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The Fixers: Eddie Mannix, Howard Strickling and the MGM Publicity Machine

3.6 out of 5 stars 50 customer reviews
ISBN-13: 978-0786420278
ISBN-10: 0786420278
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Editorial Reviews

Review

"Fascinating detail...a must-have book." --Little Shoppe of Horrors

"Interesting." --Communication Booknotes Quarterly

"Interesting." --Communication Booknotes Quarterly

About the Author

E.J. Fleming has been researching Hollywood for decades and has penned biographies of Carole Landis and Wallace Reid, among his other books about Hollywood culture. He lives in the country in Connecticut.
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Product Details

  • Paperback: 325 pages
  • Publisher: McFarland (November 29, 2004)
  • Language: English
  • ISBN-10: 0786420278
  • ISBN-13: 978-0786420278
  • Product Dimensions: 0.8 x 6 x 9 inches
  • Shipping Weight: 15.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (50 customer reviews)
  • Amazon Best Sellers Rank: #137,518 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Paperback
I'm a big fan of classic Hollywood, and in the many star biographies I've read, the names of Eddie Mannix and Howard Strickling crop up often. When I found an entire book, just about the two of them, I pounced.

Fleming has some fascinating stories to tell, and at first glance, most of the anecdotes appear to be, for the most part, well documented. When he relies on his own theories, he clearly states that this is the case; even when he just theorizing, he seems to have a good basis in fact, or what facts can still be uncovered after all these years, and after all the covering-up Mannix and Strickling did. His theories about, for example, the deaths of Paul Bern and George Reeves seem sound, on the face of them. I was shocked to read of Wallace Beery's alleged involvement in the beating death of Ted Healy, founder of the Three Stooges, but even that seems to be reasonably well proven.

He does a good amount of research about the early lives of Strickling and Mannix, a topic that has never been explored at any length before. He also provides a detailed history of the origins of the motion picture industry and the births of the major studios, much of which will be familiar to scholars of Hollywood history.

I started to seriously doubt his accuracy for the first time around page 166, when he describes Jean Harlow's death as being caused by "uremic poisoning caused by an infection from wisdom teeth surgery the month before.
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Format: Paperback
Initially I enjoyed reading the book although I did find the author's style of writing a little annoying. However I quickly became concerned about the level of research the author had conducted for each scandal that was discussed. In some cases it seemed to be fine and quite well thought out, for example his take on Clark Gable's involvement in a couple of road accidents and then at other times he seemed to rely solely on another persons' book for his research. The worst example I came across which really irritated me was his take on the death of Thelma Todd, the extent of his research seems to have been that he read Hot Toddy and has taken it as Gospel. I have read Hot Toddy and it had no list of references to help prove that Thelma Todd was murdered in fact it read like a completely fictionalised biography. From this point on I noticed just how often the author made reference to other people's books for his research and I began to think that this book was little more than a cobbling together of all the racy and interesting gossip from lots of other books. To be honest this wouldn't have bothered me as I quite enjoy reading a real hatchet job of a book about film stars, reading all the gossip and comparing books about the same person. However I don't think that this was what the author set out to do and I feel cheated that he didn't look more closely at each story and assess them properly which is what I thought he was going to do, comparing different takes on a scandal or piece of gossip and then giving his own opinion and research.

Considering the book is about Strickling and Mannix they do not really come across as the main focus of the book. I don't feel that I know much more about them than I did from reading other Hollywood books.
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Format: Paperback Verified Purchase
As one reviewer has stated, there is very little here which can not be sourced in others books. I suppose the value is that it has all come together in one read.

The list of scandals is built around the careers of Mannix and Strickling at MGM. The book is structured so you get the feeling of each scandal as it occurs. As Mannix and Strickling are dealing with one issue, another arises, then another etc. They were very busy.

I too skimmed the last sections. The detailed analysis of George Reeves, the first superman, is boring.

I have passed the book on. Borrow it from your library but don't waste your money like I did.
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Format: Paperback
It's hard to trust Fleming's "new" information about the situations Mannix and Strickling "fixed" when he can't handle basic facts such as the location of Hearst's Wyntoon property (Northern California, not Oregon as Fleming says) or which trains brought the early film pioneers to Los Angeles (not the 20th Century Ltd., as he says since it only ran between NYC and Chicago). Some of his gossipy details have been supported by the stars themselves or by people close to them, but far too many are just rank speculation he presents as fact. If I'd paid the very high cost for this book, I'd be irate. God bless Interlibrary Loan. Save your own money, readers.
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"The Fixers" is a wildly inaccurate book that inflicts great damage to the integrity of responsible cinema history on two fronts. 1. The book is replete with factual errors on picture titles, studios, performers, names, you pick a category. A complete listing of the mistakes by author E.J. Fleming should require McFarland to publish a separate errata sheet but that listing would probably be longer than the book itself! 2. The content is a veritable slop bucket of unsubstantiated gossip, rumor and absurd speculation. Most of this nonsense lacks any type of documentation or fact although Fleming relies on discredited sources like Charles Higham and Kenneth Anger to foist his view of Hollywood as a stewpot of perverseness. The obsession over the sexual orientation of actors such as Barbara Stanwyck and Cary Grant is over-emphasized to the point of absurdity.

While there is always interest in that prurient aspect of Old Hollywood that constitutes gossip or scandal ( particularly by publishers!), such accounts need to be balanced and well-grounded in fact, not simply assumed in an author's imagination as this book was evidently written.

The Fixers is in no way a researched nor balanced biography of Howard Strickling or Eddie Mannix. Both men are presented in broad brush strokes as omnipotent CIA-like studio manipulators without a single redeeming feature.

One of the few solid parts of the book is the initial narrative concerning the mysterious demise of 'Superman' actor George Reeves although the author's rendition appears to be heavily borrowed from the writing of Sam Kashner's and Nancy Schoenberger's "Hollywood Kryptonite". Even though E.J.
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