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Fortune's Rocks: A Novel Paperback – January 2, 2001
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Anita Shreve
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Print length480 pages
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LanguageEnglish
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PublisherBack Bay Books
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Publication dateJanuary 2, 2001
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Dimensions5.5 x 1.25 x 8.25 inches
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ISBN-100316678104
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ISBN-13978-0316678100
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Editorial Reviews
Review
About the Author
Anita Shreve began writing fiction while working as a high school teacher. Although one of her first published stories, "Past the Island, Drifting," was awarded an O. Henry Prize in 1975, Shreve felt she couldn't make a living as a fiction writer so she became a journalist. She traveled to Africa, and spent three years in Kenya, writing articles that appeared in magazines such as Quest, US, and Newsweek. Back in the United States, she turned to raising her children and writing freelance articles for magazines. Shreve later expanded two of these articles -- both published in the New York Times Magazine -- into the nonfiction books Remaking Motherhood and Women Together, Women Alone. At the same time Shreve also began working on her first novel, Eden Close. With its publication in 1989, she gave up journalism for writing fiction full time, thrilled, as she says, with "the rush of freedom that I could make it up."
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Product details
- Publisher : Back Bay Books; First Edition (January 2, 2001)
- Language : English
- Paperback : 480 pages
- ISBN-10 : 0316678104
- ISBN-13 : 978-0316678100
- Item Weight : 15.5 ounces
- Dimensions : 5.5 x 1.25 x 8.25 inches
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Best Sellers Rank:
#501,838 in Books (See Top 100 in Books)
- #42,377 in Historical Fiction (Books)
- #61,088 in Contemporary Romance (Books)
- #64,322 in American Literature (Books)
- Customer Reviews:
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Olympia Biddeford was, to me, a highly unlikable character. It is a testimony to Shreve's writing that I kept on reading despite this. Her lack of integrity, her total refusal to repent the evil of a love affair that hurt many innocent people, made me really angry. I know she was supposed to seem headstrong, sensual, and outside of the mores of her conventional turn-of-the-century world. Instead, Shreve shows us a spoiled young woman, much sheltered, doted upon, and privileged, who takes what she wants and doesn't much care who gets hurt in the process. I found it incredulous that such a properly brought-up young woman, living during the time that she did, would wantonly engage in a love affair with a man old enough to be her father, and care so little about the judgment of society and her parents. The scene in which they are discovered, in the chapel, on the altar of a church, was revolting. Why did Shreve choose this? And how can one possibly sympathize with this character after such behavior?
I also found the writing to be stilted, and I didn't understand the use of the present tense. I suppose it was to make the story seem more immediate, in spite of the awkwardly written 19th-century semantics. Instead, it just irritated me. "The Weight of Water", at least the parts about the Norwegian girl and her brother, was far better written, both elegant and believable.
Some people have compared this book to "Emmeline", by Judith Rossner. That is one of my all-time favorite books, and I can't really compare the two. Emmeline was a true innocent, manipulated by an older man as lonely as she, and her circumstances warranted all the reader's sympathies. Olympia, on the other hand, was the agressor in this love affair, and that she made out the winner in the end, just made me all the angrier.
So we have Olympia, vacationing with her parents near the ocean in an area called Fortune's Rocks. Carefully sheltered and well-tutored, Olympia has been raised to follow the usual course for cultured young ladies, marriage and family, in that order. But Olympia is swept away by the force of her own imagination and falls in love for the first time with a family man, a physician who is a friend of her father. While it is not uncommon for a young woman of Olympia's years to form an obsessive attachment to an older man, it is surprising that Olympia's passion is returned by 41-year-old John Haskell. His wife and four children are not living with him until their cottage is built. When Haskell reciprocates the fledging attraction, the two begin an ill-fated love affair. Too late, Olympia realizes that their actions will alter the future of both the Biddefords and the Haskells. The lovers are cunningly exposed and it is impossible to prevent the ensuing scandal. Olympia is with child and her father makes arrangements for the baby to be taken away from his daughter. The child is given to the local orphanage, and later placed with a local French Catholic family as foster parents. Three years later, when she is able, Olympia returns to Fortune's Rocks and endeavors to recover custody of her child. Her decision at this time and the consequences add much to the overall interest of the story. Olympia's quest leaves her once again with a decision that will impact more people than herself. Her final choices add the necessary maturity to this character. But we still must contend with the age difference between Olympia and Haskell. It is hard for this reader to understand how John Haskell can credit a fifteen-year-old with more maturity and life experience than is possible or even likely. Olympia eventually carries the weight of her actions credibly, including the tender affection for her first love. The pace of the story is sometimes uneven. Written in the wordy fashion of the times, while occasionally unrealistic, the novel piqued my interest after the lover's denoument, culminating with a thoughtful resolution.

