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Fledgling Paperback – January 2, 2007
This is the story of an apparently young, amnesiac girl whose alarmingly unhuman needs and abilities lead her to a startling conclusion: She is in fact a genetically modified, 53-year-old vampire. Forced to discover what she can about her stolen former life, she must at the same time learn who wanted-and still wants-to destroy her and those she cares for and how she can save herself.
- Print length320 pages
- LanguageEnglish
- PublisherGrand Central Publishing
- Publication dateJanuary 2, 2007
- Dimensions5.35 x 1.1 x 8 inches
- ISBN-100446696161
- ISBN-13978-0446696166
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Product details
- Publisher : Grand Central Publishing (January 2, 2007)
- Language : English
- Paperback : 320 pages
- ISBN-10 : 0446696161
- ISBN-13 : 978-0446696166
- Item Weight : 8.8 ounces
- Dimensions : 5.35 x 1.1 x 8 inches
- Best Sellers Rank: #62,492 in Books (See Top 100 in Books)
- #81 in Vampire Horror
- #617 in Contemporary Literature & Fiction
- #3,817 in Paranormal & Urban Fantasy (Books)
- Customer Reviews:
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About the author

OCTAVIA E. BUTLER (1947–2006) was the renowned author of numerous ground-breaking novels, including Kindred, Wild Seed, and Parable of the Sower. Recipient of the Locus, Hugo and Nebula awards, and a PEN Lifetime Achievement Award for her body of work, in 1995 she became the first science- fiction writer to receive the MacArthur Fellowship ‘Genius Grant’. A pioneer of her genre, Octavia’s dystopian novels explore myriad themes of Black injustice, women’s rights, global warming and political disparity, and her work is taught in over two hundred colleges and universities nationwide.
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Our main character Shori, wakes to find herself in a dark cave suffering from some severe injuries. She is in and out of wakefulness for a few days before she gets too hungry she has to find something to eat. Her instinct leads her to a deer that she captures and eats raw. At this point in the story we are assuming she isn't "normal" and since I went in knowing this book was about vampires, I knew why she was feasting on the animal. She needed it for strength and healing. What I was surprised about was that she was eating the entire animal, dragging it back to the cave like a big cat. In all the vampire stories I have read they only drink the blood.
Days go by and Shori finally is well enough to search for answers on where she is and what has happened to her. This leads her to a burned down ruin that she has no memory of and then the highway, where she gets picked up by a 23 year old stranger by the name of Wright. This is when the book reveals itself to the type of book you will be reading because after a discussion that Shori is not excited about she bites Wright which causes him to reevaluate the situation and conclude that he has sexual feelings for this 10 year old girl. At this point in the book I was flabbergasted and then creeped out. Shori has no memory of who is is or what has taken place in the recent past. She does not know her name and so Wright calls her Renee, which means reborn. Wright takes her back to his cabin outside of Seattle and the two get it on.
Here's the thing that is new to me: girl vampire protagonist. She is the one molesting and raping the adults in her life. She at first feeds off of them for sustenance and as the humans get aroused by her venom she then has sex with them. That of course doesn't make the situation better, it's just as bad. The venom is like being roofied and so even though the victims are enjoying themselves they didn't necessarily consent. Later, after the adults realize she isn't a ghost or a dream they consent. But, that is also a piece of the book that is talked about. Do the humans have any control over their emotions. Once you are bitten by a vampire do you have a conscious decision in staying with the vampire or are you compelled/sired to this being. Wright is given the option to leave Shori/Renee at the beginning. She will erase his memory of her if he wishes, but Wright believes that now it would kill him to be without her. He can already feel how the addiction is too great. Wright is aware of the situation, but can't or won't change it.
There is another vampire book that I've read that did this. In the Vampire Academy series, a character searches for a vampire and when she finds him she allows herself to be consumed by his reality. She is in love with him and although she knows it's wrong to be with this vampire, that the "relationship" they are having at the moment isn't real....she wants so desperately for it to be true and lives this fantasy for a few weeks. Allowing the vampire to continually bite her. She lives in euphoria, but deep down she knows and decides to leave. According to the Fledgling world, that isn't a possibility. Once the human is bitten so many times leaving their vampire will kill them.
