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Flip the Script: Getting People to Think Your Idea Is Their Idea Hardcover – August 13, 2019
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Is there anything worse than a high-pressure salesperson pushing you to say "yes" (then sign on the dotted line) before you're ready?
If there's one lesson Oren Klaff has learned over decades of pitching, presenting, and closing long-shot, high-stakes deals, it's that people are sick of being marketed and sold to. Most of all, they hate being told what to think. The more you push them, the more they resist.
What people love, however, is coming up with a great idea on their own, even if it's the idea you were guiding them to have all along. Often, the only way to get someone to sign is to make them feel like they're smarter than you.
That's why Oren is throwing out the old playbook on persuasion. Instead, he'll show you a new approach that works on this simple insight: Everyone trusts their own ideas. If, rather than pushing your idea on your buyer, you can guide them to discover it on their own, they'll believe it, trust it, and get excited about it. Then they'll buy in and feel good about the chance to work with you.
That might sound easier said than done, but Oren has taught thousands of people how to do it with a series of simple steps that anyone can follow in any situation.
And as you'll see in this book, Oren has been in a lot of different situations.
He'll show you how he got a billionaire to take him seriously, how he got a venture capital firm to cough up capital, and how he made a skeptical Swiss banker see him as an expert in banking. He'll even show you how to become so compelling that buyers are even more attracted to you than to your product.
These days, it's not enough to make a great pitch.
To get attention, create trust, and close the deal, you need to flip the script.
- Print length256 pages
- LanguageEnglish
- PublisherPortfolio
- Publication dateAugust 13, 2019
- Dimensions5.66 x 0.85 x 8.49 inches
- ISBN-10052553394X
- ISBN-13978-0525533948
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Editorial Reviews
Review
- DAYMOND JOHN, co-star of Shark Tank and author of The Power of Broke and Rise and Grind
"Oren Klaff is one of the most engaging writers in the business world today. Flip the Script is hugely entertaining--you'll find yourself eagerly turning the pages, engrossed in Klaff’s remarkable tales of deal-making... then suddenly look up and realize he's just taught you a whole new set of complex sales techniques, and somehow made it fun."
- MATTHEW DIXON, coauthor of The Challenger Sale
"Oren Klaff should have been a spy. He could recruit and sell anyone. The stories in this book will keep you on the edge of your seat and show you how a true master of influence operates. In these pages, Oren shares the tradecraft you need to close any kind of deal."
- JASON HANSON, former CIA Officer and author of Spy Secrets That Can Save Your Life
"Flip the Script is the rare book that shows you how to increase your influence, at work and at home. Oren Klaff's methods are both intuitive and completely actionable. This book is loaded with real-world examples, some radical, some surprising, but all incredibly useful."
- JONAH BERGER, author of Contagious
"Flip the Script is a riveting book. This critically important handbook of influence principles is culled and perfected from Oren Klaff's remarkable career as an investment banker. Refreshing, insightful and above all, incredibly useful, this gives you the tools to create influence with integrity. It's a great read."
- PHIL JONES, author of Exactly What to Say
"When you pit your idea against your client’s idea, they’re likely to choose their own, even when yours is the better solution. In Flip the Script, you’ll get a master class in helping your client discover the advantages of your idea for themselves."
- ANTHONY IANNARINO, author of Eat Their Lunch and The Lost Art of Closing
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1
Why You Need Inception
The truly rich in Russia are called oligarchs, a term that has come to mean control, power, and ruthlessness. And Viktor [last name redacted] definitely deserves the title. His luxurious office sits atop a high rise overlooking the Moscow River. Viktor sits behind a presidential desk, wearing a tourbillion watch that I recognize from a popular gear and gadgets website, list price $1 million. Every wall in this office is decorated with photos of oil rigs, factories, container ships, and cargo planes he presumably owns; over his desk is a massive and oddly beautiful painting of an oil refinery with a caption engraved in brass, novogrod #12. Viktor is heavyset, tall, and burly-in another life he might have been a rugby player. His smile isn't a smile at all. The executives of all his companies fear him, and I fear him too.
There are three things you need to know about doing deals with Russian oligarchs. Number one, they aren't interested in losing money-ever, under any circumstances. Second, they don't make emotional decisions; Russians are raised on a steady diet of math, physics, engineering, and electronics, and they analyze every decision ten different ways, then have a shot of vodka and analyze it one more time. Third, you simply cannot lose an oligarch's money and say, "Yikes, sorry it didn't work, but I tried really hard," like you can in Silicon Valley. Instead, you need to do whatever it takes to get their money back.
