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Four Jews on Parnassus--A Conversation: Benjamin, Adorno, Scholem, Schonberg by Carl Djerassi With Illustrations by Gabriele Seethaler Hardcover – November 7, 2008
| Carl Djerassi (Author) Find all the books, read about the author, and more. See search results for this author |
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Theodor W. Adorno was the prototypical German Jewish non-Jew, Walter Benjamin vacillated between German Jew and Jewish German, Gershom Scholem was a committed Zionist, and Arnold Schönberg converted to Protestantism for professional reasons but later returned to Judaism. Carl Djerassi, himself a refugee from Hitler's Austria, dramatizes a dialogue between these four men in which they discuss fraternity, religious identity, and legacy as well as reveal aspects of their lives-notably their relations with their wives-that many have ignored, underemphasized, or misrepresented.
The desire for canonization and the process by which it is obtained are the underlying themes of this dialogue, with emphasis on Paul Klee's Angelus Novus (1920), a canonized work that resonated deeply with Benjamin, Adorno, and Scholem (and for which Djerassi and Gabrielle Seethaler present a revisionist and richly illustrated interpretation). Basing his dialogue on extensive archival research and interviews, Djerassi concludes with a daring speculation on the putative contents of Benjamin's famous briefcase, which disappeared upon his suicide.
- Print length232 pages
- LanguageEnglish
- PublisherColumbia University Press
- Publication dateNovember 7, 2008
- Dimensions7.75 x 1 x 9.5 inches
- ISBN-10023114654X
- ISBN-13978-0231146548
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The prodigiously illustrated book is a readable treatment of an important subject. ― Booklist
These four titular mid-20th century Jewish intellectuals from Germany and Austria come back to life with vigor. ― Library Journal
About the Author
Gabriele Seethaler, an Austrian biochemist who became a photographer and artist, began to fuse art and science in a project entitled Identity Genotype-Phenotype. The Viennese Gallery Heike Curtze has shown her work since 2000.
Product details
- Publisher : Columbia University Press; with music CD edition (November 7, 2008)
- Language : English
- Hardcover : 232 pages
- ISBN-10 : 023114654X
- ISBN-13 : 978-0231146548
- Item Weight : 1.8 pounds
- Dimensions : 7.75 x 1 x 9.5 inches
- Best Sellers Rank: #4,607,135 in Books (See Top 100 in Books)
- #672 in Deconstructivist Philosophy
- #2,134 in Mixed Media (Books)
- #3,165 in Jewish Social Studies
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About the authors

CARL DJERASSI, born in Vienna but educated in the US, is a writer and professor of chemistry emeritus at Stanford University. Author of over 1200 scientific publications and seven monographs, he is one of the few American scientists to have been awarded both the National Medal of Science (in 1973, for the first synthesis of a steroid oral contraceptive--”the Pill”) and the National Medal of Technology (in 1991, for promoting new approaches to insect control). A member of the US National Academy of Sciences and the American Academy of Arts and Sciences as well as the Royal Society (London) and many other foreign academies, Djerassi has received 24 honorary doctorates together with numerous other honors, such as the first Wolf Prize in Chemistry, the first Award for the Industrial Application of Science from the National Academy of Sciences, the American Chemical Society’s highest award, the Priestley Medal, and more recently, the Erasmus Medal of the Academia Europaea (2003), the Great Merit Cross of Germany (2003), the Gold Medal of the American Institute of Chemists (2004), the Serono Prize in Literature (Rome, 2005) and and the Great Silver Decoration for Services to the Republic of Austria (2008). In 2005, the Austrian Post Office issued a stamp in his honor.
During the past 23 years, he has published short stories, poetry (The Clock runs backward) and five novels (Cantor’s Dilemma; The Bourbaki Gambit; Marx, deceased; Menachem’s Seed; NO)—that illustrate as “science-in-fiction” the human side of science and the personal conflicts faced by scientists—as well as an autobiography (The Pill, Pygmy Chimps and Degas’ Horse), a memoir (THIS MAN’S PILL: Reflections on the 50th birthday of the Pill), a docudrama (Four Jews on Parnassus—a Conversation,) and seven plays: An Immaculate Misconception, Oxygen (written with Roald Hoffmann), Calculus, EGO, Phallacy, Taboos, and Foreplay.
Djerassi is the founder of the Djerassi Resident Artists Program near Woodside, California, which provides residencies and studio space for artists in the visual arts, literature, choreography and performing arts, and music. Over 2000 artists have passed through that program since its inception in 1982. Djerassi lives in San Francisco, Vienna, and London.
(There is a Web site about Carl Djerassi’s writing at http://www.djerassi.com)

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Extract:
Now, here's a strange thing: the most thrilling media-bending creation that we at post-Gutenberg have met is not by a gangling, google-eyed nineteen year-old muttering `mashup' and `re-mix' in sleeptalk, but by someone who will be ninety in October, writing imaginatively in voices brought back from the dead.
Carl Djerassi, who made his name as an inventor of birth control pills and has won high honours as both a scientist and technologist, is somehow cramming at least four lives into a single lifespan. His harbinger of mixed-media publishing's future evolution is a hybrid of ingeniously animated philosophical debate, art appreciation, experimental graphics and dramatization. It comes pressed between cardboard covers, titled Four Jews on Parnassus, and fitted with a pocket holding a CD compilation of clips from musical tributes by five composers to a single painting by Paul Klee.
We will call the result simply a book for shorthand. The right-sounding term for it has yet to be invented. It is available as an e-book**, but the images in it - roughly half of them feats of larky digital tinkering, and as essential to its purposes as the pictures John Berger chose for Ways of Seeing were to his - are best savoured on paper. Rolls Royce-grade colour printing on luscious glossy pages makes Four Jews on Parnassus virtually pirate-proof; cheap knock-offs are inconceivable.
If, as we believe, the only adequate reply to a great poem is a dance, if not another poem, then Four Jews is a re-creation ... [ continues here: [...]]
I read till now till the dialogue of the wife's, which I jumped by the end because of boredom. What a shallow, uninteresting book. Nothing about the philosophical insights or very little. I am now reading the angelus novus part. Till now I read more in Wikipedia about than here. Maybe it will change, but meanwhile if I would have been an editor, I would have never published such a shallow, charicatural and repetitive work.