Another way this book is like the Vampire Academy is that in this world vampires are born. You can not bite a human and turn them into a vampire. Humans are blood bags only. They are called symbionts. They are food companions. In the Vampire Academy human volunteers offer themselves as blood bags for the pleasure of the bites. The experience is addictive. What the symbionts get that the latter humans don't is an extended life. In Fledgling if you are a symbiont you will never get sick or get cancer and you will live for at least 200 years.
With the lore of this story, not only is Shori getting a companion for their human lives and a continuous food source, but the companion is getting protection and a longer life. I guess that is an even trade. This book would be a perfect 5 star read IF Shori wasn't in the body of a 10 year old.
Let's talk about the age difference. In vampire years Shori is 53. However she matures like baby Yoda. It takes her body a lot longer to develop. So even though her body is of a 10 year old child, her actual age is 53. The other vampires know this and the symbionts know this. But it's still is morally wrong in our society to have sexual relations with a child and so this book was definitely uncomfortable to read. Octavia never allows the reader to forget this age difference because she is always mentioning how the adults are always picking her up and putting her on their laps like a child. Her naivety of her past also pushes the child-like persona.
Lastly, I want to talk about the racism in this book. We learn right away that Shori is a little black girl. With the people she encounters that is not an issue, but to certain vampire families she is an abomination. Not only because her DNA has been mixed with humans in order to walk in the sunlight, but because she is black. Milo Silk calls her a "clever dog". The racism isn't prominent in the book, it only takes place at the end when there is a family council or trail. What I don't understand is how can their be no other vampire races. That was the part that confused me. If the vampires are only born I guess I can see that, but its just difficult to comprehend in this fictional world so like our own.
I read this book in 2 sittings because it is so engrossing. Yes it made me feel uncomfortable. Just as Lolita made me feel uncomfortable, but the plot kept me reading and the vampire lore was just so interesting. I'm definitely interested in reading Octavia again in the future. She is an excellent writer. The subject matter is taboo, but the story itself is very engaging. Highly recommend.
The Ina, as they call themselves, are a separate species with written records dating back some ten thousand years, but who cannot live separately from humans; their physiology requires human blood to sustain them. Shori is a genetic experiment by the Ina, a partial cross with humans designed to alleviate the two major problems the Ina face, their inability to withstand sunlight and their need to be comatose during daylight hours. She's black, looks like a ten or eleven year old girl (although she's 53 years old), and starts the story with no memory of who she is due to some severe injuries. The story revolves around her search for who she is and how she sustained those injuries, a story that leads down the paths of killers by compulsion, group `marriage', and courtroom battles, Ina style. The story is not extremely complex, and the situations the heroine finds herself in will be easily recognizable to any reader, but it provides a strong framework for Butler's philosophical expositions:
First, the Ina bond with their human symbionts, a bond that is at least as strong as those formed by human couples, and that both human and Ina receive benefits from the association: for the humans, a much extended disease-free life span; for the Ina, not only a food source but a family. But the humans are also bound, a physical addiction to the chemical compounds in the Ina saliva, leading to ruminations on free will versus happiness. Also investigated here are the benefits and problems of a `group marriage'.
Second, the Ina can impose their will upon a human symbiont, making them do things they would otherwise never consider, and can erase memories or make it impossible for the human to divulge information, which opens up a raft of introspection about who is really responsible for a given action, and who and to what degree someone should be punished for actions outside of the accepted societal norms.
Third, emotions can and often do override any rational thought - and it is within this item that the seeds of prejudice and racism reside, that these items are not rational and cannot be fought purely with reason. Someone who is different in appearance, abilities, or thought patterns is an immediate target for suspicion and fear, as this person is obviously not `one of the tribe' and is therefore a possible enemy. How can this reaction be stopped and when must action be taken against those who cannot accept these differences?