So, if there's a World Championship of Dealmaking, this is it.
Why would I ever leave my comfortable Los Angeles office to travel across the world to participate in this kind of stress-inducing meeting?
MicroGenetics, the company I represented, needed to hire a dozen or more PhD mathematicians, but in the United States, these are a very rare and expensive commodity. Competent mathematicians easily command a million dollars per contract on the global exchange, and that was way over the company's budget. In Russia, however, you can still find skilled but affordable mathematicians, but not without a powerful local sponsor. Viktor was a man who could wave his finger and get us whatever we wanted. Bottom line, my client needed both his money and his approval in order to navigate the layers of bureaucracy that come with any deal in Russia.
This is how I found myself standing on the fifty-ninth floor of a tower in downtown Moscow, in an office that felt more like an exhibit at the Getty museum than a place of business. I was flanked on each side by translators and analysts, eager to get rid of me and keep Viktor on his precise daily schedule.
My presentation was just getting underway, but I was already in serious trouble. At first, Viktor was listening to me with great interest, nodding his head in comprehension as I explained our genetic sequencing technology that we believed would save millions of lives and revolutionize health care. When I paused to take a quick breath, he jumped in to criticize my deal in perfect English: "Your software code has many syntax and computational errors." But when I countered that point, describing a rock-solid contract we had with a major US tech firm, proving the technology worked, Viktor stared at me blankly, needing his translator to explain each word, even then looking distant and lost.
Back and forth we went like this. Every question he shot at me was forceful and articulate and from the mind of a brilliant investor. Every answer I gave was met with a blank stare. Then Viktor would say, "Please you explain this more better," and translators would step in for a long, drawn-out exchange that went nowhere.
I had to explain our technology to him in the same way I might show my elderly neighbor how to send a text message. "Human genetic data is like millions of grains of sand," I said, using a weird analogy I had just made up. Next I was using gestures that looked like hand puppets to help make this point.
Viktor cut me off: "That makes no sense."
Oh god. He was right. It didn't. Now my mouth was saying things my brain hadn't approved of yet.
I was losing control of this deal. But I had to keep moving forward. So I launched into the most exciting part of my pitch, explaining the revolutionary new features that set us apart in the world of genetic data.
Just before I finished, Viktor turned away from me, ignoring what I was saying. With his back to me, he spoke in Russian to his team of advisers for a few minutes. I didn't know if I was supposed to leave, wait quietly, or perform a magic trick.
Finally, he turned back to me, a little surprised I was still there. His eyes narrowed in an unfriendly way; then, when I opened my mouth to say something, he smiled broadly, waving his hand to cut me off. "Yes, yes, we know all this," he said, and looked at me as if I were a boring commercial you have to watch before the real show begins.
Viktor had taken away all my usual control points. He was using his power and a supposed language barrier to put me into a low-status position. I was acting needy and anxious, and negotiating against myself. This was a dealmaker's nightmare. I knew he was going to make an offer, because I was still in the room, but I also knew the terms of the deal would be horrendous.
As this unfolded, I was watching myself fall back onto the classic sales approach, with its tired old script: First become likable and build rapport, then explain "features and benefits," next do a trial close, and then fight like an alley cat to overcome all the objections the buyer has come up with.
Russian oligarchs do not like being sold this way or argued with, especially by Americans. And Viktor is definitely no exception to this rule. He has a big mustache, which the President of Russia once suggested he shave off because it looked too "Soviet." He said nyet to that request, and nyet to virtually every other demand put in front of him before and since. If I tried to overcome his objections and push a deal, he would never go along with it. I knew it. So if I wanted to walk out of that room with a check-on fair terms-it was going to have to be his idea to work with me.
I took a deep breath. It was time to flip the script.
I had been working on a completely novel way of telling other people about an idea or product so that they would come up with the idea to buy without my even having to ask. It's called Inception, and it's based on the latest research in neuroscience and behavioral economics. I've uncovered a way to plant an idea deep in another person's subconscious so that they take ownership of it and propose it to me as if it were theirs.
This approach is needed because traditional sales methods get you stuck in arguments and logical stand-offs-which is where I was headed with Viktor. Inception relies on a completely new set of tools: the Status Tip-off, the Flash Roll, Pre-Wired Ideas, Plain Vanilla, being Compelling, and the Buyer's Formula. I'll show you all of these later.
