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The Fourth Man: A Thriller (Oslo Detectives Book 1) Kindle Edition
by
K. O. Dahl
(Author),
Don Bartlett
(Translator)
Format: Kindle Edition
|
Don Bartlett
(Translator)
Find all the books, read about the author, and more.
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LanguageEnglish
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PublisherMinotaur Books
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Publication dateMarch 3, 2009
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File size463 KB
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Books In This Series (7 Books)
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Editorial Reviews
Review
International Praise for K.O. Dahl and The Fourth Man:
“A Norwegian Mankell.” --Norra Vasterbotten (Sweden)
“I have read many clever and thrilling crime novels through my life, but often they have nothing to do with real life. If I don’t believe in them, they don’t impress me. But when K.O. Dahl tells his stories, I believe every single word.” --Karin Fossum, author of The Indian Bride
“An absorbing study of sexual enthrallment, dogged police work and a harrowing twist or two: Fans of procedurals…will snap this one up.” --Kirkus
“Recommend to fans of Karin Fossum and Kjell Eriksson. Dahl is a formidable talent whose books may well become as popular in the US as in Norway.” --Booklist
“A crime master of style... Dahl’s original trait, the rich language, is here fully developed. He is perhaps the most literary of our crime writers. He fully masters the use of images and re-takes that serve to emphasize and strengthen the text, the latter a risky business regardless of genre. In addition to this, he is a proper devil at describing emotions, and throughout the entire spectrum at that…. Conclusion: Kjell Ola Dahl has again written an excellent crime novel.” --Aftenposten (Norway)
“Effective and entertaining crime….We let ourselves be both mesmerized and entertained…” --Adresseavisen (Norway)
“Elite crime writing… Kjell Ola Dahl is one of the big names of Norwegian crime fiction, and The Fourth Man shows why: here, the plot is effectively narrated, the drive forward is dynamic and the reader is served his seconds over and over again…” --Stavanger Aftenblad (Norway)
“High-shine crime… a crime novel solidly and aptly constructed. Chock full of action, with precise shifts in tempo, sparkl...
“A Norwegian Mankell.” --Norra Vasterbotten (Sweden)
“I have read many clever and thrilling crime novels through my life, but often they have nothing to do with real life. If I don’t believe in them, they don’t impress me. But when K.O. Dahl tells his stories, I believe every single word.” --Karin Fossum, author of The Indian Bride
“An absorbing study of sexual enthrallment, dogged police work and a harrowing twist or two: Fans of procedurals…will snap this one up.” --Kirkus
“Recommend to fans of Karin Fossum and Kjell Eriksson. Dahl is a formidable talent whose books may well become as popular in the US as in Norway.” --Booklist
“A crime master of style... Dahl’s original trait, the rich language, is here fully developed. He is perhaps the most literary of our crime writers. He fully masters the use of images and re-takes that serve to emphasize and strengthen the text, the latter a risky business regardless of genre. In addition to this, he is a proper devil at describing emotions, and throughout the entire spectrum at that…. Conclusion: Kjell Ola Dahl has again written an excellent crime novel.” --Aftenposten (Norway)
“Effective and entertaining crime….We let ourselves be both mesmerized and entertained…” --Adresseavisen (Norway)
“Elite crime writing… Kjell Ola Dahl is one of the big names of Norwegian crime fiction, and The Fourth Man shows why: here, the plot is effectively narrated, the drive forward is dynamic and the reader is served his seconds over and over again…” --Stavanger Aftenblad (Norway)
“High-shine crime… a crime novel solidly and aptly constructed. Chock full of action, with precise shifts in tempo, sparkl...
