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Focusrite Scarlett 2i2 (1st Gen) USB Recording Audio Interface
| Brand | Focusrite |
| Compatible Devices | Any computer |
| Supported Software | Ableton Live Lite, Scarlett Plug-in Suite, the Softube Time and Tone Bundle, Novation Bass Station |
| Connectivity Technology | USB |
| Number of Channels | 2 |
About this item
- High quality mic preamps
- Excellent digital performance
- Rugged metal unibody case
- Focusrite Scarlett 2i2 USB audio interface, truly portable interface
- Includes an authorization code for Ableton Live Lite, Scarlett Plug-in Suite (RTAS/AU/VST), Red 2 & Red 3 Plug-in Suite (AAX/AU/VST), the Softube Time and Tone Bundle, Novation Bass Station, and 1GB of Loopmasters samples
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Product Description
Focusrite Scarlett 2i2 Audio Interface
Housed in an award-winning and attractive anodized aluminum unibody chasis.View larger
Focusrite's Scarlett 2i2 is a 2 in/2 out USB recording interface featuring two award-winning Focusrite preamps. Housed in an attractive anodized aluminum unibody chassis, the interface not only sounds fantastic but looks great too. What's more, it's solid enough to take on the road when you travel.
The Scarlett 2i2 is much more than just a pretty metal box. For more than 25 years, Focusrite has designed some of the most popular microphone preamps in the industry. This experience has been used to create the transparent, low-noise and low-distortion preamp found not only in the Scarlett 2i2 but also the flagship FireWire interface, the Liquid Saffire 56. Plenty of available headroom makes it suitable for moving coil, condenser and ribbon microphones regardless of the source. Phantom power is provided for mics that need it.
View larger
Connect and Monitor Instrument Inputs for Recording
The front panel Neutrik combination input can be used to connect line and instrument level signals as well as microphones. This makes it perfect for recording the output of a synthesizer or stage piano, while at the flick of a switch, you can cater to the output of an electric or acoustic guitar. Unique halo indicators let you know that you've got a good signal level for recording. Red means that your signal is clipping, and that you should reduce the gain. The halo will momentarily turn amber as the level returns to a healthy level, at which point it will turn green. A large monitor dial provides a tactile control for the volume of your speakers, while a high quality headphone amp provides a clean yet loud signal to headphones connected to the front panel socket. The direct monitor switch routes audio directly from the inputs to both the headphone and speaker outputs. This allows you to monitor the incoming signal with zero-latency.
High Quality Mic Preamps
Scarlett 2i2 features two high quality award-winning Focusrite mic pres. With more than 25 years of experience in designing analog equipment, Focusrite produces the best mic preamps in the industry. The preamps found in the Scarlett 2i2 are no exception to this, and share the same design as those found in our flagship interfaces: Saffire PRO 40 and Liquid Saffire 56.
Direct Monitor Function
Flick the direct monitor switch on the front panel of your 2i2 and you will hear what you're recording through your speakers or headphones, without the signal having to go through your computer. This avoids the possibility of latency, which can be distracting when recording. With 24-bit resolution at sample rates of up to 96 KHz, the digital conversion in the Scarlett 2i2 is of very high quality, meaning that every note and every subtle detail is captured with great clarity.
Rugged Metal Unibody Case with Truly Portable Interface
The anodized aluminum unibody chassis ensures that your Scarlett 2i2 can withstand the harsh environment of the road. It also makes Scarlett 2i2 the most beautiful interface around. Scarlett 2i2 is very light and compact making it easy to fit in a laptop bag. It's also bus powered, meaning that you don't need an additional power supply. Simply plug in to your computer and hit record.
Included DAW and Effects Software
Inside the box you'll find an authorization code for Ableton Live Lite (available via online download), as well as Focusrite's Scarlett Plug-in Suite and the Red 2 & Red 3 PlugIn Suite (AAX/AU/VST) upon registration of interface. Compatible with all major DAWs, Scarlett plug-in suite provides EQ, Compression, Gate and Reverb-essential tools for polishing your mix.
View largerWhich Scarlett Interface Is Right for You?
The Focusrite Scarlett series comes in a range of interface configurations. Use the chart to the left to compare models and find the right Scarlett for your recording needs.