Back in Moscow, Viktor was moving fast and he wasn't giving me a chance to use any of these advanced principles. I knew what I needed to say, but he would switch the conversation to Russian at the worst possible time, and I couldn't get him to listen or understand me-he was just too good at the game. My time was about done and I'd gotten absolutely nowhere.
Try to imagine this for a second. You've spent twenty-five minutes talking to your only prospect, and in that time you've been ignored, interrupted, misinterpreted, and told your state-of-the-art technology seems old and outdated. None of your persuasive points have found a home, and all the material you have left to deliver is no better than the stuff that's already been rejected.
The problem I was facing in that room is the same problem salespeople face in any industry: You know what decision you want the buyer to make, but the more you push in that direction, they more they dig in, slow down, and change the agenda. They want to make their own decision on their own timeline. Buyers buy how they want to buy, not how you want to sell.
This is why today most things are bought; they aren't sold.
I realized that Viktor had pushed me to act like an amateur salesman and I was trying too hard to pitch him on the merits of the deal. I reminded myself to stop selling and instead establish myself as an expert, because a smart buyer like Viktor would never do a fair deal with an amateur.
I was ready to create Inception but I was also nervous to try this new approach on such a powerful dealmaker. Hopefully Viktor couldn't tell how anxious I was feeling, but then I realized it didn't matter. Inception doesn't involve feelings. I steadied myself and went back to work, focusing on elevating my status and proving my expertise.
I delivered a Flash Roll-a sixty-second display of pure technical mastery designed to alleviate any doubts about your authority on a subject. When Viktor turned to his translators for help, I was ready.
"Viktor, I do not allow you to be confused about this," I said. "You're one of the best investors in the world. And I am offering a Plain Vanilla deal, nothin' fancy at all. This is easy stuff. And we are almost out of time, so for the moment, you have to accept what I'm telling you at face value."
He nodded in acceptance, and I could tell I had impressed him. By flipping the script on him, I'd taken him by surprise. "Continue, please," he said imperiously, as oligarchs generally do.
Finally, I had the chance to reveal something called a Pre-Wired Idea that I knew would act like a back door to his mind. The moment you deliver a Pre-Wired Idea, buyers suddenly understand everything they need to know about what they should do next, without you having to explain it or sell it or even say anything at all.
My time was nearly up. "Viktor, this deal is a great fit for your company," I said. "But you already know that. So let's figure out what we're going to do together. Just tell me one of these two things. First, if you don't want to work with me, just say, 'Oren, I don't want to do the deal.' It's OK-I allow you to say that to me, and we can easily part ways. Otherwise, the second option is for you to say, 'Oren, I like you and I like the deal-let's move ahead.' Those are the choices; I just need to hear one. Either one is fine with me. Just tell me which it is."
Then I waited.
It felt like a huge risk to say this, but it was no risk at all-because the alternative would be to ask for the sale, to which he would instantly reply, "Send us the information and we'll think about it." Translation: "Nyet."
The next three minutes were silent and stressful, and I finally drank the warm vodka that had been poured for me an hour earlier. The silence grew uncomfortable for Viktor, and I let him be uncomfortable. He scratched some numbers on a notepad only because he wanted to end our staring contest. No matter the pressure and risk, I was not going to chase him. He had to chase me, if only a little bit. And then, at last, the ice broke. "Can we see the data again, please?" he said politely. My method had worked. He was chasing me, ever so slightly. Did I jump with excitement at this moment, or pull out a bunch of charts and graphs and race to a close? No I did not. Instead, I pulled out my phone and began looking for an Uber. And while I did, I casually explained my Buyer's Formula to him, just to be helpful.
"I do these kinds of medical software deals all the time," I said nonchalantly, like I'm in an oligarch's office every day. "The tricky part is handling patient data." And then I explained how I would choose to invest or not invest in the deal I was offering him. "Anyway, from doing this so many times, that's just how I would look at it."
This was it-the moment it all comes down to. It was time to ask Viktor if he was "in." It was time to push him for a yes.
Except it wasn't.
With the Inception scripts, you never tell the buyer what you want them to do-you never pressure them for a yes. You let them tell you they want to buy. I looked Viktor in the eye and said, "I need to head out for another meeting across town."
