ian McEwan's fictional world combin[es] the bleak, dreamlike quality of de Chirico's city-scapes with the strange eroticism of canvases by Balthus. Menace lies crouched between the lines of his neat, angular prose, and weird, grisly things occur in his books with nearly casual aplomb." --The New York Times
"McEwan is a splendid magician of fear." --Village Voice Literary Supplement --This text refers to the paperback edition.
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Product details
- ASIN : B07H197T6D
- Publisher : RosettaBooks (February 11, 2011)
- Publication date : February 11, 2011
- Language : English
- File size : 234 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 97 pages
- Lending : Enabled
- Best Sellers Rank: #635,137 in Kindle Store (See Top 100 in Kindle Store)
- #904 in British Horror Fiction
- #1,262 in Horror Short Stories
- #5,101 in Psychological Fiction (Kindle Store)
- Customer Reviews:
About the author

Ian McEwan is a critically acclaimed author of short stories and novels for adults, as well as The Daydreamer, a children's novel illustrated by Anthony Browne. His first published work, a collection of short stories, First Love, Last Rites, won the Somerset Maugham Award. His other award-winning novels are The Child in Time, which won the 1987 Whitbread Novel of the Year Award, and Amsterdam, which won the 1998 Booker Prize.
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Now, I didn't realize when I picked it up that First Love, Last Rites actually represented McEwan's first published writings, and that they largely represented the author's attempts to experiment and find his voice. Had I known that, I doubt I would have jumped in here; I'd probably have gone with something more polished, or something closer in his career arc to Atonement, at least chronologically. As it is, First Love, Last Rites is a pretty far cry from Atonement in a lot of ways, not the least of which is the grim, disturbing subject matter. At the time, McEwan had the nickname "Ian Macabre," and it's not hard to see why - this is a collection of horrors, from incest to sexual abuse, from rapists to murder, almost always told from the point of view of the criminal. And, as he did in Atonement, McEwan immerses himself deeply in the characters' perspectives, which means that there's no moral judgment, no sense of justice or morality. These characters often get away with their actions, without even a sense of guilt, and that can make these hard to take. (That the eBook version I read opens with the story "Homemade," which involves a confident, amoral teenager's efforts to rid himself of his virginity through deeply upsetting means, didn't help me to get adjusted into the book quickly; indeed, it almost put me off reading the rest, just because I wasn't quite aware of what I was getting myself into, and because the story's perspective is so vile.)
And yet, in a lot of ways, you can see many of the same skills that McEwan would put to work in Atonement getting their trial runs here. His empathy and ability to truly step into someone's mind; his knack for watching events unfold without introducing morality or judgment into the writing; his insistence that the reader interacts with the text to unpack some of the meaning. And at times, as repulsive as his characters are, McEwan still knocks you out; my personal favorite is "Conversation with a Cupboard Man," a long confession by a deeply damaged man whose mother infantilized him to a toxic degree and left him barely able to function in the real world - it's a story that reminds me of the depth and nuance that someone like, say, Thomas Harris would bring to a similar character.
There's little way to walk away from First Love, Last Rites and not feel like you need a bit of a shower. The actions depicted here are toxic, and even if McEwan is accurate in the way masculine drives and the demands of society so often push them in horrible directions, that doesn't make the collection any more pleasant to read all in a batch like this. But there's no denying the talent that McEwan was bringing to bear even here, in his earliest work, and it's to his credit that the stories are as engaging as they are, even as they disturb. They're not perfect by a long shot - the title story gets too pretentious with its symbolism for my taste; "Cocker at the Theatre" has at least the advantage of being short; and many of them feel more like experiments in amoral perspectives rather than fleshed out stories - but they're fascinating glimpses as to some of what would make Atonement great. I still think my next taste of McEwan will be something more modern than this, though.
Having said all this, I do feel that "Disguises," the collection's final story, is one of the best short stories McEwan has ever written. Avid readers will recognize McEwan's ongoing fascination with the unstable and dubious nature of the self. The skill with which McEwan weaves together an atmosphere of brooding evil with the anxiety of pubescent sexuality is stunning. Furthermore, McEwan demonstrates his later skill of creating a dark atmosphere without overdoing it. The story builds in intensity then devastates lightly, leaving the reader hanging. If nothing else, check out this final story.
These small gems explore abuse in various forms. For example, "Conversations With a Cupboard Man," one of my favorites in the collection, is narrated by a young man, who had lived with his mother until very recently. You start to find out his mother had treated him like a small child for his whole life, and the story is about his problems adjusting in the real world. Homemade, Butterflies, and Disguises all depict sexual abuse of children, in different ways.
This collection is not for the faint of heart: if you read and loved Atonement, this might not be what you're expecting. I'm not offended by these stories, but if you are offended by rape and abuse in its various forms, I would steer clear. But if you ask me, these horror stories are as scary as those of Stephen King, just in a more subtle way. If you're a fan of McEwan or psychological horror, these are definitely worth a look.
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Like many of Amazon’s reviewers, I didn’t like the macabre and disturbing subject matter of these stories, but that wasn’t the main problem. These stories, for me, were unsatisfactory, because they described incidents or ideas in detail, but failed to follow up on the consequences of the events described. It was like reading a series of first chapters, and then never finding out what happened afterwards.
While I love McEwan’s mature work, with its meticulous buildup of detail, several of his novels have been spoilt for me by a weak or disappointing ending. In these stories he dealt with the issue by not giving them any ending at all. It was as if he was titillating the reader’s curiosity by offering a series of opening chapters without the rest of the novel – or maybe, as a young writer, he was just experimenting or practising his craft.


If you want to know about the contents, I've not seen any chocolate on the pages yet, but I'm going to finish Atonement first


Reviewed in the United Kingdom on December 22, 2020
If you want to know about the contents, I've not seen any chocolate on the pages yet, but I'm going to finish Atonement first