Review
International Praise for K.O. Dahl and The Fourth Man:
“A Norwegian Mankell.” --Norra Vasterbotten (Sweden)
“I have read many clever and thrilling crime novels through my life, but often they have nothing to do with real life. If I don’t believe in them, they don’t impress me. But when K.O. Dahl tells his stories, I believe every single word.” --Karin Fossum, author of The Indian Bride
“An absorbing study of sexual enthrallment, dogged police work and a harrowing twist or two: Fans of procedurals…will snap this one up.” --Kirkus
“Recommend to fans of Karin Fossum and Kjell Eriksson. Dahl is a formidable talent whose books may well become as popular in the US as in Norway.” --Booklist
“A crime master of style... Dahl’s original trait, the rich language, is here fully developed. He is perhaps the most literary of our crime writers. He fully masters the use of images and re-takes that serve to emphasize and strengthen the text, the latter a risky business regardless of genre. In addition to this, he is a proper devil at describing emotions, and throughout the entire spectrum at that…. Conclusion: Kjell Ola Dahl has again written an excellent crime novel.” --Aftenposten (Norway)
“Effective and entertaining crime….We let ourselves be both mesmerized and entertained…” --Adresseavisen (Norway)
“Elite crime writing… Kjell Ola Dahl is one of the big names of Norwegian crime fiction, and The Fourth Man shows why: here, the plot is effectively narrated, the drive forward is dynamic and the reader is served his seconds over and over again…” --Stavanger Aftenblad (Norway)
“High-shine crime… a crime novel solidly and aptly constructed. Chock full of action, with precise shifts in tempo, sparkling good dialogue and a plot that carries all the way through.” --Bergens Tidende (Norway)
“A suspenseful and well costructed story… Stringent and directed towards an astounding denouement.” --Münchner Merkur (Germany)
“…an excellent crime novel has seen the light of day…” --Hersfelder Zeitung (Germany)
“A Norwegian Mankell.” --Norra Vasterbotten (Sweden)
“I have read many clever and thrilling crime novels through my life, but often they have nothing to do with real life. If I don’t believe in them, they don’t impress me. But when K.O. Dahl tells his stories, I believe every single word.” --Karin Fossum, author of The Indian Bride
“An absorbing study of sexual enthrallment, dogged police work and a harrowing twist or two: Fans of procedurals…will snap this one up.” --Kirkus
“Recommend to fans of Karin Fossum and Kjell Eriksson. Dahl is a formidable talent whose books may well become as popular in the US as in Norway.” --Booklist
“A crime master of style... Dahl’s original trait, the rich language, is here fully developed. He is perhaps the most literary of our crime writers. He fully masters the use of images and re-takes that serve to emphasize and strengthen the text, the latter a risky business regardless of genre. In addition to this, he is a proper devil at describing emotions, and throughout the entire spectrum at that…. Conclusion: Kjell Ola Dahl has again written an excellent crime novel.” --Aftenposten (Norway)
“Effective and entertaining crime….We let ourselves be both mesmerized and entertained…” --Adresseavisen (Norway)
“Elite crime writing… Kjell Ola Dahl is one of the big names of Norwegian crime fiction, and The Fourth Man shows why: here, the plot is effectively narrated, the drive forward is dynamic and the reader is served his seconds over and over again…” --Stavanger Aftenblad (Norway)
“High-shine crime… a crime novel solidly and aptly constructed. Chock full of action, with precise shifts in tempo, sparkling good dialogue and a plot that carries all the way through.” --Bergens Tidende (Norway)
“A suspenseful and well costructed story… Stringent and directed towards an astounding denouement.” --Münchner Merkur (Germany)
“…an excellent crime novel has seen the light of day…” --Hersfelder Zeitung (Germany)
About the Author
The highly acclaimed and award-winning crime writer K.O. DAHL’s popular crime series is now rapidly becoming an international success, and critics around the world have labeled him as Norway’s answer to Henning Mankell. Dahl has been awarded with the Riverton Prize, and has received nominations for Glasnyckeln (The Glass Key), the Brage Literary Prize, and the Martin Beck Award.