And then I heard the magic words that come when you successfully take a buyer through the six steps of Inception. "I like this deal. We can work together, so thank you please, now stay," he said thoughtfully, this time in very good English.
An hour later I had a $10 million deal on fair terms, a plan to hire the needed mathematicians, and the endorsement of a Russian oligarch.
Where the "Old Script" Came From
In ancient times, life was short and dangerous; survival from sunrise to sunset was not a sure thing. For much of early civilization, at least a quarter of all human males on the planet were killed every year by war, famine, tribal infighting, and things that bite, sting, inject poison, or stomp.
Everywhere you turned, there was something that could easily kill you. Moving too slow or in the wrong direction meant the difference between life and death; there was no time to second-guess yourself. Nobody else could be trusted. To survive, you needed to trust your own judgment above that of all others, no matter what, acting on your own ideas without hesitating, and resisting the influence of risky outside ideas. Anything new and foreign is untested and, therefore, not to be trusted. The human brain is thus wired by evolution to distrust any information from the outside world and to greatly favor that which originates inside us.
Since childhood, others have been trying to smuggle their ideas into your mind. So naturally your mental defenses have gotten really good. It's as if you have a small team of cognitive security guards and bouncers who are trained to keep unfamiliar and confusing ideas away.
Product details
- Publisher : Portfolio (August 13, 2019)
- Language : English
- Hardcover : 256 pages
- ISBN-10 : 052553394X
- ISBN-13 : 978-0525533948
- Item Weight : 12 ounces
- Dimensions : 5.66 x 0.85 x 8.49 inches
- Best Sellers Rank: #54,418 in Books (See Top 100 in Books)
- #54 in Running Meetings & Presentations (Books)
- #137 in Sales & Selling (Books)
- #180 in Communication Skills
- Customer Reviews:
About the author

With securities markets experience in capital raising advisory leadership, Oren is Director of Capital Markets at investment bank Intersection Capital where he manages its capital raising platform (retail and wholesale distribution), business and product development. Oren co-developed and oversees Intersection Capital's flagship product, Velocity™.
From 2003-2008 as he applied his pioneering approaches to raising capital and incorporating neuroscience into the capital markets programs, Oren raised over $400 million of investor capital from high net-worth individuals and financial institutions.
Oren is a member of Geyser Holding's investment committee where he has been a principal since 2006. During its growth he was responsible for sales, marketing, branding, product development, and business development. Previously, he was a venture analyst and partner at several mid-sized investment funds.
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Reviewed in the United States on February 12, 2020
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It isn't.
Klaff presents this book as a new and evolved pitch technique that helps you get through any resistance in the mind of the buyer/investor.
If you follow Klaff on LinkedIn, you quickly discover that he is highly confident and at times hard to take. The book tones this down quite a bit and his stories (positioned as examples of his techniques) are entertaining and well told. They do bury the introduction of the techniques and obscure the teaching in some instances.
I read the book while simultaneously listening to the unabridged audio so I could assimilate the information faster. I still found I needed to go back and dig through the chapters for the usable/actionable information. I did this willingly because I think the methodology is THAT good.
What you should do:
Read my outline below and then buy the book and read it (or listen to it) a few times.
One note: I see a difference between Klaff's original methodology outlined in Pitch Anything and Flip The Script. The original methodology is still great for large group, informational presentations. The new one is specifically for sales and selling and will work one-on-one as well as in a group setting.
Flip The Script: Getting People To Think Their Idea is Your Idea
Here is the outline of the methodology:
1. Status Tip Off
This is a story or phrase that demonstrates you are a member of the group you are pitching to. To formulate your status tip off you use:
Industry lingo
Describe a recent action you took
Mention real industry issue everyone cares about
This helps you connect with the audience and it triggers "likening" a psychological principle.
2. Flash Roll
This is linguistic fireworks that closes the credibility gap. It should be about a minute in length (when spoken) and about 250 words if you're writing a script.
What Klaff used as an example was the Marisa Tomei, car expert scene, from the movie My Cousin Vinny. It's perfect.
3. Prewired Ideas: Grab attention and Bypass Skepticism using three main premises:
Winter Is Coming/Approaching doom - Answers the question: "Why should I care?"
2X/Big Payoff - Answers the question: "What's in it for me?"
Skin in the Game/Fair Deal - Answers the question: "Why You?"
4. Plain Vanilla
Chunk all the risk into one category and minimize it as one small difference in approach. The idea is to get the client to think your solution is familiar but better - a new and improved version of a good thing. Klaff describes this as the "new normal."
