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Flâneuse: Women Walk the City in Paris, New York, Tokyo, Venice, and London Hardcover – February 28, 2017
| Lauren Elkin (Author) Find all the books, read about the author, and more. See search results for this author |
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FINALIST FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR THE ART OF THE ESSAY
A New York Times Notable Book of 2017
The flâneur is the quintessentially masculine figure of privilege and leisure who strides the capitals of the world with abandon. But it is the flâneuse who captures the imagination of the cultural critic Lauren Elkin. In her wonderfully gender-bending new book, the flâneuse is a “determined, resourceful individual keenly attuned to the creative potential of the city and the liberating possibilities of a good walk.” Virginia Woolf called it “street haunting”; Holly Golightly epitomized it in Breakfast at Tiffany’s; and Patti Smith did it in her own inimitable style in 1970s New York.
Part cultural meander, part memoir, Flâneuse takes us on a distinctly cosmopolitan jaunt that begins in New York, where Elkin grew up, and transports us to Paris via Venice, Tokyo, and London, all cities in which she’s lived. We are shown the paths beaten by such flâneuses as the cross-dressing nineteenth-century novelist George Sand, the Parisian artist Sophie Calle, the wartime correspondent Martha Gellhorn, and the writer Jean Rhys. With tenacity and insight, Elkin creates a mosaic of what urban settings have meant to women, charting through literature, art, history, and film the sometimes exhilarating, sometimes fraught relationship that women have with the metropolis.
Called “deliciously spiky and seditious” by The Guardian, Flâneuse will inspire you to light out for the great cities yourself.
- Print length336 pages
- LanguageEnglish
- PublisherFarrar, Straus and Giroux
- Publication dateFebruary 28, 2017
- Dimensions6.4 x 1.2 x 9.38 inches
- ISBN-109780374156046
- ISBN-13978-0374156046
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Editorial Reviews
Review
"Absorbing . . . Elkin has an eye for the unexpected detail, as befits a flâneuse. . . It will be up to booksellers to figure out how to categorize her pastiche of travel writing, memoir, history and literary nonfiction. A reader, flaneusing along the bookshelves, will find in it some of the pleasures of each." ―Diane Johnson, The New York Times Book Review
“At a moment when women’s rights have come to significant national attention, Flâneuse also reads as a document of resilience, one that celebrates female figures fighting to be seen . . . Blending historical analysis, literary criticism, and memoir, Elkin seeks to re-define the concept of flânerie itself, and to reclaim the city for its women wanderers.” ―Arnav Adhikari, The Atlantic
"By focusing on six writers and artists . . . [Elkin's] book makes a forceful case for the genderless joy and vital importance of striking out for the territory―on foot . . . Flâneuse is a stimulating read whose itinerary ranges from wanderlust and space as a 'feminist issue' to self-definition in connection with a specific place." ―Heller McAlpin, Los Angeles Times
"Lauren Elkin brings breadth and depth to a cocktail party crowded with genius . . . Her historical and literary portraits take their power from her talent for seeing aslant, making the familiar strange and vice versa . . . Ms. Elkin’s clear-eyed view of her own flâneuserie is one of the charms of a book that is pedestrian in the best possible sense: It makes you want to walk.” ―Jane Kamensky, Wall Street Journal
"[An] eclectic and absorbing memoir and cultural history . . . The book strikes a rewarding balance between present and past, as it establishes and illustrates the much-needed definition of the flaneuse as "a determined, resourceful individual keenly attuned to the creative potential of the city, and the liberating possibilities of a good walk." ―Kathleen Rooney, Chicago Tribune
“An ambitious, powerful meditation on women in the urban space . . . Cities, in Elkin's rich, intelligent prose, become not static places that lend themselves to unidirectional efforts of observation, but whole dynamic languages―interconnected networks of constantly changing symbols . . . Elkin's book is more than just a secret history of all the women who have illicitly occupied space. It's also a revelation of just how rich, and full of meaning, that space can be―if you know how to be in it." ―Tara Isabella Burton, Village Voice
“An impressive and wide-ranging study . . . Walking after reading Elkin’s book felt more greatly imbued with both intellectual purpose and gratitude, my own attentiveness to my surroundings heightened. I walked with a better understanding of my place within an intellectual sisterhood of wandering women, flanked by a ghostly girl squad of writers, artists, and creators.” ―Matilda Rossetti, The Rumpus
"Sparkling and original . . . [Elkin's] literary peregrinations defy boundaries, fusing cultural history, criticism, psycho-geography and memoir. Both playful and bracingly intelligent, Elkin’s elegant prose unfurls a portrait of the writer as an urban woman. . . With perhaps an eerie prescience, Flâneuse examines the interrelationships of city, self and world." ―Marian Ryan, Minneapolis Star Tribune
"Flâneuse is a deeply pleasurable book, whether you are a man or a woman, whether you know these cities (or books, or writers, or artists) or not. You will see these streets anew, just as if you were a flâneur in a New York neighborhood or along a canal in Venice. There is always something more to explore, just around the next corner―or on the next page." ―A.V. Club