Product information
| Item Weight | 2 pounds |
|---|---|
| Product Dimensions | 9.6 x 4.1 x 6.6 inches |
| ASIN | B005OZE9SA |
| Item model number | SCARLETT 2i2 USB |
| Customer Reviews |
4.6 out of 5 stars |
| Best Sellers Rank | #37,363 in Musical Instruments (See Top 100 in Musical Instruments) #276 in Computer Recording Audio Interfaces |
| Is Discontinued By Manufacturer | No |
| Date First Available | September 23, 2011 |
| Color Name | Red |
| Compatible Devices | Any computer |
| Computer Platform | Mac/PC |
| Connector Type | USB |
| Hardware Interface | USB 2.0 |
| Supported Software | Ableton Live Lite, Scarlett Plug-in Suite, the Softube Time and Tone Bundle, Novation Bass Station |
| Size | small |
Warranty & Support
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Videos
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Customer Review: Full Video Review of the Scarlett 2i2
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Customer Review: Top quality, very easy to use, LOVE IT!
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Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviewed in the United States on February 9, 2016
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I purchased this to upgrade from my previous audio interface, the Behringer UF0202. That device worked quite well for this purpose as well but lacked two things: a volume knob, and balanced in/outs. The volume knob thing I could work around, but my current monitors seem susceptible to ground loops (even with a ground lift plug), so I needed to go with balanced cables. I'm glad I did. The balanced cables completely eliminated my noise problems. This was a good purchase. However, I would say to anyone who doesn't need balanced cables and is on a budget that they should consider the Behringer. It's a tiny fraction of the price and it works pretty well. Further, it's class complaint so you don't have to use Behringer's drivers. It's plug-and-play.
I have some good things to say about the Focusrite Scarlett 2i2 (all about the hardware) and some bad things (all about the software). I've tried using the driver version 2.1, which came with the disk, and the udpated 2.2, which I downloaded from Focusrite's website.
To let you know what I need in an interface:
1. Balanced stereo in/out
2. High quality headphone amp
3. Volume knobs for headphone amp and for the main line
4. Good digital-to-analog conversion
5. Low output latency (input latency not important to me)
I don't use the Mic preamps, which is one of the big selling points of this device.
================ The Good ====================
This box is simple and well-designed. It does what you want, has very convenient controls, and has high build quality. I'm pleased with the digital-to-analog conversion. It has a great big volume knob and another for the headphone amp. It has switches so each input can be a line-in or microphone pre-amp. It has a switch for zero-latency monitoring (of whatever is coming in).
* The headphone amp was of particular concern for me. I use headphones a lot and a poor headphone amp can be quite a problem. The Behringer headphone amp was only ok. Specifically, it has an output impedance of 50 ohms. The rule of thumb for good headphone/amp matching is that the output impedance should be 1/8 the impedance of the headphones--my hd 595's have 50 ohms of impedance. Breaking this rule you get distortions of the frequency response. In my case mostly this meant attenuation of the bass. Most manufacturers don't list their output impedance, possibly because they are embarrassed. Anyway, Focusrite does, which is one reason I trust them a little more. The output impedance is less than 10 ohms--respectable but not amazing. Still not as low as I would need in principle but I can notice an improvement in the bass response in my headphones. There's plenty of extra voltage here too, so I could drive higher impedance cans if necessary. Anyway, good headphone amp. Check.
* Balanced ins and outs work very well, The ins accommodates a 1/4 TRS style in and XLR. The light around them shows when something's actually coming in and shines red when it's in danger of clipping. There's lots of gain available. I have them turned all the way down almost. The outs are TRS style (balanced or unbalanced) and are located on the back.
* I like the look of the box, with a red metal case, and the front and back are sturdy and attractive as well.
* The USB cable is just a type B port. This means you can replace it if it gets damaged or whatever. The Behringer, for example, was hard-wired to its cable...king of annoying.
* It's bus-powered. I actually would have been fine with a wall-wart, but this is even more simple.
I really have no complaints whatsoever about the hardware.