"It has everything you like and it's better because we added..."
5. Leverage Pessimism
This is one of the most useful parts of the methodology. It will undoubtedly save you from handling objections and having heartburn. Here's how you do it:
First: Outline the buying process. Klaff calls this a buyers' formula. You say: "I do this all the time. Let me try and help." Then you tell them how the process should go.
Next: Outline the obvious ways to fail. Point them out and dismiss them.
"One obvious assumption is...Don't do that. Don't make that mistake."
Then: Highlight less obvious ways to fail. Point out hidden traps. Pull back curtain and show expertise.
Fourth: List obvious actions and steps. "Obviously you'll want to..."
Fifth: Share Hacks and shortcuts. "If it was me, what I would dois..."
Sixth: Hand over autonomy: "Well, that's just what I would do having done this a hundred times. You're the boss so you have to do what you want."
Finally: Keep In Bounds by dismissing other worries as irrelevant. "People always worry about that but it's never an issue. It will be fine."
6. Be Compelling: This is not necessarily a step but an overarching theme.
You need to have some unshakable beliefs and refuse to compromise them. Things like "never discount price." The way to do this is to write a personal script and review it over and over until you internalize it.
Bottom line: This is an excellent book and you'll find plenty of value in it. Review this outline again then read with it in mind.

Reviewed in the United States 🇺🇸 on February 12, 2020
It isn't.
Klaff presents this book as a new and evolved pitch technique that helps you get through any resistance in the mind of the buyer/investor.
If you follow Klaff on LinkedIn, you quickly discover that he is highly confident and at times hard to take. The book tones this down quite a bit and his stories (positioned as examples of his techniques) are entertaining and well told. They do bury the introduction of the techniques and obscure the teaching in some instances.
I read the book while simultaneously listening to the unabridged audio so I could assimilate the information faster. I still found I needed to go back and dig through the chapters for the usable/actionable information. I did this willingly because I think the methodology is THAT good.
What you should do:
Read my outline below and then buy the book and read it (or listen to it) a few times.
One note: I see a difference between Klaff's original methodology outlined in Pitch Anything and Flip The Script. The original methodology is still great for large group, informational presentations. The new one is specifically for sales and selling and will work one-on-one as well as in a group setting.
Flip The Script: Getting People To Think Their Idea is Your Idea
Here is the outline of the methodology:
1. Status Tip Off
This is a story or phrase that demonstrates you are a member of the group you are pitching to. To formulate your status tip off you use:
Industry lingo
Describe a recent action you took
Mention real industry issue everyone cares about
This helps you connect with the audience and it triggers "likening" a psychological principle.
2. Flash Roll
This is linguistic fireworks that closes the credibility gap. It should be about a minute in length (when spoken) and about 250 words if you're writing a script.
What Klaff used as an example was the Marisa Tomei, car expert scene, from the movie My Cousin Vinny. It's perfect.
3. Prewired Ideas: Grab attention and Bypass Skepticism using three main premises:
Winter Is Coming/Approaching doom - Answers the question: "Why should I care?"
2X/Big Payoff - Answers the question: "What's in it for me?"
Skin in the Game/Fair Deal - Answers the question: "Why You?"
4. Plain Vanilla
Chunk all the risk into one category and minimize it as one small difference in approach. The idea is to get the client to think your solution is familiar but better - a new and improved version of a good thing. Klaff describes this as the "new normal."
"It has everything you like and it's better because we added..."
5. Leverage Pessimism
This is one of the most useful parts of the methodology. It will undoubtedly save you from handling objections and having heartburn. Here's how you do it:
First: Outline the buying process. Klaff calls this a buyers' formula. You say: "I do this all the time. Let me try and help." Then you tell them how the process should go.
Next: Outline the obvious ways to fail. Point them out and dismiss them.
"One obvious assumption is...Don't do that. Don't make that mistake."
Then: Highlight less obvious ways to fail. Point out hidden traps. Pull back curtain and show expertise.
Fourth: List obvious actions and steps. "Obviously you'll want to..."
Fifth: Share Hacks and shortcuts. "If it was me, what I would dois..."
Sixth: Hand over autonomy: "Well, that's just what I would do having done this a hundred times. You're the boss so you have to do what you want."
Finally: Keep In Bounds by dismissing other worries as irrelevant. "People always worry about that but it's never an issue. It will be fine."