“In her richly evocative and absorbing debut, cultural critic Elkin homes in on the female version of the flaneur . . . In this insightful mix of cultural history and memoir, Elkin emerges at the protagonist as she mines her personal journey from the suburbs of Long Island to her current home in Paris.” ―Publishers Weekly
"Surely women also strolled and observed, Elkin thought, coining the term flâneuse and embarking on a gloriously rambling quest to celebrate women worthy of this designation . . . Elkin shares her findings in a smart and shimmering mix of her own painful and exhilarating adventures . . . [She] concludes her splendidly discursive homage to intrepid women walkers with the sobering reminder that, in many places, “a woman still can’t walk in the city the way a man can.” ―Booklist
"I've been waiting for years to see the history of women walkers in the city added to the critical literature of the flaneur―and here, in Lauren Elkin's really smart and lovely book, it is." ―Vivian Gornick
“An appealing blend of memoir, scholarship, and cultural criticism . . . Elkin's own story runs through the text like a luminous thread. She tells us the woman-in-the-street stories of Jean Rhys, Virginia Woolf, George Sand, Sophie Calle, Agnès Varda, and Martha Gellhorn, but all sorts of other cultural figures appear, including Barthes, Rilke, Baudelaire, Hemingway, Derrida, Dickens, and numerous others . . . Enlightening walks through cities, cultural history, and a writer's heart and soul.” ―Kirkus
"This is a book about wandering women, the author included, who build relationships with their cities by walking through them . . . Women can and do make feminist statements simply by strolling through their stomping grounds; Elkin creates an interesting and inarguable case for this. She, too, is a wanderer and provides compelling anecdotes about her own journeys, interspersed with those of literary heavy-hitters George Sand, Jean Rhys, Virginia Woolf, and others . . . This is ultimately a celebration of women. You'll want to take a stroll by the end.” ―Library Journal
“Wonderful . . . A joyful genealogy of the female urban walker . . . The book’s narrative meanders brilliantly and appropriately across several time periods at once . . . Elkin’s flâneuse does not simply wander aimlessly, any more than Elkin does herself in this elegant book: she uses her reflection to question, challenge and create anew the life that she observes.” ―Lara Feigel, The Guardian
“Flâneuse is not simply a reclaiming of space, but also of a suppressed intellectual and cultural history . . . Finding ways to reframe images of women walking and to reverse male gazes, Flâneuse builds on recent work by . . . Rebecca Solnit and the artist Laura Oldfield Ford, among others, with striking intellectual vigour and clear, enrapturing prose.” ―Sandeep Parmar, Financial Times
“An intense meditation on what it means to be a woman and walk out in the world . . . [Flâneuse] encourages its readers to lace up their shoes and go for a walk . . . Elkin lets the reader become a companion to many women who have thought seriously about the relationship between a woman and the path she chooses to tread.” ―Erica Wagner, New Statesman
“Engaging, inspiring and vigorous . . . Buy it, read it, talk about it. And carry it with you in your mind when you next go walking in the city.” ―Matthew Adams, The National
"Deliciously spiky and seditious, [Elkin] takes her readers on a rich, intelligent and lively meander through cultural history, biography, literary criticism, urban topography and memoir . . . I defy anyone to read this celebratory study and not feel inspired to take to the streets in one way or another." ―Lucy Scholes, The Observer (London)
About the Author
Product details
- ASIN : 0374156042
- Publisher : Farrar, Straus and Giroux (February 28, 2017)
- Language : English
- Hardcover : 336 pages
- ISBN-10 : 9780374156046
- ISBN-13 : 978-0374156046
- Item Weight : 1.2 pounds
- Dimensions : 6.4 x 1.2 x 9.38 inches
- Best Sellers Rank: #548,908 in Books (See Top 100 in Books)
- #1,449 in Travelogues & Travel Essays
- #2,527 in Traveler & Explorer Biographies
- #15,844 in Memoirs (Books)
- Customer Reviews:
About the author

Lauren Elkin is a widely acclaimed Franco-American writer, critic, and translator. Her books include Flâneuse: Women Walk the City, which a Radio 4 Book of the Week, a New York Times Notable Book of 2017, and a finalist for the PEN/Diamonstein-Spielvogel award for the art of the essay. Her essays on art, literature, and culture have appeared in the London Review of Books, the New York Times, Granta, Harper's, Le Monde, Les Inrockuptibles, and Frieze, among others. She is also an award-winning translator, most recently of Simone de Beauvoir's previously unpublished novel The Inseparables. After twenty years in Paris, she now lives in London.
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The author begins in Paris from the late nineteenth century to the 1920s, to New York in the 1970s, and back to Paris in 1999 with the books of Jean Rhys. In London the author is attending a conference, and walks the streets of Virginia Woolf’s Bloomsbury days. As the author walks the streets, she places herself in the shoes of previous female walkers – famous and celebrated female walkers – George Sand, Martha Gellhorn, and Sophie Calle, to mention a few.
The author focuses on the feminine flaneuse. She criss-crosses cities – going somewhere and coming back again ‘for these roads are not straight, but have several revolutions’. It is not orderly and not chronological. Readers can dip in and out of the narrative, and take what they want from this rambling travel memoir.