From Publishers Weekly
Little is as it seems in Norwegian author Dahl's U.S. debut, which features a tangled web of art theft, blackmail, torrid sex and double crosses. After femme fatale Elisabeth Faremo seduces Det. Insp. Frank Frølich of the Oslo police, Frank learns Elisabeth has a brother, the thug Jonny Faremo, and Elisabeth has used Frank as part of an alibi to help Jonny beat a murder rap. Later, Frank discovers that Elisabeth's female university mentor, Reidun Vestli, is also her lover. Reidun eventually turns up dead, as do Elisabeth and Jonny. Frank becomes a suspect in Jonny's death even as he begins to understand how an old robbery is connected to the murders. The entertaining if overstuffed plot is undermined at times by Frank's strange lack of reaction to Elisabeth's death and an unprofessional approach to forensic evidence relevant to the twist ending. Still, scenes like the one in which Frank finds himself locked in a sauna, doomed to become wrinkled to death, combined with the clinical style, make for an exciting read. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1
Two men had stopped outside the gate. Time to check them out. Frank Frølich skipped down the last two steps, went through the gateway, past the two men and out into the street. They didn’t react. He thought: They should have reacted. Why didn’t they react? He shoved his hands deep into his jacket pockets and with lowered eyes continued walking. In the window of the fishmonger’s, a man was shovelling ice into a polystyrene box. He shot a quick glance back over his shoulder. Neither of the men was taking any notice. They were still fidgeting with their rosary beads. One of them said something and both burst into laughter.
A rusty cycle stand creaked. A woman was pushing her bicycle into it. She walked past the boxes of vegetables on display. She opened the door to Badir’s shop. The bell over the door jingled. The door closed behind her.
Frank Frølich felt as though some wild beast were gnawing at his stomach: a customer in the shop? Uh-oh. That wasn’t supposed to happen at all.
He leapt into the road. A car braked sharply. The car behind hooted its horn and almost crashed into it. Frank Frølich ran up the pavement. He passed the bicycle, the boxes of mushrooms, grapes, lettuce and peppers – went through the door into the shop, which smelt like a rotten-apple cellar with the added sickly-sweet odour of oil.
The woman was alone in the shop. She had a shopping basket hung over her arm and was walking slowly between two lines of food shelves. There was no one else in sight. No one was sitting by the cash till. The curtain in the doorway behind the cash machine flapped gently.
The woman was short in stature. Her black hair was gathered at the back of her head. She was wearing jeans and a cut-off jacket. A small rucksack swung from her shoulder. Black gloves on her hands, fingers clutching a tin can. She was reading the label.
Frank Frølich was two metres away when it happened. He glanced to his left. Through the shop window he saw the police car on the other side of the street. They had started.
Suddenly he launched himself at her and dragged her down with him. Half a second later there was a screech of brakes. The man who sprang across the counter was one of the two with the rosary beads. Now he was holding a gun. A shot was fired. There was a jangle of broken glass. The display case containing tobacco and cigarettes tipped over. Another shot was fired. And then chaos. Sirens. Barking voices. Clattering heels. The noise of a door and glass breaking, shattering in a never-ending stream. The woman lay still beneath him. Cigarette packets showered down onto them. She was probably around thirty years of age, smelling of perfume. Her blue eyes glinted like sapphires. Finally Frank Frølich managed to tear his eyes away. Then he discovered her hands. Fascinated, he lay watching them industriously working away. Long fingers clad in leather, small hands automatically stuffing packets of cigarettes into her rucksack, which had come loose in the fall. Then he became aware of the silence. There was a draught from the door and window.
‘Frølich?’ The voice came from a megaphone.
‘Here!’
‘Is the woman all right?’
‘Yes.’
‘You’re a policeman,’ the woman whispered. She cleared her throat to speak.
He nodded and finally let her go.
‘Wouldn’t be a smart idea to pinch anything then?’
He shook his head, fascinated yet again by how efficiently the small hands took the cigarettes out of the rucksack. He rose to his knees.
They stood there looking at each other. She was attractive in a vulnerable sort of way; there was something about her mouth.