6. Be Compelling: This is not necessarily a step but an overarching theme.
You need to have some unshakable beliefs and refuse to compromise them. Things like "never discount price." The way to do this is to write a personal script and review it over and over until you internalize it.
Bottom line: This is an excellent book and you'll find plenty of value in it. Review this outline again then read with it in mind.

When Oren discusses the idea of inception and how to get people to pay attention you will find ways to get your buyer to be curious. When you can get buyers to chase you there is more power to your presentation. It was good to see reactance being talked about and how to counter it. You can play with this idea and come up with a few more ways to implement this strategy.
Here are a few concepts you will find in this book:
Dominance hierarchy - Your ability to connect with the person you are meeting with means you need to connect in seconds and prove you are supposed to be in the conversation or belong in the group.
Creating certainty - Your buyer is looking for you to be certain about your product or service. Oren does a great job of explaining how to get this certainty enter the mind of the buyer, purchaser or Board.
Pre wired ideas - Getting your buyer on board with the right story in the right order at the right speed with the right emotion. The "Flash Roll" is meant to get the buyers attention and shift the conversation. The brain is looking for any in congruent and will shut down when you play games. Your brain is looking for short cuts or similar adventures or events to base decisions off of. You want to get to person listening to belief how committed you are to get to where you are or for what you are doing, essence what will you lose if things go sideways. The brain is looking for proof that you are who you say you are and will do what you say you do to target the threat, reward and fairness receptor in the brain. The ability to explain that "Winter is coming" explained the right way keeps people spellbound.
The power of plain vanilla - The power of a straight forward simple conversation instead of complication means you have mastered your content and you belong.
Leverage pessimism - You will find most buyers are waiting for the perfect picture so you go the opposite and tell the negative of what happens. This technique helps removes skepticism you can create when you present.
How to be compelling - Most presentations suck and if you do not build your pitch deck the right way you will loose interest. Stop being needy and stop being desperate.
One of the ideas that is discussed in this book that can be glanced over is the power of a 90 second to 2 minute pre-planed conversation with the correct pace, vocal pitch and tone. Depending upon the situation the conversation can be fast and certain or deliberate and slow.
If you could harness the power of teachings from people like Dr Robert CIaldini, Dr Kevin Hogan, Dr Eric Knowles and Dan Ariely you would have the content from this book. Oren is like a Mad Scientist of persuasion.
The only thing I could see missing from this book is the technique of using emotional anchoring to help with the concepts taught in this book.
Top reviews from other countries

`I stood on a small ledge to get above the crowd, scanning for John a little too conspicuously by moving my head back and forth like a broken radar dish. I was soon drawing attention from some other conference goers.
An attractive woman said, “You look so tense.” Her companion said, “Relax … Altitude is a special place to meet new friends, find empowerment, and connect with yourself.”
I didn’t want to connect with myself. I only wanted to connect with John King. The women locked their arms with mine and swung me firmly in the wrong direction toward a bar in the corner of a patio. They insisted I have a drink, so I asked the bartender what beers she was serving.`
Now, anyone who has been on earth more than 5 minutes, knows that this is not how women usually behave. Unless your friend paid a prostitute to do it, or you're some kind of super-celebrity. Sorry Oren, you're not a super celebrity. And it probably wasn't a friend of Oren who paid prostitutes to do it either.
The only other logical reason for this, is that this is totally made-up. In fact, no normal person would write about themselves this way, getting picked up by 2 attractive women at random. It could only be a ghost writer who writes about Oren this way, to please Oren's ego, and Oren obviously thought it was the greatest section in the book, and left it there.
Now, I understand the need to tell stories, in order to make a point. But I simply can't believe these stories, they're not placed in reality. And it's not actually Oren telling these stories.
Oren most likely had a 1 hour chat, or make a 1 page draft for his ghostwriter (Andy Earle), explaining the concepts he wanted to tell about. Really basic things like, if you're on the same social level with someone, they will listen to you.
The whole point of this book is basically just to have a point to get clients in for Oren's fundraising work, proving he's the authority on this subject. He does not give a damn about actually teaching any of you.
But Oren has taught me the value of making a book to get clients, it seems like a super good idea. Hire a ghostwriter, and watch the 5 star reviews roll in.



His books and stories of his crazy sales situations will forever inspire me.
Pitch anything and flip the script are a must read
Thank you for existing Oren!