The author is actually after different issues. For her, flaneur versus flaneuse becomes a shorthand way of asking when, where and how women are free to occupy public space. Sometimes her focus is historical and frankly reads like an academic thesis. Using boundary-pushing women to serve as a lens—Virginia Woolf, Georges Sand, French conceptual artist Sophie Calle and journalist Martha Gelhorn—Elkins examines how each claimed the right to leave home and hearth and move freely into the world.
Only intermitently does the book focus on the more limited subject of women’s ability to enjoy themselves wandering anonymously down city streets. At those points Elkins relaxes into a lighter, quite engaging autobiographical mode. There’s a poignant section describing how she followed a lover to Tokyo, and ended up living in one of the least female pedestrian friendly environments in the world. I was glad to find out that she returned to her real true love, Paris, that most walkable of great cities.
Top reviews from other countries
Eine hochmütige Beleidigung des japanischen Volkes und der japanischen Kultur bietet der niedermachende und abfällige Ton im Kapitel "Tokio". Hier regt sich die verwöhnte Amerikanerin über fehlende englische Bezeichnungen der Waren in japanischen Supermärkten auf und erbricht das ihr ekelige japanische Essen am Tisch bzw. spuckt es aus. Ansonsten jammert sie über die mangelnde Fürsorge ihres Lovers, die Missachtung durch die anderen Expat-Damen und vor allem die hochmütigen japanische Ehefrauen. Was soll das und was hat das mit "Flaneuse" zu tun? Nichts. Dieses Ärgernis des Japan-Kapitels hätte ein umsichtiger Verlag aus dem Buch genommen. Es ist nur peinlich.
Eingebunden in die jeweiligen Stadt-Kapitel sind aus der Literaturgeschichte bekannte Schriftstellerinnen, die man mit etwas gutem Willen als Flaneusen bezeichnen könnte. In London ist das Jean Rhys, in Paris natürlich George Sand und noch einmal in London Virginia Woolfe. Zu allen drei Frauen bietet die Autorin sattsam Bekanntes und Klischeehaftes sowie Banal-Biografisches, oberflächlich wie mit der heißen Nadel gestrickt und teilweise wie aus der Wikipedia abgeschrieben. Martha Gellhorn, Journalistin und dritte Ehefrau Hemingways, geistert als unbehauste Welt-Flaneuse durch das Buch. Gellhorn hatte aber alles andere als Zeit zum Flanieren, war auch überhaupt nicht der Typ dazu, sondern eine hart arbeitende Frau, die selbst für ihren Lebensunterhalt sorgte. Jean Rhys musste sich zeitweise prostituieren, um nicht zu verhungern und auch George Sand fiel das Geld nicht beim Flanieren in den Schoß. Klassische Flaneusen, was immer das sein mag, waren diese allesamt bemerkenswerten Frauen bestimmt nicht, im Grunde genommen auch nicht Woolfe und Sand, die ebenfalls mehr Zeit hinterm Schreibtisch als auf der Straße verbrachten (trotz des berühmten Flaneur-Bildes von Sand in Männerkleidung).
Am gelungensten ist der Anfang des Bandes, wenn die Autorin auf den Unterschied der Stadtkultur in den Suburbs amerikanischer Großstädte und in echten, gewachsenen Städten eingeht. Hier kennt sich Elkin als Sproß einer Familie
aus Brückeningenieuren und Architekten bestens aus und bringt das auch gut und plastisch herüber. Auch der Schluss des Buchs widmet sich noch einmal ihrer Kindheits- und Jugendstadt New York, dazu gibt es noch einen irgendwie drangeklatscht wirkenden Epilog - wohl auf Bitten des Verlags, um die Kurve zum Thema wieder zu kriegen - mit Wischi-Waschi-Geschwätz über das berühmte (und nicht nur meiner Meinung nach mutmaßlich gestellte) Foto "American Woman in Florence" von Ruth Orkin. Hier hätte die Autorin die Chance gehabt, noch einmal einen größeren Bogen zu spannen und ein geistreiches Resümee zu ziehen, aber auch diese Chance vertut sich mit nichtssagendem Small Talk.
Irgendwie wirkt das Buch auf mich fahrig und zerfahren, ohne auch nur ansatzweise stringent auf den Punkt zu kommen, worum es der Autorin eigentlich geht. Eine Sternstunde der Essayistik ist "Flaneuse" sicherlich nicht. Im Anhang gibt es eine sehr umfangreiche Bibliografie und einen ebenso umfangreichen Anmerkungsteil, der wohl Wissenschaftlichkeit vorgaukeln will, wo keine ist. Gänzlich verärgert ist die Leserin dann, wenn man ganz versteckt unter "Acknowledgements" liest, das es sich gar nicht um ein Originalwerk handelt, sondern um Zusammengestoppeltes und Aufgeblasenes aus teilweise in diversen Magazinen und Sammelbänden erschienenen Einzel-Essays (z.B. die besseren über New York). Das betätigte meinen Eindruck, das dem Buch eine innere Kohärenz und ein roter Faden fehlt und das Ergebnis eher ein amerikanischer Quilt als ein Pariser Gobelin ist.