‘Sorry,’ he mumbled. ‘This shouldn’t have happened. Someone should have stopped you. Long before you came into the shop.’
She continued to stare.
‘There was a foul-up somewhere.’
She nodded.
‘Are you all right?’
She nodded again, put her arms to her sides. As yet he hadn’t looked around him, gained an overview of the situation. He heard the cold sound of flexi-cuffs being tightened around wrists and the curses from one of the men arrested. That’s what it’s come to, he thought. I rely on others.
‘May I take your name?’ he asked in an unemotional voice.
‘Have I done something wrong?’
‘No, but you were here. Now you’re a witness.’
The autumn days passed. A gloom pervaded the daylight hours and time crystallized into work: larceny – petty and grand, murders, suicides, robberies and domestic violence; everyday life – a series of incidents, some of which make an impression, while most are soon forgotten. Your consciousness is trained to repress. You crave a
holiday, two weeks on a Greek island in the summer or, slightly shorter-term, a long weekend on the ferry to Denmark. Drinking, shouting, laughing, homing in on a woman with just the right kind of husky laugh, who has warm eyes and thinks pointed shoes are absolutely great. But until that happens: days like photographic slides – images which flicker for a few seconds before disappearing, some easier to remember than others, but then those disappear too. Not that he thought any more about her. Or perhaps he did?
Perhaps he occasionally remembered the sapphire blue eyes, or the feeling of her body pressed against his – there on the floor of Badir’s shop. Or the man who was now slowly but surely being dragged through the mill of penal indictment, soon to be convicted of the organized smuggling of meat and cigarettes, then resisting arrest, threatening behaviour, illegal possession of a weapon and so on. Soon to swell the ranks of those waiting for an available cell to serve their term. Despite such thoughts crossing his mind, there was one thing Frank Frølich was pretty sure about, and that was he would never see her again.
It happened one rainy afternoon in late October. Darkness was drawing in; a cold wind was blowing up Grensen in Oslo city
centre. The wind caught hold of people’s clothing, replicating Munch’s paintings: shadows of figures ducking away from the driving rain, huddling up, using their umbrellas as shields or – if they didn’t have an umbrella – thrusting their hands into their pockets and sprinting through the rain in search of a protective ledge or awning. The wet tarmac stole the last of the daylight, and the water trickling into the tramlines reflected the neon glare. Frank Frølich had finished work and was feeling hungry. Accordingly, he made for Kafé Norrøna. The room smelt of hot chocolate with cream. He immediately wanted some and queued up. In front of the cash till, he changed his mind and asked what the soup of the day was.
‘Italian. Minestrone.’ The serving lady was the impatient kind, sour expression and limp posture.
He took his tray of hot soup, a roll and a glass of water. Found a place by the window, eased himself onto the stool and stared out at the people hurrying down Grensen with upturned collars. A woman rested her chin on the lapels of her jacket to keep it closed. The
rain worsened. The reflections of car lights and flashing neon signs swept across house walls. People in the street resembled cowering
children, hiding from a booming voice somewhere above.
Product details
- ASIN : B004L62EW6
- Publisher : Minotaur Books; Illustrated edition (March 3, 2009)
- Publication date : March 3, 2009
- Language : English
- File size : 463 KB
- Text-to-Speech : Enabled
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 289 pages
- Lending : Not Enabled
-
Best Sellers Rank:
#244,397 in Kindle Store (See Top 100 in Kindle Store)
- #2,262 in International Mystery & Crime (Kindle Store)
- #3,176 in International Mystery & Crime (Books)
- #4,955 in Police Procedurals (Kindle Store)
- Customer Reviews:
Customer reviews
4.1 out of 5 stars
4.1 out of 5
76 global ratings
How are ratings calculated?
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness.
Top reviews
Top reviews from the United States
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Reviewed in the United States on January 2, 2021
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All the books in this series are great Nordic noir.
