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Four Souls (Erdrich, Louise) Hardcover – Deckle Edge, June 21, 2004
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From Publishers Weekly
Fleur Pillager, one of Erdrich's most intriguing characters, embarks on a path of revenge in this continuation of the Ojibwe saga that began with Tracks. As a young woman, Fleur journeys from her native North Dakota to avenge the theft of her land. In Minneapolis, she locates the grand house of the thief: one John James Mauser, whom she plans to kill. But Fleur is patient and stealthy; she gets herself hired by Mauser's sister-in-law, Polly Elizabeth, as a laundress. Polly acts as the household manager, tending to the invalid Mauser as well as her sister, the flaky and frigid Placide. Fleur upends this domestic arrangement by ensnaring Mauser, who marries her in a desperate act of atonement. Revenge becomes complicated as Fleur herself suffers under its weight: she descends into alcoholism and gives birth to an autistic boy. In Erdrich's trademark style, chapters are narrated by alternating characters—in this case Polly Elizabeth, as well as Nanapush, the elderly man from Tracks, and his wife, Margaret. (Nanapush and Margaret's relationship, and the jealousies and revenge that ensue, play out as a parallel narrative.) More so than in other of Erdrich's books, this tale feels like an insider's experience: without the aid of jacket copy, new readers will have trouble feeling a sure sense of place and time. And Fleur herself—though fascinating—remains elusive. Nevertheless, the rich detail of Indian culture and community is engrossing, and Erdrich is deft (though never heavy-handed) in depicting the struggle to keep this culture alive in the face of North American "progress." The themes of fruitless revenge and redemption are strong here, especially when combined with the pull of her lyrical prose; Erdrich may not ensnare many new readers, but she will certainly satisfy her already significant audience.
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From Bookmarks Magazine
Erdrich has been universally hailed as one of the most talented writers of her generation, one who has captured the social, cultural, spiritual, and magical nature of the Ojibwe people and the rural landscape of North Dakota. Most critics agree that in the tragicomic Four Souls, narrated by three people, Erdrich is in top form, her magical realism and lyrical storytelling as vibrant and powerful as they were in the first books in this series, Love Medicine and Tracks. Only The New York Times takes Erdrich to task—not for her writing, but for the story itself, which seems “predictable and trite.” Other critics overlooked these faults in favor of Erdrich’s masterful descriptions, characterizations, and lyricism.
Copyright © 2004 Phillips & Nelson Media, Inc.
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Top Customer Reviews
Fleur's revenge on a white land speculator. A priggish white spinster is one of the narrators, each of whom is affected by the vengeance motif. A poetic and highly satisfying reading experience.