===================== The Bad =========================
The driver for this thing is horrible under Windows XP. I have a clean installation with nothing installed except my DAW software, acrobat reader, and this driver. I mean, my computer is really stripped down. Performance using the Behringer was good. The latency (time between playing a note and hearing it out the speakers) was 8 ms using the Behringer, which isn't really perceptible.
Unfortunately the focusrite driver, though it's technically ASIO apparently, doesn't have anything like an acceptable latency. The lowest latency I could set it at and get sound out instead of crackles and pops was 23 ms. At that level the instrument begins to sound very sluggish and laggy. It's very difficult, at least for me, to work with a large latency like that.
I was ready to return this device when I decided as a last ditch effort to install ASIO4ALL. That's sort of an ASIO driver to use if you absolutely cannot make the manufacturer's driver perform at a decent level. I installed it and it worked. The output latency was a tiny 4.3 ms (only .3 of which are actually output latency, so this is REALLY impressive). I conclude that the hardware is very, very good in this machine, but the software is horrible.
Unfortunately, you can't actually uninstall the focusrite driver because otherwise windows doesn't recognize the device and it never even turns on--it's not class compliant, unlike the Behringer. So now I have two drivers for it installed, only one of which I use.
The bad news is that this configuration is very buggy. In general when I just turn the computer on and try and play my VST instrument, all I get is crackles and pops until I open the ASIO configuration panel and increase the buffer. The funny thing is that it doesn't matter where the buffer starts out, I always have to increase it before I get any good sounds out. I can start it out with a huge buffer--lots of latency--and it will crackle until I open it and increase the buffer yet more. I have to do this every time I turn on the computer. Also, sometimes if I leave it on for a while and come back, it will be crackly again until I increase it yet another step. We are talking about major bugs here.
I decided to try ditching ASIO4ALL and trying to make the focusrite drivers work again--maybe there was a setting I was missing. As I was trying to set the buffer size, I heard the sound of an explosion and then my computer rebooted. When it came back I couldn't get good sounds out, even when I turned the buffer way up. Tried rebooting a few more times, still didn't work. So I uninstalled and re-installed the focusrite software. At first it didn't work. I had to install ASIO4ALL as well, and now I can sort of get sounds out of it, half the time.
I hope you are getting the idea. These drivers are terrible. Awful. A monkey could have written a better driver. I would give it 1 star if it wasn't for the fact that the device works very, very well when all the stars align and the driver recognizes the drive and allows it to play. I guess I'm willing to sacrifice convenience and stability for nice hardware when it works. I would never use this in a live situation or when time is critical.
The good thing about drivers is that they can update and fix them. I'm hoping for that. They have already revised the driver once, which is amazing because even the 2.2 driver is seriously an abomination, just like the 2.1.
================ Closing Thoughts =======================
Unfortunately, there really isn't a USB interface that has a good driver. The Behringer driver always worked, but if you moved the interface from one USB port to the other, it was no longer recognized and you had to reinstall the driver. However, you didn't have to use the Behringer driver and ASIO4ALL would give you 11 ms and perform without any complications. That's about as trouble free as I've seen in this type of device.
If you read about the Presonus Audiobox USB and the M-Audio Fast Track Pro (probably the two closest competitors to this focusrite), what you get is a bunch of comments just like this one...horrible, horrible drivers that never get fixed. Actually Mackie makes a competitor as well, the Onyx Blackjack--but the reviews of that show that the driver is possibly even worse than this one. Unfortunately none of the pro music manufacturers cares about their drivers, so we have to live with unstable systems that only work half the time. Maybe it's better under mac. I don't know.
Interestingly, this is really the only USB 2.0 device in this range. That's quite shocking considering how long the USB 2.0 standard has been around. The only real implication of this is that the USB 1.1 devices like the M-Audio and Presonus can only do two channel 24/96 audio in OR out, not both at the same time. There's not enough throughput in USB 1.1.
So in light of the competition, the Focusrite looks kind of ok. Unfortunately all audio interface manufacturers--at least in this range of device--think there's no need for good hardware and (especially) good software. At least the hardware in this one is up to spec. We can cross our fingers for improved drivers in the future.
Bottom line: this is a fantastic, 5-star device...if you can make the software work consistently.
If you are on a tight budget or don't care about balanced in/out, I'd recommend you go with the Behringer UCA202 or UFO2020. They are tons cheaper, class complaint, and have better drivers. If you use a high impedance headphone with it, even the headphone amp is pretty good on that one.