2 people found this helpful
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Reviewed in the United States on August 1, 2018
Verified Purchase
I really tried to like this story, but the main character's sexual obsession with a girl he meets in a robbery is truly absurd. Then of course we have him drink too much and go off the reservation, investigating a crime that he is not permitted to. Gosh where have we seen all this before? I didn't bother to finish it.
4 people found this helpful
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Reviewed in the United States on September 14, 2013
Verified Purchase
I like Dahl's ability to construct a good story, with the use of plot twists and red herrings in these tales of Oslo, Norway police detectives. I read the later story - The Last Fix - first, and thought it was better in its character development, but that could be because I read it out of order. I would suggest reading all the books in order of publication to appreciate the way the author adds layers to the characters. But I read foreign mystery writers most of all to get insight into their cultures. For this, Dahl delivers well. From his spare descriptions of the climate, the culture, the difficulties of murder investigations with inadequate staffing, and the cities of Norway, I feel as though I have traveled there myself. I can compare Dahl to other favorites of mine, such as Chandler and Simenon. I plan to read further books about Froehlich an Gunnarstranda as I locate them secondhand.
2 people found this helpful
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Reviewed in the United States on June 25, 2018
Verified Purchase
A very close second to Hakan Nesser's procedurals. Very good read.
3 people found this helpful
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Reviewed in the United States on April 4, 2019
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Great detective story with lots of twists and turns.
3 people found this helpful
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Reviewed in the United States on April 2, 2011
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Ahh, I have another author to put on my list of favorites. A very good mystery coupled with a desperate romance. I enjoyed this book even with the love angle.
5 people found this helpful
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Reviewed in the United States on February 12, 2010
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A well written and imaginative story. Sometimes confusing for an old lady like me but never gave up. More sex and emotional factors than any other Scandinavian police procedural, not really so necessary but didn't detract from the overall story. Perhaps to attract American readers. Back cover 'blurb' compares Dahl to Henning Mankell - no one can write like Mankell.
11 people found this helpful
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Reviewed in the United States on June 2, 2009
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This book reads like another author channeling Henning from Sweden. Same down trodden, depressed hero --some how hes instantly attractive and seduced and off we go to find the missing person and murder. I can't say I ws surprised at the end --odd 75% of the way thru the book I couldn't of cared less. I'm not sure of the trechnical reasons why but it maybe because of the sameness of everything going on....it gets dull. So clear writing, good narrative, predictable plot, but in the end...yawn.
5 people found this helpful
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Top reviews from other countries
G. D. Busby
4.0 out of 5 stars
Norwegian crime fiction...
Reviewed in the United Kingdom on September 17, 2012Verified Purchase
It's a while since the initial pages of a novel held my attention quite so much; indeed, right up to page 27. Great. I couldn't avoid a comparison: Jo Nesbo's book The Redeemer is set, principally, in Oslo, like The Fourth Man; it's faster-paced and, yet, does not read like quite the same quality. Why? I do not know although it's interesting that Faber & Faber publish The Fourth Man and, like many must do, associate them with 'literary' fiction.
Chapter 25 (pp 197-198, yes, a two page chapter) is inspired. It concerns a goldfish... Trying to avoid reading other reviews before writing this, I could not help notice somebody else has suggested this novel 'tails off'. Yes, but it does not do so dramatically. This is Dahl's first publication in English and the translation is by Don Bartlett who I think has done a sterling job.
Chapter 25 (pp 197-198, yes, a two page chapter) is inspired. It concerns a goldfish... Trying to avoid reading other reviews before writing this, I could not help notice somebody else has suggested this novel 'tails off'. Yes, but it does not do so dramatically. This is Dahl's first publication in English and the translation is by Don Bartlett who I think has done a sterling job.
Kim Harland
1.0 out of 5 stars
Unhappy
Reviewed in the United Kingdom on March 11, 2016Verified Purchase
Not happy over 50 pages missing and the rest of the pages bound in the wrong order.
One person found this helpful
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