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This is a used CD in Near Mint (Pristine)condition, all inserts. I could detect NO scratches and disc plays perfectly If you are unsatisfied please let me fix any problems you may have BEFORE leaving feedback...02022016Bx4

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"Four" & More

Remastered

Miles Davis Format: Audio CD

32 ratings

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Audio CD, Original recording remastered, March 15, 2005

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Product details

Is Discontinued By Manufacturer ‏ : ‎ No
Product Dimensions ‏ : ‎ 5.62 x 4.92 x 0.33 inches; 3.84 Ounces
Manufacturer ‏ : ‎ Sony Legacy
Original Release Date ‏ : ‎ 2005
Run time ‏ : ‎ 54 minutes
Date First Available ‏ : ‎ July 27, 2006
Label ‏ : ‎ Sony Legacy
ASIN ‏ : ‎ B0007OP2CA
Number of discs ‏ : ‎ 1

Best Sellers Rank: #246,728 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #1,032 in Cool Jazz (CDs & Vinyl)
- #1,224 in Avant Garde & Free Jazz (CDs & Vinyl)
- #4,457 in Bebop (CDs & Vinyl)

Customer Reviews:
32 ratings

Customer reviews

5 star		89%
4 star		2%
3 star		6%
2 star 0% (0%)		0%
1 star		2%

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Top reviews from the United States

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E. Lybarger

An essential jazz classic.

Reviewed in the United States on February 10, 2021

Verified Purchase

What can I say, it's Miles.

One person found this helpful

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Leonard Starks

Vintage Miles

Reviewed in the United States on September 11, 2010

Verified Purchase

If you are a Miles Davis enthusiast, you must add this cd to your collection.
It really displays the artistry of Miles. The tunes are very well performed by all of the accompaning artist. A must have. Very prompt delivery (2 or 3 days).

Helpful

An Even More Upbeat And Swinging Live Note

Reviewed in the United States on April 7, 2015

Recorded on the same night of February 12, 1964 at Philharmonic Hall at Lincoln
Center in New York City (where the more balladic My Funny Valentine was recorded
live), The Miles Davis Quintet gave a more exhilarating and upbeat live performance
during this concert event. Released in 1966, “Four” And More showcase the Quintet
at it’s blistering best when the great jazz trumpeter and his stellar band mostly essay
the tempos, ranging from Indianapolis 500 to Bonneville Split Flats, to present a well
balanced albeit reconfigured repertoire featuring the familiar hard bop vitality of Four,
and Walkin’, newer’ post-bop compositions like Joshua and Seven Steps To Heaven,
as well as the standard There Is No Greater Love as the band perform with relatively
infrequent form at true supersonic pace. Performed at a sold out concert, “Four” And
More was spurred consistently by the rhythm section of Pianist Herbie Hancock, Ron
Carter on bass and especially by the cross percussion beat of drummer genius Tony
Williams, while Miles’ work in particular in the upper register was seldom well more in
command. Session saxophonist George Coleman, known as The Memphis Monster,
even lend his tenor saxophone solos where he plays better as he did during his brief
stay with Miles’ band in the early-1960’s until he was shortly replaced by saxophonist
and composer Wayne Shorter. Completely remastered and remixed in it’s complete,
original format, “Four” And More has never sounded more vibrant.

3 people found this helpful

Helpful

Robert Bezimienny

A wild ride...

Reviewed in the United States on February 2, 2006

This session bristles with energy. The pace is exhilarating! Aside from the astonishing virtuosity, the sheer verve of the music is uplifting - literally - it's hard not to have both feet tapping and find yourself leaning towards the edge of your seat. The remastered sound is excellent - great depth and breadth to the sound-stage, punch and drive from the bass, clarity and bite in the upper registers without any digital harshness - terrific immediacy - the sister recording, "My Funny Valentine", shares these virtues.
*
Miles is supercharged throughout. He deploys staccato volleys and wavering glissandos, going for an urgency rarely equalled on other recordings. George Coleman is of the same spirit, although he prefers a more classical, clean delivery of his torrents of notes - in the liner essay Miles is quoted as judging this night to be Coleman's best-ever performance. The entire essay by John Ephland is very interesting and has many nice turns of thought - for example, "Imagine, if you can, the sheer ecstasy, the rush of playing faster than you can think, the magical, perfect blend of technique with feeling spiralling out this way and that." A good summation of the listening experience. Tony Williams is a dynamic powerhouse - coupled with Ron Carter, the rhythm is impossible to ignore. In this context, Herbie Hancock is in danger of being overwhelmed, and while his work is fine and adds to the fire, this is not the best showcase of his wide talents.
*
The selection of these tracks from the February 1964 night at the Lincoln centre makes for a wild and exhausting listen - mixed with a few of the more reflective numbers played that night, from "My Funny Valentine", the ride becomes more comfortable and even more engaging. A stunning night's music.