By providing this culture of the Ina, Butler holds up a mirror to our own culture, forcing queries about accepted norms, very typical of Butler's works. But this book is not as powerful as her Kindred or Wild Seed, perhaps because, other than Shori, there is little character development, there are places where the erotic overtones of the relationships overwhelm her more subtle points, and the conclusion of the book feels a little unfinished (perhaps a sequel was planned?). Still, a very different take on the vampire legends, good for much more than just entertainment.
--- Reviewed by Patrick Shepherd (hyperpat)
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The book follows `Shori' a female vampire who has been genetically modified to make her black and therefore more comfortable in sunlight. She wakes in a forest suffering from amnesia and has to firstly find out who and what she is, how to survive, where to find others like her and work out who wants to kill her.
I had quite a few problems with this book. Firstly although Shori is technically 53 years old, she only looks about 12 so when she has sex with her human companion it's a bit disturbing to read. It's never made clear if the human in question wants to have sex with her because they share some kind of blood bond or if he finds young girls sexually attractive as they go at it quite soon after meeting.
Most of the book is spent wittering on needlessly about the complicated lifestyle of Butler's vampires while `Shori' finds out about her vampire nature and the ways of her human companions. It got boring and very very silly. Also the fact that Shori is genetically engineered is a theme that in my opinion is not fully explored, I feel that Butler really missed a good opportunity here. I did however finish this book because the writing itself was not bad and I think I will try this author again as she seems to be a very popular writer.
Also, reading other reviews I had high expectations about the plot and the details of the characters, but i was a bit disappointed.
Overall it is an easy book, take it without big expectations.
Entrance Octavia Butler. She takes the vampyre myth, renames it, resizes it, turns it around and suddenly we have man's classier cousin. Stronger, faster, better healing powers, the improved model all over - but still a little human, and co-dependent on humans, and devoted to humans. The ina (as Butler calls this improved model of humanity) don't kill humans, they feed on enough of them to live and meanwhile give some of their "vampire-ness" to the people they... and here it gets complicated and deliberately so: do they own the human beings who live with them? Are they part of their family? Butler assumes a complicated stance toward something that is caring and giving on one hand but dangerous and addictive on the other. She mixes a story about traditions, sexuality, and racism with a trial extraordinaire and puts it in easy-to-read yet beautiful prose. This is a vampire novel nobody needs be ashamed to have read and nobody needs be afraid would be made into a movie.
Read On!
Shori erwacht alleine und schwer verwundet in einer Höhle. Sie weiß nicht, was passiert ist. Sie weiß nicht, wer sie ist und vor allen Dingen weiß sie nicht, was sie nun tun soll, wohin sie sich wenden soll. Auf der Suche nach Antworten trifft sie auf einen jungen Mann, der nicht nur bereit ist, ihr zu helfen, sondern ihr auch Wärme schenkt und zu einer Art Familie für sie wird.
Nach und nach erfährt Shori mehr über sich selbst und ihre Vergangenheit - unter anderem, dass sie zu einer nicht menschlichen Rasse gehört, die womöglich schon länger als die Menschen auf der Erde verweilen und sich von deren Blut ernähren. Es stellt sich heraus, dass ihre Familie ermordet wurde und sie die einzige Überlebende ist. Verzweifelt macht sie sich gemeinsam mit Wright auf die Suche nach anderen ihrer Art und den Mördern ihrer Familie. Dabei stößt sie auf Abneigung von Seiten der Menschen sowie der ihrer eigenen Art. Doch Shori gibt nicht auf und kämpft für ihren Platz in dieser Welt und für eine Familie, in der sie sich geborgen fühlen kann.
Eine faszinierende Geschichte, die nicht nur Rassismus, sondern auch die für uns so klaren Moral- und Wertvorstellungen unter die Lupe nimmt und dabei eines ganz klar zu verstehen gibt: Liebe passt in keine Schublade und jeder - sei er blau oder grün, von dieser Welt oder einer anderen, ob er regelkonform oder nicht lebt - hat das Recht geliebt zu werden.







