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Flatland Paperback – Illustrated, October 1, 2007
- Print length77 pages
- LanguageEnglish
- PublisherEcho Library
- Publication dateOctober 1, 2007
- Dimensions6 x 0.25 x 8.75 inches
- ISBN-101406847771
- ISBN-13978-1406847772
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Product details
- Publisher : Echo Library (October 1, 2007)
- Language : English
- Paperback : 77 pages
- ISBN-10 : 1406847771
- ISBN-13 : 978-1406847772
- Item Weight : 4.7 ounces
- Dimensions : 6 x 0.25 x 8.75 inches
- Customer Reviews:
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Much of the story concerns the peculiarities of life in a two dimensional world. Rank of male Flatlanders depends on the the number and regularity of their angles, ranging from lowly triangles to polygons whose angles are so numerous that they resemble circles. An individual cannot rise from his social class in his lifetime, but their descendants increase their standing by adding one angle per generation. This rule does not apply to triangles, however, whose descendants may ultimately become equilateral but may not evolve into other polygons.
Because all two dimensional beings, viewed from within the same plane, appear as lines, the Flatlanders have elaborate rituals for determining the shape of those they meet. When a Flatlander introduces someone to a friend, the greeting includes something like, "Mr. X, please permit Mr. Y to feel you."
Below all males are the females, who are simply line segments. Females are both reviled because of their low status, and feared in Flatland. Because a line, heading directly toward one's eyes, is difficult to see (appearing as a point), male Flatlanders have been impaled by errant females. Thus, according to Flatland law, a female may only travel outside her home when accompanied by a male who precedes her to announce her presence, or she must sound a warning call when approaching a male. Houses also have separate male and female entrances, to avoid accidental encounters.
Flatland is fully and richly imagined in the story. The narrator also explores the existence of two other worlds, including one dimensional Lineland, where the inhabitants are points on a line. There is also no-dimensional Pointland, whose one inhabitant believes himself to be the sum of the universe, and who regards the square's attempts to communicate with him as merely his own thoughts.
Flatland is clearly a satire on the rigid social structure of Victorian England, but beyond that the novelette is difficult to classify. Is it science fiction or fantasy? Or, is it primarily musings about philosophy, religion or mathematics? The reader from Spaceland must draw his or her own conclusions.
Note: This free edition of Flatland does not contain the illustrations from the original, which, although not essential, do contribute to the enjoyment and understanding of the story.
I am partly moved to write this by the shocking number of reviews by readers who seem to either have not read it, or completely missed the historical context. To be clear: this book was published in 1884, in the latter phase of the Victorian Era, and Abbott’s lengthy discourse on Flatland society is a biting satire of it.
In the book, social standing is determined by the number of regular sides, with polygons being seen as “better” than squares or triangles. That is a direct satire of the often ridged social structure of the Victorians, where social standing (by birth or wealth) coincided with perceived worth. Likewise, in Flatland women are the lowliest of all, being only lines. This isn’t some misogynistic nonsense by the author, this is again a direct satire of the 1880s, where women were near unilaterally treated as lesser than men. By highlighting the utter absurdity of these norms, Abbot is arguing against them via the use of satire.
A handful of reviews seem to have based them entirely off the title, considering the misconceptions of the mathematical ideas. To be clear: the mechanisms for observing objects in flatland is completely explained in the first few pages. It is obvious that a figure confined to a 2D plane cannot directly perceive the shapes that inhabit it, since their “sight” would be restricted to a 1D line. Moreover, being mathematical lines of zero thickness, it would ordinarily impossible to see those lines. The narrator himself spends time on this, with detailed explanations (including wonderful little diagrams), with the important addition that the edges of figures have a level of “luminance” that permits them to be seen. This is entirely analogous to drawing mathematical lines on a piece of paper with some finite thicknesses, such that we can see them with our eyes. As someone who has spent a long time in the mathematical world, I can say that the ideas are marvelously clear and accurate.
Don’t let any negligent or misinformed reviews deter you; this slender little book is a positive gem, and does more in 80 odd pages than many have done in hundreds.
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Printing with the diagrams and language.
Reviewed in Italy on September 14, 2020