================ Update May 2012 ==============
A new version of the driver, 2.3, came out since the writing of the above. The new driver actually works. I have stopped using ASIO4ALL and I get decent latency. Once in a while--not too often--it will inexplicably require me to edit the settings and increase the buffer, and some percentage of the time when I do that it will reboot my computer. If I don't change anything, most of the time, it works ok. I would never use this in a mission-critical setting (i.e., gigging or pro work), but for my home use, it's good enough now. If you have issues with the driver, definitely update.
i got it because everybody and they moms recommended it. and they was right.
6 yrs later and i ain't the most consistent with my music making frequency but it's definitely been used a lot with no issues. i think maybe one of the lil rubber feets came off a few years in bc i was taking it outside a lot and sliding it in and out a bag, but it ain't that deep, mfs used to drop mad bread on the vatos for three-wheel motion back in the 90s.
i don't be saying "built like a tank" bc literally only tanks is built like tanks, that's wild corny, but if i needed a weapon to hit a mf with and ain't have an actual weapon in my bag i'd feel pretty safe and confident with this. there ain't too much i own that can fall without my heart jumping out my chest bc i do not have money to replace anything, but this will for sure be fine.
if you break this "by accident" you need to accidentally find a damn therapist.
it also comes with pretty fire software bundled and I swear i did not know about most of it for years. like the Focusrite & Scarlett compressors and reverb and eqs or whatever that more obviously come with it seem decent and one of those compressors was one of my go-tos for a minute bc it felt easy to use, but some of the other stuff is for sure fire. (admittedly tho, idk anything about compressors and my mixing skills is mid)
as of now it comes with ableton live lite (like evey other piece of hardware in the world, i swear i got like 3 copies and have never used one), a older version of novation bass station, one XLN addictive keys instrument of your choice, Klevgrand DAWcassete, some Softube plugin bundle i never use but people say is simple & powerful, and a couple other things. the only interfaces i know of off top that might got a better software package than these is novation stuff but i'm not sure, i don't want to spend too much time and effort thinking about things i don't/can't have.
always remember to register your hardware and peep the bundled software, i wish somebody put me on game years ago. and check some of them periodically bc sometimes they add new stuff to the lineup and sometimes it be useful limited time things. even if it's like a lesser version of something you were already planning on buying, sometimes you can finesse just dropping a upgrade fee on something fly you got bundled with something for free. it's crazy. swear all i do is spit gems.
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When I first got this I spent 3 full days trying to get it set up to my laptop. . . What a nightmare, the sound card seemed to work sporadically, the set up process was hard and hit-and-miss, there was clipping, the sound quality was poor, I had to change the settings deep in the menus, use earphones to hear music whilst recording and not being able to play music from the laptop whilst recording. . . The list goes on. . . Nightmare. . .
But then. . .
I got a Mac. . .
What a difference. Everything just works. . No menu set ups, no sound card problems, nothing. . I don't have any clipping, the sound quality is spot on, basically all you have to keep a eye on is the volume on the focusrite to ensure your within the non-clipping limits, it's that simple. I can even record through my Mac whilst playing cover tracks through my Mac at the same time, so easy. . The only minor trouble I had was installing the packs, of which I only use the compressor, to do this I had to check online in some forums.
For anyone struggling to set theirs up this is what I do;
Plug my bass into a SansAmp VT which goes into the amp. The spare output from the SansAmp goes into the Focusrite. The focusrite goes into the Mac. And that's it, good to go. I can even Mic the cab and plug that into focusrite No.2 input to record direct and through the speaker at the same time, but I think direct works just fine on its own.
Have fun!
The direct monitoring feature is also very handy for zero latency monitoring. Another bonus for the interface is the fact that it is bus powered meaning that it is perfect for recording on the go. You could even record on the beach or in the car if you so desired.
The Focusrite 2I2 has the great feature of mixing the backing track to the vocalist with control of a single dial. The phantom power was a bonus for changing from one mic (a Shure SM58) to the N1-A.
Totally recommend to any home recordist. Style and layout is both aesthetically pleasing as well and ergonomically in function.
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