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Footnotes in Gaza Paperback – October 12, 2010
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"Sacco brings the conflict down to the most human level, allowing us to imagine our way inside it, to make the desperation he discovers, in some small way, our own."―Los Angeles Times
Rafah, a town at the bottommost tip of the Gaza Strip, has long been a notorious flashpoint in the bitter Middle East conflict. Buried deep in the archives is one bloody incident, in 1956, that left 111 Palestinians shot dead by Israeli soldiers. Seemingly a footnote to a long history of killing, that day in Rafah―cold-blooded massacre or dreadful mistake―reveals the competing truths that have come to define an intractable war.
In a quest to get to the heart of what happened, Joe Sacco immerses himself in the daily life of Rafah and the neighboring town of Khan Younis, uncovering Gaza past and present. As in Palestine and Safe Area Goražde, his unique visual journalism renders a contested landscape in brilliant, meticulous detail. Spanning fifty years, moving fluidly between one war and the next, Footnotes in Gaza―Sacco's most ambitious work to date―transforms a critical conflict of our age into intimate and immediate experience.
- Print length432 pages
- LanguageEnglish
- PublisherMetropolitan Books
- Publication dateOctober 12, 2010
- Dimensions7.8 x 1.05 x 10.4 inches
- ISBN-109780805092776
- ISBN-13978-0805092776
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- ASIN : 0805092773
- Publisher : Metropolitan Books; Illustrated edition (October 12, 2010)
- Language : English
- Paperback : 432 pages
- ISBN-10 : 9780805092776
- ISBN-13 : 978-0805092776
- Item Weight : 2.6 pounds
- Dimensions : 7.8 x 1.05 x 10.4 inches
- Best Sellers Rank: #27,687 in Books (See Top 100 in Books)
- Customer Reviews:
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About the author

Joe Sacco, one of the world's greatest cartoonists, is widely hailed as the creator of war reportage comics. He is the author of, among other books, Palestine, which received the American Book Award, and Safe Area: Gora�de, which won the Eisner Award and was named a New York Times notable book and Time magazine's best comic book of 2000. Hisbooks have been translated into fourteen languages and his comics reporting has appeared in Details, The New York Times Magazine, Time, Harper's and the Guardian. He lives in Portland, Oregon.
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The graphic narrative driven out of his personal-research where he becomes another character, another agent in the conflict, is truly outstanding. Sacco offers an intriguingly open and critical account of his efforts and perceptions as he explores the events of the 1956 killing in Palestine, while he visits a region about to witness the US war against Iraq that would topple the regime of Hussein. In doing so, not only he reveals a poignant account about the difficulties and importance of recuperating memories, even the smaller ones, but leaves a trite and cogent account of the past and current circumstances faced by Palestine.
Exploring these footnotes in history, sure enough will unfold universal truths for those willing to pick them up, but more importantly sets a memorable and committed effort to develop a graphic journalism with a cause, explored with rigor, on the ground, and setting new narratives worth sharing with a passion.
Hopefully to effect a softening and crumbling of American walls of complacency. Don’t walk here unless you are willing to confront your conscience.
It's the first book of this kind that I ever purchased.
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I wish more people do comics journalism. I consider it as more potent than written and TV journalism.
Centred around Sacco's quest to uncover the truth around Israel's massacre of 111 civilians in the town of Rafah in 1956 (a `footnote' in his early book, `Palestine'), Sacco expertly flits between his odyssey while detailing the current, miserable fate of those living in the Gaza Strip.
In a work that details horrific inhumanity, Sacco - conversely - brings great humanity to the vilified Gazans. The book is full of dark humour and personal insights, but nor is the author one to shirk from criticising Palestinians, for example when they glory in the deaths of American soldiers in Iraq.
The artwork is stunning in its detail. My favourite set-pieces are when Sacco zooms out of a scene, as if in a film, and reveals the full devastation of Gaza in minute detail.
Overall, as a reader, one is left bristling with anger at the injustices of Israel's horrific treatment of Palestinians, but Sacco retains an even tone throughout. Indeed the most obvious comparison one can draw with contemporary Gaza is that of the Warsaw Ghetto. Sacco stops short of making that comparison himself, but anyone studied in history will surely do so.
Recalling the Holocaust nevertheless reveals the one weakness in this work. Sacco is largely unsuccessful (although how far he tried, he never tells us) in getting the Israeli perspective on the massacre. What turned the victims of one historical injustice into the perpetrators of another in barely a decade? This is the most intriguing question of Israel's abuse of Palestinians, but one he never addresses.
This, nevertheless, is an important book and deserves its place among the literary canon on Palestine. It's cartoon-journalism may be mocked in some quarters, but that is nonsense and an injustice to a style that is as memorable as even the greatest writer could conjure.