13 people found this helpful

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An Old-Timer

Music is sometimes political

Reviewed in the United States on April 8, 2019

Every time I hear this I get teary-eyed, especially on numbers like "So What", "Walkin'", "Four", almost all of them - such powerful music so full of the rage that generated this concert as a benefit for black voter registration in Mississippi, and other states. It doesn't cut any closer to the bone than this.

One person found this helpful

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Robert Moran

Light Speed Jazz

Reviewed in the United States on February 28, 2009

I saw Miles play at least 10 times but sadly, not on the night of February 12, 1964 at Lincoln Center, the night his group created light speed jazz at tempos bordering on the unconscious. Tony Williams, the 18 year old prodigy, just took over and made these guys move in a way that simply is astonishing given just how experienced and talented a group this truly was. Every time I listen to this, I am struck by the spacing and openness of the sound and the power this group had in playing tunes they know by heart. It is a masterpiece that, in a round about way, is an up tempo salute to Kind of Blue, the greatest jazz album of all time as many of the compositions here are the same ones that Miles and Bill Evans penned for the earlier work. Absolutely one of the best jazz albums Davis ever did in this humble reviewer's opinion.

11 people found this helpful

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Rabbitfoot

beste Miles-Davis-SACD der 60-er Jahre

Reviewed in Germany on November 16, 2013

Verified Purchase

große Erwartungen hatte ich nicht, bevor diese SACD bei mir eintraf. Ich war vorher eigentlich ein Miles-Davis- Fan der späteren Jahre, so ab 1970. *Live- Evil* ist mein LieblingsAlbum. Frühere Aufnahmen hatte ich nie mit großer Begeisterung gehört. Sie waren mir meist zu "ruhig". Okay, um es kurz zu machen: "Four & More" ist das beste, was ich an Jazz-Aufnahmen kenne. Schnelle Stücke, unglaubliches Timing. Es soll sich um einen Zusammenschnitt zweier Konzerte handeln. Ob nun Live oder Studio, die Musiker spielen so, als wenn sie monatelang miteinander geprobt haben. Auffällig, wie musikalisch, lebendig und meist treibend Tony Williams das Schlagzeug bedient. Wieder mal ein Zeugnis, daß Miles Davis seinen Musikern sehr viel Freiheit ließ. Die anderen Musiker in Bestform sind:Ron Carter, bass, George Coleman, sax, Herbie Hancock am Piano. Von Anfang bis Ende eine mitreissende Platte. Die Klangqualität paßt !

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mike werkhoven

Five Stars

Reviewed in the United Kingdom on December 19, 2014

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Fast and safe delivery to the Netherlands.

Eminent Front

こんな長い演奏をよくこんな音質でレコード一枚にしたものだ

Reviewed in Japan on February 13, 2017

Verified Purchase

タイトルの通りなのですが、マイルスのファンで音質に少しでも拘る人であればMy Funny Valentineとこのアルバムが異様に長いため、オリジナルや評価の高い国内盤LPでも音に不満を持っていたと思います。３０分から４５分ぐらいがLPにとっては適切だと思いますが、MFSLが１時間の演奏を３３回転１枚という制約のなかで見事に本来の音質に仕上げました。Miles in the SkyやNefertitiは４５回転２枚組ですので、あえて長いこの二部作を３３回転１枚に収める選択に最初は首をかしげたのですが、期待をはるかに超える音質でした。技術に敬服します。（再生：DL-103R、DP-59L、フェーズメーションT-3、PMA-1500RE、B&W CM1またはT1 2nd Generation）

4 people found this helpful

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サンドラ

ここまで凄いとは。。

Reviewed in Japan on March 26, 2012

Verified Purchase

このレコーディングが行なわれた1964年というと、既に40年以上の歳月が流れているということに、まずは驚きます。そして、18歳のトニー・ウイリアムスの感性たるや、凄まじいものですね。自分が18のころ、何をやっていたのか（笑）
ハービー・ハンコックもロン・カーターも実に腰の据わった演奏で、しかも異常なこの演奏スピードにも余裕を持っているのに驚かされます。また、ジョージ・コールマンの演奏スタイルは、個人的には大好きで、むしろこのアルバムを有名にした功績は、ジョージ・コールマンにあったようにも思います。何よりもこの天才たちを発掘してきた、マイルス・デイビスに拍手。

5 people found this helpful

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にっさ

楽しめますよ。

Reviewed in Japan on March 12, 2016

Verified Purchase

今更ながらのマイルスファンですが、詳しい事は、しのごの言わず、楽しみましょう。良いものは良いのです。

One person found this helpful

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"Four" & More

Remastered

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